Astrid Allwyn Movies

Change of Heart is the reissue title of the Republic musical Hit Parade of 1943. The studio had been turning out these annual Hit Parade extravaganzas since 1941, but only the 1943 edition truly hit the bullseye. The plot, wherein fading songwriter John Carroll steals a tune from aspiring composer Susan Hayward, was used in several other Republic efforts between 1937 and 1947 (right down to the closing verbal exchange about "the elephants in the lobby"). No matter: the film positively sparkles during its musical numbers, featuring such talent as Freddy Martin and his Orchestra, Count Basie, The Harlem Sandmen and Dorothy Dandridge. The film's theme song, Harold Adamson and Jule Styne's "A Change of Heart," won Republic its first-ever Oscar nomination. As a bonus, Eve Arden is on hand for her evergreen wisecrackery. ~ Hal Erickson, All Movie Guide

In this cornball musical comedy, a hillbilly gal and her uncle struggle to keep sly city slickers from getting their land. It is an uphill battle as their farm is located on Fifth Avenue, New York City. The slickers then resort to trickery by offering the girl a phony singing gig on the radio. Unfortunately for them, something goes wrong and the girl's heartfelt singing is heard all over the town. Of course she is a big hit. Songs include: "Hey Junior", "You're Telling I", "Manhattan Holiday", and "Puddin' Head" (all by Eddie Cherkose, Sol Meyer, Jule Styne). ~ Sandra Brennan, All Movie Guide

No relation to the Cracked Nuts he directed in 1931, this hokey sci-fi-comedy from director Edward F. Cline stars Stuart Erwin as Lawrence Trent, a country rube who wins a refrigerator-slogan contest and gets some money for his efforts. Meanwhile, mad scientist Boris Kabikoff (Mischa Auer) builds a silly-looking robot in his own image and hooks up with a New York patent attorney (William Frawley from I Love Lucy) to bilk Trent out of his prize money. Shemp Howard plays the robot as a lusty creature with a penchant for skirt-chasing and is used by black servant Chloe (Hattie Noel) to do housechores and frighten her husband Burgess (Mantan Moreland), who has a gambling problem. Una Merkel co-stars with Astrid Allwyn and Pierre Watkin. ~ Robert Firsching, All Movie Guide

For some reason or other, Melody for Three seems to be the most frequently revived of RKO Radio's "Dr. Christian." As ever, Jean Hersholt stars as Christian, kindly general practitioner of the town of River's End. In this one, Dr. Christian takes an avuncular interest in young Billy Stanley (Schuyler Standish), a violin prodigy. Soon thereafter, he dedicates himself to reuniting Billy's divorced parents, music teacher Mary Stanley (a standout performance by Fay Wray) and famed orchestra conductor Antoine Pirelle (Walter Woolf King). One can only wish that Real Life were as simple and clear-cut as the adventures of Dr. Christian. ~ Hal Erickson, All Movie Guide

In this entry in the long-running series, the reformed master jewel thief rushes to help a lovely heiress whose pearl necklace has been stolen by other thieves. Using his consummate skill, the Wolf pulls a deft switcheroo and substitutes the real ones for fakes. He then brings the real necklace back to the socialite. The crooks are soon arrested by the cops. ~ Sandra Brennan, All Movie Guide

The Higgins family gets in another comical bind when Ernest loses the fortune in bonds he was hired to deliver. In order to recoup the lost $5,000, Papa Higgins decides to try and marry Grandpa to the wealthiest old widow in town by sending her a steamy love letter and signing his own father's name to it. Meanwhile, Papa also goes to the bank and much to his surprise, is granted a loan. Unfortunately for Grandpa Higgins, the widow has received the letter and joyfully accepted his proposal. When he tries to back out, she promptly sues him leaving the family in a real pickle. ~ Sandra Brennan, All Movie Guide

Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." ~ Paul Brenner, All Movie Guide

My Love for Yours is the alternate title for Paramount's Honeymoon in Bali. Madeline Carroll pulls a "Rosalind Russell" as a hard-shelled businesswoman with no time for romance. Fred MacMurray is determined to melt down her resistance, hoping to do so during a vacation to Nassau. Carroll almost capitulates, but backs off when she mistakenly believes that MacMurray loves someone else. Contrary to the film's "other" title, the situation is resolved not in Bali but in cold old New York. Allan Jones, stuck with a standard-issue "other man" role, is at least given a few opportunities to sing. Scandanavian actress Osa Massen makes her American debut in the comparatively thankless role of the gal who doesn't land MacMurray. ~ Hal Erickson, All Movie Guide

The rise of the popular Nevada city is chronicled in this epic drama that begins when Reno was a tiny silver-mining town and ends when it becomes a divorce center and garishly lit gambling town. The film also follows the exploits of a young attorney who comes to town to build a thriving divorce practice. He becomes so involved in his work, that he ignores his own loving wife who leaves him. As a result, the city fathers get on his case about his virtue. The lawyer is subsequently disbarred; he then opens a gambling casino. Years pass and his estranged daughter comes to Reno for a quickie divorce. Father and daughter do not recognize each other as he tries to talk her out of the divorce. When she realizes who he is, she leaves Reno. ~ Sandra Brennan, All Movie Guide

Though he would later dismiss it as "just a ten-day job," actor Conrad Nagel made a remarkably smooth directorial debut with Grand National's Love Takes Flight. Bruce Cabot stars as Neil Bradshaw, an egotistical commercial pilot in love with stewardess Joan Lawson (Beatrice Roberts). Somewhat incredibly, Neil becomes a movie star, jilting Joan in the process to taking up with vampish actress Diane Audre (Astrid Allwyn). Joan takes small comfort in the fact that she is also offered a Hollywood contract; to show up the swell-headed Neil, she matriculates into a champion aviatrix, breaking airborne records left and right. Before the inevitable reunion between Neil and Joan, the audience is treated to dozens of "product placement" plugs for American Airlines. ~ Hal Erickson, All Movie Guide

International Crime is the second of two Grand National programmers inspired by the popular "Shadow" pulp novels by Maxwell Grant. Rod La Rocque plays Lamont Cranston, famed criminologist and (in this film at least) radio crime reporter. This time around Cranston does not "cloud men's minds" hypnotically to become the invisible Shadow: he remains fully visible from beginning to end, with nary a clouded mind in sight. In attempting to solve the murder of a wealthy financier, Cranston exposes a gang of foreign saboteurs. Based on the story "The Fox Hound" by Ted Tinsley (not Maxwell Grant, as the credits claim), International Crime includes several of the supporting characters from the "Shadow" pulps. However, the heroine (Astrid Allwyn) is Phoebe Lane, not Margot. ~ Hal Erickson, All Movie Guide

A sort of follow-up to the studio's earlier College Scandal, Paramount's Murder Goes to College once again combines homicide with higher learning. When the titular murder occurs, detective Hank Hyer (Lynne Overman) shows up to investigate, with vacationing reporter Sim Perkins (Roscoe Karns) tagging along. Both of our heroes run up against formidable opposition from a strangely secretive faculty, an openly hostile local constabulary, and sneering racketeer Strike Belno (Larry "Buster" Crabbe). Foremost among the suspects is Greta Barry (Astrid Allwyn), the ex-showgirl spouse of much-despised professor Tom Barry (Earl Foxe). Much of the suspense in Murder Goes to College arises from the possibility that the bibulous Sim Perkins won't remain sober long enough to solve the mystery. ~ Hal Erickson, All Movie Guide

This lavish Shirley Temple starrer is set in New York, sometime in the 1850s. While lovable pickpocket "Professor" Eustace Appleby works the crowd, his talented granddaughter Dimples (Temple) dances for pennies. Dimples demands that Appleby stop his thieving ways, but every time he tries to follow the straight and narrow, he comes out the loser (most memorably when he's hoodwinked by a dapper con man played by John Carradine). While Dimples entertains at the home of society matron Mrs. Caroline Drew (Helen Westley), Appleby pilfers several valuable objects. This time he's caught with the goods, but Dimples gallantly takes the blame. Touched by this, Mrs. Drew adopts the little girl, enabling her to find success on the legitimate stage. ~ Hal Erickson, All Movie Guide