Jean Yanne Movies

Regis Wargnier's epic about French Indochina -- from the years of French colonial imperialism to the days when American presence made itself felt and the country became known as Vietnam -- is a story of romance and separation told through the backdrop of a country in turmoil. The film centers on the relationship of the beautiful and imperious Eliane (Catherine Deneuve), a French rubber-plantation owner, and Camille (Linh Dan Pham), her adopted Indochinese daughter. The mother and daughter are very close until a diffident naval officer, Jean-Baptiste (Vincent Perez) enters their lives. Eliane is in love with him, but Jean-Baptiste and Camille become attracted to each other and fall in love. Thinking that she is doing Camille a favor, Eliane arranges to have Jean-Baptiste transferred to the far-away Tonkin Islands. But Camille flees the plantation to go to the man she loves. As she travels the country, she gains a greater knowledge and respect for the people of her homeland. When the government tears her from Jean-Baptiste and their infant child and arrests her for crimes against the state, she becomes politicized and becomes a supporter of the communists in the country's civil war. As the country rocks in turmoil, Eliane becomes a personification of France, coolly walking amid her peasant workers, neither bowed nor afraid, grimly looking westward. ~ Paul Brenner, All Movie Guide

Literary critics long regarded Gustave Flaubert's iconic French novel Madame Bovary as unfilmable (despite several attempts by Vincente Minnelli and others to bring it to the screen), but Nouvelle Vague architect Claude Chabrol set out to definitively prove them wrong with this Oscar-nominated feature adaptation from 1991, starring Isabelle Huppert (The Lacemaker). Huppert stars as Emma Bovary, a woman whose happiness depends exclusively on elements outside of herself. She spends her days indulging in flights of fancy and endless romantic longings, emotionally estranged from her good-natured but ignorant husband Charles (Jean-François Balmer) a physician whom she married as an escape from her landowner father's farm. Her fate seems poised to change when she meets and falls hard for Rodolphe Boulanger (Christophe Malavoy) - a lover who takes her to bed and then vows to elope with her. Pinning all of her hopes on this, she invests in a traveling costume that she's unable to afford (rendering herself completely in debt with a local millner), and plans to skip town with Rodolphe when the monies come due. Alas, Rodolphe, as it turns out, never planned to follow through with the elopement plans, and promptly abandons Emma, leaving her to face the dire consequences of her foolish decisions. ~ Nathan Southern, All Movie Guide

French Guiana has long been the site for some notorious prisons surrounded by dense jungle. In this story, Noel Caradec (Richard Berry) is a bereft son who has come from France to the tropical South American country to look for his father, who fled from the prison and disappeared years ago. He runs into serious opposition from the owner of a hotel and bar known as Cayenne-Palace. The man also happens to be at the center of all the illegal goings-on in the region. However, Noel is not entirely without friends, as his half-brother Xavier and the people of the jungle are on his side. ~ Clarke Fountain, All Movie Guide

This drama looks into the life of French painter Paul Gauguin. Donald Sutherland plays Gauguin as he struggles through a few years in the 1890s in Montmartre after he has come back from his first stay in Tahiti. His new and radical painting style is not amenable to easy acceptance, as witnessed by August Strindberg's rejection of it here. The best segments of this film show the artist at work and talking with his friends, other less successful moments show him in amorous liaisons or in one case, in a fight sequence. Most of all, his dedication to his artistic vision as well as the depth of his personality are elements which maintain interest throughout, in a large part due to Sutherland's insightful portrayal of the artist. ~ Eleanor Mannikka, All Movie Guide

In a first-time production by television comedians and café-theater actors, this is a slightly shallow comedy about a novice private detective and his cohorts, out to capture a feared "telephone killer" who strangles his victims (all female) with a phone cord. "The Commissioner" (Jean-Claude Brialy) runs the police investigation -- a kind of investigative competition with the amateur sleuths. A series of episodic sequences, comedic situations, and gags carry the action through to the final roll of credits, helped only a little by cameos from Michel Galabru, Jean Yanne, and others. ~ Eleanor Mannikka, All Movie Guide

In this political drama, Hannah Kaufman, a Jewish-American attorney, must defend Selim Bakri, a young Palestinian suing Israel for the right to live on his Left Bank ancestral land. The government's lawyer, a cocky Israeli attorney, is Hannah's lover and the father of her unborn child. Conflict ensues when Hannah and Selim also become lovers. ~ Sandra Brennan, All Movie Guide

French filmmaker Robert Menard made his directorial debut with Une Journee en Taxi. Giles Renaud plays the imprisoned "fall guy" for a gang of bank robbers. Given a 36 hour parole, Menard is determined to track down and kill the man responsible for his incarceration. He hails a taxi, driven by lonely, garrulous Jean Yanne. As the friendship between fellow misfits Renaud and Yanne deepens, the convict begins to have second thoughts about vengeance. When Renaud does catch up with his quarry, Yanne finds himself "refereeing" the showdown. Une Journee en Taxi is highlighted by several jokes comparing Montreal with Paris, which most certainly raised a few chuckles in Canada and France but didn't play as well in English-speaking countries. ~ Hal Erickson, All Movie Guide

The 20th century not only produced the modern woes of super-highway crashes and interminable traffic jams, but also movies that center around the same theme. In this drama about life and death in the fast, middle, and slow lanes, Juliette (Carole Laure) finds herself stranded on a busy highway leading from Paris south to cities like Lyon. She was supposed to meet her lover, and is driving his car when she stops at their appointed roadside rendezvous. Instead, their deception has been discovered by her lover's wife, who is waiting for her, and drives the car away in a huff. Juliette is left to thumb it back to Paris. She soon hooks up with Arthur Colonna (Jean Yanne), who gives her a ride, and the two begin to wend their way northward along the highway. Interspersed with their journey is a series of cinematic "asides" that delve into tragic mishaps, such as the aftermath of a crash in which a woman was killed, her husband stumbling along the highway, still in shock -- and the brief story of a surgeon named Kalendarian (Georges Wilson) who struggles to find the needed transfusions for the crash victims on this busy weekend. The relationship between Juliette and Arthur begins to turn from casual to interested when they suffer a bad accident from which they both manage to come out unscathed -- leaving an indelible effect on their growing relationship. ~ Eleanor Mannikka, All Movie Guide

In this political drama, the dirty undercover machinations behind the international arms trade are exposed when Angela (Monica Vitti) unsuspectingly accepts some documents from a friend. She becomes the object of a hunt by French government forces, headed by Leroi (Jean Yanne).The government feels that it is vitally necessary that the public not get wind of the truly distasteful aspects of this large international industry. ~ Clarke Fountain, All Movie Guide

Isabelle (Jodie Foster) is a young American girl who has accompanied her older sister Ble (Sydne Rome) a model, to Paris. There, the two of them have romances. For the teenaged Isabelle, her romantic and sexual encounter with Isidore (Bernard Giraudeau) is her first. ~ Clarke Fountain, All Movie Guide

In this satire, Jean Yanne punctures the pretensions of French show business, from music halls, to classical concert halls and even pornography. In the movie, he plays an indefatigable producer whose efforts sufficiently offend the big money people and the police so that his life is in danger. ~ Clarke Fountain, All Movie Guide

Marcello Mastroianni stars in this French farce, an absurd "western" set in Paris, with Mastroianni as the incurably vain General George Armstrong Custer. Richard Nixon is the American president, but everyone is costumed appropriately for the previous century. Buffalo Bill (Michel Piccoli), the famous scout, is here portrayed as a limp-wristed bungler. Ugo Tognazzi plays one of Custer's Native American opponents; he runs a curio shop selling Native artifacts made in sweatshops by white women. The climactic battle is held in a large construction excavation where Les Halles market used to be. The language the two sides use to justify their conflict is lifted from that used in the then-current Vietnam War. ~ Clarke Fountain, All Movie Guide