Paul Junger Witt Movies

About a Boy director Chris Weitz takes the helm for this affecting drama about an illegal immigrant who struggles to give his teenage son a better life by working as a gardener in L.A. Determined to move out of the city in order to get his son away from gangs and into a decent school, the devoted father comes into possession of a truck that allows him to earn a better income by taking more gardening jobs. But with immigration agents on every corner and vicious gangsters trying to lure his son into a life of crime, it's a constant struggle just to survive in such an unforgiving city without being deported. Demián Bichir, José Julián, and Dolores Heredia star in a film written by Eric Eason (Journey to the End of the Night). ~ Jason Buchanan, Rovi

This TV sitcom revolves around three divorced New Yorkers -- nutty Andy (Mitch Rouse), who manufactures artificial fruits and vegetables; charming nerd Phil (Peter Gallagher), who still yearns for his ex; and spiteful, misanthropic Phil (Brad Whitford), a business manager for athletes. These guys play a lot of golf and log long hours at the neighborhood restaurant, where they vacillate between cynicism and self-pity. Filmed in Los Angeles, this series premiered September 30, 1998 on ABC. ~ Bhob Stewart, Rovi

A holiday comedy with dark overtones, Mixed Nuts presents a supposedly humorous look at the behind-the-scenes events at a crisis hotline on Christmas Eve. Philip (Steve Martin) runs Lifesavers, a Venice, California organization dedicated to helping the depressed and troubled. Unfortunately, Philip is a bit down himself, having learned that Lifesavers is on the verge of eviction. His staff isn't feeling particularly helpful either, with Mrs. Munchnik (Madeline Kahn) giving gruff, often insulting advice, and Catherine (Rita Wilson) obsessing over her own unspoken love for Philip. As the holiday approaches, various weirdoes of all shapes and sizes -- from to a pregnant clothing store owner (Juliette Lewis) to a disenchanted Santa Claus (Anthony LaPaglia) -- begin dropping in, throwing the already strained office into utter chaos. Director Nora Ephron followed her smash success Sleepless in Seattle with this remake of the cult 1982 French comedy Le Père Noël est une Ordure, co-authoring the script with her sister Delia Ephron. However, Mixed Nuts met with little box office or critical approval, with most viewers finding the film's manic farce disappointingly forced and abrasive. ~ Judd Blaise, Rovi

In Final Analysis, Richard Gere stars as Isaac Barr, a San Francisco psychiatrist whose alluring patient Diana Baylor (Uma Thurman) is being treated for traumatic memories. In order to find out more about her trauma, Diana suggests that Isaac speak to her sister and question her about what went on between them in the past. But when Isaac sets eyes on Diana's sister Heather (Kim Basinger), they become involved in a torrid and steamy sex affair. Unfortunately, Heather is married to psychotic sadist Jimmy Evans (Eric Roberts). ~ Paul Brenner, Rovi

Having emerged from its first season as the seventh highest-rated program in America -- and one of four NBC sitcoms in the Top Ten -- The Golden Girls waltzed into its second season on NBC's Saturday-night lineup with the greatest of ease. Virtually no changes were made with the basic cast and format: the setting was still the Miami home of flirtatious fiftysomething widow Blanche Devereaux (Rue McClanahan) and her housemate contemporaries, outspoken substitute teacher Dorothy Zbornak (Bea Arthur) and naïve, timid widow Rose Nylund (Betty White). Also sharing the girls' home was Dorothy's peppery mother, Sophia Petrillo (Estelle Getty), whose lack of "tact cells" (the result of a stroke) had given her carte blanche to say the most outrageous and embarrassing things imaginable. Also carried over from season one were the girls' efforts to make ends meet on their pooled incomes, and to find true romance with a steady stream of eligible middle-aged bachelors. Additionally, Dorothy's unreliable ex-husband, Stan (Herb Edelman), continued in his efforts to re-insinuate himself in his former wife's life. Some of the recurring characters introduced in the first season -- Dorothy's daughter, Kate, Blanche's flamboyant father, "Big Daddy" -- returned to the series, though not played by the same actors as in season one (this season they were played by Deena Freeman and David Wayne, respectively). Of the newer semi-regulars, the foremost was Sophia's estranged sister, Angela, a role that earned an Emmy nomination for guest actress Nancy Walker. Moving up from seventh to fifth place in the ratings (and joining three other popular NBC sitcoms in the Top Five), The Golden Girls also added to its ever-growing list of Emmy awards with honors for Outstanding Comedy Series, Outstanding Directing (Terry Hughes), and Outstanding Lead Actress (Rue McClanahan, winning an award that had gone the previous season to her co-star Betty White). As bonus, the final episode of The Golden Girls' second season performed double duty as the pilot for the soon-to-be equally popular sitcom Empty Nest -- though by the time that series made its official debut in 1988, the entire cast had been changed and the format considerably altered. ~ Rovi

Legend has it that The Golden Girls, created by Susan Harris of Soap fame, was introduced to NBC's Saturday-evening lineup in the fall of 1986 to counter criticism that the network was ignoring its older viewers (that is, those over the age of 34) in favor of younger fans. Whatever the case, not one of the leading characters in The Golden Girls was under the age of 50 -- and none of them ever acted as if they were any older than 30. Sharing the same home in a placid Miami neighborhood were outspoken divorcée and substitute teacher Dorothy Zbornak (Bea Arthur), timid, naïve widow Rose Nylund (Betty White), and another widow, the earthy, man-chasing Southern belle Blanche Devereaux (Rue McClanahan), who owned the house. (The series waited until the last episode of season one to explain how these three extremely disparate personalities ended up under the same roof; without revealing too much, the key to the girls' strong bond was as simple as cheesecake.) In the opening episode, Blanche's eightysomething mother, Sophia Petrillo (Estelle Getty), moved in with the "girls" when her retirement home burned down. Having suffered a stroke which destroyed the "tact cells" in her brain, Sophia blithely said anything and everything that came into her mind, much to the embarrassment of her daughter, but to the great amusement of the viewers. During season one, several recurring characters were introduced. The most prominent of these was Dorothy's ex-husband, Stanley (Herb Edelman), who, despite having ditched Dorothy for a much younger woman, never tired of his efforts to worm his way back into her life. Also making their earliest appearances were Dorothy and Stanley's daughter, Kate (Lisa Jane Persky), and son-in-law, Dennis (Dennis Drake); Blanche's bombastic father, "Big Daddy" (Murray Hamilton), and her selfish younger sister, Virginia (Sheree North); Dorothy's wealthy kid sister, Gloria (Doris Belack); and Rose's fiercely independent (and recently blinded) sibling, Lily (Polly Holliday). Some of these characters would make repeat visits in future seasons, though not always played by the same actors. An unqualified hit from its first appearance onward (the series was tied for seventh place in the ratings with Dynasty during its inaugural season), The Golden Girls also garnered enthusiastic praise from the critics and earned four Emmys, for Outstanding Comedy Series, Outstanding Writing, Outstanding Technical Direction, and Best Lead Actress (Betty White). ~ Rovi

Once the syndicated series Mary Hartman, Mary Hartman had created a market for satirical soap operas, the networks rushed to the post with comical continuing "dramas" of their own. The most successful product of this genre -- and one of the most controversial -- was the weekly, half-hour ABC series Soap, which debuted September 13, 1977. Put simply, Soap was the sexy saga of two families, the wealthy Tates and the not-so-wealthy Campbells. Ditzy Jessica Tate (Katherine Helmond), the wife of philandering businessman Chester Tate (Robert Mandan), is the sister of Mary Dallas Campbell, who lived with her second husband, blue-collar worker Burt Campbell (Richard Mulligan). Jessica and Chester's children included the sexy, libidinous Corrine (Diana Canova), who ended up marrying defrocked priest Father Timothy Flotsky (Sal Viscusco); strait-laced Eunice (Jennifer Salt), later the wife of convicted murderer Dutch (Donnelly Rhodes), who had escaped from prison with Chester after the latter had confessed to the murder of Jessica's paramour, tennis pro Peter (Robert Urich) (who happened to be the son of Burt Campbell!); and young son Billy Tate (Jimmy Baio), a typical hormone-driven teenager who would "mature" to the extent that he was stalked by a scorned lover.

The Campbell children included Mary's sons by her first marriage: Danny Dallas (Ted Wass), a young mobster, and Jodie Dallas (Billy Crystal), a homosexual who nonetheless enjoyed several heterosexual relationships, one of which produced a daughter. Among the many other characters were Jessica Tate's father, "The Major" (Arthur Pierson), a senile, shell-shocked WW2 veteran; the Tates' snide, sneering butler Benson (Robert Guillaume, who later starred as this character in his own sitcom); Detective Donahue (John Byner), who fell in love with Jessica while searching for the fugitive Chester; Mafia daughter Elaine Lefkowitz (Dinah Manoff), who, before being kidnapped and bumped off, forced Danny into a romantic relationship; Carol David (Rebecca Balding), the conniving mother of Jodie's baby; and "El Puerco" (Gregory Sierra), a South American revolutionary who became enamored of Jessica. The various and sundry plots and subplots wending their way through Soap's four seasons are far too multitudinous and complex to explain here. Suffice to say that the storylines incorporated false murder charges, amnesia, suicidal lesbians, interracial marriage, religious cults (in this case a group called the "Sunnies"), UFO abductions, extraterrestrial clones, satanic possessions, and banana-republic firing squads. In other words, Soap was just your average, typical soap opera, but with a laugh track. Even before the series debuted, Soap was under attack from a vast array of "clean up TV" brigades, religious organizations, and self-styled social arbiters. On the other hand, the series had scores of high-profile defenders who recognized Soap for what it truly was: A pungent lampoon of modern manners and mores, served up in a humorous and exaggerated fashion with no malice intended. The series ended on April 20, 1981, with its traditional season-ending "cliffhanger" -- which in this instance would not be resolved the following season. ~ Hal Erickson, Rovi

Jeff Griffin (Peter Falk) is dying of cancer. Sarah Phoenix (Jill Clayburgh) is suffering from terminal leukemia. Ignored or reviled by their respective families, Griffin and Phoenix turn to each other for emotional support. Deciding to live their last months to the fullest, they indulge in outrageous, childish public behavior and vent their anger at their conditions full-force, knowing full well that they won't have to answer for their silliness or rage. They also fall in love with each other. The only proviso to their relationship is that Griffin must promise not to visit Phoenix in her final days, and vice versa. Written by John Hill, Griffin and Phoenix: A Love Story was first telecast on February 27, 1976. ~ Hal Erickson, Rovi

In this drama set in WW II, an uncle living with a New England family shares his memories after the family's four sons head off for combat duty. ~ Sandra Brennan, Rovi

Letters begins with the crash of a U.S. mail plane. One year later, cheerful postman Henry Jones delivers the long-delayed letters. These overdue missives profoundly affect the lives of (a) a man who's deserted his wife; (b) a woman anxious to break up her daughter's romance; and (c) a pianist who'd sell his soul for success. The guest star roster of this TV movie includes John Forsythe, Jane Powell, Lesley Ann Warren, Ida Lupino, Ben Murphy, Pamela Franklin, and Leslie Nielsen. Both Letters and its sequel Letters From Lost Lovers (1973) were intended as pilot films for a never-sold TV anthology series. ~ Hal Erickson, Rovi

The made-for-television No Place to Run stars Herschel Bernardi as a seriously ill 73-year-old grandparent. Despite his many ailments, Bernardi is roused into action when he is denied custody of his orphaned grandson (Scott Jacoby). Grandpa and grandson decide to skip town together, with the authorities hot on their heels. Ironically, production of No Place to Run had to shut down briefly when star Herschel Bernardi fell ill for real. During this period, original director John Badham had to leave for another commitment; the film was completed by Delbert Mann, who receives sole directorial credit. Advertised as a "touching film drama" (well, it was!), No Place to Run debuted on September 19, 1972. ~ Hal Erickson, Rovi