Michael Winner Movies

As originally screened at the Tribeca Film Festival, at the Cannes Film Festival, and on Turner Classic Movies, the mammoth, epic-length documentary Brando chronicles in encyclopedic detail (and with a consistently reverent overtone) the life and career of the man widely regarded as the most formidable American actor of the 20th century - famous for not only reshaping, but reinventing the craft of film acting and teaching audiences how to view a motion picture performance. Divided into chronological, thematically-unified segments, the film first treats Marlon Brando's dysfunctional upbringing - his alcoholic mother, his abusive father, his stint at a military academy - before charting his acting tutelage at the behest of Stella Adler and his early cinematic and theatrical roles, including work for Elia Kazan, who famously made many aggressive (and unsuccessful) attempts to discipline the headstrong actor onscreen. Throughout this segment, many Hollywood A-list actors appear - among them, Al Pacino, Johnny Depp and Robert Duvall - expostulating at length on Brando's influence over their approaches to performance, and attempting with great effort to define the elusive style known as "method acting" that Brando helped to create. The second half of the documentary moves into Brando's career during the '70s, '80s and '90s, covering the production of The Godfather, the actor's noteworthy political activism, and his tumultuous personal life. Francis Ford Coppola, who of course teamed with Brando for the first Godfather installment and for Apocalypse Now, is noticeably absent from the proceedings. ~ Nathan Southern, All Movie Guide

Joan Collins camps it up in this pretentious art-house virago written, directed, and starring Steven Birkoff. In a satirical thrust at British upper-class values, in which the characters spout out dialogue in rhyming couplets, Collins and Birkoff portray snobbish British aristocrats and then, in contrast, a couple of East-enders in a British suburb. ~ Paul Brenner, All Movie Guide

In this mystery, Peter Ustinov reprises the role of Hercule Poirot, the fussy and flower-tending detective from Belgium created by Agatha Christie. In 1937, Mrs. Emily Boynton (Piper Laurie) is on an archeological dig in Palestine; she inherited the wealth of her recently deceased husband and feels little inclination to share it with her relatives. When she turns up murdered, there are plenty of logical suspects among the people who hated Emily, so which one did the deed? It's up to Poirot to find out. The supporting cast includes Lauren Bacall, John Gielgud, and Carrie Fisher; the film was Ustinov's sixth go-round as Poirot. ~ Mark Deming, All Movie Guide

In Lawman, Burt Lancaster is Jered Maddox, a dedicated marshal with an inflexible adherence to upholding the law at all costs. Riding into a nearby town to pick up a group of local carousers who, during a drunken spree, killed an old man, Maddox meets up with Vincent Bronson (Lee J. Cobb). Bronson is the local town boss, and Maddox discovers that the men he is looking for work for him. Unlike most western heavies, Maddox, although he is powerful and unscrupulous, abhors violence. But violence is something Maddox cultivates. A major confrontation between the reluctant Bronson and the intransigent Maddox builds -- particularly when Maddox enlists the help of weak-willed local sheriff Cotton Ryan (Robert Ryan). ~ Paul Brenner, All Movie Guide

Not to be confused with the 1966 Diabolique rip-off Games, 1970's The Games is set during the Rome Olympics. The film zeroes in on four contestants in the 26-mile marathon race: Briton Michael Crawford, American Ryan O'Neal, Czech Charles Aznavour and Australian Athol Compton. Scenes of the grueling training sessions are placed in context with the personal dramas of the four men. Crawford is being driven to the breaking point by trainer Stanley Baker, O'Neal is suffering from a dangerous heart condition, Aznavour is past forty but obliged to compete by his government, and Compton is an Aborigine fighting a lifelong battle against prejudice. Eric Segal, himself an avid runner adapted the screenplay of The Games from the novel by Hugh Atkinson. ~ Hal Erickson, All Movie Guide

The imprisoning aspects of Success are humorously analyzed in this British-made film. Oliver Reed plays a wealthy advertising man who feels he has sold his soul and wishes to return to his happier earlier existence as a poor but swinging Londoner. Reed is goaded on by his boss, Orson Welles, who represents all the mercenary crassness that Reed despises. Handed a crucial commercial account, Reed plans to destroy himself by producing as offensive and confusing an ad campaign as possible. But Welles and the client are delighted by the "insult," and the disgruntled Reed is more successful than ever. Directed in the fragmentary "psychedelic" style typical of the late 1960s, I'll Never Forget What's'is Name gained notoriety upon its initial release by being the first mainstream British film in which the "F" word was spoken on-screen. ~ Hal Erickson, All Movie Guide

You Must be Joking? draws its laughs from an Army endurance test. Over a 48-hour period, five officers in the British army-including American transplant Michael Callan-must wend their way through a maze, retrieve a hood ornament from a Rolls Royce and steal a lock of hair from beauteous pop singer Gabriella Licudi. There's a big prize in store for the officer who finishes the test first, and since the other contestant include such middle-aged huffers and puffers as Lionel Jeffries and Denholm Elliot, it doesn't take a Rhodes scholar to figure out who the victor will be. Director Michael Winner was still in his "mad mod" period when he lensed the wacky goings-on of You Must Be Joking? His Death Wish pictures of the 1970s were in 1965 as remote as another galaxy. ~ Hal Erickson, All Movie Guide

In this murder mystery, a reporter finishes his foreign assignment and returns to England. There he learns that his brother, a student at Cambridge has killed himself--or so it seems. The reporter cannot accept that his brother would suicide and travels to Cambridge to look into it. He is assisted by Mary Johnson, whose father, a professor, has mysteriously vanished. Together they prove that his brother was indeed murdered. ~ Sandra Brennan, All Movie Guide

Joe Beckett (Alfred Lynch) forgoes working for a living in this seedy district of London. He hangs out in jazz clubs and chases women, which makes him lose what little money he has remaining. Ex-Army veteran Richard Dyce (Eric Portman) shows up at the club, and the two directionless louts begin to talk. Richard wants his Aunt killed for her money, and Joe agrees to do the deed. He travels to the Aunt's house on the South Coast, but Joe loses his nerve. He accidently pushes the woman to her death, leaving a miniature chess kit behind as evidence he was at the scene of the crime. Richard denies everything, and a stool pigeon sings like a bird to the cops, putting Joe in a gilded cage of his very own. ~ Dan Pavlides, All Movie Guide

In this spy thriller clever reporters outfox Communist spies who have come to Geneva to learn more about Western nuclear science. ~ Sandra Brennan, All Movie Guide

An insurance investigator looks into the suspicious fire that destroyed a prominent nightclub and ends up destroying a crime ring in this mystery. ~ Sandra Brennan, All Movie Guide

Michael Winner ups the ante once again in Death Wish 3. Any pretense of Paul Kersey (Charles Bronson) having a career in architecture is completely gone. Kersey's new career appears to be as a professional vigilante, blowing away muggers, rapists and thieves off the mean streets -- or as he terms it "thinning the herd." Back in New York City, Kersey, with his usual luck, arrives just in time to find an old friend dying after a vicious beating by a multi-cultural gang of thugs. The cops arrest Kersey, but it just so happens that police chief Richard S. Shriker (Ed Lauter) is like Kersey with a badge: "I'm the law, and that means I get to violate your civil rights." He makes a deal with Kersey: he can go free as long as he keeps the cops informed of his death counts. Kersey grunts in agreement and proceeds to move into a decaying tenement building in the middle of a bombed out gang war zone. The building is populated by a group of elderly tenants who are terrified by the neighborhood gang warfare. Kersey declares his own personal war on the neighborhood gang, led by a frenzied leader named Fraker (Gavan O'Herilhy), who wears a reverse Mohawk hair-style. As Kersey devises booby traps and trip-wire bombs to confound the gang, the senior citizens gleefully take pot shots at the wounded gang members from their windows. ~ Paul Brenner, All Movie Guide

Scream for Help could be a failed horror spoof, or just a bad horror film -- either way, this story about a teenage daughter trying to convince the world that her cheating stepfather is out to kill her wealthy mother has its flaws. When the young teenager finally gets some proof that she is right, she and her mother are taken captive by the crazed stepfather, and a series of grisly murders results. With pompously dramatic music and acting that is over the edge, the story plays as tongue-in-cheek, until the blood and gore start to gush, turning anyone's stomach. ~ Eleanor Mannikka, All Movie Guide