Rony Yacov Movies

The fifth film version of the classic 19th century children's tale by Ouida (aka Marie-Louise de la Ramée), A Dog of Flanders tells the story of young Nello (Jesse James), a boy growing up with his grandfather Jehan (Jack Warden) after the death of his parents. Although Jehan has little in the way of material wealth, he loves his grandson and tries to encourage him in his pursuits; Nello also has the support of his best friend Aloise (Madyline Sweeten) and the love of his faithful dog, Patrasche. Following in the footsteps of his late mother, Nello has an interest in art and has taken up drawing. His work catches the eye of Michel La Grande (Jon Voight), a famous artist who lives in town and offers Nello encouragement. However, as he grows older, the friendship between Nello (now played by Jeremy James Kissner) and Aloise (now played by Farren Monet) is jeopardized because her family feels that a lower-class boy like Nello is not a fit companion for a respectable girl like their daughter. Hoping to earn money and advance his career as an artist, Nello enters a competition for painters on the advice and coaching of La Grande. However, the prize goes to a less skilled but more socially prominent art student. Discouraged, Nello and Patrasche leave home for a journey that will teach them and those around them an important lesson about friendship. A Dog of Flanders represents a change of pace for director Kevin Brodie, whose previous credits include the college comedy Delta Pi and the thriller Treacherous. ~ Mark Deming, All Movie Guide

Maruschka Detmers stars as Hannah Senesh, a real-life Hungarian Jew who became a martyr to the cause of freedom during WW II. Though safely ensconced in Palestine at the outbreak of the war, Hannah volunteers to venture behind enemy lines in Europe on a life-or-death mission. Unfortunately, she is captured, undergoing unspeakable tortures before the Germans are finished with her. The script, based on Hannah's diaries (as edited by Yoel Palgi), surprisingly downplays heroics in favor of sensationalism; the prison scenes could just as well have been lifted from a Linda Blair "babes behind bars" picture. Even so, Detmers is excellent in the title role, while Ellen Burstyn is likewise superb as Hannah's mother. ~ Hal Erickson, All Movie Guide

In this well-wrought, fast-paced caper flick, a naive, good-hearted waitress doesn't think twice about helping her troubled roommate. Unfortunately, her help lands her in Central America fleeing for her life with a grungy mercenary. They are chased because the two are believed to have possession of a priceless religious icon. ~ Sandra Brennan, All Movie Guide

Sylvia Kristel adds her sexual allure to the story of Mata Hari (Margaretha Geertruida Zelle), executed by the French in 1917 at the age of 41 for being a double agent. In reality, "Mata Hari" had been married, had children, and performed as a dancer around Europe -- not the normal background for a spy. And according to the man who requested her execution, Captain Ladoux, she was a lousy spy indeed. But Kristel and director Curtis Harrington capture one aspect of Mata Hari that made her most infamous -- her willingness to bed down with just about any military man she found attractive, and none were not. As Kristel jumps into bed with both Germans and French, and others in-between, something of the spirit of Mata Hari may live on in this ostensible biography. Viewers may definitely want to compare versions with Greta Garbo, Marlene Dietrich, or Jeanne Moreau in the lead. ~ Eleanor Mannikka, All Movie Guide

In this fast-paced, often complex murder mystery, a psychiatrist's patient and later his secretary are killed, yet the police seem unable to come up with any answers so the doc takes matters into his own hands. Roger Moore is Dr. Judd Stevens, a rather meek Chicago psychiatrist whose patient is killed while wearing a jacket borrowed from Stevens. After Stevens' secretary is brutally slain, Lieutenant McGreavy (Rod Steiger) is certain that Stevens is guilty and is ready to prove it, but when his vendetta gets too obvious, he is taken off the case. That leaves his partner Angeli (Elliott Gould), a much more sympathetic cop, to continue on with the investigation. Even then, the killings continue, so Stevens gives up on the police and goes for help to a wacky P.I. (Art Carney) who lives surrounded by clocks and at first seems like a hopeless nitwit. As Stevens continues in his pursuit of the killers, life is complicated by a Mafia bride who seeks his professional help and clues that lead increasingly to the Mafia and cops on the take. The acting may be a bit uneven, and Moore might have fared better if allowed a little Bond action, but the movie is engaging enough to maintain interest throughout. ~ Eleanor Mannikka, All Movie Guide

Although it is based on an intriguing premise -- Dale (Brooke Shields), disguised as a man, takes the place of her late father in a 1927 car race through the Sahara -- this film perversely falls flatter than a blow-out, and just as quickly. After starting the race and because of tribal warfare, Dale winds up a prisoner of the thug Rasoul (John Rhys-Davies) but is appropriately rescued by a dashing sheik (Lambert Wilson). Then after she is back in the race, she is captured and thrown into a leopard's cage by another desert villain. The Indy 500, this is not. ~ Eleanor Mannikka, All Movie Guide

Blaumilch (Bomba Zur) is a patient in an asylum who manages to escape by sneaking onto a milk truck. He is dropped off in the middle of downtown Tel Aviv, where a road construction crew is busy making repairs. Blaumilch grabs a jackhammer and begins to dig a hole in the road. The police halt traffic, believing he is part of the road crew. The irate mayor demands an investigation and finds no one willing to admit that they were unaware of the hole-digging project. Through a series of bureaucratic bungles, departments clamor to receive credit for the unauthorized dig. Soon heavy equipment is called for to aid in the endeavor that everyone is afraid not to know about, as the hole becomes a canal that eventually reaches to the sea. When an official discovers the whole project is a mistake, he is hauled off to the asylum. Blaumilch, feeling his efforts have been overlooked, begins digging another hole in this satirical comedy. ~ Dan Pavlides, All Movie Guide