Stephen Woolley Movies

Company of Wolves is Little Red Riding Hood for the Alien generation. Sheltered 13-year-old Sarah Patterson, living on the edge of a foreboding woods, is visited by her grandmother Angela Lansbury. The old lady delights in telling Sarah the most horrific stories, usually involving what happens to little girls if they trust wolves--the actual, rather than symbolic kind. Later on, Sarah sets out through the woods to visit her grandmother. She makes the acquaintance of a seductive young huntsman (Micha Bergese), who turns out to be.....well, what big teeth he's got. The ads for Company of Wolves, showing a wolf springing from the open mouth of poor little Sarah Patterson, were warning enough for the faint of heart. Actually, the horror is secondary to the remarkable Grimms-Fairy-Tale ambience which the film successfully sustains from beginning to end. And, in keeping with the original unexpurgated versions of most fairy tales, the sexual subtext is never far from the surface. Director Neil Jordan would further develop some of the subliminal themes in Company of Wolves in his 1994 production Interview with the Vampire. ~ Hal Erickson, All Movie Guide

Bob Hoskins plays George, a tough but basically goodhearted British mob flunky, recently released from prison, where he'd served a term to cover up for his gangster boss (Michael Caine). Still willing to be everyone's doormat, George agrees to act as chauffeur for Simone (Cathy Tyson), a haughty, high-priced call girl. They don't like each other at first, but George begins to fall for her and take a protective interest. She implores him to help her find her only truly friend, a prostitute named Cathy (Kate Hardie). Touched by this devotion, George locates the girl, only to be chagrined to learn that Simone and Cathy are lovers. Hoskins is used and abused by so many people in Mona Lisa that when the worm finally does turn, you feel like cheering--even though it doesn't make him any happier. Director Neil Jordan cowrote this study of underworld mores with David Leland. ~ Hal Erickson, All Movie Guide

Shag is a beach flick set in 1963. The years have passed, but the old Where the Boys Are formula holds firm: Four attractive young lasses head for the surf and sand of Myrtle Beach, South Carolina, looking for guys. Phoebe Cates is about to be married, so her three pals seek out a final affair d'amour on her behalf before she is lost to the world forever. The cast is fascinating for its family ties: Bridget Fonda is the daughter of Peter Fonda, Page Hannah the sister of Darryl Hannah, and Tyrone Power III is the son of you-know-who. Filmed in 1988, Shag was released that year in Europe, then offered to American audiences one year later. ~ Hal Erickson, All Movie Guide

This British concert documentary follows that country's very popular standup comedian and television performer Lenny Henry, who is largely unknown in the U.S. It was filmed in 1989 at London's Hackney Empire Theatre. In order to add interest to what might otherwise be a pedestrian performance show, there are backstage scenes in which Lenny impersonates such luminaries as Richard Pryor, Eddie Murphy and Steve Martin, who all have advice for Lenny. ($Lenny Henry is best known for lampooning musicians and the British music world, and his humor particularly addresses the situation of blacks in contemporary British society. In one skit, he plays a Lou Rawls-type crooner of sexually stimulating ballads by the name of "Theophilus P. Wildebeeste." In others, he plays the reggae star "Fred Dread," blues singer "Smith," and the small-time DJ "Delbert Wilkins." In character as "Smith," Lenny performs a duet with the legendary rock guitarist Jeff Beck. ~ Clarke Fountain, All Movie Guide

Music video director Richard Stanley made his feature debut with this apocalyptic, post-industrial nightmare set in the distant future. Dylan McDermott stars as Moses "Hard Mo"' Baxter, a washed-up ex-soldier who spends most of his time in "The Zone" -- a scorched, ochre-colored desert littered with the radioactive debris of an unspecified war (or wars). Mo's recent Zone foray with war-buddy Shades (Jon Lynch) turns up an interesting find -- a pile of droid parts he purchases from a spooky "Zone Tripper" (Carl McCoy, frontman for goth-rock's Fields of the Nephilim), which he carts home to his reclusive artist girlfriend Jill (Stacy Travis) to serve as raw material for her latest work. Unbeknownst to them, the dismantled robot is the prototype of a controversial new battle-droid dubbed the Mark 13, which is designed to reassemble itself from available materials if damaged in combat. In short order, the Mark 13 proceeds to do just that, tapping into the power grid in Jill's fortress-like apartment and targeting her for death. ~ Cavett Binion, All Movie Guide

To look at him, you would never guess that Dick is a major ladies' man, but looks can be deceiving. He has a way with women, at least up to a point. He can almost always get them to go to bed with him. It's just that what happens afterwards is a bit of an issue. For instance, he married a beautiful woman who became a feminist lesbian and divorced him. His current main flame has a fondness for huge dogs and is so businesslike that she thinks nothing of answering the phone while they are having sex. This is disturbing to him, so he finds some comfort in the arms of two other women. In this amiable comedy, Dick soon discovers just how little control over his romantic life he really has. ~ Clarke Fountain, All Movie Guide

A priest discovers that being the leader of the Catholic Church can be hazardous to your health in this satiric comedy. Cardinal Rocco (Alex Rocco) and Monsignor Vitchie (Paul Bartel) are two high-ranking Vatican officials who have been using the church's business dealings to launder funds for Vittorio Corelli (Herbert Lom), a crime boss involved in illegal arms trading. After the death of the aging and infirm Pope, Rocco and Vitchie plan to nominate a successor who will go along with Corelli's schemes, but quite by accident, small town priest Giuseppe Albinizi (Robbie Coltrane) is named the new Pontiff. Albinizi is a reluctant spiritual leader who prefers cars, women, and rock & roll to church business, but when he discovers the level of Rocco's corruption, he has him removed from the Vatican. Rocco and Vitchie are not taking Albinizi's plans to clean up Vatican finances lying down, and they discover that the new Pope's has a not-so-little secret. Before he joined the priesthood, Albinizi fathered a son out of wedlock with Veronica Dante (Beverly D'Angelo); the boy grew up to be Joe Don Dante (Balthazar Getty), a rock star who's romancing Corelli's daughter. After complaints from Catholic groups in the U.S., the distributors of The Pope Must Die changed the title to The Pope Must Diet. ~ Mark Deming, All Movie Guide

Based on the novel by Graham Swift, this drama follows the past and present crises of schoolteacher Tom Crick (Jeremy Irons), who attempts to resolve the problems in his own life and the apathy of his students by relating stories of his troubled childhood in the English Fens (a marshy region in Britain). ~ Iotis Erlewine, All Movie Guide

Anne Rice's best-selling romantic horror tale about the origins of a centuries-old vampire inspired this popular, atmospheric chiller. One of director Neil Jordan's major Hollywood productions, the film stays close to its source material, retaining the frame of a young reporter (Christian Slater) interviewing a man who claims to be a 200-year-old vampire. The man, Louis (Brad Pitt), shares his story, beginning in 18th-century New Orleans with his first encounters with the charismatic and decadent vampire Lestat (Tom Cruise). Lestat converts Louis to blood-sucking and immortality, but Louis fails to adopt Lestat's cavalier attitude, instead tormenting himself with guilt over his new nature. The two vampires remain deeply, if reluctantly, connected over the years, while becoming intimately involved with others of their kind, including Claudia (Kirsten Dunst), a mature immortal in a young child's body. Fans of the novel raised numerous objections, particularly after Rice initially spoke out against the casting of Cruise as Lestat; further casting difficulties followed the death of River Phoenix, whose role as the interviewer was assumed by Christian Slater. Rice later recanted her objections, and the combination of thrills and gothic romance proved popular with audiences. ~ Judd Blaise, All Movie Guide

A young boy comes of age in rural Georgia during the 1940s in Terence Davies' challenging, visually powerful drama. Acclaimed for his nostalgic, beautifully photographed reflections on England's past (The Long Day Closes, Distant Voices, Still Lives), Davies looks beyond his home country to America with this adaptation of a novel by John Kennedy Toole, author of A Confederacy of Dunces. The film is told through the eyes of David (Jacob Tierney), a teenage boy struggling to deal with life in a troubled family. He reflects on his youthful experiences of his father (Denis Leary), an abusive, impoverished worker who disappeared during World War II after enlisting in the army. David is left to care for his increasingly unstable mother (Diana Scarwid) with the help of his Aunt Mae (Gena Rowlands), a lively big band singer. With David's recollections making up the loose plot, The Neon Bible stresses memorably intense images over narrative momentum, with cinematographer Michael Coulter creating sharp, painterly compositions. Some viewers will likely be frustrated by the slow pace and elliptical style, though others may be transfixed by the often stunning photography and poetic approach. ~ Judd Blaise, All Movie Guide

The rise and fall of one of the most important and controversial figures in Ireland's struggle for independence is chronicled in this biographical drama. In 1916, the British government ruled Ireland with a firm and cruel hand, as they had for 700 years. When a group of Irish rebels staged a six-day siege at Dublin's General Post Office, only one of the leaders was able to escape execution -- Eamon De Valera (Alan Rickman), an American citizen of Irish blood. A number of De Valera's followers are sent to prison, and one of them, Michael Collins (Liam Neeson), walked out of jail convinced that a new approach was needed to free his homeland from British rule. With his compatriot Harry Boland (Aidan Quinn), Collins formed the Irish Volunteers, who used a combination of terrorist violence and guerilla warfare to attack the British where their defenses were weakest, and employed espionage and a key inside informant (Stephen Rea) to learn what the British planned to do next -- and what they knew about Collins and his supporters. Collins' strategic skills and talent for warfare made a major impact on the British, and he became the hero of the new-born Republican Movement, which seemed to offer a real hope of freedom, despite the violent reprisals of the vicious paramilitary police, the Black and Tans. De Valera, however, was often in conflict with Collins in terms of the methods and approach of their struggle. Collins also found himself in a different sort of conflict with Boland when he fell in love with his girlfriend, a strong-willed advocate of Irish freedom named Kitty Kiernan (Julia Roberts). Eager to gain support for the Republican cause, De Valera sought economic and military support from the U.S.; when he returned, the Volunteers seemed to have finally won a real victory, as the British government announced that they were willing to formally negotiate with them. While Collins was once the radical and De Valera was the moderate, once negotiations began, Collins sought to end the violence that he saw killing so many young people and was willing to agree to a compromise that would create the Irish Free State. While the agreement would still leave final political control with the British, it would bring a greater self-determination to Ireland, and Collins believed that it was a crucial first step that could lead, in time, to true freedom for his people. De Valera, however, was strongly opposed to the treaty with Britian, and this led to violence among pro- and anti-treaty factions; soon Ireland's most loved leader was now branded a traitor by many of his countrymen. Michael Collins was voted Best Picture at the 1996 Venice Film Festival, and Liam Neeson was awarded the prize for Best Actor. ~ Mark Deming, All Movie Guide

Neil Jordan directed this adaptation of Patrick McCabe's novel about a boy's struggles with violence and mental illness. Francie Brady (Eamonn Owens) is a young boy growing up in Dublin in the early 1960s, where his life is dominated by his active imagination and his best friend Joe (Alan Boyle). But beneath this benign surface lurks a troubled soul; his father (Stephen Rea) is an embittered alcoholic, his mother (Aisling O'Sullivan) is emotionally unstable and periodically ends up in the local mental hospital (or as she calls it, "the garage," because it's where they take you when you break down), and their next-door neighbor, Mrs. Nugent (Fiona Shaw) often rants that the Bradys are "pigs" not fit to live with. For all their troubles, Francie fiercely loves his parents, and he can't abide Mrs. Nugent's insults. But his playful childhood pranks begin to advance into more destructive and menacing behavior, which leads him to his own stay in "the garage." Branded a lunatic by the community and shorn of his only close friendship when Joe takes up with Mrs. Nugent's son, Francie soon reaches the point of collapse. With nowhere to go, Francie takes an especially awful job as a butcher's assistant, and his overactive imagination goes into overdrive, flooding his mind with images of alien takeover, atomic apocalypse, and the Virgin Mary (Sinead O'Connor) that lead him further down the path toward shocking acts of violence. ~ Mark Deming, All Movie Guide