Lester Wilson Movies

Richard Benjamin directed this farce that plays like "Guess Who's Coming for Insemination?" Whoopi Goldberg stars as Sarah Matthews, who runs an African-American oriented bookstore in Oakland. She is raising her daughter, a beautiful high school student named Zora (Nia Long), on her own after her husband's death many years earlier. As a result of a science class blood test, Zora discovers that the man she thought was her father actually wasn't. Instead Zora finds she was the result of artificial insemination. After researching the sperm bank's records, Zora discovers, much to the surprise of Sarah and herself, that the anonymous sperm donor is in fact, Hal Jackson (Ted Danson), a loud, crude obnoxious (and white) used-car dealer who advertises on late-night television. Zora visits Hal while he is filming a commercial and Hal brushes her off. Enraged, Sarah tells Hal off, but after meeting Zora he now feels a paternal itch. Not only that, but he is beginning to feel an attraction to Sarah. ~ Paul Brenner, All Movie Guide

Fatal Instinct is an Airplane-style spoof of the late-'80s, early-'90s cycle of erotic crime thrillers. Setting the plot in motion is a kinky murder. Armand Assante plays the cop assigned to the case; he's also the prosecuting attorney; the "Sharon Stone" part is essayed by Sean Young. A dash of Body Heat is thrown in the pot as Assante's wife Kate Nelligan plots her hubby's demise. Tony Randall has a bit as a judge, while the film's semi-mocking jazz score is provided by Clarence Clemmons -- who shows up on screen to toot his sax at various crucial plot junctures. ~ Hal Erickson, All Movie Guide

A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, All Movie Guide

The TV prints of this entertaining melange whittled down the film's original self-serving title (Motown king Berry Gordy was the producer), and settled on merely The Last Dragon. Taimak stars as an African American martial-arts whiz, so devoted to his hobby that he dresses and behaves in what he thinks is true Chinese fashion. Taimak falls in love with sexy veejay Vanity. Gangsters intrude on both their lives when crook Julius J. Carry III tries to promote his talentless protegee into rock stardom. ~ Hal Erickson, All Movie Guide

John Travolta graduated from minor celebrity to superstar with Saturday Night Fever. Travolta plays Tony Manero, a Brooklyn paint-store clerk who'd give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he's a king. As the soundtrack plays one Bee Gees hit after another (including "Stayin' Alive"), we watch white-suited Tony strut his stuff amidst flashing lights and sweaty, undulating bodies. Tony's class aspirations are mirrored in his relationship with his dance partner, Stephanie (Karen Lynn Gorney), a secretary eager to move into the glamorous world of Manhattan. Saturday Night Fever's huge success grew meteorically thanks to the towering popularity of its soundtrack; during the first half of 1978, when the movie's disco songs saturated the singles charts up to four at a time, it was no longer clear whether the hit movie was feeding the hit songs or the hit songs were feeding the hit movie. This crossover between music and movies set the pace for many movies to come, as it also marked the rise and fall of 1970s disco culture. Two versions of this film exist: the original R-rated version and a PG version, edited down to more "family-friendly" fare and fed to the public with the tagline, "Because we want everyone to see John Travolta's performance." ~ Hal Erickson, All Movie Guide

An uncommonly lavish roast beef dinner proves disastrous when the entire Evans household comes down with food poisoning. An outraged Florida (Esther Rolle) gathers her neighbors together and organizes a boycott of the market that sold her the tainted food. As a result, Florida lands in jail for the first time in her life. ~ Hal Erickson, All Movie Guide