Warren Wilson Movies

In this musical, an ambitious young singer and her band leave their small hometown to head for the Big Apple in hopes of finding fame and fortune. ~ Sandra Brennan, All Movie Guide

Hoping for a success commensurate with his previous Show Business (1945), comedian Eddie Cantor poured a lot of his own money into the RKO Radio musical If You Knew Susie. Cantor and his Show Business co-star Joan Davis are reteamed herein as ex-vaudevillians Sam and Susie Parker, who retire to a small and rather cloistered New England town. Faced with the snobbery of the local "aristocracy," Sam and Susie come to believe that they aren't worthy of their new neighbors, nor of their own children. All this changes when the Parkers find a document signed by George Washington bestowing $50,000 on one of Sam's forebears! According to the government, Sam and Susie are now owed several billion dollars interest. Sam patriotically refuses to accept the money, thereby becoming a national hero -- but not before a plenitude of comic plot twists involving gangsters Sheldon Leonard and Joe Sawyer. Cast as the Parkers' daughter Marjorie is "newcomer" Margaret Kerry, who'd actually been in films since 1936 as child actress Peggy Lynch. One of the musical highlights in If You Knew Susie is a clip from Show Business, featuring Cantor, Davis, George Murphy and Constance Moore. ~ Hal Erickson, All Movie Guide

One of the last of Universal's "pocket" musicals, Under Western Skies packs a surplus of entertainment value into its brief 57 minutes. Martha O'Driscoll plays Katie, the daughter of travelling showman Willie (Leon Errol). While playing an engagement in a wild-and-wooly Arizona town, Katie runs afoul of a group of bluenoses who harbor a low opinion of show folk. Denied access to the local music hall, the troupe pitches camp at the saloon owned by King Randall (Leo Carrillo). When it turns out the Randall is the head of an outlaw gang, Katie and friends are rescued by shy schoolteacher Tod (Noah Beery Jr.), who happens to be a crack shot! Among the performers in Willie's entourage is the venerable vaudeville team of Al Shaw and Sam Lee, whose routines are older than dirt and just about as funny. ~ Hal Erickson, All Movie Guide

Joan Davis, the daughter of a famed woman detective, has inherited none of her mother's deductive prowess. Nonetheless, Joan teams with patrolman Leon Errol to solve a series of blowgun murders. The two erstwhile Sherlocks track down the alleged murder weapon to a theatre, where it is being used as a prop in a play. After disrupting the performance, Davis determines that the murders weren't committed by blowgun, and that the culprit is a mild-mannered gentleman to whom murder is a "hobby." The title She Gets Her Man clues us in on the finale, and also refers to the shaky but affectionate relationship between Joan Davis and Leon Errol. ~ Hal Erickson, All Movie Guide

If one were forced to choose, Swingtime Johnny may well be the best of the Andrews Sisters' 1940 "B"-musicals. Patty, Maxine and Laverne Andrews play three popular singers (what a stretch!) who do their bit for Uncle Sam by landing jobs in a defense factory. When they're not hammering and rivetting, the girls provide dinner-break entertainment for their fellow workers. The film's wisp of a romantic subplot is carried by Harriet Hilliard (aka Harriet Nelson) as a nightclub chanteuse who falls in love with the handsome factory owner (Peter Cookson). Meanwhile, a jealous employee does his best to sabotage the romance. Fans of "Our Gang" will recognize chubby Joe Cobb in a bit as a garage mechanic. ~ Hal Erickson, All Movie Guide

Although coming in at an odd running time -- 40 minutes -- this interesting, low-budget drama looks at the adventures, or rather misadventures of a sailor (Paul von Schreiber) with a weekend leave in Los Angeles. The seaman is a country boy unused to the ways of big city women and so he gets his first shock when he picks up a comely lass and takes off with her for a few drinks together -- only to have her deliver a fanatical religious diatribe to the bar's customers. The second shock comes when a woman from a dance hall captures his fancy, then demands a ten-spot for the time she has spent with him. After the city, the ship may look pretty good. ~ Eleanor Mannikka, All Movie Guide

Dick Foran and Harriet Hilliard (aka Harriet Nelson) top the cast of the Universal musical quickie Hi, Buddy. Foran plays GI Dave O'Connor, who comes to the rescue when a boy's club is threatened with foreclosure. Upon learning that the money targetted for the club has been appropriated by a crooked manager, O'Connor calls upon his army buddies to stage a big, fundraising show. Surprisingly, O'Connor doesn't get heroine Gloria Bradley at the end; instead, radio crooner Johnny Blake (Robert Paige) claims Gloria as his bride. But since O'Connor's gal is lissome Mary Parker (Marjorie Lord), who's complaining? 18 songs are squeezed into the 66-minute running time of Hi, Buddy. ~ Hal Erickson, All Movie Guide

Robert Paige plays a struggling songwriter who poses as a millionaire cowboy. It's all part of a zany, wacky and nutty scheme to win the hand and heart of Broadway star Frances Langford. Apparently Paige is a fast worker, since the film runs only 54 minutes. If one looks closely, one might deduce that Cowboy in Manhattan has traces of an earlier Universal musical. That it does; the film is a remake of 1937's You're A Sweetheart, which starred Alice Faye and George Murphy. ~ Hal Erickson, All Movie Guide

In this musical drama, a Vermont farm lad goes to the Big Apple to become a member of the National Dairy Association. He happens to bring with him his beloved trombone. Soon, with the help of bandleader Skinnay Ennis, the boy gets a job in a nightclub and subsequently becomes a popular radio star. His girlfriend back home is not amused. Eventually she slides on back into his life. Songs include: "My Melancholy Baby," "My Devotion," "Ain't Misbehavin," "Swingin' the Blues," "Spellbound," "Hilo Hattie," "The Army Air Corps," "Rosie the Riveter," and "Don't Tread on the Tail of Me Coat." ~ Sandra Brennan, All Movie Guide

Get Going is typical of the 60-minute musical comdies being churned out by Universal in the 1940s. A topical twist is added by predicating many of the laughs on the wartime housing shortage in Washington DC, with heroine Judy King (Grace McDonald) and her pal Doris (Lois Collier) sharing a cramped apartment with eccentrics Matilda Jones (Vera Vague) and Horace Doblem (Walter Catlett). The plot proper concerns the efforts by Judy, a typist in a government agency, to attract the attention of her handsome boss Bob Carlton (Robert Paige). To do this, she pretends to be in the employ of an enemy spy ring. It's hardly surprising that, before the end of the 5th reel, both Judy and Bob get mixed up with a genuine nest of spies. ~ Hal Erickson, All Movie Guide

The Andrews Sisters headline this musical. They play the lead act at a popular nightclub. The trouble begins when they hire a few students from a financially foundering dance school for their newest production. One of the dancers, a rich young socialite, desperately wants to be in it too, but her prurient maiden aunts refuse to allow her to disgrace their family by becoming a common chorine. She and the club owner (who must have the aunt's permission because the girl is underage) try to convince them, but it's not easy. Meanwhile the talented girl finds herself falling hopelessly in love with the club bandleader. In desperation, the ingenious club owner has the obliging Andrews dress up as the aunties and sign the consent forms. The real aunts are infuriated when they discover the ruse and in a tizzy rush down to the club. They arrive just in time to catch the girl's performance and a predictably happy ending ensues. ~ Sandra Brennan, All Movie Guide

Hellzapoppin' is the film version of the "anything goes" Broadway hit starring Ole Olsen and Chic Johnson. The original production was part musical comedy, part "blackout" revue, with wild sight gags, zany props, audience participation sequences, dirty jokes, and never-ending gunshots. There was no plot, and in fact no two performances were exactly alike. When Hellzapoppin' was optioned by Universal, the original intention was to film the play as it stood (minus the more ribald one-liners), but the studio got cold feet and grafted on a conventional plot and romantic interest. The film's story concerns a musical show being staged at a fancy estate, and the romantic triangle of the show's producer (Robert Paige), the wealthy girl who lives at the estate (Jane Frazee), and the girl's erstwhile fiance (Lewis Howard). The show's stars are Olsen, Johnson, and Martha Raye. Martha is mistaken for the wealthy girl by a penniless Russian aristocrat (Mischa Auer), and the entire proceedings are "investigated" by a goofy private detective (Hugh Herbert). Olsen and Johnson are thus reduced to supporting players in their own film, but when they do manage to command the screen, the results are hilarious. The best moments range from a throwaway gag about Citizen Kane (Johnson finds a sled marked "Rosebud" and mutters "I thought they burned that!") to the more elaborate special-effects routines involving the mixed-up projectionist (Shemp Howard) who's ostensibly running Hellzapoppin for the benefit of the film audience. While the movie version fails to completely capture the spirit of the original play (except in a bizarre opening sequence), and the finale is a major disappointment, Hellzapoppin remains one of the few sustained filmic examples of the "nut humor" exemplified by Olsen and Johnson. ~ Hal Erickson, All Movie Guide