Elizabeth Wilson Movies
Trained at the Neighborhood Playhouse, Elizabeth Wilson made her first Broadway appearance as Christine Schoenwalder in the original 1953 production of William Inge's Picnic. Christine Schoenwalder served as Wilson's entree into films when Picnic was transferred to the Big Screen in 1956. She continued racking up such impressive Broadway credits as Desk Set and The Tunnel of Love throughout the fifties. During the next two decades, Wilson found her particular niche in uptight maternal roles, notably such characters as Marjorie Newquist in the stage and screen versions of Jules Feiffer's Little Murders and Harriet in Joseph Papp's production of Stick and Bones, which earned her an Emmy. She was a favorite of director Mike Nichols, who cast her in The Graduate (1967, as Benjamin Braddock's mother), Catch 22 (1970) and Day of the Dolphin (1973). On television, Elizabeth Wilson has had regular roles in such series as East Side/West Side (1963) Dark Shadows (1966-71, as Mrs. Hopewell) and Doc (1975). ~ Hal Erickson, All Movie Guide
One of the biggest box-office attractions of the 1950s, Picnic was adapted by Daniel Taradash from the Pulitzer Prize-winning William Inge play. William Holden plays Hal Carter, a handsome drifter who ambles into a small Kansas town during the Labor Day celebration to look up old college chum Alan (Cliff Robertson, in his film debut). Hoping to hit up Alan for a job--or a handout--Hal ends up stealing his buddy's fiancee Madge Owens (Kim Novak). Hal also has a catnip effect on spinster schoolteacher Rosemary Sydney (Rosalind Russell), so much so that Rosemary makes a fool of herself in front of the whole town, nearly driving away her longtime beau Howard Bevans (Arthur O'Connell). Persuaded by his friends and family that Hal is no damn good, Madge is prepared to break off her relationship. As anyone who remembers the film's famous overhead closing shot knows, however, Madge is ultimately ruled by her heart and not her head. For a film set in Kansas, there's an awful lot of New York talent in the supporting cast (Susan Strasberg and Phyllis Newman come immediately to mind); still, the Midwestern ambience comes through loud and clear, especially during the perceptively detailed Labor Day picnic sequence. Broadening the film's appeal is its George Duning-Steve Allen title song, a variation of the old standard "Moonglow". Two sidebars: The original Broadway production of Picnic starred Ralph Meeker and Paul Newman; for the film version of Picnic, William Holden was obliged to shave his chest, lest his hairy torso cause the female moviegoers to conjure up impure thoughts. ~ Hal Erickson, All Movie Guide
- Starring:
- William Holden, Rosalind Russell, (more)
Rod Serling's incisive "gray flannel suit" TV drama created such a sensation when Kraft Television Theatre first aired it live on January 11, 1955 that, in an unprecedented move, it was repeated four weeks later, on February 9, again live. Richard Kiley starred as Fred Staples, a bright young man from Cincinnati brought into the executive pool at a top New York firm by ruthless CEO Ramsey (Everett Sloane). Staples doesn't know it at first, but he was recruited as the potential replacement for Andy Sloane (Ed Begley), an ailing exec whom Ramsey is easing out in a most unsubtle fashion. Staples takes a liking to Sloane and despises Ramsey's tactics; the question is: does he despise them enough to throw away the biggest opportunity in his life? Director Fielder Cook, who helmed both TV versions of Patterns, also did the same for the 1956 film version. While Everett Sloane and Ed Begley were carried over from TV, the more "bankable" Van Heflin replaced Kiley as Staples. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Heflin, Ed Begley, Sr., (more)
- 1958
In her second film for Universal-International, Esther Williams stars as Laura, a high-priced fashion model. While working in Rome, Laura succumbs to the charms of international playboy Wally (Carlos Thompson), agreeing to join him on a chartered plane flight across the Mediterranean. When the plane crashes, Laura and Wally are rescued by mysterious loner Moore (Jeff Chandler). Chafing at the thought of remaining on Moore's sparsely populated island, Wally finds the wreckage of a yacht. While he repairs the vessel in hopes of returning to the mainland, Laura and Moore draw ever closer, leading to a potentially explosive situation. Is it just imagination, or does Carlos Thompson sound as though his voice has been dubbed by Paul Frees? ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Jeff Chandler, (more)
- 1958
Screenplay writer Paddy Chayefsky, and indeed everyone involved with the film, insisted that The Goddess wasn't really all about Marilyn Monroe. Nawww. Kim Stanley plays a neglected young woman living in poverty who aspires to be a movie star. She gets a few roles here and there on looks alone. She marries a washed-up athlete (Lloyd Bridges) who becomes fiercely jealous of her sex appeal. She sleeps her way to the top, then finds that her success is hollow. Regarded in many circles as the pinnacle of dramatic art in 1958, The Goddess is more likely to invoke howls of laughter from today's in-the-know audiences. The most famous bit: Patty Duke, playing Kim Stanley as a child, telling her pet cat that she got promoted in school. ~ Hal Erickson, All Movie Guide
- Starring:
- Kim Stanley, Lloyd Bridges, (more)
- 1958
Though very tame by contemporary standards, Tunnel of Love was considered the last word in racy comedy back in 1958. Adapted from the Broadway hit by Peter DeVries and Joseph Fields, the film stars Doris Day and Richard Widmark as suburbanites Isolde and Augie Poole. Isolde and Augie desperately want a child, but for diverse reasons have never been able to conceive. They decide to adopt a child, prompting a visit to the Poole home by pretty adoption-agency officer Estelle Novick (Gia Scala). Through a series of misundertandings, Estelle decides that Augie isn't a likely candidate for fatherhood, a notion he tries to dispell by taking her out to dinner. One thing leads to another, and the next morning Augie wakes up in a strange motel room with a monstrous hangover. Months later, Estelle pays a visit to Augie, informing him that she's pregnant and in dire need of a great deal of money. Certain that he's the father, Augie goes to great lengths to hide his "indiscretion" from his wife. But Isolde begins to suspect that something is amiss when the adoption agency shows up with a baby that looks disturbingly like her husband. Nothing is quite what it seems, of course, but neither the characters nor the audience find this out til the very end. As comic contrast to the childless Pooles, Elizabeth Fraser co-stars as the couple's eternally pregant next-door-neighbor Alice Pepper, whose husband Dick (Gig Young) looks appropriately worn out. Tunnel of Love was Gene Kelly's first directorial assignment on a film in which he himself didn't appear. (As a footnote, it's worth noting that during the original Broadway run of Tunnel of Love, Augie Poole was briefly portrayed by Johnny Carson). ~ Hal Erickson, All Movie Guide
- Starring:
- Doris Day, Richard Widmark, (more)
With dialogue ranging from flat to offensive and acting in the same range, this low-brow erotic crime drama by director Terence Young stars Jayne Mansfield as Midnight Franklin, a star stripper in a Soho club that is in serious rivalry with another strip joint. A reporter gets involved in the strip scene while writing a story on the clubs, and in the end he has quite a lot to write about. The competition between the two clubs heats up, and after one of the owners is the unknowing instrument in the death of a young (illegally young) stripper, both rival clubs head for a crash. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Jayne Mansfield, Leo Genn, (more)
- 1959
In this comedy, a married couple is deeply embarrassed when their daughter reveals her father's indiscretions on a national TV show for children. It is doubly embarrassing when it is revealed that none of the allegations are true. It seems the child overheard a slightly inebriated conversation during her parent's thirteenth wedding anniversary in which the father disclosed that he and his wife had slept together before their marriage. This leads the daughter to believe that they are about to be divorced. Fortunately, the whole mess is straightened out in the end, and peace is restored. ~ Sandra Brennan, All Movie Guide
- Starring:
- David Niven, Mitzi Gaynor, (more)
- 1963
Produced by Stanley Kramer, A Child is Waiting is set in an institution for the mentally handicapped, with many actual residents playing supporting and bit roles. Doctor Burt Lancaster and instructor Judy Garland often find themselves at odds over teaching methods, with Garland preferring an intense one-on-one approach with her students. Bruce Ritchey, a non-developmentally challenged youth, plays the retarded son of Gena Rowlands and Steven Hill, whose intellectual and social progress becomes the focal point of the film. The most uplifting sequence in A Child is Waiting takes place during a play staged by the genuinely handicapped children for their parents; while director John Cassavetes gilds the lily with close-ups of the teary-eyed audience, the kids themselves are earnest, engaging, and totally devoid of self-pity. According to Stanley Kramer, Judy Garland left her best work in this film on the cutting room floor; whenever completing a scene in which she'd exercised professional restraint, she'd insist upon a retake, then resort to the sobbing and breast-beating that her fans had come to expect. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Lancaster, Judy Garland, (more)
The story begins as an innocuous romantic triangle involving wealthy, spoiled Melanie Daniels (Tippi Hedren), handsome Mitch Brenner (Rod Taylor), and schoolteacher Annie Hayworth (Suzanne Pleshette). The human story begins in a San Francisco pet shop and culminates at the home of Mitch's mother (Jessica Tandy) at Bodega Bay, where the characters' sense of security is slowly eroded by the curious behavior of the birds in the area. At first, it's no more than a sea gull swooping down and pecking at Melanie's head. Things take a truly ugly turn when hundreds of birds converge on a children's party. There is never an explanation as to why the birds have run amok, but once the onslaught begins, there's virtually no letup. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Taylor, Tippi Hedren, (more)
Matt Weaver (George Segal) returns home after fighting for the South in the Civil War to his home in the New Mexico territory. He discovers that in his absence his ancestral house and land have been sold by Sam Brewster (Pat Hingle), an unscrupulous land developer. Matt tries to kill Sam, but when the attempt fails, Matt barricades himself in the place he once called home. Sam sends for the colorful hired gun Jules Gaspard D'Estaing (Yul Brynner), a well-educated dandy whose mother was a black slave and father was a Creole. Jules is as adept with card and piano playing as he is with a six gun. When Jules gets drunk and tears up the town, Sam tries to make a truce with Matt to get rid of the deadly drifter. Janice Rule also appears, along with Bert Freed in his familiar role as the local sheriff. ~ Dan Pavlides, All Movie Guide
- Starring:
- Yul Brynner, Janice Rule, (more)
- 1966
Despite the stone-wall attitude of everyone around her, Victoria is still determined to learn her true identity. She is joined in this effort by her new ally, Caroline. It soon develops that Caroline's mother, Elizabeth, has been lying about the circumstances of Victoria's arrival at Collinwood. This episode first aired on July 6, 1966. ~ Hal Erickson, All Movie Guide
- 1966
Victoria Winters, a young woman in search of her past, arrives in the New England town of Collinsport. She has received an offer to be governess to David Collins, son of Roger Collins, mysterious master of Collinwood, who doesn't welcome the girl's arrival. En route, Victoria makes the acquaintance of the sinister-looking Burke Devlin and nervous young waitress Maggie Evans. This first episode of the "gothic" daytime drama Dark Shadows originally aired on June 27, 1966. ~ Hal Erickson, All Movie Guide
"Just one word: plastic." "Are you here for an affair?" These lines and others became cultural touchstones, as 1960s youth rebellion seeped into the California upper middle-class in Mike Nichols' landmark hit. Mentally adrift the summer after graduating from college, suburbanite Benjamin Braddock (Dustin Hoffman) would rather float in his parents' pool than follow adult advice about his future. But the exhortation of family friend Mr. Robinson (Murray Hamilton) to seize every possible opportunity inspires Ben to accept an offer of sex from icily feline Mrs. Robinson (Anne Bancroft). The affair and the pool are all well and good until Ben is pushed to go out with the Robinsons' daughter Elaine (Katharine Ross) and he falls in love with her. Mrs. Robinson sabotages the relationship and an understandably disgusted Elaine runs back to college. Determined not to let Elaine get away, Ben follows her to school and then disrupts her family-sanctioned wedding. None too happy about her pre-determined destiny, Elaine flees with Ben -- but to what? Directing his second feature film after Who's Afraid of Virginia Woolf?, Nichols matched the story's satire of suffocating middle-class shallowness with an anti-Hollywood style influenced by the then-voguish French New Wave. Using odd angles, jittery editing, and evocative widescreen photography, Nichols welded a hip New Wave style and a generation-gap theme to a fairly traditional screwball comedy script by Buck Henry and Calder Willingham from Charles Webb's novel. Adding to the European art film sensibility, the movie offers an unsettling and ambiguous ending with no firm closure. And rather than Robert Redford, Nichols opted for a less glamorous unknown for the pivotal role of Ben, turning Hoffman into a star and opening the door for unconventional leading men throughout the 1970s. With a pop-song score written by Paul Simon and performed by Simon & Garfunkel bolstering its contemporary appeal, The Graduate opened to rave reviews in December 1967 and surpassed all commercial expectations. It became the top-grossing film of 1968 and was nominated for seven Oscars, including Best Picture, Actor, and Actress, with Nichols winning Best Director. Together with Bonnie and Clyde, it stands as one of the most influential films of the late '60s, as its mordant dissection of the generation gap helped lead the way to the youth-oriented Hollywood artistic "renaissance" of the early '70s. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Dustin Hoffman, Anne Bancroft, (more)
- 1967
Expanded from a two-character play by Murray Schisgal, this comedy stars Eli Wallach as Ben Harris, a disgruntled New York City mail carrier. Harris is fed up with being cheated by his landlords, the Kellys (Roland Wood and Ruth White), so he terrorizes them and the city's housing authority until they agree to give him a new apartment. Not satisfied, Harris "goes postal" by kidnapping a bored suburban housewife, Gloria Fiske (Anne Jackson) and taking her back to his apartment. To his surprise, he finds that Gloria also hates the world, and they become fast friends. He eventually lets her go but follows her home. When he tries to climb into her window, her husband Jerry (Bob Dishe) chases him away. Harris returns to his apartment building, where the Kellys invite him in to watch TV, and somehow this soothes his wrath. Dustin Hoffman has a small role as a hippie named Hap. ~ Michael Betzold, All Movie Guide
- Starring:
- Eli Wallach, Anne Jackson, (more)
- 1969
- PG
Jenny (Marlo Thomas) is a single expectant mother who receives an offer of marriage from Delano (Alan Alda). He wants to avoid the military draft and agrees to marry Jenny despite the fact he is not the child's father, proposing for strictly practical reasons: the baby will have a name and he will escape the draft. Their scheme does not work out quite the way they had hoped, however. Problems arise when Jenny adds romance and love as an afterthought to the arrangement, and while she goes ahead and has the baby, Delano is not spared from his military obligations. As she cares for her newborn in the maternity ward, Delano sits silently and ponders his uncertain future in this routine melodrama. Vincent Gardenia plays Jenny's father, an eccentric collector of antique dentures. ~ Dan Pavlides, All Movie Guide
- Starring:
- Marlo Thomas, Alan Alda, (more)
Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Alan Arkin, Martin Balsam, (more)
Actor Alan Arkin has an impressive film directorial debut with Little Murders, Jules Feiffer's bitter and moving satire (originally produced as an off-Broadway play). Elliot Gould (who also co-produced the film) plays Alfred Chamberlain -- a one time successful photographer who is now down on his luck because he began to eliminate people from his photographs. He also suffers from an inability to feel or to be passionate about anything. But then Alfred meets Patsy Newqvist (Marcia Rodd), who takes it upon herself to mold Alfred into "a strong, vital, self-assured man, that I can protect and take care of." As their relationship develops and Patsy takes Alfred to meet her parents, they suddenly bang up against the brick wall of urban violence and insensitivity. In this world of senseless killings and madness, Alfred realizes that the only way to get back into the world is to become as insane as everyone else. ~ Paul Brenner, All Movie Guide
- Starring:
- Elliott Gould, Marcia Rodd, (more)
Director Mike Nichols and screenwriter Buck Henry team up again (after collaborating on The Graduate and Catch-22) for this adaptation of Robert Merle's best-selling adventure novel concerning dolphins who become pawns in a plot to kill the president. George C. Scott plays Dr. Jake Terrell, a researcher who, along with his wife Maggie (Trish Van Devere), is investigating dolphin intelligence, believing they have the capability of speech. Harold DeMilo (Fritz Weaver), in charge of a major corporation, sponsors their work. But undercover work by government agent Curtis Mahoney (Paul Sorvino) reveals that DeMilo is working with a right-wing group planning to kidnap the dolphins and use them to blow up the presidential yacht. Jake and Maggie have to race against time to save both their dolphins and the president. ~ Paul Brenner, All Movie Guide
- Starring:
- George C. Scott, Trish VanDevere, (more)
- 1974
Its title inspired by the famous Robert Frost poem "Stopping By a Woods on a Snowy Evening," Miles to Go Before I Sleep stars Martin Balsam and MacKenzie Phillips. Balsam plays a lonely senior citizen, seeking a means of keeping busy in a world that has shut him out. He takes a part-time job at a youth rehabilitation center, where he meets incorrigible delinquent Phillips. Tentatively reaching out to one another, the two lost souls both find a reason for living. Miles to Go Before I Sleep was first telecast as a 90-minute GE Theater special on January 8, 1975. ~ Hal Erickson, All Movie Guide
A lesser but still entertaining Neil Simon work, The Prisoner of Second Avenue was adapted to film in 1974. Jack Lemmon takes over the role played on Broadway by Peter Falk: Mel is a New York-based advertising man who goes through hell when he loses his job. The gods seem to conspire against him as he tries to cope with his unemployed status; he is particularly depressed over the fact that he must now subsist on the income of his wife (Anne Bancroft). There are laughs in The Prisoner of Second Avenue, but it's the laughter of desperation and despair; it might not be advisable to watch this film after a bad day at the office. Watch for Sylvester Stallone as the "human punch line" of an old urban legend about a pickpocket. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Lemmon, Anne Bancroft, (more)
- 1974
Man on a Swing, purportedly based on a true case, is a puzzling crime thriller concerning a clairvoyant who helps find a murderer. After a murder is committed, supposed clairvoyant Franklin Wills goes to police Chief Lee Tucker (Cliff Robertson) and gives him details of the crime that he has seen in visions. The details are startlingly correct and could only have been known to the killer. Tucker, not convinced that Wills is indeed clairvoyant, begins to suspect him of the murder. Man on a Swing, directed by Frank Perry, over-complicates its central theme, distracting the viewer from the film's strong central theme, the ambiguity of Wills. Joel Grey gives an outstanding, scene-stealing performance in that role, giving Wills both menace and a surprising vulnerability. Cliff Robertson is far-less successful in his portrayal of the no-nonsense police chief. The film's ambiguous ending should increase the suspense of the film but instead further confuses the viewer. However, because of the superb performance of Grey, Man on a Swing is worth a view. ~ Linda Rasmussen, All Movie Guide
- 1975
- R
Lynn Redgrave stars as New York madam Xaviera Hollander in this romp based on Hollander's rise to the top of the sex-for-hire industry. ~ Jason Ankeny, All Movie Guide
- Starring:
- Lynn Redgrave, Jean-Pierre Aumont, (more)
- 1975
Much to Archie's dismay, Edith has always regarded the union of her cousin Amelia and wealthy Russell DeKuyper as the "perfect marriage." Thus it is no small shock to Edith when, while visiting the Bunkers, Amelia blithely announces that she and Russell are splitting up. Elizabeth Wilson and George S. Irving are cast as Amelia and Russell, roles originated by Rae Allen and Richard Dysart in the 1972 episode "Edith Gets a Mink." Written by Lou Derman and Bill Davenport, "Amelia's Divorce" first aired on January 25, 1975. ~ Hal Erickson, All Movie Guide
- Starring:
- Carroll O'Connor, Jean Stapleton, (more)
