John Wood Movies

Brilliant plastic surgeon Philip Ritter (Paul Henreid) loses the love of his life, concert pianist Alice Brent (Lizabeth Scott), to her manager, David (Andre Morell). As a balm to his wounded pride, Dr. Ritter Henreid makes over a hideously scarred female criminal into the spitting image of the woman who jilted him (the girl is played by Mary McKenzie "before," and, of course, by Lizabeth Scott "after"). Alas, he cannot make over her personality as well, and soon she's run off with her own crooked crowd. A not-bad precursor to Hitchcock's Vertigo, A Stolen Face was produced by Britain's Hammer Films, and distributed in the U.S. by Lippert. ~ Hal Erickson, All Movie Guide

The otherwise routine story and themes of this comedy are greatly balanced by talents of Anthony Newley as Jeep Jackson, a singing idol called up to serve in the British army and Lionel Jeffries as Bertie, a fussbudget adjutant. One of Jackson's superior officers is the brash Sgt. Lush (William Bendix) whose bark is much worse than his bite. Aside from the usual army types, Caroline (Anne Aubrey), the commander's daughter, adds a romantic nuance to the story when she falls for Jackson. And as in any story about a pop singer anywhere, Jackson manages to belt out a few songs. ~ Eleanor Mannikka, All Movie Guide

Peter Sellers stars as an inmate in a "model prison" run by Maurice Denham. Though Sellers is disinclined to escape (he's never been as comfortable in his life), he is convinced to do so by phony vicar Wilfred Hyde-White, who breaks into jail to outline a robbery scheme. Hyde-White's plan is to have Sellers and his cellmates David Lodge and Bernard Cribbins take a brief "vacation" from jail, pull off a big-time robbery, then return undetected to prison, thereby establishing a perfect alibi. Within its 87-minute time span, Two-Way Stretch takes satirical potshots at political bleeding hearts, obese Middle Eastern potentates, and regulation-bound British police officials. One cannot be faulted for wishing that Peter Sellers had stuck to engaging small-scale British farces such as this and had never ventured into such unamusing big-budgeters as The Bobo and There's a Girl in My Soup. ~ Hal Erickson, All Movie Guide

Zany British comedian Tony Hancock was briefly a major draw in the 1960s, with several popular TV series, sellout personal appearances, and a string of theatrical films to his credit. In The Rebel (released in the US as Call Me Genius), Hancock plays a middle-class businessman who decides to chuck it all and become a painter. He heads for Paris, there to starve in an attic until fame and fortune comes calling. Like many British comedies of the era, The Rebel has great fun at expense of modern art and bohemian artistes; Hancock takes full advantage of every humorous possibility, with suave George Sanders acting as his dignified foil. Alas, by the end of the 1960s, Tony Hancock was dead by his own hand, a victim of alcohol and acute depression. ~ Hal Erickson, All Movie Guide

In this routine, slapstick, frenetic tale, British comic Spike Milligan stars as Harold Petts, a rural mailman with a sudden promotion that ends up getting him into a lot of trouble. Harold is supposed to be trained behind the scenes at London's busiest post office but even after his first day in the city he is already in difficulties. He soon meets Jean (Barbara Shelley), a mediocre art student with big aspirations for her future. The duo eventually find themselves as top suspects in a mail-theft ring, with the police and the Post Office higher-ups close on their heels. ~ Eleanor Mannikka, All Movie Guide

Purporting to warn young people of premarital sex, this British drama is exploitation with a capital 'E.' Set in a conservative peaceful village, the drama begins with the arrival of a sexy Austrian girl who proceeds to seduce every man in sight. One of her victims is engaged. When his fiancee finds out, she has an insecurity attack and lets her beloved have sex with her. This results in pregnancy. Later the Austrian hussy gets raped by her steady because he is jealous of her other trysts. To top it off, she ends up contracting a dreaded venereal disease. Naturally all of those who sampled her ample wares get into quite a tizzy. ~ Sandra Brennan, All Movie Guide

Debuting in 1963, the British TV anthology The Victorians offered hour-long adaptations of eight famous 19th century plays. Episode titles included "The Rent Day," "London Assurance," "Society," "The Ticket of Leave Man," "Two Roses," "The Silver King," and "Still Waters Run Deep." In general, the same repertory troupe of actors appeared in all eight plays. ~ Hal Erickson, All Movie Guide

In this drama, a singer on her husband's weekly television show suddenly decides to begin a new life without him. She then quits her job and moves into the house of another man, a good friend, not a lover. When she learns that her husband is looking for a replacement singer, she does her best to stop him. The couple eventually reunites after the husband saves her from the attack of a lascivious drunken Australian during a wild party. ~ Sandra Brennan, All Movie Guide

Brendan (Jerry Lewis) is an eccentric multimillionaire who is rejected for military service in this misfired comedy. Eager to help the Allies, he gathers a quartet of offbeat irregulars and sails to Italy to join the conflict. Brendan captures a Nazi general and masquerades as the enemy. When Allies arrive, he is mistaken for the real general. Jan Murray, Dack Rambo, John Wood and Steve Franklin help the inept but patriotic Brendan. Also appearing are Kaye Ballard, Neil Hamilton, and George Takei, all allumni of successful television programs from the late 1960s. ~ Dan Pavlides, All Movie Guide

"Billy Pilgrim has come unstuck in time." These opening words of Kurt Vonnegut's famous novel make an effective and short summary of a haunting, funny film. For the screen, director George Roy Hill faithfully renders Vonnegut's black anti-war comedy about Pilgrim (well played in a low key by Michael Sacks), who survives the horrendous 1945 fire bombing of Dresden then lives simultaneously in his past as a naïve American POW and in the future as a well-cared-for zoo resident on the planet Tralfamadore (with zaftig Valerie Perrine as his mate). In the present, he's a middle-aged optometrist in Ilium, NY. If this sounds like a bit of a jumble -- it is. But viewers willing to watch carefully will find the movie as intricate and harmonious as Glenn Gould's plaintive renderings of the Bach keyboard pieces that decorate its soundtrack. It's not essential, but fans who read the short, poetic book will find it a treat in itself, and it will help them appreciate Hill's genius in bringing this "Children's Crusade" to the screen. In addition to Sacks, there are noteworthy performances by Ron Leibman (Norma's union man in Norma Rae) as Pilgrim's crazed nemesis and by radio/TV/movie legend, John Dehner as the arrogant Professor Rumfoord. Hill, of course, came to this film from a big hit, Butch Cassidy and the Sundance Kid, and went on to triumph with The Sting one year later. The elaborate medieval and baroque architecture of pre-bombing Dresden was represented authentically in the film by scenes from Prague, since much of Dresden's architecture was lost to the bombing, and that city, in any case, was deep in East Germany, thus inaccessible at the time of filming. ~ Michael P. Rogers, All Movie Guide

Although it makes her father unhappy, Jenny does not want a certain horse sold to the owners of a farm. She sets out to save her favorite animal. ~ Sandra Brennan, All Movie Guide

Ginger Meggs (Paul Daniel) is a young "Dennis the Menace" who first appeared in Australian comic strips in 1921. In this film meant for the pre-teen set, Ginger is constantly getting himself in trouble in spite of his good intentions -- at the same time, he prevaricates, he disobeys his teachers and parents, he skips school, or while in school, fights it out with the bullies -- all activities that are bound to capture the attention of children who can vicariously enjoy the forbidden behavior. ~ Eleanor Mannikka, All Movie Guide

The political battles waged by Australian Prime Minister John Curtin against Franklin Roosevelt, Winston Churchill and others during the Second World War are the subject of this docudrama. ~ Jason Ankeny, All Movie Guide