Elizabeth Wilson Movies

In this made-for-television movie, the stability of an extended family is threatened by divorce. ~ John Bush, All Movie Guide

Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, All Movie Guide

Despite the stone-wall attitude of everyone around her, Victoria is still determined to learn her true identity. She is joined in this effort by her new ally, Caroline. It soon develops that Caroline's mother, Elizabeth, has been lying about the circumstances of Victoria's arrival at Collinwood. This episode first aired on July 6, 1966. ~ Hal Erickson, All Movie Guide

When first released as Grace Quigley, this odd little black comedy proved too fey and quirky even for the most devoted fans of Katharine Hepburn. The star plays the title character, an old, worn-out woman with nothing to live for. Accordingly, she hires professional assassin Seymour Flint (Nick Nolte) to kill her, albeit gently. As she ponders the prospect of a peaceful death as opposed to a miserable life, Grace convinces Seymour to murder not only herself, but all other poor souls who have grown tired of life. As it turns out, there are several people who'd be willing to pay for this "courtesy," and soon Grace and Seymour, together with his ditsy girlfriend Muriel (Kit Le Fever), are conducting a land-office business! Entered into competition at the 1984 Cannes Film Festival, Grace Quigley made no impression whatsoever. Screenwriter A. Martin Zweibeck withdrew the film, recut it to his satisfaction, and reissued it as The Ultimate Solution of Grace Quigley. Though this version was a marked improvement over the original, the film was still not quite the Harold and Maude-like "cult favorite" that everyone hoped it would be. ~ Hal Erickson, All Movie Guide

The full title of this made-for-TV film was In the Best of Families: Pride and Madness. Based on a true story, the film details the bitter divorce between overly idealistic Keith Carradine and emotionally disturbed Kelly McGillis. Caught in the middle are the couple's sons, played by Erik Von Detten and Ira David Wood Jr. The crisis erupts into violence, resulting in a triple homicide. Roundly criticized for its lurid and sensationalistic aspects, In the Best of Families was originally telecast in two parts on January 16 and 18, 1994. ~ Hal Erickson, All Movie Guide

Jenny (Marlo Thomas) is a single expectant mother who receives an offer of marriage from Delano (Alan Alda). He wants to avoid the military draft and agrees to marry Jenny despite the fact he is not the child's father, proposing for strictly practical reasons: the baby will have a name and he will escape the draft. Their scheme does not work out quite the way they had hoped, however. Problems arise when Jenny adds romance and love as an afterthought to the arrangement, and while she goes ahead and has the baby, Delano is not spared from his military obligations. As she cares for her newborn in the maternity ward, Delano sits silently and ponders his uncertain future in this routine melodrama. Vincent Gardenia plays Jenny's father, an eccentric collector of antique dentures. ~ Dan Pavlides, All Movie Guide

Man on a Swing, purportedly based on a true case, is a puzzling crime thriller concerning a clairvoyant who helps find a murderer. After a murder is committed, supposed clairvoyant Franklin Wills goes to police Chief Lee Tucker (Cliff Robertson) and gives him details of the crime that he has seen in visions. The details are startlingly correct and could only have been known to the killer. Tucker, not convinced that Wills is indeed clairvoyant, begins to suspect him of the murder. Man on a Swing, directed by Frank Perry, over-complicates its central theme, distracting the viewer from the film's strong central theme, the ambiguity of Wills. Joel Grey gives an outstanding, scene-stealing performance in that role, giving Wills both menace and a surprising vulnerability. Cliff Robertson is far-less successful in his portrayal of the no-nonsense police chief. The film's ambiguous ending should increase the suspense of the film but instead further confuses the viewer. However, because of the superb performance of Grey, Man on a Swing is worth a view. ~ Linda Rasmussen, All Movie Guide

Rob Reiner coproduced, cowrote and costarred in this TV-movie about suburban "angst" in the 1980s. Reiner is one of four wealthy Long Islanders who play for an amateur softball team. All four men (Reiner, Bruno Kirby, Robert Costanzo and Christopher Guest) suffer from profound personal and professional problems, thus the weekly ball game becomes a method of working out their frustrations. So adept do they become at this cathartic activity that their team makes it to the state-wide championship--which leads to yet another crisis. Million Dollar Infield was the first of several "behind the scenes" projects for onetime TV sitcom star Rob Reiner; more recently, Reiner has been responsible for such moneymaking theatrical films as This is Spinal Tap, Misery and A Few Good Men. ~ Hal Erickson, All Movie Guide

Judy Bernly (Jane Fonda), a housewife whose husband has left her for his secretary, begins her own secretarial career at a huge corporation. Violet Newstead (Lily Tomlin), a feisty, veteran office manager, instructs her on the perils and procedures of office life -- and of working for Franklin Hart Jr. (Dabney Coleman), their chauvinistic, sleazy boss, and his right-hand woman, the crisp, nosy Roz (Elizabeth Wilson). Meanwhile, Hart's endless attempts to seduce his happily married secretary, Doralee Rhodes (Dolly Parton), lead the entire office to think she's a trollop. When Hart unfairly passes Violet over for a promotion, she drowns her sorrows at a local bar with Judy and Doralee, who regales the others with tales of Hart's epic advances. Later, at Doralee's house, the women smoke pot, eat barbecue, and concoct hilarious revenge fantasies -- a rodeo hog-tie, a Wild West shootout, and a gothic Snow White scenario -- about killing their boss. When a mix-up leads the women to think they have accidentally poisoned Hart's coffee, they hatch a scheme to protect themselves by stealing Hart's body from the morgue. When he turns up alive, never having drunk the coffee, they must kidnap him to prevent him from blackmailing them or calling the police. The women then use the occasion of their boss' absence to effect some changes around the office. ~ Brian J. Dillard, All Movie Guide

In this family drama, a man whose wife has just left him is faced with caring for his children by himself. ~ Sandra Brennan, All Movie Guide

One of the biggest box-office attractions of the 1950s, Picnic was adapted by Daniel Taradash from the Pulitzer Prize-winning William Inge play. William Holden plays Hal Carter, a handsome drifter who ambles into a small Kansas town during the Labor Day celebration to look up old college chum Alan (Cliff Robertson, in his film debut). Hoping to hit up Alan for a job--or a handout--Hal ends up stealing his buddy's fiancee Madge Owens (Kim Novak). Hal also has a catnip effect on spinster schoolteacher Rosemary Sydney (Rosalind Russell), so much so that Rosemary makes a fool of herself in front of the whole town, nearly driving away her longtime beau Howard Bevans (Arthur O'Connell). Persuaded by his friends and family that Hal is no damn good, Madge is prepared to break off her relationship. As anyone who remembers the film's famous overhead closing shot knows, however, Madge is ultimately ruled by her heart and not her head. For a film set in Kansas, there's an awful lot of New York talent in the supporting cast (Susan Strasberg and Phyllis Newman come immediately to mind); still, the Midwestern ambience comes through loud and clear, especially during the perceptively detailed Labor Day picnic sequence. Broadening the film's appeal is its George Duning-Steve Allen title song, a variation of the old standard "Moonglow". Two sidebars: The original Broadway production of Picnic starred Ralph Meeker and Paul Newman; for the film version of Picnic, William Holden was obliged to shave his chest, lest his hairy torso cause the female moviegoers to conjure up impure thoughts. ~ Hal Erickson, All Movie Guide