Joanna Cassidy Movies

Just as the university research team is about to prove that their new technique will permit water to be used as a fuel, their laboratory is sabotaged and the lab manager is killed. Eddie Kasalivich (Keanu Reeves) stumbles onto the scene and manages not only to witness the sabotage, but to escape from it. When he tries to talk about it to authorities, he discovers that they think he and the other project survivors committed the crime. In reality, a group of energy companies have conspired with interested parties in the government to completely erase all notion of the existence of a way to use water as fuel. The project sponsor (Morgan Freeman) wants Eddie to turn himself in, but before he can do that, he must find enough evidence to clear himself and his friends. But in order to succeed, Eddie must avoid assassination attempts by the real perpetrators. ~ Clarke Fountain, Rovi

In this thriller, a soon-to-be-married woman is distraught when someone kidnaps her baby. Things get even worse when the police accuse her of orchestrating the abduction. ~ Sandra Brennan, Rovi

This TV movie recounts the true-life story of a corporate takeover in the greed-driven 1980s. James Garner is F. Ross Johnson, CEO of RJR-Nabisco. Having just been burned by an expensive failure of a smokeless cigarette product, Johnson doesn't wish to incur the wrath of the stockholders. He begins drawing up plans to buy RJR-Nabisco outright so he'll have no one to answer to but himself. Unfortunately for Johnson, his company is also being coveted by sharkish "buyout king" Henry Kravis (Jonathan Pryce), who turns out to have $25 billion at his beck and call. Barbarians at the Gate was adapted by Larry Gelbart from the book by Bryan Burrough and John Helyar. Advertised as a "docucomedy", the film premiered March 20, 1993, over the HBO cable service. ~ Hal Erickson, Rovi

On the eve of his televised execution, a serial killer (Bruce Davison) takes a TV newswoman (Joanna Cassidy) hostage. ~ Jason Ankeny, Rovi

A made for TV, two-part series, this is the story of a Southern attorney who suddenly finds himself embroiled in politics, a particularly controversial murder trial and a public battle with a vindictive journalist -- all at the same time. ~ Tana Hobart, Rovi

This mystery stars Anthony Edwards as a geologist suffering from selective amnesia who returns to his hometown to piece back together his life, only to find himself in mortal danger. ~ Jason Ankeny, Rovi

Since graduating from Happy Days, Anson "Potsie" Williams has carved himself a comfortable Hollywood niche as a prolific director of straight-to-video movies. In Williams' All-American Murder, Charlie Schlatter stars as a James Dean-ish young troublemaker. When a beautiful college coed is murdered, Schlatter tops the suspect list. Cop Christopher Walken doubts Schlatter's guilt; he gives the suspect 24 hours to prove his innocence. But when more murders occur, we are forced to ask ourselves: Just what is Schlatter's agenda? It may seem like an exercise in the Obvious, but All-American Murder keeps you guessing right up to the end. ~ Hal Erickson, Rovi

A demonic black sedan terrorizes a single mother driving a school bus in her small Arizona town in this action thriller. ~ Sandra Brennan, Rovi

In this comedy from writer-director John Boorman, wealthy real estate mogul Stewart McBain (Dabney Coleman) owns a demolition firm which specializes in blowing up old buildings to make way for upscale new ones. When neighbors protest his plans to raze a dilapidated old building to make way for a new Brooklyn subdivision, television crews film the confrontation, and McBain comes off like a fool. His three spoiled children ridicule him. Tired of their carping, McBain gives them each 750 dollars and drops them off at the old building, known as the Dutch House. Daphne (Uma Thurman), Chloe (Suzy Amis), and Jimmy (David Hewlett) are at first completely lost, because they have no idea how to live in the real world. As McBain and his wife, Jean (Joanna Cassidy), monitor their children's progress, the three youngsters learn to get along with the neighborhood people and eventually set up a commune of sorts, into which they invite their friends and various homeless people. ~ Michael Betzold, Rovi

While on vacation in Paris, a mother (Joanna Cassidy) and daughter (Lara Flynn Boyle) fall for the same doctor (Guy Marchand). Both pursue the man without knowing the truth. ~ John Bush, Rovi

Ernest Thompson, the playwright responsible for the Pulitzer Prize winning On Golden Pond, makes his directorial debut with 1969. Kiefer Sutherland plays a draft-age youth who undergoes an epiphany when one of his friends is killed in Vietnam. Sutherland's subsequent antiwar stance causes a great deal of tension within his own family, though his mother, Mariette Hartley, tries her best to understand. ~ Hal Erickson, Rovi

In Robert Zemeckis's trailblazing combination of animation and live-action, Hollywood's 1940s cartoon stars are a subjugated minority, living in the ghettolike "Toontown" where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown's leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic "evil land developer" plotline --and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg's Amblin Entertainment, and George Lucas's Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that "toons" exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn't come to terms with the producers. Of the film's newly minted Toons, the most memorable is Roger Rabbit's curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit's Tex Avery-style director. ~ Hal Erickson, Rovi