Richard Wilson Movies
Fresh from the University of Denver, American actor Richard Wilson headed to Chicago and then New York, for the hectic life of a radio actor. He befriended fellow performer Orson Welles while both were making the radio-network rounds. In 1937, Welles invited Wilson to join his Mercury Theatre stage troupe, where Wilson functioned as actor, adaptor, production associate and assistant director. When Welles moved his Mercury troupe to Hollywood in 1940 for Citizen Kane, Wilson went along as jack-of-all-trades; if you look closely, you can see the angular Mr. Wilson as one of the shadowy reporters in Kane's closing scenes. After working as a production assistant on Welles' followup film The Magnificent Ambersons (1942), Wilson joined Welles in Rio de Janeiro to work on the ill-fated Technicolor documentary It's All True (1942). Stories involving this disaster-prone effort have fallen into the realm of legend, making it difficult for the historian to separate fact from fancy in reporting on the film. Indeed, so many falsehoods concerning It's All True were repeated as gospel in one 1970 book on Welles that Wilson was moved to write a rebuttal article for Sight and Sound magazine, titled "It's Not Quite All True." While many of Welles' Mercury associates had scattered by the late '40s, Wilson remained loyal, acting as associate producer for Welles' The Lady From Shanghai (1947) and Macbeth (1948). On his own as a staff producer at Universal in the '50s, Wilson helmed everything from swashbucklers to Ma and Pa Kettle pictures. He began directing in the '50s, mostly program westerns like Man with the Gun (1955). Wilson did what he could to draw a performance from a burned-out Errol Flynn in The Big Boodle (1957), and coaxed a convincingly dramatic turn from aquatic star Esther Williams in Raw Wind in Eden (1958). Wilson deservedly won critical plaudits for his handling of a brace of brutal Allied Artists gangster pictures, Al Capone (1960) and Pay or Die (1961). Richard Wilson retired in 1968, making an unexpected return to the cameras in 1989 as an actor in the British satire How to Get Ahead in Business. ~ Hal Erickson, All Movie Guide- 1998
The administration of volatile British Prime Minister Tony Blair was given a right good drubbing on the late-night comedy series Sermon From St. Albions. Harry Enfield starred as a small-town Anglican priest, who "happened" to be named Reverend Tony Blair, and who shared many of the political views of the outspoken PM. ~ Hal Erickson, All Movie Guide
Both a documentary and a unique exercise in film restoration, It's All True tells the complex story of Orson Welles' ill-fated attempts to make an anthology film about the life and culture of South America and concludes with a reconstruction of one of Welles' unfinished segments, edited together from rediscovered original footage. The idea for Welles' South American project was conceived by the American government as a sort of cultural exchange to improve relations with Latin America. Using interviews and period footage, the filmmakers relate how the project quickly turned sour, as both the Brazilian government and RKO studio executives objected to Welles early footage; indeed, thanks to a local witch doctor, the film could literally be said to be cursed. Although Welles persevered, RKO eventually withdrew support from the project. The failures of It's All True and The Magnificent Ambersons, which was damaged by studio cuts made while Welles was overseas, are thought by many to have irreparably damaged the director's Hollywood career. It's All True concludes with a partial reconstruction of the "Four Men on a Raft" segment, in which Welles tells the true story of a dramatic, thousand-mile raft journey by four Brazilian peasants. ~ Judd Blaise, All Movie Guide
- 1970
- PG
A team of anthropologists travel to New Guinea in search of the missing link in this routine adventure tale. The expedition is financed by Vancruysen (Paul Hubschmid) and lead by Dr. Sybil Greame (Susan Clark). Also on hand are Douglas Temple (Burt Reynolds) and the boozy Otto Kreps (Roger C. Carmel). The two men are on the lookout for phospherous. The party discovers a group that appears to behalf human and half ape. Otto entices the female creature Topazia (Pat Suzuki) with sandwiches. When phosphorous is discovered, the evil industrialist Vancruysen enslaves the primates to work in the mines. Otto, Topazia, and Douglas escape, but there quest is slowed by the stillborn birth of Topazia's child. Douglas tricks the doctor into signing the death certificate that claims the child was human, which forces a murder trial. Eaton (Wilfred Hyde-White) is the South African anthropologist and racist called on to judge the proceedings. ~ Dan Pavlides, All Movie Guide
- Starring:
- Burt Reynolds, Susan Clark, (more)
- 1968
A modern Don Juan pays the price when he "two-times" three different women. Paxton Quigley (Christopher Jones) is the campus Casanova who sleeps with Caucasian coed Tobey (Yvette Mimieux), the black beauty Eulice (Judy Pace) and the Jewish hippie girl Jane (Maggie Thrett). The three women discover the extra curricular activities of the man, and they seek revenge by locking Paxton in a attic where they feed him steak and try to kill him with sex. Soon Paxton goes on a hunger strike as the viewer is left to wonder whether or not a man's ultimate sexual fantasy can lead to his downfall -- or even death. What a way to go. Chad and Jeremy provide the music, which includes the title track in this feature plagued by lines like "Is it possible for a woman to be Jewish and psychedelic at the same time?" ~ Dan Pavlides, All Movie Guide
- Starring:
- Yvette Mimieux, Christopher Jones, (more)
Matt Weaver (George Segal) returns home after fighting for the South in the Civil War to his home in the New Mexico territory. He discovers that in his absence his ancestral house and land have been sold by Sam Brewster (Pat Hingle), an unscrupulous land developer. Matt tries to kill Sam, but when the attempt fails, Matt barricades himself in the place he once called home. Sam sends for the colorful hired gun Jules Gaspard D'Estaing (Yul Brynner), a well-educated dandy whose mother was a black slave and father was a Creole. Jules is as adept with card and piano playing as he is with a six gun. When Jules gets drunk and tears up the town, Sam tries to make a truce with Matt to get rid of the deadly drifter. Janice Rule also appears, along with Bert Freed in his familiar role as the local sheriff. ~ Dan Pavlides, All Movie Guide
- Starring:
- Yul Brynner, Janice Rule, (more)
- 1964
Politics and sports clash in this occasionally funny spoof centered around a downed U2 pilot and an extravagant oil sheik. John Goldfarb (Richard Crenna), a former football player, now pilot, sent on a reconnaissance mission over the Soviet Union, is lost and crash-lands in the Middle Eastern kingdom of Fawzia. King Fawz (Peter Ustinov) is constructing a football team to defeat Notre Dame and demands that Goldfarb coach his team or be handed over as a spy. In the interests of international relations, the U.S. State Department not only complies with King Fawz's request to bring the Notre Dame team to his country but in true diplomatic form insists that they throw the game. The romantic interest appears in the form of Jenny Ericson (Shirley MacLaine), an American reporter on an undercover assignment in the king's harem. A pleasant view in scanty harem garb, she lends mild amusement to the story with attempts to avoid the king's amourous advances. Although the humor falls short of its potential, the film was fortuitously saved from obscurity due to publicity generated by an unsuccessful lawsuit brought agianst the studio by the University of Notre Dame, which objected to a scene involving Notre Dame players fraternizing with harem girls. The screenplay for John Goldfarb, Please Come Home was written by William Peter Blatty who was later known for his award winning novel and screenplay The Exorcist. ~ Lucinda Ramsey, All Movie Guide
- Starring:
- Shirley MacLaine, Richard Crenna, (more)
- 1963
This film about characters who hang around a horseracing focuses on the darker side rather than the limelight of the winner's circle. Joey (Ty Hardin) is an ambitious horse trainer who is sleeping with the boss' wife Laura (Susan Pleshette). When husband Matt (Ralph Meeker) discovers the affair, Joey get fired. He goes to the boyfriend of an old flame to borrow money to buy the horse. The steed wins a race and a post position in an even bigger race. Matt tries to buy the horse from Joey, who refuses the generous offer. The horse loses the big race, leaving Joey harnessed with a balloon payment he can't possibly make. Another old flame helps Joey out by paring off the debt and sleeping with the sleazy loanshark. Exciting racing scenes and a cameo appearance of real life sportswriter Jim Murray highlight this film where hardly of the characters are likeable or endearing. ~ Dan Pavlides, All Movie Guide
- Starring:
- Suzanne Pleshette, Ty Hardin, (more)
- 1960
Based on real incidents in the life and death of Lt. Joseph Petrosino (Ernest Borgnine) of the New York police force, this tale set between 1906-1909 details the history of the lieutenant's fight to prove Sicilian Mafia involvement in crimes in his city. Lt. Petrosino has a series of dangerous close calls as he distinguishes himself by saving singer Enrico Caruso from a Mafia bomb outside the Metropolitan Opera, and by also saving the father of Adelina (Zohra Lampert) the woman he loves. Several other exploits eventually lead to Petrosino's trip to Sicily to nail evidence for the Mafia's activities in New York, and for a final meeting with destiny. This represented the last screen credit of scenarist Bertram Millhauser, who died in 1958; he had received his penultimate credit nine years before that, on the 1949 Tokyo Joe. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Ernest Borgnine, Zohra Lampert, (more)
- 1959
Rod Steiger is the screen's first "method mobster" in the title role of Al Capone. The film traces Big Al's progress from a torpedo in the hire of Chicago gangster Johnny Torrio (Nehemiah Persoff) to Capone's takeover of the Windy City's bootlegging operations, and his ultimate downfall at the hands of the IRS. Rod Steiger delivers every line with maniacal gusto, as though it will be his last; sometimes he sounds like Frank Gorshin doing a Rod Steiger impression, but for the most part it is a dynamite performance. Featured in the cast are Murvyn Vye as Bugs Moran, Joe De Santis as Big Jim Colosimo, Lewis Charles as Hymie Weiss, Robert Gist as O'Banion, and James Gregory and Martin Balsam as composite characters, respectively based on honest Chicago cop John Siege and duplicitous newspaper reporter Jake Lingle. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Steiger, Fay Spain, (more)
- 1958
In her second film for Universal-International, Esther Williams stars as Laura, a high-priced fashion model. While working in Rome, Laura succumbs to the charms of international playboy Wally (Carlos Thompson), agreeing to join him on a chartered plane flight across the Mediterranean. When the plane crashes, Laura and Wally are rescued by mysterious loner Moore (Jeff Chandler). Chafing at the thought of remaining on Moore's sparsely populated island, Wally finds the wreckage of a yacht. While he repairs the vessel in hopes of returning to the mainland, Laura and Moore draw ever closer, leading to a potentially explosive situation. Is it just imagination, or does Carlos Thompson sound as though his voice has been dubbed by Paul Frees? ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Jeff Chandler, (more)
- 1957
Errol Flynn looks pretty "wasted" during most of The Big Boodle, though he delivers the goods in the film's action climax. Set in Havana, the film stars Flynn as casino croupier Ned Sherwood, who finds himself in possession of a fortune in counterfeit money. The police are convinced that Sherwood knows where the counterfeit plates are hidden, prompting our hero to conduct his own investigation. Things come to a head during a last-reel gun battle in and around the historic Morro Castle. The Big Boodle was one of the last American films to be lensed in Cuba before the Castro takeover; Flynn later returned to the same stamping grounds for his execrable final feature, Cuban Rebel Girls (1958). ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Pedro Armendáriz, (more)
- 1956
The Kettles in the Ozarks was the eighth of Universal's "Ma and Pa Kettle" series--minus "Pa" (actor Percy Kilbride had left the series). Carrying on without the Kettle paterfamilias, Ma Kettle (Marjorie Main) and her large brood of children head for the Ozarks to visit her brother-in-law Sedge (Arthur Hunnicutt). She spends a good portion of the film's running time outwitting three bootleggers who've set up shop in Sedge's barn. Ma also accelerates Sedge's marriage to Bedelia Baines (Una Merkel), to whom he has been engaged for two decades. Kettles in the Ozarks suffers from the absence of Percy Kilbride, but the climactic slapstick battle with the bootleggers is well up to par. Una Merkel, who played Sedge's erstwhile sweetheart, would recall years later that she fought tooth and nail with her agent to get out of Kettles in the Ozarks, but eventually had a wonderful time on the set thanks to the kindness and cooperation of star Marjorie Main. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Main, Arthur Hunnicutt, (more)
The Man with the Gun in this well-paced western is played by Robert Mitchum. A notorious gunslinger, Mitchum has been hired by a group of concerned citizens to restore law and order to the wide-open town of Sheridan City. Before long, however, Mitchum holds the community in a grip of terror, behaving like a Law Unto Himself. So: Is the star of the film actually the villain of the piece? A last-reel plot twist effectively answers that question. Though Robert Mitchum dominates the proceedings, Man With the Gun also includes some good supporting work by Jan Sterling as Mitchum's saloon-gal wife, Henry Hull as an ageing marshal, John Lupton as an honest young farmer, and Emile Meyer as the town's leading citizen. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Mitchum, Jan Sterling, (more)
- 1954
Marjorie Main is the whole show in the Universal programmer Ricochet Romance. Playing the outspoken new cook at a rundown dude ranch, Marjorie forces everyone around her to pitch in and bring some life back into the place. She also sets her sights on old layabout Chill Wills, scheming to rope the critter into marriage. Veteran comedy director Charles W. Lamont moves the proceedings along with style, never missing an opportunity for a low-comedy slapstick turn. The most surprising aspect of Ricochet Romance is that it is not an entry in Marjorie Main's Ma and Pa Kettle series. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Main, Chill Wills, (more)
- 1954
This sixth in the "Ma and Pa Kettle" series produced by Universal stars (as usual) Marjorie Main as Ma and Percy Kilbride as Pa. After a whirlwind international tour, the contest-winning rustics and their fifteen children return to their old farm. The eldest Kettle son (Brett Halsey) has a chance of winning a scholarship prize to a prestigious university, prompting the Kettles to try to impress a representative (Alan Mobray) of the magazine offering the scholarship. The magazine man is arrogant beyond belief, but a warm and fuzzy Christmas celebration humanizes the pompous visitor, so everything ends happily (after the expected slapstick finale, that is!) Considered the best of the "Kettle" series, Ma and Pa Kettle at Home is worth the admission price if only to hear the veddy British Alan Mobray say the word "Ma". ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Main, Percy Kilbride, (more)
- 1953
Universal's Technicolor cameras this time tell the story of Harun El Raschid (Rock Hudson), who innocently comes into possession of the magical Sword of Damascus. Sword in hand, our hero gains entrance to the court, tames the haughty, but socially aware, Princess Khairuzan (Piper Laurie) and finds himself in the middle of a palace revolution. The evil Vizier Jafar (George Macready), may be able to trick the Caliph (Edgar Barrier) into letting the princess marry his boorish son Hadi (Gene Evans), but he cannot remove the magic sword from its resting place in the palace wall. Up steps Harun, who performs the task, King Arthur-style, a feat which brings him both the princess and half the Caliphate. The Golden Blade was filmed entirely on the Universal back lot. Watch for future stars Dennis Weaver and Guy Williams among the Baghdad populace. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Rock Hudson, Piper Laurie, (more)
- 1951
In this inspiring drama, William Thompson (William Lundigan) is a minister from the deep South who has recently married Mary Elizabeth (Susan Hayward), a woman from the city. William is assigned a new parish and moves with Mary Elizabeth to a small town in Georgia's Blue Ridge Mountains, where he tends to the spiritual and emotional needs of his small flock. William's faith and inner strength helps guide the town through a major epidemic, while he must also deal with the troubles of Jenny (Barbara Bates), a woman who loves roughneck Jack (Rory Calhoun) against the will of her father; and Mr. Salter (Alexander Knox), a bitter atheist who resists William's attempts to teach him and his children the message of God's love. I'd Climb the Highest Mountain was adapted from the popular novel by Cora Harris. ~ Mark Deming, All Movie Guide
- Starring:
- Susan Hayward, William Lundigan, (more)
The Lady From Shanghai, a complex, involving puzzle-within-a-puzzle mystery story, is a showcase for Orson Welles, showing his singular talents and sensibilities as few other films have. The story is superficially simple: a seaman Michael O'Hara (Welles) is hired as a crew member on the yacht of the wealthy Banister (Everett Sloane). His beautiful but mysterious wife Elsa (Rita Hayworth) has met O'Hara earlier, when he saved her from a mugging. What ensues is a complicated and bizarre pattern of deception, fraud and murder, with O'Hara finding himself implicated in a murder, despite his innocence. The film is best remembered for its final sequence when the plot comes to a literally smashing climax in the famous "hall of mirrors" sequence, with Elsa and Banister shooting it out amidst shards of shattering glass. Orson Welles, who produced, directed, wrote and starred in the film, is sometimes self-indulgent in his use of visual tricks and techniques, which at times sacrifice plot for visual brilliance, but he pulls it together in the end to produce a stunning, difficult film. Rita Hayworth gives one of her best performances as the deceptive, seductive temptress, hard-edged and cynical. The film confounds, unsettles and disorients the viewer, very much as Welles intended to do. While not an easy film, it is well worth the attention required to follow it, and Welles offers no easy solutions or any false happy endings to his tour-de-force mystery. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Rita Hayworth, Orson Welles, (more)
