Richard S. Castellano Movies

This action film follows the childhood alliances of "Lucky" Luciano, Meyer Lansky, and "Bugsy" Siegel and their reign as the kings of the 1920s crime scene. ~ Iotis Erlewine, Rovi

Originally screened as a mini-series on the NBC television network, this epic-length feature combines the entirety of The Godfather and The Godfather Part II with 15 minutes of outtakes from the two films, recutting the material into chronological order (clarifying the complex structure of The Godfather Part II, which jumped back and forth between events that occurred before and after the narrative of the first film). The Godfather 1902-1959: The Complete Epic tells the tale of the Corleone Family, from the arrival of Vito Corleone in the U.S. as a boy and his rise to criminal power as a young man (played by Robert DeNiro) to the decline of his empire decades later. While some of the original material was censored for television broadcast, when The Godfather 1902-1959: The Complete Epic was later released on home video, the altered footage was restored to its original content. However, this proved not to be the final and complete document of the Corleone saga, as Francis Ford Coppola added another chapter to the story nine years later with the release of The Godfather Part III. ~ Mark Deming, Rovi

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, Rovi

Lovers and Other Strangers became a "sleeper" hit, based on a play by Renée Taylor and Joseph Bologna. The story is essentially a series of vignettes and anecdotes, unified by an impending marriage. Father of the bride Hal (Gig Young) has problems with his long-suffering mistress, Cathy (Anne Jackson), who spends much of the film sitting on the toilet, crying her eyes out; Wilma (Anne Meara), the bride's sex-starved sister, can't wrest her husband, Johnny (Harry Guardino), away from the TV; and Frank (Richard S. Castellano), as the groom's father, slips comfortably into Bartlett's Familiar Quotations with his oft-repeated query "So what's the story?" Twelfth-billed Diane Keaton makes her film debut as a garrulous wedding guest. ~ Hal Erickson, Rovi

Sean Connery attempted to make a clean break from his "James Bond" image in the boisterous comedy A Fine Madness. Connery plays Samson Shillitoe, a Brendan Behan-like poet with a mile-wide misogynistic streak. Try as he might to complete his latest masterpiece, Shillitoe is constantly interrupted by the women in his life. Driven to a nervous breakdown, he seeks help from the medical establishment -- and ends up a babbling shell of his former self. The film takes scattered potshots at a repressive society that forces the truly creative among us into near-madness; at times, it is sidesplittingly funny, though never quite as potent as the Elliot Baker novel upon which it is based. Sean Connery is brilliant, but the public wanted James Bond to behave himself, thus the film didn't do as well at the box office as it should have. ~ Hal Erickson, Rovi