Judith Wolinsky Movies
After a man (Michael Emil) and a woman (Karen Black) meet and begin to become romantically involved, his confirmed bachelorhood and her post-divorce trauma start to clash. As their interactions become more complex, and they move from one scenario to the next, they begin to learn more about one another. Director and writer Henry Jaglom used his non-tradtional filmmaking approach on this feature: set up the scene, let the actors improvise, and edit the result. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Karen Black, Michael Emil, (more)
Henry Jaglom, the best professional "home movie" maker in the business, produced, directed, wrote and starred in Always. Also appearing is Jaglom's ex-wife Patrice Townsend, here cast as...his ex-wife. Showing up one night at Jaglom's home to finalize the divorce decree, Townsend is persuaded to stay by her former husband, who hopes to talk her out of dissolving the marriage. Sideline characters include Melissa Leo as Townsend's uninhibited sister, and Alan Rachins as a reclusive type. Mostly improvised, Always attempts to offer up a few sobering truths about relationships. ~ Hal Erickson, All Movie Guide
- Starring:
- Patrice Townsend, Henry Jaglom, (more)
Orson Welles made his final screen appearance as, appropriately enough, Orson Welles (or "Danny's Friend") in Henry Jaglom's "emotional vérité" comedy Someone to Love. The film begins as filmmaker Danny (Henry Jaglom) prepares to spend the night at his girlfriend Helen (Andrea Marcovicci)'s apartment. Helen has just adjusted to sleeping alone after the breakup of her previous relationship and tells Danny that if he stays with her, she won't be able to go to sleep. Fascinated by the explanation, Danny sends out telegrams to a bunch of his Hollywood friends to meet on Valentine's Day at a Santa Monica theater, the Mayfair, that is about to be torn down to make way for a shopping mall. Danny figures that he will throw a party for his lonely celebrity friends. He also reasons that he could introduce his brother, real estate developer Mickey (Michael Emil, Jaglom's real-life brother), to some romantic companions. The party would also be a handy way to get some film footage. The day of the party, Danny's friends arrive --a famous movie star (Sally Kellerman); a pop singer named Blue (Stephen Bishop); a jazz pianist (David Frishberg); a sophisticated continental woman named Yelena (Oja Kodar); and, bringing up the rear and ensconced in the back of the theater, Danny's Friend (Orson Welles). With his camera crew in tow, Danny takes to filming his guests as they answer questions about love and loneliness. ~ Paul Brenner, All Movie Guide
- Starring:
- Orson Welles, Henry Jaglom, (more)
Filmmaker Henry Jaglom plays the leading male role in his characteristically gabby New Year's Day. Jaglom is a writer who insists upon asking disturbing and intrusive questions to the revellers at a New Year's Eve party. His inclusion in the story is explained by having him sublet a California apartment where the previous attendants show no signs of leaving. The crazy-quilt Dramatis Personae include lesbian PR-agent Gwen Welles, erstwhile actress/activist Maggie Jakobson, and lustful fashion-photographer Melanie Winter. Periodically interrupting the steady stream of spontaneous-sounding conversation between these three is Jakobson's randy boyfriend David Duchovny and famed Czech director Milos Forman as a janitor (!). As always, Henry Jaglom is a matter of taste, but you'll very likely want to see New Year's Day for a glimpse at a pre X-Files David Duchovny. ~ Hal Erickson, All Movie Guide
- Starring:
- Maggie Jakobson, Gwen Welles, (more)
The title of Henry Jaglom's stream-of-consciousness Eating says it all. Three women (Lisa Blake Richards, Mary Crosby and Marlena Giovi), each celebrating a "milestone" birthday, decide to throw a joint party. Attending the revelries is French documentary filmmaker Martine Nely Alard, who becomes fascinated when none of the guests will touch the meticulously prepared birthday cake. As Martine begins interviewing the partygoers, she discovers the importance that food holds in each of their lives. One of the most revelatory improvisational monologues is delivered by a matriarch portrayed by Frances Bergen, the real-life widow of Edgar Bergen and the mother of Candice. Though Eating is not for everyone's taste, for those in tune with the fiercely independent Jaglom, the film is a cinematic smorgasbord. ~ Hal Erickson, All Movie Guide
- Starring:
- Lisa Richards, Mary Crosby, (more)
For sheer abject self-indulgence this side of an Eric Schaeffer movie, one need look no further than the films of Henry Jaglom. Jaglom's vanity productions require an intense Stalin-like loyalty to the filmmaker and his films going in, otherwise a viewer is lost. So when, in Venice/Venice, Henry Jaglom appears as a filmmaker named Dean at the Venice Film Festival, there promoting a film resembling a Henry Jaglom film, a viewer must give himself up to the force or walk out of the theater. Dean is the kind of pretentious Hollywood type who likes to wear his heart and his distribution contract on his sleeve, so when adoring European journalist Jeanne (Nelly Alard) inexplicably smiles at him the right way, filmgoers will come to understand why the film business is so attractive to wimpy film geeks. Jeanne and Dean fall in love and take a walking tour of Venice, but Jeanne pays no attention to the city, since she religiously hangs on every word Dean has to say regarding love, films, and destiny. Since there are more pearls of wisdom to be gloaned from this Bel-Air Gandhi, Jeanne willingly follows Dean back to Venice, California. Realizing that she has already spent too much time basking in the brilliance of Dean's sun, Penny (Melissa Leo), Dean's California girlfriend, obligingly offers to pack up and leave when she sees Dean returning to Southern California with Jeanne in tow. When Henry Jaglom talks, they all listen. ~ Paul Brenner, All Movie Guide
- Starring:
- Nelly Alard, Henry Jaglom, (more)
In this semi-improvised comic drama from maverick filmmaker Henry Jaglom, Gena (Victoria Foyt) is a businesswoman starting to creep into middle age. She thinks she might be pregnant, and she isn't sure how she feels about it: she wants to have children, and her body's clock is starting to tick rather loudly, but she's uncertain if this is the right time to start a family. Just as important, she's not sure who the father is, and she is torn between the two suspects. James (Matt Salinger) is sweet, stable, and a little boring, while Anthony (Eric Roberts) is exciting but arrogant and not terribly dependable. While Gena waits to hear from her doctor about the results of her pregnancy test, she attends a baby shower for one of her co-workers, where the women discuss their feelings about having children -- some want them, some don't, some aren't sure. Meanwhile, the hostess throwing the shower has her own problems; her husband is deep in debt and may have to sell their house to pay his bills. Jaglom co-wrote Babyfever with his wife (and star) Foyt -- appropriately enough, not long after the couple had their second child. ~ Mark Deming, All Movie Guide
- Starring:
- Victoria Foyt, Matt Salinger, (more)
A legendary theatrical family gather for one final show at their East Hamptons estate in this verbose comedy-drama. Swedish actress Viveca Lindfors takes center stage as Helena, the family matriarch, who has made the difficult decision to sell the estate due to financial problems. A mixed group has come for what will be the last of the family's annual summer performances, a gathering that naturally brings conflicts and rivalries to the surface. Much of the trouble centers on Oona (Victoria Foyt), a financially successful Hollywood actress seeking artistic approval from such theatrical colleagues as avant-garde director Ivan (André Gregory) and gay playwright Jake (real-life dramatist Jon Robin Baitz), who each has difficulties of his own. As in all of writer/director Henry Jaglom's films, the focus is on conversation over action, as the various characters share personal torments and debate their individual philosophies. The talky, intellectual dialogue will be seen by some viewers as witty and perceptive and by others as pretentious and slow-moving. Regardless of one's opinion of Jaglom's idiosyncratic style, Last Summer in the Hamptons is distinguished by the presence of Lindfors in her final film, giving a career-capping performance that addresses the problems of older actresses and looks back fondly on the star's own history. ~ Judd Blaise, All Movie Guide
- Starring:
- Victoria Foyt, Viveca Lindfors, (more)
Los Angeles store owner Dana (Victoria Foyt) is shopping in Israel where a meeting with a mysterious woman leads her to Paris and the White Cliffs of Dover, an appropriate spot to fall in love with English painter Sean (Stephen Dillane) who is married. Soon, however, Dana is off to London to rejoin her business-partner Alex (Michael Brandon). Dana and Alex, and Sean and his wife all wind up together as weekend house guests of John ('60s rock performer Noel Harrison), brother of Skelly (Vanessa Redgrave). With true love looming on the horizon, Dana and Sean decide to abandon their companions for each other. Screenplay by Foyt and director Henry Jaglom, who took a different approach to the theme of love and affection in his autobiographical Always (1985). Shown at the AFI/Los Angeles Film Festival. ~ Bhob Stewart, All Movie Guide
- Starring:
- Stephen Dillane, Victoria Foyt, (more)
The romance, intrigue, and industry politics of the world's biggest film festival -- which is also the world's biggest film marketplace -- provides the backdrop for this typically understated comedy-drama from director Henry Jaglom. Alice Palmer (Greta Scacchi) is a well-known American actress who has written a screenplay that she'd like to direct, and she arrives a the Cannes Film Festival to look for investors. Alice has her eyes on veteran star Millie Marquand (Anouk Aimee) to play the lead, but while Millie loves the script, she's been offered a better-paying supporting role in an upcoming Tom Hanks project. Meanwhile, Millie's former husband Viktor Kovner (Maximilian Schell) is a director fallen on hard times who is trying to scare up financing for his own film. Producer Rick Yorkin (Ron Silver) wouldn't mind leaving Millie in the lurch if it meant landing Alice for his next project. Kaz (Zack Norman) is a less-than-scrupulous producer hoping to put some sort of package deal together. And Blue (Jenny Gabrielle) is a young woman whose shoestring budget independent film has become an unexpected smash hit. Shot in the midst of the 1999 Cannes Film Festival, Festival In Cannes features cameos from such stars as Jeff Goldblum, Holly Hunter, Faye Dunnaway, and William Shatner. ~ Mark Deming, All Movie Guide
- Starring:
- Jenny Gabrielle, Greta Scacchi, (more)
Director Henry Jaglom once again casts his quirky gaze on a common female obsession in this comedy drama. Holly (Victoria Foyt) owns a small and upscale boutique in Santa Monica, and has just learned that her accountant and significant other, Adam (Bruce Davison), has betrayed her -- even worse than cheating on her, he's run off with three month's worth of rent, and she has only a few days to raise the money or lose her space. With Mother's Day approaching, Holly is hoping for a big weekend to save the day, but she has other problems to contend with as she has to patch up a misunderstanding with her mother (Lee Grant), who offers to refer her to a loan shark, and her daughter (Mae Whitman). Meanwhile, with Adam out of the picture, Holly finds herself flirting with Miles (Rob Morrow), the long-suffering boyfriend of one of her customers. And in the midst of the buying frenzy, many of Holly's customers share their feelings about shopping and the role it plays in their lives. Leading lady Victoria Foyt co-authored the screenplay with director Jaglom (who is also her husband). ~ Mark Deming, All Movie Guide
- Starring:
- Victoria Foyt, Rob Morrow, (more)
