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Dick Wolf Movies

2009  
R  
Add When You're Strange: A Film About The Doors to Queue Add When You're Strange: A Film About The Doors to top of Queue  
The Doors were very much a band of their time, a group whose music reflected the social and political upheaval of the late '60s and early '70s, and yet their appeal has endured thanks to the hypnotic music of guitarist Robby Krieger, keyboardist Ray Manzarek, and drummer John Densmore as well as the magisterial power of lead vocalist and lyricist Jim Morrison. The group's moment in the spotlight was short -- their debut album was released in early 1967, and Morrison would die in Paris in the summer of 1971 -- but their music and image continues to fascinate music fans, and filmmaker Tom DiCillo explores the Doors and their times in the documentary When You're Strange. Featuring rare footage from the archives of Paul Ferrara, a filmmaker who struck up a friendship with Morrison when they were both attending UCLA, When You're Strange also includes excerpts from HWY: An American Pastoral, a short film Morrison directed in 1969. When You're Strange was an official selection at the 2009 Sundance Film Festival. ~ Mark Deming, Rovi

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Starring:
Johnny Depp
 
2007  
 
Add Bury My Heart at Wounded Knee to Queue Add Bury My Heart at Wounded Knee to top of Queue  
Director Yves Simoneau explores the plight of the American Indian in the later half of the 19th century in this docudrama exploring the effects of westward expansion and based on the book by Dee Brown. ~ Jason Buchanan, Rovi

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Starring:
Aidan QuinnAdam Beach, (more)
 
2006  
 
Another Law & Order spin-off from producer Dick Wolf, NBC's weekly, hour-long Conviction starred Stephanie March, recreating her familiar Law & Order: SVU role as Assistant DA Alexandra Cabot. Formerly imbedded in the Federal Witness Protection Program, Alexandra was once more able to move about and practice her trade, this time as bureau chief for a group of young, ambitious ADAs. Her new colleagues included deputy DA and law-office manager Jim Steele (Anson Mount); born-into-privilege lawyer Nick Potter (Jordan Bridges), who idealistically left a lucrative private practice to work with Cabot for a paltry 51,000 dollars per year; arrogant grandstander Billy Desmond (J. August Richards), who went to great lengths to secure for himself only those cases that he was sure to win; Jessica Rossi (Milena Govich), Nick Potter's unofficial assistant and a woman with a murky, working-class past; Brian Peluso (Eric Balfour), whose legal brilliance was mitigated by his slovenliness and his messy private life; and Christina Finn (Julianne Nicholson), who'd been working in the office for two years before finally landing her first case and was understandably anxious to make up for lost time. Eschewing the "procedural" format of the other series in the Law & Order franchise, Conviction was built more along the lines of the medical drama Grey's Anatomy, focusing more on the various lawyers' personal problems and hang-ups than on their professional activities. Also breaking away from the Law & Order formula was the series' predilection for having the attorneys inaugurate legal investigations before it was entirely certain that a crime had actually been committed. Conviction first aired on March 3, 2006. ~ Hal Erickson, Rovi

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Starring:
Eric BalfourJordan Bridges, (more)
 
2005  
 
Add Law & Order: Trial by Jury [TV Series] to Queue Add Law & Order: Trial by Jury [TV Series] to top of Queue  
The jury is in! From creator Dick Wolf comes the most innovative Law & Order series yet: Law & Order: Trial by Jury - The Complete Series. Partner up with Jerry Orbach, Fred Dalton Thompson and Bebe Neuwirth to explore the judicial system like never before: not only from the point of view of police and prosecutors, but also the defense team, judges, jurors and the defendants themselves. This highly collectible three-disc DVD set contains all 13 original episodes of the entire series, including one never broadcast on network TV! Plus witness exciting deleted scenes, a landmark Law & Order: SVU cross-over episode starring Chris Meloni and Emmy winner Mariska Hargitay, the philosophy behind this unique show presented by the cast members, and powerful guest-star performances from Lorraine Bracco, Peter Coyote and Candice Bergen. You have the right to Law & Order: Trial by Jury!

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Starring:
Bebe NeuwirthJerry Orbach, (more)
 
2003  
 
This episode was advertised as the 300th installment of Law & Order, although technically it was number 301. (NBC did not count the series' 1990 pilot, which had originally been produced for CBS.) Again drawing its inspiration from recent headlines, the episode opens with an apparent fire in a high-rise apartment, culminating horribly when the baby son of popular comedian Monty Bender (Adam Ferrara) falls from the apartment window to his death. What appears to be a tragic accident leads to the reopening of an old pedophilia charge against Bender, and a startling revelation involving the parents of a young boy who'd been paid off to drop their case against the beleaguered comic. Real-life comedian Larry Miller, who'd played a murderer on two earlier episodes, is here cast as himself. This was the final episode of Law & Order's 13th season. ~ Hal Erickson, Rovi

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2003  
 
Based on the classic Jack Webb cop series of the 1950s and '60s, Dragnet was the second latter-day revival of the property to boast a new cast and grittier edge (the first non-Webb revival was the obscure syndicated Dragnet seen in 1989). On this occasion, Ed O'Neill starred as Sgt. Joe Friday, LAPD, with Ethan Embry as his partner, Bill Gannon. The fact that Friday was then the older and more experienced of the two partners (not the case in the orginal Dragnet, wherein silent movie veteran Ben Alexander was seen as Frank Smith) was but one of the many deviations from the property's traditional formula. Another was the emphasis on crimes involving sex, decadence, and drugs -- and this time, there were none of the legendary "Joe Friday Lectures" involving narcotics abuse. Finally, this Joe Friday was capable of emotional outbursts and was far more prone to resort to strong-arm methods when dealing with perpetrators (most of whom, admittedly, deserved such treatment). Still, many of the familiar Dragnet trappings were still in evidence, including the "Names have been changed to protect the innocent" opening disclaimer, the terse dialogue, the voice-over narration, the "Just one more thing" fade-out speeches, and the ironic responses to shaky alibis. Executive-produced by Dick Wolf of Law & Order fame, this newest incarnation of Dragnet debuted February 2, 2003. ~ Hal Erickson, Rovi

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2002  
 
Dick Wolf, the TV producer responsible for the seemingly endless Law & Order and its numerous spin-offs, entered the realm of "reality" television with his weekly 60-minute NBC series Crime & Punishment. Co-created by Wolf and David Kanter, the series followed a number of criminal cases, from arrest to final verdict, brought to trial by the D.A.'s office of San Diego, CA. Though the cases, lawyers, police, perpetrators, and witnesses were real, and the episodes were unscripted and unrehearsed, the series was edited in the manner of a "fictional" crime show, replete with mini-climaxes just before each and every commercial break. The opening episode of Crime & Punishment, originally aired June 16, 2002, dealt with the first-degree murder trial of James Dailey, a security guard accused of murdering his wife. ~ Hal Erickson, Rovi

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2002  
 
As it entered its 13th season on the air, Law & Order also entered the history books as the longest-running TV program of its genre. This, however, did not satisfy series producer Dick Wolf, who had every intention of keeping the series in production for at least another eight years, long enough to smash Gunsmoke's status as the longest-running dramatic series of all time. Wolf also refused to rest on his laurels by concentrating on his "baby" alone: In addition to the original Law & Order, he was also churning out spin-offs Law & Order: Criminal Intent and Law & Order: Special Victims Unit, as well as the documentary/reality series Crime & Punishment, with an updated revival of the classic Dragnet still in the wings. The basic Law & Order cast from season 12 was still in place, with one very significant change. After two years of service, interim District Attorney Nora Lewin (Dianne Weist), who'd replaced the venerable Adam Schiff (Steven Hill) in 2000, was herself replaced by DA Arthur Branch, played by Fred Dalton Thompson, an erstwhile actor better known to the public as a former Republican senator from Tennessee. The avuncular, home-fried conservatism of Branch -- who, unlike his strictly-business predecessors, was inclined toward long-winded anecdotes and rustic homilies whenever making an important point of law -- was frequently at odds with the intense liberalism of ADA Jack McCoy (Sam Waterston) and the studied seriousness of McCoy's assistant Serena Southerlyn. So much for the "Order" portion of the program. Back on the "Law" end of the spectrum, producer Wolf had promised viewers that there would be more friction between detectives Lennie Briscoe (Jerry Orbach) and Eddie Green (Jesse L. Martin); as it turned out, however, Briscoe and Green developed into something of a comedy team, with Green playing off of the witty comments and abysmal puns invariably dropped by Briscoe at each murder scene. Similarly, the detectives' sober-sided superior, Anita Van Buren (S. Epatha Merkerson), became a bit more wry and light-hearted than she'd been in previous seasons. As always, Law & Order kept abreast of the times with stories based on actual events and persons. The aftermath of 9/11, the saga of "American Jihad" John Walker Lindh, the shoplifting trial of actress Winona Ryder, the Lacy Peterson murder case, the Martha Stewart inside-trading imbroglio, pop star Michael Jackson's display of parental recklessness from a balcony, the criminal charges against the NBA's Jayson Williams, and the "D.C. Snipers" case were all grist for the writers' mill. The 13th-season finale of Law & Order was lavishly publicized as the series' 300th episode. Technically, however, it was the 301st, but NBC seldom acknowledged the series' pilot episode because it had been financed by CBS. Ironically, that selfsame pilot show was rebroadcast by NBC May 21, 2003, the same night as the "300th" installment. ~ Hal Erickson, Rovi

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Starring:
Jesse L. MartinS. Epatha Merkerson, (more)
 
2002  
 
Add Law & Order: Special Victims Unit: Season 04 to Queue Add Law & Order: Special Victims Unit: Season 04 to top of Queue  
Formerly appearing on a recurring basis as forensic psychologist Dr. George Huang, B.D. Wong graduates to full series regular in "Chameleon," the opening episode of Law & Order: Special Victims Unit's fourth season. Among the year's best episodes are "Vulnerable," guest-starring former musical comedy ingenue Jane Powell as an elderly Alzheimer's victim who is misused by both a sexual predator and her own caregiver; "Disappearing Acts," in which the SVU team runs smack against the stone wall of the Witness Protection Program while tracking down a brutal rapist; "Waste," a compelling exploration of the dark side of stem-cell research; and "Risk," wherein the team must expose the rotten apples in their own police ranks to find out who caused the cocaine-related death of a baby. As in previous seasons, many of the plotlines are driven by the unique personalities of the principal characters. In "Mercy," for example, Assistant DA Alex Cabot (Stephanie March) finds herself sympathetic to a mother who euthanized her desperately ill daughter, and in "Pandora," Det. Elliot Stabler (Christopher Meloni) travels all the way to Prague to crack a difficult kidnapping case. Other episodes emulate the Law & Order "ripped from today's headlines" formula. Case in point: "Appearances," which is clearly inspired by the still-unsolved murder of JonBenet Ramsey. Season four ends with "Soulless," chronicling the frustrations of using the juvenile record of a suspect to arrest him for sex crimes committed as an adult. ~ Hal Erickson, Rovi

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Starring:
Christopher MeloniMariska Hargitay, (more)
 
2001  
 
With the departure of series regular Angie Harmon at the close of season eleven (it was explained that her character, Assistant DA Abbie Carmichael, had accepted a job with the U.S. Attorney's Federal Major Crimes Task Force), season twelve of Law & Order was ushered in with a new face in the DA's office. Elisabeth Rohm was added to the cast as ADA Serena Southerlyn, who had requested the appointment because she wanted to tackle grittier cases than the "white-collar crimes" which had been her forte. The scriptwriters wasted little time in providing Serena with a baptism by fire: in the episode "DR 1-102," she courageously defused a dangerous hostage situation -- only to face the loss of her license to practice law because she failed to follow accepted legal procedure. The rest of the cast remained the same as in season eleven, though it was already established that Dianne Wiest's character, interim DA Nora Lewin, would be written out as soon as a permanent district attorney could be elected. (It was not that Wiest was unhappy with her role, nor that the producers were dissatisfied with the character; she just didn't want to be artistically confined to series television.) Likewise maintaining the Law & Order status quo was the series' predilection for stories based on current headlines, beginning with the season opener "Who Let the Dogs Out?," which was transparently inspired by a real-life California case involving a killer pit bull. The arrests of actor Robert Blake and rapper Sean "Puffy" Combs and the disappearance of congressional intern Chandra Levy, likewise provided grist for the series' story mill. In addition, the terrible events of September 11 loomed large over the proceedings, notably in the season-closing episode "Patriot." Finally, by 2001, Law & Order had become something of franchise. The series' first spin-off, Law & Order: Special Victims Unit, was entering its second successful season. Both this show and its parent series were joined in the fall of 2001 by Law & Order: Criminal Intent, which chronicled crime and punishment from the perpetrators' point-of-view. ~ Hal Erickson, Rovi

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Starring:
Jesse L. MartinS. Epatha Merkerson, (more)
 
2001  
 
Add Law & Order: Special Victims Unit: Season 03 to Queue Add Law & Order: Special Victims Unit: Season 03 to top of Queue  
The so-called "repressed memory syndrome" figures heavily into "Repression," the opening episode of Law & Order: Special Victims Unit's third season. Subsequent episodes worth noting include "Wrath," in which Detective Benson's (Mariska Hargitay) relentless pursuit of rapists (motivated, in part, by the fact that she herself was conceived in rape) may bring about her death at the hands of one whom she'd sent to prison. Similarly character-driven are such episodes as "Stolen," in which Captain Cragen (Dann Florek), skipper of the SVU unit, takes it upon himself to reopen a illegal-adoption case he'd worked on a dozen years earlier; "Redemption," wherein Det. Elliot Stabler (Christopher Meloni) is partnered with a detective whose professional zeal sends him spiralling into depression and public humiliation; "Execution," a story built around the recurring character of forensic psychiatrist Dr. George Huang (B.D. Wong), who races against the clock to determine if a condemned murderer is responsible for an unsolved crime; "Guilt," wherein Assistant DA Alex Cabot (Stephanie March) puts her career on the line by covertly enlisting the aid of the SVU team to trap a child molester; and "Denial," in which Det. Fin Tutuola takes a special interest in a heroin addicted rape victim. The season concludes with "Silence," a timely story about a pedophilic priest. Having ended its second season as the 25th highest-rated network program in the U.S., Law & Order: Special Victims Unit enjoyed a healthy influx of new viewers during season three, skyrocketing to 12th place in the ratings. ~ Hal Erickson, Rovi

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Starring:
Christopher MeloniMariska Hargitay, (more)
 
2001  
 
The third of producer Dick Wolf's Law & Order TV series, Law & Order: Criminal Intent included many of the dramatic ingredients that had contributed to the success of the earlier programs. There were the usual dedicated cops, represented by detectives Robert Goren (Vincent D'Onofrio) and Alexandra Eames (Kathryn Erbe), and the standard hardworking prosecutors, personfied by Assistant DA Ron Carver (Courtney Vance). The novelty on this occasion was that the crime of the week was dramatized from the prime suspect's point of view, which tended to cut down on the mystery elements, but did wonders for the overall suspense quotient. Other regulars included Jamey Sheridan as Police Captain James Deakins and Tracy Howe as forensic accountant Leon Martel. Law & Order: Criminal Intent began its weekly, 60-minute NBC run September 30, 2001. ~ Hal Erickson, Rovi

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2000  
 
In this concluding episode of a two-part "crossover" story which began on Law & Order's sister series Law & Order: SVU, the D.A.'s office endeavors to connect the murder of a salesman with the politically influential Mulroney family. Despite pressure brought to bear by powerful matriarch Regina Mulroney (Jane Alexander), A.D.A. Jack McCoy (Sam Waterston) refuses to drop the prosecution. Featured in the cast are SVU regulars Richard Belzer (as Detective John Munch), Christopher Meloni (Detective Elliot Stabler), Mariska Hargitay (Detective Olivia Bensen), and Dann Florek (Captain Don Cragen). ~ Hal Erickson, Rovi

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2000  
 
Add Law & Order: Season 11 to Queue Add Law & Order: Season 11 to top of Queue  
Season ten of Law & Order had ended on a cliffhanger of sorts, with an international trial involving the son of a prominent diplomat casting serious doubt upon the reelection of DA Adam Schiff (Steven Hill). In the first episode of the series' 11th season, it was learned that Schiff had, indeed, left office -- not due to a lack of voter turnout, but because he had been appointed by the U.S. government to supervise an upcoming Holocaust memorial in Holland. Until Schiff's replacement could be elected, it was necessary to appoint an interim DA, former law school ethics professor Nora Lewin -- played by Oscar-winning actress Dianne Wiest, whose character's predetermined "temporary" status reflected Wiest's reluctance to tie herself down to a long-running weekly series. Seemingly softer and less curmudgeonly than Schiff, Lewin nonetheless possessed what Executive Producer Dick Wolf described as a "steely reserve," which surfaced whenever it was necessary to the story. Otherwise, the cast members from season ten were carried over into season 11, though it was fairly common knowledge that actress Angie Harmon, cast as ADA Abbie Carmichael, would be departing the series to seek out different projects once her contract was up. Harmon's predecessor, Carey Lowell, made another return appearance as former ADA Jamie Ross, again acting as a defense attorney in opposition to her former colleagues. In addition, acerbic writer Fran Lebowitz made the first of several cameo appearances as Arraignment Judge Goldberg. Among the hot-button issues touched upon during the series' 11th season were the potential dangers of prison budget cutbacks, TV "reality" shows, the loopholes inherent in Israel's "Law of Return" for Jewish citizens, the gay adoption controversy, and, perhaps inevitably, the hotly contested 2000 presidential election. One episode, "Sunday in the Park With Jorge," was attacked by a number of ethnic special-interest groups because it depicted a Central Park "wilding" incident during an Hispanic Pride Festival. Although producer Wolf would not categorically apologize for the story's content, citing the real-life incident on which it was based, he agreed to remove the offending episode from Law & Order's syndicated rerun package. ~ Hal Erickson, Rovi

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Starring:
Angie HarmonJesse L. Martin, (more)
 
2000  
 
Add Law & Order: Special Victims Unit: Season 02 to Queue Add Law & Order: Special Victims Unit: Season 02 to top of Queue  
The second-season opener of Law & Order: Special Victims Unit is the episode "Wrong Is Right," in which the efforts by SVU detective Elliot Stabler (Christopher Meloni) to shelter his family from the sordid details of his work are shattered when his daughter Maureen (Erin Broderick) witnesses a horrific crime. Also in this episode, Michelle Hurd makes her final appearance as Detective Monique Jeffries, the partner of the deliciously cynical and paranoid Det. John Munch (Richard Belzer). Recurring character Det. Fin Tutuola (Ice-T) is elevated to regular status by becoming Munch's new partner. Two weeks later, in the episode "Honor," Stephanie March joins the cast as dedicated Assistant District Attorney Alexandra Cabot, as she and the SVU team investigate a sex murder that is somehow tied in with the Taliban (and this was still during the pre-9/11 era!). Of the remaining episodes, "Closure" is a true curiosity: the concluding half of a two-part story that began in the middle of season one, this episode focuses on a rape victim who relentlessly stalks her recently released attacker. The season ends with "Scourge," the riveting story of a man driven to serial murder by a freak medical condition. Law & Order: Special Victims Unit closed out its second year on NBC as America's 25th most popular program. ~ Hal Erickson, Rovi

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Starring:
Christopher MeloniMariska Hargitay, (more)
 
2000  
 
Hoping to revive the glory days of Lou Grant, NBC, in association with Law & Order creator Dick Wolf, came forth with the weekly, one-hour newspaper drama Deadline. Oliver Platt starred as Wallace Benton, a Pulitzer Prize-winning investigative reporter whose dauntless dedication was matched by his short temper and gift for deception. Aided by Beth Khambu (Christina Chang) and Charles Foster (Damon Gupton), two students from the graduate journalism class that he taught in his spare time (what spare time?), Benton regularly riffed on the rich, powerful, and corrupt in his daily column "Nothing But the Truth." Because he ignored such journalistic niceties as press passes and off-the-record statements, Benton was the source of many a headache for his lawsuit-fearing publisher Si Beekman (Tom Conti) and his managing editor Nikki Masucci (Bebe Neuwirth). And because he cared more about "The Truth" than financial compensation, Benton was forever behind in alimony payments to his three ex-wives -- one of whom, Brooke Benton (Hope Davis, worked side-by-side with Benton on the same newspaper. Also featured was that singular actress Lily Taylor as Hildy Baker. Debuting October 2, 2000, Deadline was almost universally panned by real-life journalists, who complained that the sort of melodramatic pyrotechnics engaged in by Wallace Benton hadn't been used since the gonzo days of The Front Page -- and even worse, Benton was a poor and clumsy writer, whose stilted headlines and purple prose seemed calculated to drive readers to other sources of news. Undaunted, the series' producers described Deadline as "Columbo in a newspaper office," so the viewer knew exactly what to expect. ~ Hal Erickson, Rovi

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Starring:
Oliver PlattChristina Chang, (more)
 
1999  
 
Add Law & Order: Special Victims Unit: Season 01 to Queue Add Law & Order: Special Victims Unit: Season 01 to top of Queue  
The first season of the popular Law & Order spin-off Law & Order: Special Victims Unit begins with the episode "Payback," with the SVU investigating the murder and sexual mutilation of a former Serbian soldier -- who also happened to be a rapist. Quickly establishing their characters, Det. Elliot Stabler (Christopher Meloni) conducts the investigation in a cool, detached manner, while Det. Olivia Benson (Mariska Hargitay), a child of rape, cannot help but sympathize with the murderer rather than the victim. Later episodes introduce new characters or further develop the personalities of the familiar regulars. In "Closure," Benson and first-year Detective Brian Cassidy (Dean Winters) spend the night together; in "Limitations," Michelle Hurd joins the cast as streetwise Detective Monique Jeffries; and in the season finale, circumstances dictate that a forensic psychologist recommends that Stabler, outwardly the most "normal" member of the team, be removed from the SVU for emotional instability. The season's most intriguing episode is the aforementioned "Closure," a two-part story which would not be resolved until season two. And finally, "Entitled" finds Law & Order: Special Victims Unit involved in a crossover plot with its parent series, Law & Order, allowing the casts of both series to work in concert. ~ Hal Erickson, Rovi

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Starring:
Christopher MeloniMariska Hargitay, (more)
 
1999  
 
Law & Order: Special Victims Unit was the first of several successful spin-offs of producer/creator Dick Wolf's long-running NBC series Law & Order. Rather than follow the established Law & Order formula of focusing on the "nuts and bolts" of tracking down a wide variety of criminals and bringing them to trial, the spin-off series, per its title, zeroed in on a single division of the New York City justice system: the Special Victims Unit, or SVU, which dealt primarily with such sex-based crimes as rape, incest, pedophilia, torture, and serial murder. Also, whereas the original Law & Order was essentially a story-driven series, the personalities of the main characters on Special Victims Unit often dictated the direction of the investigation and the outcome of the case. Christopher Meloni headed the cast as Detective Elliot Stabler, who sustained a calm, soft-spoken veneer on the job, and who fought a losing battle to spare his family the sordid details of his work. In contrast, Detective Olivia Benson (Mariska Hargitay) was volatile and impulsive; a child of rape, she tended to overidentify with the victims of the crimes she investigated and often as not had zero tolerance for the suspects, no matter what the evidence said. The two other principals were carryovers from other series: Richard Belzer repeated his Homicide: Life on the Street characterization of Detective John Munch, who leaned toward the cynical and sarcastic, and who was driven by the paranoia arising from his steadfast belief in vast sociopolitical conspiracies; and Dann Florek was seen as the SVU team's no-nonsense skipper, Captain Donald Cragen, a character he'd played for three seasons on the original Law & Order. Also in the cast were Munch's partners, departmental newcomer Detective Brian Cassidy (Dean Winters) during season one, and flippant, streetwise Detective Odafin "Fin" Tutuola (Ice-T) thereafter; another street-smart cop, Detective Monique Jeffries (Michelle Hurd), who appeared in the first season only; forensic psychiatrist Dr. George Huang (B.D. Wong), a regular from the third season onward; Assistant DA Alexandra Cabot (Stephanie March), who after being placed in the Witness Protection Program was replaced by ADA Casey Novak (Diane Neal); and, on a recurring basis, Ken Briscoe, the son of veteran Law & Order detective Lennie Briscoe -- played by Chris Orbach, the son of veteran Law & Order regular Jerry Orbach. Popularly known as Law & Order: SVU, this series debuted September 20, 1999, on NBC. ~ Hal Erickson, Rovi

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1998  
 
Add Law & Order: Season 09 to Queue Add Law & Order: Season 09 to top of Queue  
With the eighth-season departure of series regular Carey Lowell as ADA Jamie Ross, Angie Harmon joined the cast of Law & Order at the beginning of its ninth season. Harmon, of course, played Ross' replacement, ADA Abbie Carmichael, who, if anything, was even more zealous in her pursuit of justice than her new partner Jack McCoy (Sam Waterston). Having racked up a 95 percent conviction rate while working in Special Narcotics, Carmichael tackled her new job with a zeal and ferocity that shocked even the ruthless McCoy -- to say nothing of her sanguine boss, DA Adam Schiff (Steven Hill). There were no ninth-season changes amongst the series' detectives, with Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) continuing to track down clues and collar perps under the supervision of Lt. Van Buren (S. Epatha Merkerson). However, actor Bratt was anxious to pursue other professional vistas, and thus it was arranged to write Rey Curtis out of the series during the final episode, explaining that he had requested a desk job so that he could devote more time to his wife, who was suffering from multiple sclerosis. But before his character's departure, Bratt managed to persuade his then-girlfriend, cinema superstar Julia Roberts, to appear in a guest role in the episode "Empire." The result was one of Roberts' finest performances, which earned the actress an Emmy. Of the many headline-inspired episodes in season nine, one was a standout: "Sideshow," the series' third and final crossover with the NBC crime drama Homicide: Life on the Street. Clearly inspired by the ongoing efforts to impeach President Bill Clinton, the episode featured a somewhat sinister independent counsel named William Dell, who, as played by George Hearn, bore a striking resemblance to the much-maligned Kenneth Starr. Law & Order closed its ninth season with a powerful two-parter involving the Russian mafia. On this occasion, Carolyn McCormick made a return visit to the series as former police psychologist Dr. Elizabeth Olivet, a recurring character who had been more or less supplanted during the previous two seasons by J.K. Simmons as Dr. Emil Skoda. ~ Hal Erickson, Rovi

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Starring:
Benjamin BrattAngie Harmon, (more)
 
1997  
 
Add Law & Order: Season 08 to Queue Add Law & Order: Season 08 to top of Queue  
Fans of Law & Order -- and there were many, many more than there had been in previous years -- were somewhat surprised that the series entered its eighth season with no changes in the regular cast. detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) were still upholding the "Law" at the behest of their NYPD boss Lt. Van Buren (S. Epatha Merkerson), while ADAs McCoy (Sam Waterston) and Ross (Carey Lowell) continued to maintain "Order" on behalf of their superior, DA Adam Schiff (Steven Hill). In other carryovers from past seasons, the series staged its second crossover with the NBC crime drama Homicide: Life on the Street with the episode "Baby, It's You;" as before, selected Homicide cast members appeared on Law & Order, and vice versa. Also keeping in the tradition of its past, the series took home its third Emmy award for Outstanding Cinematography. In addition, the series continued tackling issues that were very much in the news. For example, the episode "Castoff" addressed the culpability of TV violence in fomenting real-life violence. Much more so than in previous seasons, the series boasted a number of narrative throughlines that enhanced its sense of reality and continuity. McCoy's questionable tactics in prosecuting a drunk driver in "Under the Influence" came back to haunt him in the season finale. Likewise, in that same episode, Cliff Gorman was introduced as a politically ambitious judge named Gary Feldman, who hoped to win the DA's office from Schiff in the upcoming election. Feldman received unexpected support in the form of powerful (and paranoiac) millionaire Carl Anderton (Robert Vaughn), who would not forget being "betrayed" by Schiff in the episode "Burned." Both Feldman and Anderton would converge upon the DA in the aforementioned series finale, which also boasted a subplot involving ADA Jamie Ross. To accommodate the fact that actress Carey Lowell planned to leave the series, Ross decided to retire to private practice so that she could devote her spare time to her second husband -- and to an ongoing child-custody battle with husband number one. And in more glimpses of the characters' private lives, Jennifer Bill appeared in a brace of episodes as Cathy Briscoe, the troubled, estranged daughter of detective Lennie Briscoe. The brevity of Bill's contribution to Law & Order was due to a devastating plot twist which threatened to push Briscoe over the edge and back into the bottle he'd successfully abandoned years earlier. ~ Hal Erickson, Rovi

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Starring:
Benjamin BrattSteven Hill, (more)