Michael Winner Movies

Alan Ayckbourn's riotously funny play about a small-time acting troupe in the sticks is brought to the screen by director Michael Winner. Jeremy Irons plays Guy Jones, a mild-mannered flunky for an electronics firm who finds himself transferred to the British seaside town of Scarsborough. Bereft after the death of his wife and seeking a diversion, he tries out for a local amateur opera company's production of The Beggar's Opera. This local company is lorded over by the scabrous and slightly insane Welshman Dafydd Ap Llewellyn (Anthony Hopkins). Dafydd is in a constant rage because of his resentment at having to deal with these rank amateurs who merely try out for his production to pass the time. But his ranting and raving dwindles the number of his cast members with the result that Guy's part in the play is forced to grow larger and more important. But as Dafydd snorts and fumes, he is oblivious to the fact that Guy's increased stature in the production has made him a local lothario. Not only does Guy find himself in the passionate embraces of Fay (Jenny Seagrove), who plays a prostitute in the production, but he also falls into the arms of Dafydd's frumpy and frustrated wife Hannah (Prunella Scales). ~ Paul Brenner, All Movie Guide

As originally screened at the Tribeca Film Festival, at the Cannes Film Festival, and on Turner Classic Movies, the mammoth, epic-length documentary Brando chronicles in encyclopedic detail (and with a consistently reverent overtone) the life and career of the man widely regarded as the most formidable American actor of the 20th century - famous for not only reshaping, but reinventing the craft of film acting and teaching audiences how to view a motion picture performance. Divided into chronological, thematically-unified segments, the film first treats Marlon Brando's dysfunctional upbringing - his alcoholic mother, his abusive father, his stint at a military academy - before charting his acting tutelage at the behest of Stella Adler and his early cinematic and theatrical roles, including work for Elia Kazan, who famously made many aggressive (and unsuccessful) attempts to discipline the headstrong actor onscreen. Throughout this segment, many Hollywood A-list actors appear - among them, Al Pacino, Johnny Depp and Robert Duvall - expostulating at length on Brando's influence over their approaches to performance, and attempting with great effort to define the elusive style known as "method acting" that Brando helped to create. The second half of the documentary moves into Brando's career during the '70s, '80s and '90s, covering the production of The Godfather, the actor's noteworthy political activism, and his tumultuous personal life. Francis Ford Coppola, who of course teamed with Brando for the first Godfather installment and for Apocalypse Now, is noticeably absent from the proceedings. ~ Nathan Southern, All Movie Guide

Charles Bronson stars in this revisionist western directed by Michael Winner. The film concerns an Apache half-breed, Pardon Chato (Charles Bronson), who finds himself pursued by a relentless posse, headed by Joshua Everette (Jack Palance), after Chato has killed a white sheriff. But when members of Everette's posse rape Chato's wife, Chato stops running. Instead, Chato reverses course and begins to hunt down the posse, seeking vengeful retribution for the rape. ~ Paul Brenner, All Movie Guide

This drama about a man who takes the law into his own hands was wildly controversial upon first release, sparking much debate about the perceived pro-vigilante stance of the story, and established Charles Bronson as a major box office draw in the United States. Paul Kersey (Charles Bronson) is a liberal architect living in New York City. One day, a group of drug-crazed thugs break into his apartment while he's gone, killing his wife Joanna (Hope Lange) and brutally raping his married daughter, leaving her comatose. When the police are unable to find the culprits, Kersey arms himself and begins patrolling the streets, killing muggers and thieves as he encounters them. While his obsessive search for street justice sickens him at first, in time Kersey begins to enjoy it and becomes a hunted man himself, as Police Detective Frank Ochoa (Vincent Gardenia) tries to find the man who is doing the police's job for them, and a bit too well. Jeff Goldblum made his screen debut as one of the lunatics who attacks Joanna. ~ Mark Deming, All Movie Guide

Michael Winner ups the ante once again in Death Wish 3. Any pretense of Paul Kersey (Charles Bronson) having a career in architecture is completely gone. Kersey's new career appears to be as a professional vigilante, blowing away muggers, rapists and thieves off the mean streets -- or as he terms it "thinning the herd." Back in New York City, Kersey, with his usual luck, arrives just in time to find an old friend dying after a vicious beating by a multi-cultural gang of thugs. The cops arrest Kersey, but it just so happens that police chief Richard S. Shriker (Ed Lauter) is like Kersey with a badge: "I'm the law, and that means I get to violate your civil rights." He makes a deal with Kersey: he can go free as long as he keeps the cops informed of his death counts. Kersey grunts in agreement and proceeds to move into a decaying tenement building in the middle of a bombed out gang war zone. The building is populated by a group of elderly tenants who are terrified by the neighborhood gang warfare. Kersey declares his own personal war on the neighborhood gang, led by a frenzied leader named Fraker (Gavan O'Herilhy), who wears a reverse Mohawk hair-style. As Kersey devises booby traps and trip-wire bombs to confound the gang, the senior citizens gleefully take pot shots at the wounded gang members from their windows. ~ Paul Brenner, All Movie Guide

Michael Winner directs a curious amalgam of his own Death Wish and Abel Ferrara's Ms. 45, in this intense, post-feminist serial-killer movie, based on the bestseller by Helen Zahavi. After an explosive love affair crashes and burns, Bella (Lia Williams) leaves London for Brighton, where she begins to receive a series of obscene telephone calls from her deranged neighbor. Soon her neighbor also begins to stalk her. When the local police refuse to help her, Bella determines to take the matter into her own hands. Finally, at the urging of a loony Asian clairvoyant (Ian Richardson), Bella sneaks into the stalker's apartment in the dead of night and beats him to death with a claw-hammer. And to Bella's surprise, she finds that she likes it. ~ Paul Brenner, All Movie Guide

Hannibal Brooks (Oliver Reed) is a British prisoner of war assigned to care for an elephant in a zoo in Munich. Along with an American (Michael J. Pollard) and an Austrian (Helmut Lohner), the trio escapes with the elephant and heads for the Swiss border. They use the elephant to tear down a sentry post and gain access to the border crossing. They are betrayed by a Polish girl who aligns herself with the Nazis as the trio of escapees and their pachyderm protector evade the enemy in their attempt to escape. Comical moments are provided by the animal and James Donald who plays a captured British Army chaplain in this World War II adventure feature. ~ Dan Pavlides, All Movie Guide

In Lawman, Burt Lancaster is Jered Maddox, a dedicated marshal with an inflexible adherence to upholding the law at all costs. Riding into a nearby town to pick up a group of local carousers who, during a drunken spree, killed an old man, Maddox meets up with Vincent Bronson (Lee J. Cobb). Bronson is the local town boss, and Maddox discovers that the men he is looking for work for him. Unlike most western heavies, Maddox, although he is powerful and unscrupulous, abhors violence. But violence is something Maddox cultivates. A major confrontation between the reluctant Bronson and the intransigent Maddox builds -- particularly when Maddox enlists the help of weak-willed local sheriff Cotton Ryan (Robert Ryan). ~ Paul Brenner, All Movie Guide

In this children's drama, kids save a dog from its cruel vagabond owner, and must decide how to conceal it from their parents. ~ Sandra Brennan, All Movie Guide

A stodgy British patriarch sends his naive daughter to Europe so that her rock & roll singing boyfriend will dump her. Unfortunately, things don't go as planned when she ends up linked with a handsome pop idol and his band. Fortunately, she is a good girl at heart and ends up learning some valuable lessons about live, love and rock & roll. Many popular singers from the early '60s perform in this tuneful outing. ~ Sandra Brennan, All Movie Guide

Scream for Help could be a failed horror spoof, or just a bad horror film -- either way, this story about a teenage daughter trying to convince the world that her cheating stepfather is out to kill her wealthy mother has its flaws. When the young teenager finally gets some proof that she is right, she and her mother are taken captive by the crazed stepfather, and a series of grisly murders results. With pompously dramatic music and acting that is over the edge, the story plays as tongue-in-cheek, until the blood and gore start to gush, turning anyone's stomach. ~ Eleanor Mannikka, All Movie Guide

In this musical, the Gilbert and Sullivan classic is updated and set in post-war Japan. This time, the trouble begins when a soldier, the son of a Yankee judge, falls in love with a Japanese girl. This enrages her Yakuza (Japanese mafia) fiance who kidnaps him. ~ Sandra Brennan, All Movie Guide