Michael G. Wilson Movies

A devastating betrayal sends James Bond from Australia to Italy and South America on a mission of vengeance that pits the suave super-spy against a powerful businessman with diabolical intentions. Betrayed by Vesper, 007 (Daniel Craig) suppresses the urge to make his latest mission personal as he teams with M (Judi Dench) to interrogate Mr. White (Jesper Christensen). It soon becomes apparent that the organization behind the blackmailing of Vesper is more powerful than Bond and M had previously anticipated, and after discovering forensic evidence that links an MI6 traitor to a bank in Haiti, Bond immediately sets out to gather more intelligence.

Once in Haiti, a case of mistaken identity leads Bond into the company of the ravishing Camille (Olga Kurylenko), a dangerous beauty with her own vendetta. It's Camille who leads Bond to a ruthless businessman named Dominic Greene (Mathieu Amalric), who is soon revealed to be the mastermind of a powerful but clandestine organization. Greene is conspiring to corner the market on one of the world's most precious natural resources, and in order to make that happen he has forged a deal with an exiled general named Medrano (Joaquin Cosio). By enlisting the aid of his many associates and using his vast resources to force contacts within the CIA and the British government into bending to his will, Greene plans to overthrow the current regime of a Latin American country and hand control over to General Medrano in exchange for a parcel of land that appears barren on the surface, but actually houses a natural resource that will make Greene the most powerful man on the planet. But Bond's mission to uncover the culprit who blackmailed Vesper and prevent Dominic Greene from exerting his will on the entire world won't be easy, because now everyone from the CIA to the terrorists and even M are out to get him. ~ Jason Buchanan, Rovi

Pierce Brosnan makes his fourth appearance as suave super-spy James Bond in this espionage thriller, the 20th film in the official Bond series. While on assignment in North Korea, Bond is captured by government agents, where he's imprisoned and tortured for over a year. When Bond finally wins his freedom, not everyone is certain 007 is still capable of doing the job, but after Zao (Rick Yune), the North Korean operative who snared Bond, is discovered to be in cahoots with unscrupulous entrepreneur Gustav Graves (Toby Stephens), Bond is back on the case, and he finds the two men have sinister plans which could decide the fate of the world. As Bond hops from England to Cuba to Korea to Iceland in pursuit of his quarry, he (as usual) makes the acquaintance of two beautiful and mysterious women, Jinx (Halle Berry) and Miranda Frost (Rosamund Pike). Judi Dench and John Cleese return in Die Another Day as, respectively, Bond's superior M and gadget-master Q; Madonna contributes the film's theme song and makes a cameo appearance as a fencing instructor. ~ Mark Deming, Rovi

Roger Spottiswoode (Air America) directed this film, the 18th chapter in the 35-year-old James Bond series (excluding Casino Royale and Never Say Never Again). James Bond (Pierce Brosnan) learns billionaire media mogul Elliot Carver (Jonathan Pryce) is manipulating world events via an exclusive flow of information through his satellite system reaching all corners of the planet. With a stealth battleship sinking a British naval vessel, Carver sees that the Chinese are blamed. Crashing Carver's party in Hamburg, Bond meets "journalist" Wai Lin (Michelle Yeoh), later revealed as a Chinese agent. In a brief tryst, Bond renews his past relationship with Carver's wife Paris (Teri Hatcher). Carver dispatches Stamper (Gotz Otto) and other goons to cancel Bond, who eludes attackers with some of his new gadgets. In Southeast Asia, after Bond and Wai Lin scuba dive into the sunken British ship, they are captured by Stamper, handcuffed, and taken to Saigon where they make a motorcycle escape. To thwart Carver's plans for WWIII, the two agents head for Carver's stealth ship where a cruise missile is aimed at Beijing. Principal photography began April 1, 1997 in the new Eon Productions studio facility at Frogmore, northwest of London, and on the 007 stage at Pinewood Studios. Locations included the UK, Hamburg, Southeast Asia, Mexico, and off the Florida coast. The trademark Bond pre-title sequence was filmed in the French Pyrenees snowfields, centered around one of the few high-altitude operational airfields in Europe. ~ Bhob Stewart, Rovi

For his second outing as James Bond, Timothy Dalton is working on his own rather than on behalf of the British Secret Service in this follow-up to The Living Daylights). When his American friend Felix Leiter (David Hedison), an agent of the Drug Enforcement Administration, is seriously injured by drug dealer Franz Sanchez (Robert Davi), 007 is out for blood. There is precious little time for the usual Bondian quippery and campiness, resulting in a marked increase in bloodletting (including the "implosion" of secondary villain Anthony Zerbe). A climactic highway chase involving an oil tanker and a helicopter is the highlight, as well as Benecio Del Toro in an early role as the psychotic henchman Dario. Licence to Kill's intensified taste for violence lessened Bond's box-office value, and helped keep 007 off the screen for another six years before Pierce Brosnan took up the mantle. ~ Hal Erickson, Rovi

Secret Agent 007 must stop a megalomaniacal technology mogul from destroying Silicon Valley in this fourteenth episode of the long-running James Bond series. Computer baron Max Zorin (Christopher Walken) is planning to trigger a major California earthquake in order to wipe out his competitors. Bond is dispatched to stop him in Europe, where he is partnered with Sir Godfrey Tibbet (Patrick MacNee). Sent in to slow down Bond and Company is Max Zorin's sadistic and murderous sidekick May Day (Grace Jones), the first of two Bond girls in the film (the other being Tanya Roberts). The expected high-wire confrontations ensue, including a parachute jump off the Eiffel Tower, a drive through the streets of Paris with a car cut in half, and a life-or-death struggle with a blimp on top of the Golden Gate Bridge. This production is most notable for the fact that it marked the final appearance of Roger Moore as the dashing Bond. ~ Judd Blaise, Rovi

Roger Moore is back as Secret Agent 007, this time on the trail of shipwreck that holds an Automatic Targeting Attack Communicator (ATAC) for all of the British Naval submarine fleet. Along the way he teams up with the beautiful Melina, played by Carole Bouquet, a maiden out for revenge against a Cuban hitman who killed her father, the head of a British effort to salvage the ATAC. Turns out the hitman was in league with Greek businessman Aris Kristatos (Julian Glover). who's working for the Soviets to attain the Communicator. Together with a drug smuggling rival of Kristatos (played by Topol), Bond and Melina race against time before the keys to all of Britain's missles get in the wrong hands. Richard Maibaum's screenplay has very little to do with the collection of short stories that made up Ian Fleming's For Your Eyes Only, save for the plotline involving Melina's seeking vengeance for the death of her father. The direction is by John Glen, who'd previously done second unit work on other Bond films and went on to direct four more films in the franchise. For Your Eyes Only eschews the gimmickry and campiness of earlier Roger Moore efforts by concentrating instead on intrigue, save for the campy opening that sees Bond dispatch the dastardly Blofeld in a broad comedic pre-credits scene. ~ Hal Erickson, Rovi