Michael Winner Movies
A one-time Cambridge law student, British director Michael Winner had been geared toward a cinematic career since the age of 16, when he began writing entertainment criticism. His earliest directorial assignments were for the BBC; he entered films as the screenwriter for a brace of programmers, Climb up the Wall and Shoot to Kill (both 1960). Adapting many of the quick-cut, freeze-frame, hand-held techniques popularized by Richard Lester, Winner became typed as a "swinging" director of hip, youthful projects. Although he was virtually a youngster himself, Winner's basic point-of-view was middle-aged conformist. The oh-so-clever young characters in You Must Be Joking (1965), The Jokers (1967), and I'll Never Forget What's 'is Name (1969) are depicted as shallow, status-seeking snots, no better than the adults whom they claim to despise. Transferring his base of operations to Hollywood, Winner turned his back on the trendiness of his British work to become a top violent-action specialist. When Winner attempted a return to the freewheeling irreverence of old, the result was the so-called comedy Won Ton Ton -- The Dog Who Saved Hollywood (1976), which deploys the weakest "camp" device in the world: hiring several icons of Old Hollywood (Victor Mature, Rhonda Fleming, Stepin Fetchit, the Ritz Brothers, and scores of others), then wantonly squandering their talents in pointless cameos. Michael Winner's most successful films have been made in concert with macho superstar Charles Bronson, notably the first three entries in the Death Wish series. ~ Hal Erickson, All Movie Guide- 1967
Two brothers looking to avoid becoming pawns of the establishment come up with a better way of making a living -- through theft -- in this satiric comedy. David Tremayne (Oliver Reed) is a successful London architect, and his younger brother Michael (Michael Crawford) is weighing his options after being kicked out of school. The brothers share a bemused disgust with the world around them and a desire to get through life without the burden of labor; toward this end, one day they begin plotting an elaborate scheme to steal the British Crown Jewels. Mind you, they don't intend to sell them, or even keep them very long -- the idea is to return them after a week, simply to prove that it could indeed be done, and make themselves famous in the process. After studying the procedures of Scotland Yard's Bomb Disposal Unit, the inner working of the Tower of London's Jewel Room, and the London ambulance services, the Tremaynes come up with a foolproof plan -- they call in a bomb threat to the Tower, and they are able to enter the Jewel Room posing as men from the bomb squad. They then feign injury and are able to escape in an ambulance. It all seems simple enough, and it actually works, until Michael "forgets" his part of the agreement to take half of the responsibility for the theft. The supporting cast includes Edward Fox, Frank Finlay, and Harry Andrews. ~ Mark Deming, All Movie Guide
- Starring:
- Michael Crawford, Oliver Reed, (more)
- 1967
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The imprisoning aspects of Success are humorously analyzed in this British-made film. Oliver Reed plays a wealthy advertising man who feels he has sold his soul and wishes to return to his happier earlier existence as a poor but swinging Londoner. Reed is goaded on by his boss, Orson Welles, who represents all the mercenary crassness that Reed despises. Handed a crucial commercial account, Reed plans to destroy himself by producing as offensive and confusing an ad campaign as possible. But Welles and the client are delighted by the "insult," and the disgruntled Reed is more successful than ever. Directed in the fragmentary "psychedelic" style typical of the late 1960s, I'll Never Forget What's'is Name gained notoriety upon its initial release by being the first mainstream British film in which the "F" word was spoken on-screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Orson Welles, Oliver Reed, (more)
- 1966
The System is a "Swinging London" comedy with an unsettling undercurrent of bitterness and cynicism. Oliver Reed plays a girlie-magazine photographer, the self-appointed leader of a group of handsome but unscrupulous bachelors who hang out in a British seaside resort. Their avowed goal is to seduce and abandon as many wealthy young girls as possible. One of the group, jealous of Reed's success, uses their "system" to hoist the leader on his own petard. Michael Winner solidified his reputation as a "mod" director in The System--and also displayed his utter contempt for the pretty young people he depicts. The film was released to the US under the more bankable title The Girl Getters. ~ Hal Erickson, All Movie Guide
- Starring:
- Oliver Reed, Jane Merrow, (more)
- 1965
You Must be Joking? draws its laughs from an Army endurance test. Over a 48-hour period, five officers in the British army-including American transplant Michael Callan-must wend their way through a maze, retrieve a hood ornament from a Rolls Royce and steal a lock of hair from beauteous pop singer Gabriella Licudi. There's a big prize in store for the officer who finishes the test first, and since the other contestant include such middle-aged huffers and puffers as Lionel Jeffries and Denholm Elliot, it doesn't take a Rhodes scholar to figure out who the victor will be. Director Michael Winner was still in his "mad mod" period when he lensed the wacky goings-on of You Must Be Joking? His Death Wish pictures of the 1970s were in 1965 as remote as another galaxy. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Callan, Lionel Jeffries, (more)
- 1963
A stodgy British patriarch sends his naive daughter to Europe so that her rock & roll singing boyfriend will dump her. Unfortunately, things don't go as planned when she ends up linked with a handsome pop idol and his band. Fortunately, she is a good girl at heart and ends up learning some valuable lessons about live, love and rock & roll. Many popular singers from the early '60s perform in this tuneful outing. ~ Sandra Brennan, All Movie Guide
- 1963
In this murder mystery, a reporter finishes his foreign assignment and returns to England. There he learns that his brother, a student at Cambridge has killed himself--or so it seems. The reporter cannot accept that his brother would suicide and travels to Cambridge to look into it. He is assisted by Mary Johnson, whose father, a professor, has mysteriously vanished. Together they prove that his brother was indeed murdered. ~ Sandra Brennan, All Movie Guide
- 1963
In this musical, the Gilbert and Sullivan classic is updated and set in post-war Japan. This time, the trouble begins when a soldier, the son of a Yankee judge, falls in love with a Japanese girl. This enrages her Yakuza (Japanese mafia) fiance who kidnaps him. ~ Sandra Brennan, All Movie Guide
- 1963
Joe Beckett (Alfred Lynch) forgoes working for a living in this seedy district of London. He hangs out in jazz clubs and chases women, which makes him lose what little money he has remaining. Ex-Army veteran Richard Dyce (Eric Portman) shows up at the club, and the two directionless louts begin to talk. Richard wants his Aunt killed for her money, and Joe agrees to do the deed. He travels to the Aunt's house on the South Coast, but Joe loses his nerve. He accidently pushes the woman to her death, leaving a miniature chess kit behind as evidence he was at the scene of the crime. Richard denies everything, and a stool pigeon sings like a bird to the cops, putting Joe in a gilded cage of his very own. ~ Dan Pavlides, All Movie Guide
- Starring:
- Alfred Lynch, Kathleen Breck, (more)
- 1961
In this spy thriller clever reporters outfox Communist spies who have come to Geneva to learn more about Western nuclear science. ~ Sandra Brennan, All Movie Guide
- 1958
An insurance investigator looks into the suspicious fire that destroyed a prominent nightclub and ends up destroying a crime ring in this mystery. ~ Sandra Brennan, All Movie Guide
