Harry Woods Movies

One of American Western star Buck Jones' finest silents, A Man Four-Square is a screen version of William McLeod Raine's popular tale of a rancher who finds himself falsely accused of murder while attempting to help a friend in need. Jones, needless to say, not only saves his friend (two-reel Western lead William E. Lawrence), but vindicates himself and gets the girl (Marion Harlan). This fast-paced Western marked the first of many screen encounters between Jones and the always hissable Harry Woods. ~ Hans J. Wollstein, All Movie Guide

In this sunny western, a mischievous young girl living in the Arizona territory during the 1870s, causes all kinds of trouble while trying to prove that her foster-daddy did not steal a gold shipment. Later, the step-dad, a former outlaw, re-gathers his gang to find the real culprit -- a shady sheriff. ~ Sandra Brennan, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

Beyond the Last Frontier was the first entry in Republic's "John Paul Revere" western series. Journeyman actor Eddie Dew stars as Revere, a Texas Ranger who goes undercover to smash an outlaw gang. Meanwhile, the villains install an informer amongst the Rangers, meaning that Revere will have to take care of this guy before he can complete his assignment. While Eddie Dew was OK in the lead, his thunder was stolen by the young actor cast as "Trigger Dolan"-future superstar Robert Mitchum. The plot was a bit too complicated for a film of this nature, thus future John Paul Revere installments were a bit easier to follow. ~ Hal Erickson, All Movie Guide

Too many of Gene Autry's Republic western sacrificed action in favor of music. A notable exception to this syndrome is Blue Montana Skies, directed by a fast-action maestro B. Reeves "Breezy" Eason. The up-to-date plotline finds Autry battling a gang of fur smugglers operating on the Montana-Canada border. When his business partner Steve (Tully Marshall) is murdered by the crooks, cattleman Autry follows the clues to a ranch owned by Dorothy (June Storey). Unbeknownst to the heroine, the murderers, led by Hendricks (Harry Woods), are working as her ranchhands. By the time she finds this out, it looks like she's next in line for extinction-but not if our hero has anything to say about it. ~ Hal Erickson, All Movie Guide

The 1943 Republic westerns of "Wild Bill" Elliot maintained a high batting average, and Bordertown Gunfighters was no exception. Elliot is cast as an undercover government agent, assigned to stop a gang of swindlers who've been preying on Mexican immigrants. The villains aren't averse to committing murder, and on several occasions resort to drastic measures to put Wild Bill out of the way. But our hero isn't so easily killed, nor is his grizzled ol' sidekick Gabby Hayes. The leading lady this time out is Anne Jeffreys, on the verge of bigger things, while the villainy is in the capable if grubby hands of Ian Keith and Harry Woods. ~ Hal Erickson, All Movie Guide

Cattle rancher George O'Brien, thinking that he's emptying his six shooters in the direction of rustlers, apparently kills one of his own ranchhands. To make amends, O'Brien joins up with the dead man's father in trying to corral the crooks. Turns out that O'Brien is innocent of the accidental killing, proof of which comes none too soon to patch up the relationship between George and the late ranchhand's sister (Virginia Vale). Bullet Code was one of the last of George O'Brien's budget westerns for RKO. He would soon gracefully hand over his holsters to new RKO cowboy Tim Holt. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown's Universal western series was drawing to a close when Cheyenne Roundup was released in mid-1943. Brown is herein cast in a dual role, as honest Gils Brandon and his less-than-honest brother Buck. Pursued by lawman Steve Rawlins (Tex Ritter), Buck tries to pass himself off as the upright Gils. But in the end, the good brother is forced to make the bad one pay the price for crime. Jennifer Holt, daughter of cowboy favorite Jack Holt, is the leading lady; Fuzzy Knight socks over his usual unsubtle comedy relief; and music is provided by The Jim Wakely Trio, soon to star in their own series of sagebrushers. ~ Hal Erickson, All Movie Guide

The third of western hero James Warren's trio of RKO Radio vehicles, Code of the West was like its predecessors based on a story by Zane Grey. Warren plays Bob Wade, a settler on the Arizona Strip, circa 1880. Representing his fellow settlers, Wade stands up to gambling boss Carter (Raymond Burr), who knows that the railroad intends to extend through Arizona and plans to drive the homesteaders out of the territory. Likewise defying the crooked Carter is Wade's Mexican-Irish sidekick, Chito Rafferty (John Laurentz). Code of the West was previously filmed in 1925 and 1934 (the latter version, titled Home on the Range, starred Randolph Scott). ~ Hal Erickson, All Movie Guide

This Roy Rogers musical western (his second starring vehicle for Republic) concerns itself with a group of Texas Rangers, forced to disband when Texas is admitted the Union. The state brings in members of the U.S. Cavalry to provide law enforcement in the Rangers' stead, yet the Cavalry officers become hopelessly confused and muddled -- not only from their ignorance of the territory, but by the guerilla tactics of Texas bandits and local political corruption. When ex-ranger Rogers's brother is killed, he recognizes that the Cavalry will not be able to respond with proper force, and asks his fellow ex-rangers to take up arms in vengeance. The film co-stars Mary Hart, Raymond Hatton, J. Farrell MacDonald and Purnell Pratt. ~ Hal Erickson, All Movie Guide

Nothing of cult director Joseph H. Lewis' much-vaunted flair is on display in this average musical Western, the screen debut of Bob Baker, Universal's dark-haired answer to Gene Autry. Baker -- who had beaten a young Roy Rogers for the berth at Universal -- had sung on the National Barn Dance radio program but his vocal prowess quickly proved as untrained as his thespian abilities. Set during the Civil War, Courage of the West opens with President Lincoln (Albert Russell) establishing the Free Ranger corps in order to prevent the constant attacks on gold shipments from the West. After this potentially interesting opening, the Western settles down to tell the rather ordinary story of a ranger (J. Farrell McDonald) adopting the young son (Buddy Cox) of a convicted outlaw (Harry Woods). Years later, the boy has become the head of the rangers and is soon chasing down a gang of gold thieves headed -- unbeknownst to him -- by his own father. In between battling his natural father, Baker sang "Resting Beside the Campfire," "Ride Along Free Rangers," "Song of the Trail," and "I'll Build a Ranch House on the Range," all by Fleming Allen. Although competent enough astride his handsome paint horse, Apache, Baker's vocalizing never gave Gene Autry or Roy Rogers much to worry about and his starring career proved brief. By 1939, he was playing second leads to Johnny Mack Brown and by 1940 bit parts. ~ Hans J. Wollstein, All Movie Guide

Thoroughly geared for the small fry, this pleasant silent western starred the strapping Tom Tyler, freckled boy actor Frankie Darro, and Tyler's faithful dog, Beans. The three pals (with Darro's sister Elsie Tarron in tow) are searching for the villain, known only as the "Black Rider," who murdered Tyler's father (Bert Hadley). Since sneering Harry Woods appears in the cast, Cyclone of the Range is not too taxing a prairie "whodunit." The film's director, Robert DeLacy, was the father of Philippe DeLacy, a boy actor too decorative for the rough-and-tumble world of series westerns. ~ Hans J. Wollstein, All Movie Guide

The Rough Riders--Buck Jones, Raymond Hatton and Rex Bell--endeavor to provide a wagon train safe passage through Indian country. With Jones heading the caravan and Bell and Hatton working undercover, the threesome discover that the "savages" planning to attack the settlers are actually renegade whites. The criminals' target is the shipment of railroad supplies being carried in one of the wagons. Normally, the third "Rough Rider" would have been played by Colonel Tim McCoy, but when McCoy was called to active duty in World War II, he was hastily replaced by old-time western star Rex Bell. Dawn on the Great Divide was the last film for Buck Jones, who was killed in the infamous Coconut Grove fire shortly before the film was released. ~ Hal Erickson, All Movie Guide