Sam Wood Movies

When American director Sam Wood first reported to Cecil B. De Mille as an assistant in 1915, Wood had already dabbled in real estate and acted on-stage under the name of Chad Applegate. A solo director by 1919, Wood worked throughout the '20s directing some of Paramount's biggest stars, among them Gloria Swanson and Wallace Reid. He began his long association with MGM in 1927, working with personalities as varied as Marion Davies, Clark Gable, Marie Dressler, and Jimmy Durante. He guided the Marx Brothers through their two most profitable films, A Night at the Opera (1935) and A Day at the Races (1937), and turned out one of the most accomplished sentimental dramas ever made in Hollywood, Goodbye, Mr. Chips (1939). Hopping from studio to studio in the '40s, Wood directed Ginger Rogers through her Oscar-winning performance in Kitty Foyle (1940), successfully transferred Thornton Wilder's highly theatrical Our Town (1940) to the screen (even the studio-imposed happy ending worked), and assembled the quintessential baseball biopic, The Pride of the Yankees (1942).
The list of Wood's successes would seem to assure him a niche in the ranks of all-time best Hollywood directors, yet his reputation has tarnished since his death in 1949. Most detractors insist that Wood was a hack, citing his habit of shooting each scene an average of 20 times, his only verbal direction in each instance being "Go out there and sell 'em a load of clams." In truth, this technique was invaluable in wearing down such mannered performers as Walter Brennan, Dan Duryea, Frank Morgan, and Wallace Beery, until they were tired enough to behave like human beings instead of play-actors. The 20-take habit also enabled the more limited actors to re-think their interpretations until they'd found nuances that they would never have considered on the first take: Ronald Reagan, who was certainly no Olivier, was never better than in Wood's Kings Row (1942). Taking into consideration all the complaints about Sam Wood, the biggest bone of contention seems to be his reactionary politics. Wood was active in a number of right-wing organizations, and in 1947 he virulently condemned Hollywood's "left" before the House Un-American Activities Committee. Those whose politics are diametrically opposite to Wood's dwell incessantly upon this aspect of his life, embellishing the facts by painting him as a bigot and (in the words of Groucho Marx) a "fascist." But just as it is fitting and proper to separate the performances of a Jane Fonda, Shirley MacLaine, or Paul Newman from their political agendas, so too would it be fair to extend the same courtesy to Wood. No matter what sort of man Sam Wood was personally, his string of Hollywood hits should be his true legacy. ~ Hal Erickson, All Movie Guide
1989  
 
Add The Making of a Legend: Gone with the Wind to Queue
This made-for-cable documentary traces the filming of the imperishable classic Gone with the Wind, from its inception to its triumphant Atlanta premiere in December of 1939. Filmmaker David Hinton interviews as many survivors of the experience as he's able to round up, but the main attraction of this film is its precious "test" clips. We watch a montage of screen tests of the many actresses considered for the role of Scarlett O'Hara, ranging from such front-runners as Paulette Goddard to such not-a-chancers as Lana Turner. The Goddard footage is particularly enjoyable as we watch her eagerly reciting the lines of all the characters as she auditions for Scarlett. The documentary also turns up several tantalizing bits of trivia, notably the fact that the film was shown to a preview audience with an entirely different musical score (portions of which are played on the soundtrack). There is, of course, very little suspense involved in Making of a Legend, but even those who've heard all the Gone With the Wind factoids from other sources will watch in fascination as the saga unfolds. This documentary was produced by David Selznick's sons, and written by iconoclastic movie historian David Thomson. ~ Hal Erickson, All Movie Guide

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1950  
NR  
Ambush is a tight, well-paced western, expertly assembled by veteran director Sam Wood, whose last film this was. Robert Taylor stars as an Indian scout, sent to rescue a woman who is somewhere deep in Apache territory. The woman's sister, naturally, goes along for the ride: she is played by Arlene Dahl, then in her considerable prime. Outside of its feminine angle, Ambush is packed with action from first frame to last. Released to theatres at the tail end of 1949, the film was an unqualified success with holiday audiences. ~ Hal Erickson, All Movie Guide

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Starring:
Robert TaylorJohn Hodiak, (more)
1949  
NR  
Add The Stratton Story to QueueAdd The Stratton Story to top of Queue
Both Van Johnson and Gregory Peck were considered for the role of baseball star Monty Stratton in the 1949 biopic The Stratton Story before settling upon the real Stratton's own first choice, James Stewart. The film covers several years in the 1930s, as Texas farm boy Stratton rises from the minors to the Chicago White Sox. Along the way, Monty marries an Omaha gal named Ethel (June Allyson), who gives him a son. In November 1938, Monty accidentally shoots himself in the leg while on a hunting excursion. When the leg has to be amputated, it looks as though Stratton's pitching career is over. He broods over his bad luck for months before snapping out of his self-pity and learning to walk with his new prosthesis. To prove to himself that he's overcome his handicap, Monty takes a job pitching with the Southern All-Stars. His return to baseball is rough sledding (the other team persistently bunts balls out of his reach), but Monty Stratton is finally able to make a successful comeback. Only occasionally playing fast and loose with the facts (the time-frame of Stratton's real-life return to baseball is telescoped by several years), The Stratton Story was one of the best and most profitable baseball pictures ever turned out by Hollywood. Fans of the game will get an extra kick from the presence in the cast of big-leaguers Bill Dickey and Jimmy Dykes. ~ Hal Erickson, All Movie Guide

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Starring:
James StewartJune Allyson, (more)
1948  
NR  
Add Command Decision to QueueAdd Command Decision to top of Queue
Command Decision is a stagebound but consummately acted adaptation of William Wister Haines' Broadway play. Clark Gable, starring in the role essayed on Broadway by Paul Kelly, plays Air Force Brigadier General "Casey" Dennis. With time at a premium, Dennis sends waves of bomber squadrons into Germany to knock out the enemy's jet plane factories. Though Dennis seems utterly unconcerned about the fate of his pilots (even his superior officer Walter Pidgeon is appalled by the heavy losses), the audience knows that his duty is exacting a severe emotional toll on him. Thanks to pressure from a misguided US senator, "butcher" Dennis is replaced by the supposedly more humane Brian Donlevy. But Donlevy realizes that Gable's decisions were the correct ones, and he vows to continue his predecessor's "suicide missions". ~ Hal Erickson, All Movie Guide

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Starring:
Clark GableWalter Pidgeon, (more)
1947  
 
In this period drama, Joan Fontaine stars as Ivy Lexton, a woman with an unusual hunger for men. Though she already has a husband, Jervis (Richard Ney), and is having an affair with Roger Gretorex (Patric Knowles), Ivy becomes obsessed with Miles Rushworth (Herbert Marshall), and is determined to have him. However, Miles has no interest in married women and rejects Ivy's advances. Angered, Ivy plans to get her revenge by poisoning Miles and pinning the blame on Roger. Cedric Hardwicke plays the inspector assigned to look into Miles' mysterious death. ~ Mark Deming, All Movie Guide

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Starring:
Joan FontaineSara Allgood, (more)
1946  
 
Add Heartbeat to QueueAdd Heartbeat to top of Queue
A remake of the 1939 French film Battement de Couer, Heartbeat reunites star Ginger Rogers with her Kitty Foyle director Sam Wood. Ms. Rogers plays Arlette, a reform school alumnus who is recruited by Faginlike Professor Aristide, headmaster at a school for pickpockets. Before long, Arlette becomes Aristide's prize pupil, and is being groomed for bigger things. Assigned by a corrupt foreign ambassador (Adolphe Menjou) to steal a valuable watch from wealthy and handsome diplomat Pierre (Jean Pierre Aumont), Arlette not only bungles the job, but also falls in love with her would-be victim. Heartbeat wasn't the first mediocre American remake of a French film, and it certainly wouldn't be the last. ~ Hal Erickson, All Movie Guide

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Starring:
Ginger RogersJean-Pierre Aumont, (more)
1945  
 
This screwball comedy stars Claudette Colbert as Mary, the wife of bumbling but likeable banker Chris (Dick Foran). Foreign correspondent Joe (Don Ameche) Chris' best friend, is in danger of losing his job because he's not married (his boss insists that all his employees be married-and remember, bosses could get away with this in 1945!) Mary magnamimously offers to pose as Joe's wife, leading to all sorts of comic misunderstandings-the silliest of which finds Mary being accused of living in sin with her real husband. As one critic put it, "It's oh-ho time!" Guest Wife might have even been funnier had it not been hampered by the stringest censorship of the era. ~ Hal Erickson, All Movie Guide

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Starring:
Claudette ColbertDon Ameche, (more)
1945  
 
Ingrid Bergman and Gary Cooper paired off again after For Whom the Bell Tolls (1943) with this overwrought melodrama based on the romance novel by Edna Ferber. Bergman plays Clio Dulaine, a beautiful half-Creole woman whose return to 1875 New Orleans from Paris creates a stir. Born out of wedlock, Clio's mother was a local woman who became pregnant by a wealthy, married landowner. Scandalized, his wife and family set about humiliating Clio's mother and even paid for Clio's voyage to France in an effort to get rid of the girl. Now Clio returns with a dwarf, Cupidon (Jerry Austin), and a maid, Angelique (Florence Robson) in her entourage. At the docks, Clio meets a handsome gambler from Texas, Colonel Clint Maroon (Cooper) and is smitten. To Clio's delight, their blossoming romance inspires calumny, but Maroon soon realizes that Clio is a gold digger. He departs for Saratoga Springs, where he is working on a venture involving the railroad. Clio follows him there, bent on marrying either Clint or his business partner, Bart Van Steed (John Warburton). Saratoga Trunk (1945) was exhibited to servicemen overseas in WWII for two years before it was released to the general public. ~ Karl Williams, All Movie Guide

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Starring:
Gary CooperIngrid Bergman, (more)
1944  
 
When he finds out his ex-wife has just had his child and plans to give her up for adoption, a timid English instructor dashes to the child's rescue and attempts to care for her in a hotel room. Before too long, however, his new fiancee and his ex confront him and he must decide what he will do. This light comedy starring Gary Cooper, Theresa Wright and Anita Louise garnered Oscar nominations for Sound and Art Direction and was previously filmed under the title Little Accident in 1930 and 1939. ~ Kristie Hassen, All Movie Guide

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Starring:
Gary CooperTeresa Wright, (more)
1943  
 
Add For Whom the Bell Tolls to QueueAdd For Whom the Bell Tolls to top of Queue
Based on the novel by Ernest Hemingway, For Whom the Bell Tolls is a romantic drama set against the turbulent tapestry of the Spanish Civil War. Gary Cooper plays Robert Jordan, an idealistic American fighting with a Spanish guerilla band. He is assigned to blow up a crucial bridge in order to halt the enemy's progress. He falls in love with Maria (Ingrid Bergman), a young peasant girl who's joined the fight after being ill-used by enemy troops. Pablo (Akim Tamiroff), the eternally drunken leader of the guerillas, resents Jordan's attentions toward Maria, and he refuses to help Jordan in his sabotage work. Pablo's wife Pilar (Oscar-winner Katina Paxinou) takes over command of the guerillas and helps Jordan by arranging horses for the band's departure after their job is done. The man supplying the horses (Joseph Calleia) is killed, and Jordan is left to finish his task minus a means to escape. For Whom the Bell Tolls was a long, faithful adaptation of the Hemingway novel, with excellent performances, torrid love scenes, and first-rate Technicolor photography. Available for many years only in the 130-minute reissue version, it was restored to nearly its full original length of 168 minutes. ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperIngrid Bergman, (more)
1942  
NR  
Add The Pride of the Yankees to QueueAdd The Pride of the Yankees to top of Queue
"It's box office poison," producer Samuel Goldwyn is said to have exclaimed when he heard the idea of filming the life story of fabled first baseman Lou Gehrig. "If people want baseball, they go to the ballpark!" The story begins before World War I, when young Lou Gehrig (played as a boy by Douglas Croft) begins dreaming of becoming a professional ballplayer. Lou's immigrant parents (Elsa Jansen and Ludwig Stossel) insist that the boy attend Columbia University to become an engineer. While in college, Lou (played as a man by Gary Cooper) becomes a star athlete, and, with the help of sports journalist Sam Blake (Walter Brennan), he is signed by the New York Yankees and joins their big-league lineup in 1925; real-life Yanks Babe Ruth, Bill Dickey, Bob Meusel and Mark Koenig play themselves. He also meets and falls in love with Eleanor Twitchell (Teresa Wright) (an event that actually happened in 1933) and earns the nickname "The Iron Man of Baseball" because he never misses a game. In 1939, Lou discovers that he has a fatal neurological disease called amytrophic lateral sclerosis (now known, of course, as "Lou Gehrig's Disease"). On July 4, 1939, an emotional Lou Gehrig, a scant two years away from death, bids farewell to 62,000 of his fans and friends at Yankee Stadium. Allowing that he might have been given a bad break, he concludes his speech with "Today, I consider myself the luckiest man on the face of the earth." Deftly weaving basic facts with yards and yards of fancy, screenwriters Jo Swerling and Herman J. Mankiewicz serve up one of the most entertaining and inspiring baseball biopics. A more accurate but less dramatic adaptation of the same story, A Love Affair: The Eleanor & Lou Gehrig Story, was produced for television in 1977. ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperTeresa Wright, (more)
1941  
 
The Devil and Miss Jones is a social comedy with left-wing undertones. John P. Merrick (Charles Coburn), the world's richest man, gets word that someone is trying to unionize a department store that he owns. To thwart this blatant act of democracy, Merrick changes his name and takes a menial job at the store, the better to catch the union activists without detection. Once he himself is subjected to the humiliating treatment afforded his employees, Merrick starts to wise up -- and soften up. As things develop, it is Merrick himself who spearheads the union movement after discovering how duplicitous his hand-picked executives can be. The film also introduces Jean Arthur and Robert Cummings as fellow employees who fall in love before fadeout time. Keeping with the film's insistence upon equal treatment for everyone, Merrick himself is permitted a romance in the person of Elizabeth Ellis (Spring Byington). The Devil and Miss Jones was written by Norman Krasna and directed by Sam Wood. ~ Hal Erickson, All Movie Guide

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Starring:
Jean ArthurCharles Coburn, (more)
1941  
 
Add Kings Row to QueueAdd Kings Row to top of Queue
A seemingly quiet Midwestern town is the hiding place for a number of sordid secrets in this melodrama based on Henry Bellamann's best-selling novel. Parris Mitchell (Scotty Beckett) is a young boy growing up in the town of King's Row, where he becomes close friends with Cassandra (Mary Thomas), a quiet girl who isn't popular with the other children. Parris is also friends with Louise (Joan Duvalle), a rich girl who looks down on others; Drake (Douglas Croft), a good-natured but self-centered type; and Randy (Ann Todd), a girl with a wild tomboy streak. It's a testimony to Parris' character when Cassandra and Louise both invite him to parties on the same day and he decides to go to Cassandra's, because he's not sure who else might be there for her. However, his friendship with her begins to fade after her father, local psychiatrist Dr. Tower (Claude Rains), decides to withdraw her from public school and tutor her at home instead. Years later, Parris (now played by Robert Cummings) is a promising medical student studying psychiatry with Dr. Tower, and while he's stayed in contact with Cassandra (now played by Betty Field), she remains at a curious emotional distance from those around her. Randy (now played by Ann Sheridan) romances Drake (now played by Ronald Reagan), who has inherited a fortune and is living the high life to the fullest. However, Drake is also involved with Louise (Nancy Coleman), who is not allowed much of a social life by her father, Dr. Gordon (Charles Coburn), and she fears that the more outgoing Randy will steal Drake away from her. When Parris decides to travel to Europe to further his studies, Cassandra asks if she can join him; he's not keen on the idea, but he considers it. He is then shocked to learn that Cassandra has been killed by her father after he learned that she was with child, shortly before taking his own life. Drake, meanwhile, loses his money through a series of unfortunate circumstances and is forced to take a job with the railroad; when he is injured at work, he's taken to Dr. Gordon for treatment. However, the doctor never approved of Drake's romance with Louise and was even more upset when he decided to leave her for Randy; in retaliation, Dr. Gordon amputates Drake's legs, even though his condition in no way justified it. Meanwhile, Parris comes back from Europe and makes the acquaintance of a local resident, Dr. Sandor (Erwin Kalser), while becoming infatuated with his daughter, Elise (Kaaren Verne). He also learns of Dr. Gordon's shocking mutilation of Drake, who is determined to somehow live a normal life despite it all, with Randy by his side. Kings Row was nominated for three Academy Awards (including Best Picture of 1943), and is generally conceded to feature the best performance of Ronald Reagan's Hollywood career; he titled his autobiography Where's the Rest of Me?, after the key line of his most memorable (and challenging) scene in the picture.
~ Mark Deming, All Movie Guide

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Starring:
Ann SheridanRobert Cummings, (more)
1940  
 
Add Kitty Foyle to QueueAdd Kitty Foyle to top of Queue
Though Ginger Rogers' starring vehicles always turned a profit for RKO Radio, many filmgoers thought of Rogers only in terms of "Fred Astaire's partner." Others considered her a delightful comedienne, but no great shakes as a dramatic actress. Thus it was both a personal and professional triumph when Ms. Rogers walked home with an Oscar for her performance in Kitty Foyle. Based on Christopher Morley's Story of an American Girl, the film, told in flashback, relates the progress of working-girl Kitty Foyle (Ginger Rogers) as she pursues her Cinderella dreams. While employed at a department store, Kitty is wooed by Dennis Morgan, scion of a wealthy Philadelphia family. She flirts with the notion of marrying Morgan for his money, but decides that he's a bit too weak-willed for her tastes. Kitty enters into a romance with poor-but-dedicated doctor James Craig, then does an about-face by accepting Morgan's proposal. She quickly runs afoul of Morgan's snobbish family, who are so tightly bound by centuries-old tradition that Kitty is moved to exclaim "You mean to say you let all those dead people tell you what do?" She walks out on Morgan, then discovers that she's pregnant. Even after the trauma of delivering a stillborn child, Kitty is too proud to go back to Morgan. When true-blue Craig comes back into her life, Kitty, repeating her favorite phrase "By Judas Priest!", decides to forego money for love. Though successful to the tune of an $860,000 profit in 1940, Kitty Foyle seems stilted and over-rehearsed when seen today, save for the refreshing spontaneity of Ginger Rogers' performance. The film's best scene is the opening montage of the American Woman's "progress" once she enters the workplace (an uncredited Heather Angel is the central character in this delightful pantomimic vignette). Featured in the cast of Kitty Foyle is director Sam Wood's daughter Katherine Stevens, better known as K.T. Stevens. ~ Hal Erickson, All Movie Guide

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Starring:
Ginger RogersDennis Morgan, (more)
1940  
 
Fred MacMurray stars as a US Army misfit who, with pals Albert Dekker and Gilbert Roland, roam the west in search of adventure. Arriving in a small town, they befriend the elderly newspaper editor (Arthur Allen) and his young granddaughter (Betty Brewer). The trio learns that the community is under the thumb of a covetous land baron (Joseph Schildkraut), who is endeavoring to push out the ranch owners and take over the territory. Advertised by Paramount Pictures as a standard western, Rangers of Fortune is full of startling surprises, not the least of which is the fact that Fred MacMurray doesn't get the girl (Patricia Morison). In one scene, villain Joseph Schildkraut explains his motivations so persuasively that he seems to be more in the right than the heroes. And despite Paramount's promotional buildup of their new child star Betty Brewer, the studio had no qualms about killing off her character some ten minutes before the end! ~ Hal Erickson, All Movie Guide

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Starring:
Fred MacMurrayAlbert Dekker, (more)
1940  
 
Add Our Town to QueueAdd Our Town to top of Queue
Thornton Wilder's Pulitzer Prize-winning play Our Town is given the Hollywood treatment in this adaptation directed by Sam Wood featuring an evocative score by Aaron Copland and outstanding production design by William Cameron Menzies. Frank Craven is Mr. Morgan, the narrator and our guide through the small town of Grover's Corners in the more innocent American times of 1901, 1904, and 1913. Mr. Morgan chronicles the lives of a handful of Grover's Corners citizens, centering upon Emily Webb (Martha Scott), the daughter of the local newspaper editor (Guy Kibbee), and George Gibbs (William Holden), the son of the local doctor (Thomas Mitchell). Emily and George fall in love and the film details their difficult courtship, marriage, and tragic childbirth. The film was nominated for a Best Picture Oscar, losing out to Rebecca. ~ Paul Brenner, All Movie Guide

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Starring:
William HoldenMartha Scott, (more)
1939  
 
The fourth cinematic version of the novel Raffles, the Amateur Cracksman by E.W. Hornung, this romantic caper is a virtual remake of the 1930 version. David Niven stars as A.J. Raffles, a famed cricket player of English society's upper crust. Secretly, however, Raffles is a skilled cat burglar known as "The Amateur Cracksman" to Scotland Yard, which has been unable to catch him. Known for returning the items he's filched, Raffles is about to give up a life of crime because he's fallen for Gwen (Olivia de Havilland), a rich society girl. But first Gwen's brother, Bunny (Douglas Walton), needs help to extricate himself from a gambling debt that will be satisfied nicely by the valuable necklace owned by royal Lady Melrose (May Whitty). At a party thrown by Melrose, a rival thief and a detective (Dudley Digges) stand in Raffles' way, although the nimble and perturbed master criminal has a master plan that will result in the least possible harm coming to all involved. ~ Karl Williams, All Movie Guide

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Starring:
David NivenOlivia de Havilland, (more)
1939  
NR  
Add Goodbye, Mr. Chips to QueueAdd Goodbye, Mr. Chips to top of Queue
Goodbye, Mr. Chips, based on James Hilton's novel, is a melodrama about a shy British teacher named Mr. Chipping (Robert Donat) who devotes his life to teaching "his boys" after the death of his lovely, energetic American wife Katherine (Greer Garson). Told via flashbacks, the film features an aged Mr. Chipping looking back nostalgically at his long career, taking note of the people who've touched his life over the years. Donat was the recipient of a Best Actor Oscar for his portrayal of the title character, and the film features the debut performance of a young Garson. ~ Matthew Tobey, All Movie Guide

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Starring:
Robert DonatGreer Garson, (more)
1938  
 
Director Sam Wood always seemed most comfortable with cozy family-oriented films like Lord Jeff. Freddie Bartholomew plays Geoffrey Braemer, a basically good kid who falls in with bad company. The orphaned Geoffrey is being used as part of jewel-theft scheme masterminded by his so-called aunt Doris Clandon (Gale Sondergaard) and her confederate Hampstead (George Zucco). Left holding the bag when his cohorts skip town, Geoffrey is saved from reform school by kindly Captain Briggs (Charles Coburn), who enrolls the boy in the Russell-Cotes Merchant Marine Training School. At first antagonistic, Geoffrey eventually makes friends with his fellow students, especially Irish boyo Terry O'Mulvaney (Mickey Rooney). A series of misunderstandings brings disgrace upon Geoffrey, but he redeems himself by delivering Doris and Hampstead into the waiting hands of Law-with a little help from his new shipmates, of course. A teenaged Peter Lawford makes his American film debut as Geoffrey's school chum Benny Potter. ~ Hal Erickson, All Movie Guide

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Starring:
Freddie BartholomewMickey Rooney, (more)
1938  
 
Stablemates is a typically treacly vehicle for Wallace Beery, who goes through his usual slobbery paces as an eternally inebriated ex-veterinarian named Tom Terry. Aspiring jockey Mickey (Mickey Rooney) idolizes Tom, who reciprocates by passing along horsemanship advice to the boy. The film's dramatic high point is the scene in which Tom, his judgement benumbed by years of alcohol abuse, tries to pull himself long enough to perform a delicate operation on Mickey's beloved horse Lady-Q. It goes without saying perhaps that the film culminates in the standard Big Race, with Mickey and Tom pinning their hopes on the obligatory "long shot." Just as Mickey Rooney has replaced Jackie Cooper as Beery's juvenile costar in Stablemates, so too has Margaret Hamilton supplanted the late Marie Dressler as Beery's romantic sparring partner. ~ Hal Erickson, All Movie Guide

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Starring:
Wallace BeeryMickey Rooney, (more)
1937  
 
Add A Day at the Races to QueueAdd A Day at the Races to top of Queue
A Day at the Races was the Marx Brothers' follow-up to their incomparable A Night at the Opera. Groucho Marx is cast as Hugo Z. Hackenbush, a veterinarian who passes himself off as a human doctor when summoned by wealthy hypochondriac Emily Upjohn (Margaret Dumont) to take over the financially strapped Standish Sanitarium. Chico Marx plays the sanitarium's general factotum, who works without pay because he has a soft spot for its owner, lovely Judy Standish (Maureen O'Sullivan). Harpo Marx portrays a jockey at the local racetrack, constantly bullied by the evil Morgan (Douglass Dumbrille), who will take over the sanitarium if Judy can't pay its debts. After several side-splitting routines--Chico selling Groucho tips on the races, Chico and Harpo rescuing Groucho from the clutches of femme fatale Esther Muir, all three Marxes conducting a lunatic "examination" of Margaret Dumont--the fate of the sanitarium rests on a Big Race involving Hi-Hat, a horse belonging to the film's nominal hero, Allan Jones. Virtually everything that worked in "Opera" is trotted out again for "Races", including a hectic slapstick finale wherein the Marxes lay waste to a public event. What is missing here is inspiration; perhaps this is due to the fact that MGM producer Irving Thalberg, whose input was so essential to the success of "Opera", died during the filming of "Races". Even so, Day at the Races made more money than any other previous Marx Brothers film--the result being that MGM, in the spirit of "they loved it once", would continue recycling Races' best bits for the studio's next three Marx vehicles. ~ Hal Erickson, All Movie Guide

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Starring:
Marx BrothersGroucho Marx, (more)
1937  
 
Sam Wood directed this fourth version of the Alexandre Bisson weeper, buffed to a high gloss by shimmering M.G.M. production values. Gladys George plays Jacqueline Fleuriot this time around, the wife of a diplomat who has an affair and is compelled to leave her husband and son. After abandoning her family, she sinks into a sea of debauchery, becoming involved in prostitution, blackmail, and eventually murder. After the murder, her son Raymond (John Beal), now a grown man and a famous lawyer, is called upon to defend her. Unaware that the woman he is defending is his long lost mother, Jacqueline tries to hide her past from her successful son. ~ Paul Brenner, All Movie Guide

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Starring:
Gladys GeorgeJohn Beal, (more)
1937  
 
MGM's Navy Blue and Gold prettily dresses up some of the oldest cliches in the "military cadet" movie genre. The film charts the progress of three Annapolis "plebes," all played by actors in the age range of 24 to 30. Wisecracking Roger Ash (Robert Young) is a cynic, wide-eyed Richard Gates Jr. (Tom Brown) is overeager), and reclusive Truck Cross (James Stewart) harbors a dark secret. When not going about their appointed duties, Ash and Cross battle over the attentions of heroine Patricia (Florence Rice), Gates' sister. All the while, Captain Skinny Dawes (Lionel Barrymore), the traditional crusty old seafarin' man with a heart of gold, tries to instill the love of Honor, Duty and Country in all three heroes. The plot is resolved in a climactic football game, with everyone showing his true colors (blue and gold, of course!) Many of the plot devices and stereotypical characters in Navy Blue and Gold would continue to resurface in similar films for the next five decades -- even in the R-rated Officer and a Gentleman (1980). ~ Hal Erickson, All Movie Guide

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Starring:
Robert YoungJames Stewart, (more)
1936  
 
The Unguarded Hour opens with prosecutor Sir Alan Deardon (Franchot Tone) in the midst of a murder trial. He gets his conviction, while his wife, Lady Helen (Loretta Young), sits furrow-browed on the sidelines. Helen had witnessed the murder and thus can prove that the condemned man (Dudley Digges) is innocent. But she cannot come forth with this information without revealing a past indiscretion in her husband's life, for which she is being blackmailed. To make a long story short, which MGM didn't, Sir Alan ends the film not as a prosecutor in a murder case, but as the prosecuted. Based on a play by Ladislas Fodor and Bernard Merivale, The Unguarded Hour represented the Hollywood debut of that splendidly satanic villain Henry Daniell, cast to type as the blackmailer. ~ Hal Erickson, All Movie Guide

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Starring:
Franchot ToneLoretta Young, (more)
1936  
 
Myrna Loy plays the glamorous member of a trio of jewel thieves. G-Man Spencer Tracy goes undercover to join the gang when it transports its stolen jewels from Paris to New York. Loy falls in love with Tracy, has a change of heart, and quits the gang. But Tracy arrests her all the same when he recovers the jewels. The girl forgives Tracy when the latter is wounded in a climactic gun battle with the rest of the thieves. Why, oh why, is this thing called Whipsaw? ~ Hal Erickson, All Movie Guide

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Starring:
Spencer TracyHarvey Stephens, (more)

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