Harry Woods Movies

The second of Universal's "modernized" Sherlock Holmes films pits the Great Detective (Basil Rathbone, of course) against that "Napoleon of Crime," Professor Moriarty (Lionel Atwill). Surpassing his previous skullduggery, Moriarty has now aligned himself with the Nazis and has dedicated himself to stealing a top-secret bomb sight developed by expatriate European scientist Dr. Franz Tobel (William Post Jr.). Before being kidnapped by Moriarty's minions, Tobel was enterprising enough to disassemble his invention and distribute its components among several other patriotic scientists. Racing against the clock, Holmes and Dr. Watson (Nigel Bruce) try to stem the murders of Tobel's colleagues and prevent Moriarty from getting his mitts on the precious secret weapon. The now-famous climax finds Holmes playing for time by allowing Moriarty to drain all the blood from his body, drop by drop ("The needle to the last, eh Holmes?" gloats the villain). Dennis Hoey makes his first appearance as the dull-witted, conclusion-jumping Inspector Lestrade. Constructed more like a serial than a feature film, Sherlock Holmes and the Secret Weapon (based loosely on Conan Doyle's The Dancing Men) is one of the fastest-moving entries in the series; it is also one of the most readily accessible, having lapsed into public domain in 1969. ~ Hal Erickson, All Movie Guide

The last of Monogram's eight "Rough Riders" westerns starring oldtimers Buck Jones, Tim McCoy and Raymond Hatton, West of the Law has the three lawmen coming to the aid of a beleaguered newspaper editor, Rufus Todd (Milburn Morante), who has been exposing a rash of stage robberies near Gold Creek. When Todd's son-in-law Ray (Bud McTaggart) is attacked my members of the gang, Marshals McCall and Hopkins (McCoy and Hatton) go undercover as a minister and a funeral parlor proprietor, respectively, with the third member of the trio, Marshal Roberts (Jones) hiding in one of the coffins. The ruse works and the three are soon able to unmask the real mastermind behind the robberies. Monogram went all out for this one, hiring some of the best supporting actors in the business, including Harry Woods, Roy Barcroft, Bud Osborne, Tom London and ace stunt-man George DeNormand. As always, the western concludes with the three marshals going their separate ways, a rousing "So long, Rough Riders" as their parting salute. Sadly, they would not be back, Buck Jones perishing in the tragic Coconut Grove nightclub fire in Boston soon after. ~ Hans J. Wollstein, All Movie Guide

In this western, a town finds itself under the tyrannical control of a shady sheriff. He is usurped by an honest outside lawman and his bumbling side-kick. ~ Sandra Brennan, All Movie Guide

John Wayne stars in this hard-driving oater which was co-written by character actor Paul Fix. Wayne plays Rocklin, a chauvinistic cowboy who arrives at the KC Ranch in Santa Inez to apply for a job as a foreman. But when he finds that the owner has died and that the ranch is now being run by two women -- Clara Cardell (Audrey Long) and her aunt Miss Martin (Elizabeth Risdon) -- he hardheadedly refuses to work for the women. But later on, Clara comes looking for Rocklin, asking his help in obtaining a letter from the town's corrupt judge Garvey (Ward Bond) that proves that Clara is old enough to be the legal owner of the ranch. Rocklin arrives in Garvey's office just after Garvey has burned the letter. The two tangle, with Rocklin sending Garvey crashing through his door. After the fight, Rocklin meets Arly Harolday (Ella Raines), another female ranch owner. Rocklin's views on women enrage Arly so much that she gets her stepfather (Donald Douglas) to hire him to work on her ranch, just so she can fire him. But in spite of Rocklin's primitive attitudes, Arly falls in love with him. Meanwhile, things are heating up as Garvey and other corrupt officials try to get control of the KC ranch. In order to get rid of Rocklin, a murder rap is pinned on him, forcing him to leave town. Hiding out at the KC ranch, he learns that he is the nephew of the ranch's dead owner and the rightful heir. Arly arrives to help Rocklin and to tell him that the murder Rocklin is accused of committing was actually committed by Arly's stepfather, who is working with Garvey and Miss Martin to get the deed to the ranch. With all that information under his cowboy hat, Rocklin cocks his gun and goes out to face the bad guys for a final showdown. ~ Paul Brenner, All Movie Guide

In this western, Rogers and his sidekick Gabby get into all kinds of trouble when they ride into Tombstone and find themselves mistaken for the hired gun and his assistant. The gunslinger was engaged to work for the mayor and for a time Rogers goes along with it. When he discovers that the mayor is a bonafide crook, the "gunslinger" becomes the new sheriff. When the real gunman finally moseys into town, a showdown ensues. ~ Sandra Brennan, All Movie Guide

John Ford welded four of Eugene O'Neill's one-act plays about the sea, Bound East for Cardiff, The Long Voyage Home, The Zone, and Moon of the Caribees, into this melancholy film about wayfaring seamen, changing the setting from the turn of the century to WWII. This was O'Neill's favorite of the films based on his work, and he watched it often enough to eventually wear out his print. After a night of revelry in the West Indies, the crew of the SS Glencairn return to the tramp steamer and set sail for Baltimore. They're a varied lot, from middle-aged Irishman Driscoll (Thomas Mitchell), to the young Swedish ex-farmer Ole Olsen (John Wayne), to the brooding Lord Jim-like Englishman Smitty (Ian Hunter). After the ship picks up a load of dynamite in Baltimore, the rough seas they encounter become especially nerve-racking to the crew, who are also concerned that Smitty might be a German spy. ~ Michael Costello, All Movie Guide

Beefcake star Jon Hall shows off his sleek physique in the exotic melodrama South of Pago Pago. The son of an island chieftan, young Kehane (Hall) defiantly opposes the efforts by crooked pearl hunter Bucko Larson (Victor McLaglen) to invade his domain. Larson and his minions hope to dissuade our hero by introducing him to seductive Ruby (Frances Farmer), who lures Kehane away from his childhood sweetheart Malia (Olympe Bradna). But Ruby turns honest at the last moment, saving Kehane's life at the expense of her own. Originally released by United Artists, this Edward Small production later made the revival-house rounds through the distribution channels of PRC Pictures. ~ Hal Erickson, All Movie Guide

Set in the years leading up to the Civil War and its outbreak, Dark Command tells a fictionalized version of the story of William Clarke Quantrill, the schoolteacher-turned-renegade, whose raids -- ostensibly on behalf of the Confederacy -- turned Kansas into a charnel house. John Wayne plays Bob Setton, a young Texan who arrives in Lawrence, KS, in 1859 on his way west, partnered with George "Gabby" Hayes. He meets Marie McCloud (Claire Trevor) and her younger brother, Fletch (Roy Rogers), and takes a liking to them, especially Marie. His only competition for her is William Cantrell (Walter Pidgeon), the local schoolteacher, who has big ambitions in life. He is nominated for town marshal and seems a shoo-in, especially as his only rival is Bob Setton, who admits he knows nothing about the law and can't even read, but Setton wins with his honest, unpretentious speech. At the time, Kansas is riven by strife, as settlers from the North opposed to slavery and those from the South supporting it pour into the territory, and Setton has his hands full. His most difficult personal moment comes when he must arrest Fletch for shooting an anti-slavery farmer (Trevor Bardette) to death. Cantrell leads a campaign of terror against the jury, however, which finds the young man not guilty just as the Civil War breaks out. In the months that follow, Setton and his posse go after the raiders who are stealing and destroying huge amounts of property in Kansas on behalf of the Confederacy. He suspects Cantrell is their leader, but can't prove it, and has to tread carefully. As the raids worsen, and the war drags on -- even Marie's pro-Confederacy banker father is murdered during a run on his bank -- their conflict comes to a violent end as Cantrell launches an attack on Lawrence, vowing to destroy the town, with only Bob Setton and Cantrell's own mother (Marjorie Main) standing in his way. ~ Bruce Eder, All Movie Guide

West of Carson City remains one of the best of Johnny Mack Brown's Universal westerns. The story takes place in a gold-rush community where the locals are taken to the cleaners by duplicitious Eastern gamblers. When it becomes obvious that the local constabulary has been "bought off" by the crooks, two-fisted cattleman Jim Bannister (Brown) swings into action. The film's highlight is an outsized fistic brawl between the hero and secondary villain Breed, played by loose-limbed comic stuntman Frank Mitchell. Peggy Moran, one of Universal's most overworked ingenues, provides the nominal romantic relief. ~ Hal Erickson, All Movie Guide

The Higgins family gets in another comical bind when Ernest loses the fortune in bonds he was hired to deliver. In order to recoup the lost $5,000, Papa Higgins decides to try and marry Grandpa to the wealthiest old widow in town by sending her a steamy love letter and signing his own father's name to it. Meanwhile, Papa also goes to the bank and much to his surprise, is granted a loan. Unfortunately for Grandpa Higgins, the widow has received the letter and joyfully accepted his proposal. When he tries to back out, she promptly sues him leaving the family in a real pickle. ~ Sandra Brennan, All Movie Guide

Originally slated for released through Grand National Pictures, Isle of Destiny was redirected to RKO Radio when Grand National folded in late 1939. June Lang stars as Virginia Allerton, a famous aviatrix who crashlands in a remote South Sea Island (a la Amelia Erhardt!) and is promptly kidnapped by gun-runner Barton (Gilbert Roland). Coming to Virginia's rescue are two-fisted US marines Stripes Thornton (William Gargan) and Milly Barnes (Wallace Ford). Also figuring into the storyline are Katherine DeMille as a sultry native with a predilection of disposing of her enemies with poison darts, and septugenarian Etienne Girardot (in his last film appearance) as Barton's semi-comic assistant. Too long by about two reels, Isle of Destiny has the advantage of eye-pleasing Cosmocolor cinematography. ~ Hal Erickson, All Movie Guide

Cecil B. DeMille takes us back to the 1860s, then rebuilds the first intercontinental railroad in Union Pacific. The real-life spectacle is occasionally interrupted by the fictional adventures of railroad overseer Joel McCrea, postmistress Barbara Stanwyck (with an incredible Irish brogue), and McCrea's best pal Robert Preston. Unfortunately Preston has fallen in with Brian Donlevy, who is dedicated to destroying the Union Pacific railroad on behalf of a crooked political cartel. During an Indian attack, McCrea and Preston fight side by side to save Stanwyck, prompting Preston to turn honest. On the day in 1869 that the "Golden Spike" is to be driven at Promontory Point, Preston is killed saving McCrea from Donlevy's bullets. Union Pacific owes a great deal to John Ford's 1924 film on the same subject, The Iron Horse, even restaging one or two major action sequences from the earlier film. This DeMille spectacular was a big hit with audiences of 1939, who craved a booster shot of flag-waving now and again. ~ Hal Erickson, All Movie Guide

The second of three films based on the Wyatt Earp biography by Stuart N. Lake, Frontier Marshal stars Randolph Scott as Marshal Earp of Tombstone. Earp and his brothers enforce the law as much by reputation as by gunplay. Occasionally the marshal's efforts are complicated by his "friendly enemy" Doc Halliday (based on Doc Holliday and played by Cesar Romero), a consumptive gunslinger who runs the gambling activities in town. When a murderous outlaw (Joe Sawyer) invades Tombstone and kills Halliday, Earp is moved to action -- and the result is the gunfight at the O.K. Corral. A remake of the 1934 film of the same name, Frontier Marshal was itself remade by John Ford as My Darling Clementine (1946), with Henry Fonda as Earp and Victor Mature as Doc Holliday. ~ Hal Erickson, All Movie Guide