Edward Cassidy Movies

Clemson Reade (Cary Grant) is the kind of man who wants to marry an old-fashioned girl, one who will stay home and take care of her husband. However, he's fallen in love with Priscilla "Effie" Effington (Deborah Kerr), who has an exciting career with the State Department that she has no intention of giving up. Clemson has the poor timing of proposing marriage to Effie just as she's in the middle of trying to resolve a major political crisis with the Middle Eastern nation of Bukistan; the United States wants to stay on Bukistan's good side, thanks to their plentiful reserves of oil. Tired of waiting for Effie, Clemson decides that he needs to find a potential bride who will follow his lead instead of her own, and he soon meets Princess Tarji (Betta Saint John), daughter of the King of Bukistan, who has spent her life learning to faithfully serve her man. Clemson half-seriously sends a telegram proposing marriage to Tarji, which touches off a political tempest in a teapot when Tarji responds by visiting the United States. The State Department decides that someone should look after Tarji while she's in America, and who should be given the assignment but Effie; to Clemson's chagrin, Effie uses her time with Tarji to enlighten her about the more liberated status of women in the West. By the way, don't bother looking for Bukistan in your atlas, the country doesn't really exist. ~ Mark Deming, All Movie Guide

The Waco depicted in this film is a wide-open Texas frontier town, in desperate need of a strong authority figure to clean out the criminal element. The man needed is the man found: Matt Boone, played by Wild Bill Elliot. Though himself a fugitive from justice (he killed a man in self-defense), Boone takes his responsibilities as sheriff very seriously. Flying in the face of standard "good badman" movie cliches, Boone is often as brutal and ruthless as the desperadoes he comes up against. Waco was one more feather in the cap of cowboy star Bill Elliot, who appeared in some of the toughest -- and best -- medium-budget westerns of the 1950s. ~ Hal Erickson, All Movie Guide

Cowboy star Whip Wilson keeps whipping along in Monogram's Night Raiders. This time, Wilson and saddle pal Tom Farrell are federal marshals, assigned to stop the activities of a nocturnal terrorist group. These so-called Night Raiders lay waste to local ranches, but curiously never steal anything. The trail of clues leads to a motivation (fixing an upcoming election) and, inevitably, a Least Likely Suspect who turns out to be the brains of the organization. Fuzzy Knight supplies laughs, while Terry Frost and Marshall Reed provide menace. Whip Wilson's Night Raiders co-star Tom Farrell was the son of actress Glenda Farrell. ~ Hal Erickson, All Movie Guide

Allan "Rocky" Lane and his trusty stallion Black Jack star in Republic's Black Hills Ambush. Lane plays a U.S. marshal who answers a call for help from his old pal Nugget Clark (Eddy Waller). It seems that someone is staging ruinous raids on Nugget's newly established freight line. Realizing that gang leader Bart (Roy Barcroft) is a lost cause, Lane tries to reform gang member Larry Stewart (Michael Hall), thereby forcing the crooks' evil scheme to collapse under its own weight. The highly forgettable leading lady is played by Leslye Banning. Allan "Rocky" Lane continued turning out low-budget westerns for a full decade after Black Hills Ambush was released in 1952 but is probably best-known as the voice of TV-equine Mr. Ed ~ Hal Erickson, All Movie Guide

An all-supporting-player cast graces the Republic actioner Million Dollar Pursuit. Top billing goes to Penny Edwards as nightclub chanteuse Bonnie Laverne, but the film's leading character is small-time crook Monte Norris, played by Norman Budd. Planning a major heist, Norris gets in over his head when he enlists the aid of more experienced criminals, headed by cabaret owner Carlo Petrov (Grant Withers). So fascinating are the villainous characters in Million Dollar Pursuit that nominal good guy Lt. Whitcomb (Steve Flagg) seems downright intrusive. The film was an early TV arrival, where it has shown up with startling frequency on the nation's many Late Late Shows. ~ Hal Erickson, All Movie Guide

Ever in pursuit of novelty, Republic Pictures assembled a series of westerns in the early 1950s starring youngsters Michael Chapin and Eileen Janssen. In Buckaroo Sheriff of Texas, the kids are left virtually alone when their elders ride off to war. Bad guy Tristram Coffin tries to take advantage of the situation by going on a land-grabbing spree. With the help of old codger James Bell, the kids manage to foil the villains. Watch for future Wyatt Earp star Hugh O'Brian in a supporting role. ~ Hal Erickson, All Movie Guide

William Elliot is the multitextured hero of the deluxe Republic western Savage Horde. Elliot plays a gunslinger named Ringo, who, though no paragon of virtue, is not a murderer. After killing a man in self-defense, Ringo takes it on the lam from the law. Hiding out in a remote frontier town, Ringo becomes involved in a range war between land baron Proctor (Grant Withers) and a group of honest ranchers. At the risk of his own capture, Ringo decides to stick around and join the ranchers in their battle against Proctor. Leading lady Adrian Booth plays Livvy Weston, who'd like to fall in love with Ringo but can't reconcile herself with his bad reputation. Featured in the cast are such western "regulars" as Noah Beery, Bob Steele, Roy Barcroft, Earle Hodgins and Hal Taliaferro (aka Wally Wales). ~ Hal Erickson, All Movie Guide

Written and produced by its star, Donald Barry, Train to Tombstone was a low-budget version of the classic Stagecoach (1939). Once again a group of passengers fight among themselves as their mode of transportation -- a train en route from Albuquerque, NM, to Tombstone, AZ, this time -- is attacked by warring Indians. Author Barry was rather more fanciful than his predecessor, Dudley Nichols, however, and in addition to the inevitable saloon girl (Nan Leslie), the train also carries other characters: a pretty paraplegic (Barbara Stanley), whose illness may be psychological in nature; her indomitable aunt (Minna Phillips); a handsome doctor (Tom Neal); a comic relief women's undergarment salesman (Wally Vernon); a jittery conductor (Edward Cassidy); a marshal (Claude Stroud) guarding a shipment of gold; and, of course, Barry himself in the John Wayne role of the wanted but goodhearted outlaw. In due course, the train is attacked by what appears to be Indians, but what in reality is a gang of outlaws determined to get their greedy hands on the loot. Neither the marshal nor Barry are what they appear to be, the latter actually an undercover agent assigned to protect the shipment. The beautiful paraplegic is on her way to meet the fiancé she has never even seen and who, it is revealed, is in cahoots with the gang. Does the trauma of witnessing the boy killed right before her eyes cure the girl? Why, of course it does. ~ Hans J. Wollstein, All Movie Guide

So baseball pictures never make money, eh? Try telling that to MGM, which raked in a box office gross of $4 million on their 1949 baseball musical Take Me Out to the Ball Game. Set in 1906, the film concerns the adventures and misadventures of The Wolves, a champion ball club. The team's success is contingent upon the double-play combination of "O'Brien to Ryan to Goldberg." But while Goldberg (Jules Munshin) lives to play baseball, O'Brien (Gene Kelly) and Ryan (Frank Sinatra) would rather pursue their off-season vaudeville career. Both erstwhile song-and-dance men decide to stick around on the baseball diamond when they mutually fall in love with the Wolves' new owner, the lovely K.C. Higgins (Esther Williams). Though O'Brien wins K.C. for himself, Ryan is compensated with the aggressively affectionate Shirley Delwyn (Betty Garrett). Gambler Joe Lorgan (Edward Arnold), who has bet heavily against the Wolves in an upcoming Big Game, woos O'Brien away from the team with promises of a big role in an upcoming musical comedy. Having let down K.C. and the rest of the team, O'Brien vows to redeem himself by playing in the crucial game. Lorgan gets wind of this, and orders his henchmen to do away with O'Brien. Hoping to shield his buddy from harm, Ryan beans O'Brien with a pitched ball, thereby incapacitating the prodigal player. The crooks are vanquished, and K.C. forgives O'Brien. But upon learning that Ryan had knocked him out, O'Brien charges onto the diamond, thirsting for revenge. Believe it or not, this action results in no fewer than two winning home runs! We offer you this detailed synopsis because it's likely that you'll be too entertained by the film's musical numbers to pay any attention to the story. Outside of the title number and Gene Kelly's solo "The Hat My Father Wore on St. Patrick's Day," the picture's best songs are contributed by Betty Comden, Adolf Green and Roger Edens. Take Me Out to the Ball Game is so delightful as it stands that one can only wonder what the film would have looked like had MGM's first choice Kathryn Grayson--or the studio's second choice, Judy Garland--played the Esther Williams role (In a similar vein, the Frank Sinatra character was originally to have been played by real-life Brooklyn Dodgers manager Leo Durocher!) ~ Hal Erickson, All Movie Guide

PRC's singing cowboy Eddie Dean once again brings law and order to a corrupt town in this average Western co-starring Roscoe Ates and Nancy Gates. When Red Gap's old sheriff (Edward Cassidy) is shot in cold blood by Ace (Mikel Conrad), a member of Brad Taggert's gang, the new lawman, Eddie, orders all firearms in Red Gap to be deposited in the sheriff's office. Taggert (I. Stanford Jolley) takes umbrage, of course, and hires a couple of gunmen (Russell Asrms and Marshall Reed) to rid the town of such nuisance. When that ploy fails, the villain falls back on crooked Judge Hammond (William Fawcett), but Eddie gets rid of him as well in favor of law-abiding Judge Walsh (Steve Clark) -- then the real Boss Villain reveals himself. Ates, Andy Parker, and the Plainsmen perform "A Miserable Ornery Coyote" and Dean sings "God's Little Lanterns" and "Moseyin' Along," the latter in a duet with leading lady Nancy Gates. ~ Hans J. Wollstein, All Movie Guide

Regular "Red Ryder" series villain Roy Barcroft took a well-earned breather in Homesteaders of Paradise Canyon. The equally disagreeable Gene Stutenroth (aka Gene Roth proved a fair enough substitute, however, as Bill Hume, a homesteader so disgusted over the fact that the government land he was promised for free instead goes for two dollars per acre that he hooks up with villainous newspaper publisher A.C. Blaine (Milt Kibbee). Having guided the homesteaders to Paradise Valley in the first place, Red Ryder (Allan Lane) manages to persuade his charges to remain despite the exorbitant price of land, much to the chagrin of Blaine and his cohort Langley (Emmett Vogan), who do their level best trying to scare the settlers away from the potentially lucrative valley. When Red goes undercover as a driver for Blaine's stagecoach line, young settler Steve Dill (John James) accuses him of treason and incites the settlers against him. It all comes to a showdown at the Hume ranch, where Bill's brother Rufe Mauritz Hugo) is shot before he can confess to his brother's treachery. Bill manages to get away, but Red mounts Thunder and tracks him down. Implicating his bosses Blaine and Langley, Bill is carted off to jail. ~ Hans J. Wollstein, All Movie Guide

Produced by Jack Schwartz for low-budget company Screen Guild, this mild Western starring the veteran Richard Arlen was apparently the first entry in a proposed series. Arlen played the title role, here assigned by the army to quell an Indian attack on the powerless settlers. The Indians are accusing Tom Russell (John Dexter) of murdering a member of the tribe, an act, as Buffalo Bill discovers, actually committed by a gang of outlaws hired by investment company owner J.B. Jordon (Frank O'Connor). Buffalo Bill Rides Again was soundly defeated by a low budget and slipshod direction by the veteran Bernard B. Ray. Popular B-Western villain Ted Adams disappeared mysteriously halfway through the film, only to be replaced by Edmund Cobb. Jennifer Holt, the daughter of Arlen contemporary Jack Holt and by far the busiest B-Western heroine of the 1940s, had little to do other than letting herself be kidnapped by evil Gil Patric. Arlen, whose career dated back to the silent era, was perhaps a mite too old and stout by 1946 when this film was produced to become an acceptable B-Western hero. No further Buffalo Bill Westerns were produced by Schwartz. ~ Hans J. Wollstein, All Movie Guide