Fred Williamson Movies
After excelling in football and track Northwestern University, African-American film star Fred Williamson was drafted by the San Francisco 49ers. He later played for Pittsburgh, Oakland and Kansas City, bringing attention to himself in the latter city by wearing a custom-tailored uniform and white shoes, and developing a karate-based offensive move which he called "The Hammer." In 1969, Williamson moved into acting, playing important roles in the original M*A*S*H (1970) and Otto Preminger's Tell Me That You Love Me, Junie Moon (1970); he also appeared in the recurring part of Diahann Carroll's macho boyfriend on the TV series Julia (1969-71). One of Hollywood's major black stars of the 1970s, Fred Williamson starred in such actioners as The Legend of Nigger Charley (1972), Hell Up in Harlem (1973), Take a Hard Ride (1975) and The Bronx Warriors (1983); in addition, Williamson produced, directed and wrote many of his vehicles. ~ Hal Erickson, All Movie Guide
This Spanish language film is set in the mean and dirty streets of New York. ~ All Movie Guide
- 1968
The title character in the episode is a well-trained but ill-tempered Alsatian, who is the only witness to the murder of a sweet old lady. It turns out that the victim was anything but a paragon of virtue--in fact, she may well have been an accomplished con artist. What Ironside (Raymond Burr) finds curious is the fact that the old lady was killed in a manner similar to several other recent murders...in which all the victims were elderly males. Former football pro and future movie action star Fred Williamson appears as a detective. ~ Hal Erickson, All Movie Guide
- 1969
The made-for-TV Deadlock stars Leslie Nielsen as Lt. Sam Danforth (since this is long before the Police Squad era, Nielsen plays it straight). The white Danforth finds himself at ideological loggerheads with black district attorney Leslie Washburn (Hari Rhodes). Racial tensions are escalated when a black ghetto kid is killed by a cop, and a white reporter covering the case also turns up dead. Future stars Fred Williamson and James McEachin show up in supporting roles. First telecast February 22, 1969, Deadlock served as the pilot episode for The Professionals, a single-season component of NBC's rotating series The Bold Ones. ~ Hal Erickson, All Movie Guide
- 1969
The Enterprise becomes involved in an important mining planet's class struggle in this installment of the enduringly popular science fiction series. Captain Kirk and Mr. Spock visit the planet Ardana on a routine mission to collect a shipment of an element known as zenite, when they are unexpectedly ambushed by several of the planet's miners, known as Troglytes. This attack awakens the Enterprise crew to the divided nature of Ardana's society, where the Troglytes toil and suffer in the zenite mines while the wealthy literally live in the clouds, making their home in a lavish floating city. When he discovers that the exploitation of the Troglytes is threatening their health and lives, an angered Kirk chooses to disrupt the planet's social order -- but will his interference create a more equal society or anarchy? ~ Judd Blaise, All Movie Guide
Although he was not the first choice to direct it, the hit black comedy MASH established Robert Altman as one of the leading figures of Hollywood's 1970s generation of innovative and irreverent young filmmakers. Scripted by Hollywood veteran Ring Lardner, Jr., this war comedy details the exploits of military doctors and nurses at a Mobile Army Surgical Hospital in the Korean War. Between exceptionally gory hospital shifts and countless rounds of martinis, wisecracking surgeons Hawkeye Pierce (Donald Sutherland) and Trapper John McIntyre (Elliott Gould) make it their business to undercut the smug, moralistic pretensions of Bible-thumper Maj. Frank Burns (Robert Duvall) and Army true-believer Maj. "Hot Lips" Houlihan (Sally Kellerman). Abetted by such other hedonists as Duke Forrest (Tom Skerritt) and Painless Pole (John Schuck), as well as such (relative) innocents as Radar O'Reilly (Gary Burghoff), Hawkeye and Trapper John drive Burns and Houlihan crazy while engaging in such additional blasphemies as taking a medical trip to Japan to play golf, staging a mock Last Supper to cure Painless's momentary erectile dysfunction, and using any means necessary to win an inter-MASH football game. MASH creates a casual, chaotic atmosphere emphasizing the constant noise and activity of a surgical unit near battle lines; it marked the beginning of Altman's sustained formal experiments with widescreen photography, zoom lenses, and overlapping sound and dialogue, further enhancing the atmosphere with the improvisational ensemble acting for which Altman's films quickly became known. Although the on-screen war was not Vietnam, MASH's satiric target was obvious in 1970, and Vietnam War-weary and counter-culturally hip audiences responded to Altman's nose-thumbing attitude towards all kinds of authority and embraced the film's frankly tasteless yet evocative humor and its anti-war, anti-Establishment, anti-religion stance. MASH became the third most popular film of 1970 after Love Story and Airport, and it was nominated for five Academy Awards, including Best Picture and Best Director. As further evidence of the changes in Hollywood's politics, blacklist survivor Lardner won the Oscar for his screenplay. MASH began Altman's systematic 1970s effort to revise classic Hollywood genres in light of contemporary American values, and it gave him the financial clout to make even more experimental and critical films like McCabe and Mrs. Miller (1971), California Split (1974), and Nashville (1975). It also inspired the long-running TV series starring Alan Alda as Hawkeye and Burghoff as Radar. With its formal and attitudinal impudence, and its great popularity, MASH was one more confirmation in 1970 that a Hollywood "New Wave" had arrived. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Elliott Gould, Donald Sutherland, (more)
- 1970
Upon completing Tell Me That You Love Me, Junie Moon, a tearful Liza Minnelli declared publicly that she would never, ever work with tyrannical director Otto Preminger again. Worse luck for her: Junie Moon contains what may well be Minnelli's best non-musical performance. Based on the novel by Marjorie Kellogg, the film surprisingly manages to evoke humor and pathos from some of the least promising material in movie history. Minnelli plays an emotionally imbalanced young girl whose face is horribly disfigured by her psycho boy friend Ben Piazza. Ken Howard is cast as an epileptic who has wrongly been diagnosed as mentally retarded. And Robert Moore (future director of such films as The Cheap Detective and Murder by Death) portrays a homosexual, confined to a wheelchair after a hunting accident. After meeting one another in a hospital, these three social outcasts decide to move in together, forming a united front against a cold, judgmental world. The devastating events that follow might have lapsed into the grotesque and exploitational, but director Preminger is extremely careful to depict his protagonists as three-dimensional human beings rather than "freaks." Unfortunately, some filmgoers, assuming that any film with a title like Tell Me That You Love Me, Junie Moon just had to be a campy laff riot, were turned off by the repellant aspects of the early scenes and refused to give the rest of this fascinating film a chance. ~ Hal Erickson, All Movie Guide
- Starring:
- Liza Minnelli, Ken Howard, (more)
- 1972
- PG
Set in the pre-Civil War South, this western adventure follows three escaped Virginia slaves on their journey into the West. The already arduous journey is made worse by the dogged bounty hunter who pursues them. Along the way the fugitive trio add others to their group, doing good wherever they go. A sequel The Soul of Nigger Charley followed this blaxploitation western. ~ Sandra Brennan, All Movie Guide
A man who fights his way to success learns the people who helped him may be his biggest enemies in this action drama. B.J. Hammer (Fred Williamson) is a dock worker who used to box in the Golden Gloves and still knows how to handle himself in a fight; when he gets into a brawl at work, he's seen in action by an associate of Davis (Bernie Hamilton), a flashy businessman who manages boxers. Davis thinks Hammer has potential, and offers him a contract. Soon Hammer is training with Professor (Mel Stewart, an experienced boxing coach, and begins romancing Lois (Vonetta McGee), one of Davis's secretaries. After easily winning several fights, Hammer's career is on the rise and he seems poised to become a championship contender. But Davis isn't just interested in boxing; he's an underworld kingpin who also traffics in drugs and prostitutes, and often uses washed-up fighters as pawns in his criminal games. Hammer soon learns just how Davis operates when his manager orders him to take a dive in an upcoming fight, and when Hammer refuses, both he and Lois could face deadly retribution. Also starring William Smith and D'Urville Martin, Hammer was a major box-office success that established Fred Williamson as one of the major stars of the 1970s blaxploitation boom; the film also included an original score from soul music legend Solomon Burke. ~ Mark Deming, All Movie Guide
This hastily assembled sequel to the blaxploitation hit Black Caesar downplays the gritty drama of that film to create a pure action tale with a comic book flavor. The story begins with badly wounded crimelord Tommy Gibbs (Fred Williamson) escaping an assassination attempt masterminded by corrupt District Attorney DiAngelo (Gerald Gordon) with the help of his estranged father, Papa Gibbs (Julius Harris). When DiAngelo's thugs attempt to kill him, Papa fights back and joins his son's criminal organization, a move that angers Gibb's top henchman Zach (Tony King). As Tommy and Papa build up their criminal empire, Zach secretly plots against them with DiAngelo. Zach also murders Helen (Gloria Hendry), Tommy's traitorous ex-wife, and pins in it on Papa to drive a wedge between them. Tommy gives up his New York crime operation and runs off to California. Papa takes over the operation, only to get killed by Zach during a fistfight. Angered by his father's death, Tommy returns to settle the score with Zach and DiAngelo. Hell up in Harlem delivers plenty of action set pieces and did fairly well at the box office, but lacks the consistency and the dramatic punch that made Black Caesar so memorable. As a result, it is considered to be one of Larry Cohen's lesser efforts. ~ Donald Guarisco, All Movie Guide
- Starring:
- Fred Williamson, Julius Harris, (more)
- 1973
- R
This movie, a sequel to The Legend of Nigger Charlie, tells the story of a Southern colonel in the Civil War who has raided locations in the North in order to capture renegade slaves for a colony of Southern aristocrats living in Mexico. Escaped slave Charley (Fred Williamson) and his friend and fellow escapee Toby (D'Urville Martin) bend all their energies to freeing the 71 blacks captured by the colonel. In the violence that follows, the Southern cause suffers. ~ Clarke Fountain, All Movie Guide
Set amid the exciting, exotic streets of Vegas, LA and Hong Kong, this blaxploitation actioner features a mixture of martial arts, gratuitous sex and comedy as it chronicles an enemy spy's worldwide pursuit of a heroic kung fu fighter. ~ Sandra Brennan, All Movie Guide
Cult director Larry Cohen (It's Alive) directed this violent blaxploitation film. Nasty racist John McKinney cripples a black shoeshine boy, who grows up to be Tommy Gibbs (Fred Williamson), the Godfather of Harlem. The crimelord now has his tormentor McKinney (Art Lund) in his pocket, based on the cop's mob ties. Tommy's traitorous girlfriend Helen (Gloria Hendry) hands over the evidence, and McKinney moves in for the kill. But he may have underestimated the violent Tommy, who makes him shine his shoes in blackface while singing "Mammy." Rick Baker provided makeup effects, and James Brown did the music for this bloody oddity, followed the same year by Hell Up in Harlem. Cohen and Williamson got together 23 years later for an interesting (if unsuccessful) attempt at reviving the genre, Original Gangstas. ~ Robert Firsching, All Movie Guide
- 1974
- PG
This Italian film was made for the blaxploitation action niche, but sloppy dubbing and unintentionally funny dialogue kept it from packing the kind of action punch needed for box-office success. Father Charlie (Lino Venturi) is an ex-con who has been granted an exemption from canon law to become a priest. When a friend of his gets into trouble which looks suspiciously like a frame-up, Father Charlie decides to investigate, with or without the blessing of his bishop. His friend Lee Stevens (Isaac Hayes) is looking for the real culprit as well, and Father Charlie and Lee soon join forces. ~ Clarke Fountain, All Movie Guide
- Starring:
- Lino Ventura, Isaac Hayes, (more)
A black cowboy saves a frontier town from both the law and the bad guys in this western written by and starring Fred "The Hammer" Williamson. Boss (Williamson) is an African-American bounty hunter traveling though the Wild West with his best friend and sidekick Amos (D'urville Martin), gunning down wanted men and claiming the rewards when they make their way into town. When Boss bests a man in a gunfight, he discovers the victim had an invitation to become sheriff of San Miguel, a town under the control of notorious outlaw Jed Clayton (William Smith). Boss and Amos head to San Miguel, hoping to claim the hefty reward for capturing Clayton, but they discover the corrupt and venal Mayor Griffin (R.G. Armstrong) has to be bullied into making a black man sheriff. When Boss shoots two of Clayton's henchman during a barroom brawl, it brings the outlaw out of hiding, but it also makes life dangerous for anyone who dares to side with Boss, including Clara Mae (Carmen Hayworth), a beautiful woman he rescued from an ambush that claimed her father. Boss also finds time for a romantic assignation with Miss Pruitt (Barbara Leigh), the town's pretty schoolmarm, and Amos's new career as deputy allows him to interpret certain laws to his own advantage. Boss Nigger was also distributed under the less controversial title The Black Bounty Hunter, and has been released on home video simply as Boss. ~ Mark Deming, All Movie Guide
- 1974
Best known for directing several popular science-fiction films in the 1950s, Jack Arnold turned to blaxploitation with this gritty crime film. Fred Williamson stars as Shep Stone, who becomes a private detective after being suspended from the police department. The usual sleazy setpieces deal with porno producers (one of whom, Bret Morrison, was the voice of The Shadow on radio), drugs, and murder. Teresa Graves (Get Christie Love!) co-stars with Rosemary Forsyth and The $6,000,000 Man's Richard Anderson in this average, but entertaining potboiler. Williamson and Arnold re-teamed for Boss Nigger the same year. ~ Robert Firsching, All Movie Guide
- 1974
- R
This graphically violent crime drama follows the relatively brief career of the notorious racketeer Crazy Joe Gallo, who formed an alliance with all of New York City's African-American gangs while serving time in Attica. Once he got out, he used that alliance to try and take over the Mafia, an act that resulted in his brutal murder in a restaurant in Little Italy, 1972. ~ Sandra Brennan, All Movie Guide
Jim Brown and Fred Williamson team up for this violent western, directed by Antonio Marghetti under the name of Anthony M. Dawson. Brown plays Pike, a stonefaced cowboy who meets up Tyree (Fred Williamson), a jocular and dishonest gambler. Together with a mute Indian scout Kashtok (Jim Kelly), the trio attempts to transport $86,000 across hundreds of miles of Western wasteland to deliver it to the widow of Pike's former employer. Along the way, they are pursued by bounty hunter Kiefer (Lee Van Cleef) and corrupt sheriff Kane (Barry Sullivan). Dana Andrews also appears in a cameo role as Pike's boss Morgan. ~ Paul Brenner, All Movie Guide
- Starring:
- Jim Brown, Lee Van Cleef, (more)
- 1974
- R
The "three" alluded to in the title are played by Jim Brown, Fred Williamson and Jim Kelly. Letting their fists do all the talking, the hard-nosed trio takes on a neofascist organization. It is the avowed purpose of this all-white hate group to "cleanse" Los Angeles, Detroit and Washington DC of all blacks. To do this, they plan to poison the drinking water with a secret formula that affects only African Americans. ~ Hal Erickson, All Movie Guide
One of the first efforts of actor/producer/director Fred Williamson's Po' Boy productions, Adios Amigo costars Williamson with Richard Pryor. Playing a couple of inept western outlaws, Williamson and Pryor mastermind several failed crimes, ranging from a real estate scam to a statecoach holdup. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Williamson, Richard Pryor, (more)
- 1975
- R
A Vietnam War veteran (Fred Williamson) is discharged from the Army, and becomes involved with mobsters when he is unable to find a job. The gang uses him on a job when one of the thugs (Roddy McDowall) and his girlfriend (Jenny Sherman) decide to provoke a gang war. ~ John Bush, All Movie Guide
A man moves to the small and racially divided town where his bar-owning brother was murdered after he refused to pay crooked white cops for "protection." When he is threatened himself, he calls in some hefty men to help him, but they instead decide to take over the town. In order to oust the baddies, the hero becomes a one-man army with a mission. This blaxploitationer features the action hero, Fred Williamson. ~ Kristie Hassen, All Movie Guide
- Starring:
- Fred Williamson, Pam Grier, (more)
- 1975
- R
Fred Williamson directed, wrote, produced, and starred in this first effort from his own company, Po' Boy Productions. The standard blaxploitation plot concerns Los Angeles detective Jesse Crowder (Williamson), traveling to San Francisco where he is hired to track down a missing man who embezzled a great deal of money. Soul Train's Don Cornelius is among the cast of this violent action film. Williamson returned as Crowder in Death Journey the following year. ~ Robert Firsching, All Movie Guide
- Starring:
- Fred Williamson, Charles Woolf, (more)
- 1976
- R
Fred Williamson returns as L.A. detective Jesse Crowder in this loose sequel to the previous year's No Way Back. This time, Crowder must escort a government witness (Bernard Kuby) across the country to New York, dodging homicidal gangsters at every stop along the way. Blaxploitation fans will recognize D'Urville Martin (Dolemite) among the cast. ~ Robert Firsching, All Movie Guide
The Inglorious Bastards was the alternate title for the Italian adventure yarn Counterfeit Commandos. The main characters are five soldiers facing court-martial in World War II France. The quintet consists of Bo Svenson, Fred Williamson, Peter Hooten, Michael Pergolami, and Jackie Basehart. The men escape, heading to the safety of the Swiss border; along the way, they pull off several random acts of above-and-beyond heroism. ~ Hal Erickson, All Movie Guide
- Starring:
- Bo Svenson, Fred Williamson, (more)
