Foy Willing Movies

Yet another Roy Rogers Western whose title refers to a song, In Old Amarillo actually takes place in and around Amarillo of 1951. Fired by cattleman George Hills (Minor Watson), foreman Clint Burnside (Roy Barcroft) plans to avenge himself by ruining Hills' wastrel son, Philip (Ken Howell). Along with local saloon owner Mike Carver (William Holmes), Burnside is also attempting to buy up all the area's ranches during a prolonged drought. When Roy Rogers, Hills' new foreman, suggests that the ranchers come together and use modern rainmaking equipment, including airplanes armed with dry ice, Burnside and Carver lure Philip into committing a bit of sabotage. At first Roy accuses the young man of shooting down the rainmaking aircraft but then discovers that he was forced to pilot the attacking plane by Burnside, the real killer, who is himself killed in a climactic fistfight. ~ Hans J. Wollstein, All Movie Guide

MGM's new musical screen team of Esther Williams and Howard Keel were given plenty to do in the pleasant if unambitious songfest Texas Carnival. Williams plays Debbie Telford, one-half of a carnival performing team. The other half is Corny Quinnell (Red Skelton), who breaks up the act when he is mistaken for Texas millionaire Dan Sabinas (Keenan Wynn). Living high on the hog in Sabinas' absence, Corny manages to smooth the romantic path for Debbie and ranch foreman Slim Shelby (Keel), while he dallies with the luscious Sunshine Jackson (Ann Miller). Red Skelton is given more opportunity to shine than usual, especially during a riotous poker game (this scene was a particular favorite of screenwriter Dorothy Kingsley, who felt it could have been even funnier had director Charles Walters "punched it up" cinematically). Esther Williams' particular highlight is a swimming sequence in a waterless hotel room, a bit of special-effects wizardry that only the MGM tech staff could have dreamed up. ~ Hal Erickson, All Movie Guide

Roy Rogers goes "PC" in North of the Great Divide. In this one, Roy champions the cause of the Oseka Indians, whose supply of salmon has been cut off. The perpetrator is fish-cannery owner Banning (Roy Barcroft), who has been hogging the salmon for his own business. Not only that, Banning contrives to frame the Oseka chief for murder. No matter how many obstacles are thrown in the good guys' path, Roy Rogers still finds time to sing three tunes with Foy Willing and the Riders of the Purple Sage. The pro-conservation, pro-Native American stance of North of the Great Divide makes this one of the most prescient of Roy Rogers' feature films. ~ Hal Erickson, All Movie Guide

Sunset in the West finds Roy Rogers playing a deputy sheriff in a wide-open town. Roy must contend with a vicious gun-smuggling ring, this time aided and abetted by a bloodhound (not Rogers' "wonder dog" Bullet). The climax, set aboard a moving freight-car festooned with cases of live ammunitions, is one of the more exciting in the entire Rogers canon. Though Penny Edwards plays the nominal heroine, Estelita Rodriguez dominates the proceedings as a peppery South American songstress. Also contributing to the musical portion of the program are Foy Willing and the Riders of the Purple Sage. ~ Hal Erickson, All Movie Guide

Part of the Roy Rogers series, this film focuses on Roy Roger's horse, Trigger, and his infatuation with a handsome palomino mare. When Trigger discovers the mare being beaten by her lowlife owner, he kills him, leaving Rogers to take the blame. However, it seems that Trigger's new girlfriend might be unwittingly involved in some underhanded activity. ~ Iotis Erlewine, All Movie Guide

In Roy Rogers' Down Dakota Way, the deadly hoof-and-mouth disease has struck the herd owned by evil rancher H. T. McKenzie (Roy Barcroft). To avoid an expensive quarantine on his stock, McKenzie plans to murder the local veterinarian (Emmet Vogan) before the latter can report his findings to the government. Rogers manages to straighten out the situation by appealing to the sensibilities of the aunt (Elizabeth Risdon) of McKenzie's hotheaded hired assassin (Byron Barr). The film also bears several musical numbers from Roy, Dale Evans, and Foy Willing and the Riders of the Purple Sage. ~ Hal Erickson, All Movie Guide

Released in Republic Pictures' low-budget Trucolor and filmed at the majestic location of the title, Grand Canyon Trail stars Roy Rogers is a rancher going up against a crooked mining engineer played by fellow Western star Robert Livingston. The latter, Bill Regan, has conned eastern silver magnate J. Malcolm Vanderpool (Charles Coleman) into believing that his Sintown mine is worthless. But Vanderpool's pretty secretary, Carol Martin (Jane Frazee), is suspicious and travels to the ghost town masquerading as the boss' daughter. Rancher Rogers and his hired hands -- Foy Willing & the Riders of the Purple Sage in their first Rogers Western -- have all invested in the mine, courtesy of hayseed blacksmith "Cookie" Bullfincher (Andy Devine), and are doing a bit of digging themselves. The only person with knowledge of the location of the mine, elderly stage driver Ed Carruthers (Emmett Lynn), is kidnapped by the gang and later murdered. Carol, whom Roy accuses of being in cahoots with the villains, is kept captive in a cabin during a rainstorm and when Mike Delsing (Ken Terrell), one of Regan's men, turns up, she mistakenly believes he has come to rescue her and hits Roy over the head with a vase. Realizing her error, Carol later aids Roy and the Riders capture the gang and their leader, Regan, whom she dispatches with a well-appointed rock. In between the action, Roy and the Riders perform "Everything's Going My Way," by Foy Willing and "Grand Canyon Trail" and "Colorado Joe" by Jack Elliott. ~ Hans J. Wollstein, All Movie Guide

The tragic death from a heart attack of veteran supporting player LeRoy Mason marred the filming of this, Monte Hale's first music western of 1948. Returning to the town of Gunnison to investigate the murder of his uncle, Hale is mistaken for a notorious outlaw (Daniel M. Sheridan) and hired as the town's new sheriff by crooked mayor Douglas Evans. Assigned to run the local gold miners off their claims, Hale and sidekick Paul Hurst instead work to trap the real culprits, nasty Tristram Coffin and his gang of cutthroats. Coffin, who also appears disguised as a dimwitted Indian, was in many ways LeRoy Mason's replacement as Republic Pictures' resident Mustachioed Boss Villain. Filmed in the studio's low-budget color system, Trucolor, California Firebrand once again teamed Hale with the singing group Foy Willing & the Riders of the Purple Sage, this time featuring girl singer Alice Tyrrell. According to an unsubstantiated claim, Forrest Tucker dubbed the voice of supporting actor Daniel M. Sheridan. ~ Hans J. Wollstein, All Movie Guide

Republic Pictures trotted out some of their popular Western stars -- including Roy Rogers, Dale Evans, Trigger, Allan Lane and Don "Red" Barry -- for this backstage musical starring the company's newest singing cowboy, Monte Hale. To top it all off, the studio "inaugurated" Trucolor, which, in reality, was the old Magnacolor system under a more enticing name. Hale played himself, a cowboy seeking employment with "Globe Pictures" along with such other newcomers as little Bobby Blake (later Robert Blake) and his dancing horse Pardner. Monte and the horse are hired to appear in the newest Rod Mason (John Dehner) Western extravaganza, but the self-important Mason grows increasingly jealous of Monte's success and engages in a bit of sabotage. Pardner is slightly injured as a result, and although he is wanted for a series of his own, Monte takes time out to heal the animal's wounds. Mason immediately accuses his rival of not only kidnapping the horse but mistreating him as well. Assisted by Foy Willing and the Riders of the Purple Sage, Monte eventually forces Rod and his henchman Ace (Fred Graham) to admit their culpability in Pardner's injuries, doing so the oldfashioned way -- by brute force. In addition to offering an enticing glimpse behind the scenes at Republic Pictures in its heyday, Out California Way also included such songs as Boogie Woogie Cowboy, Rose of Santa Fe, Little Bronc of Mine, and the title tune. Columnist and occasional screenwriter Jimmy Starr appeared briefly as himself. ~ Hans J. Wollstein, All Movie Guide

This western features a singing cowboy, a brave hero, and a bumbling sidekick who band together to defeat a ruthless range boss. ~ Sandra Brennan, All Movie Guide