Tennessee Williams Movies

A rebellious socialite defies social conventions for a once-in-a-lifetime shot at true love, only to see her hopes for the future shattered after a priceless diamond vanishes into thin air in this romantic drama adapted from a long-lost Tennessee Williams screenplay. Fisher Willow (Bryce Dallas Howard) is the debutant daughter of a wealthy Memphis plantation owner. She harbors a great distain for the narrow-minded elite who seem to worship the ground her father walks on, and takes great delight in shocking and insulting them whenever the opportunity to do so arises. Shortly after returning from studying overseas, Fisher is swept off her feet by lowly farmhand Jimmy Dobyne (Chris Evans), who works on her father's plantation. His father a hopeless alcoholic and his mother having long since lost her mental capacities, Jimmy seems destined to go nowhere in life until Fisher hires him as her escort for the lavish party season and attempts to pass him off as an upper-class suitor in order to placate her spinster aunt Cornelia (Ann-Margret), who's been placed in charge of the family fortune. When one of Cornelia's priceless diamonds suddenly goes missing, a storm of accusations and betrayals begins to brew, effectively threatening to destroy any hopes that Fisher and Jimmy may have had for a happy future together. ~ Jason Buchanan, Rovi

For his first opera, noted composer Andre Previn collaborated with librettist Phillip Littell for this adaptation of Tennessee Williams Pulitzer Prize-winning drama about Blanche DuBois, an emotionally fragile woman who is forced to confront the real world by her brutal and vulgar brother-in-law Stanley Kowalski. Taped during its premiere engagement presented by The San Francisco Opera Company, this production of A Streetcar Named Desire stars Renee Fleming as Blanche, Rodney Gilfry as Stanley, and Elizabeth Futral as Stella. ~ Mark Deming, Rovi

Previously filmed in 1962 with Geraldine Page and Paul Newman in the leads, Tennessee Williams' Sweet Bird of Youth was restaged for television in 1989 by Nicolas Roeg. Elizabeth Taylor stars as Alexandre Del Lago, a fading, alcoholic, drug-dependent movie star. Mark Harmon co-stars as Chance Wayne, a shiftless would-be actor who romances Alexandre in hopes of getting a few producer's doors opened for him in Hollywood. Assuming that it'll be a simple task to unload Alexandre when he's through with her, Chance has not reckoned with the star's smothering ego. Chance must also contend with Tom Finley (Rip Torn), the fire-breathing political boss who is the father of Chance's hometown sweetheart (Cheryl Paris). The TV remake of Sweet Bird of Youth was first broadcast October 1, 1989. ~ Hal Erickson, Rovi

A white accountant finds himself irresistibly drawn into a sadomasochistic relationship with his black masseur in this distinguished film debut from French filmmaker Claire Devers. The story contains little dialog and is filmed in black and white. The accountant is a quiet married man who has been hired to work on the books of a local health club. He is not interested in extramarital sex, only his work. Later his boss suggest he try a massage at the club. A cautious man, the accountant is at first bashful as the enormous masseur begins working on his tense muscles. Soon he finds himself hooked on these evening sessions that become increasingly violent (but not sexual) as time passes. ~ Sandra Brennan, Rovi

Coproduced by Showtime and PBS, the 1984 TV version of Cat on a Hot Tin Roof is based on Tennessee Williams' Pulitzer Price winning play, previously filmed in 1958 and 1979. Jessica Lange stars as Maggie "the Cat", the frustrated, overheated wife of alcoholic former football jock Brick (Tommy Lee Jones). All of Brick's family have gathered for the 65th birthday party of Big Daddy (Rip Torn), and to celebrate the news that the family's patriarch is not suffering from cancer, as earlier reported. Hostilities explode as Maggie goes after Brick for his drinking and impotence, Brick and Big Daddy have a confrontation over Brick's supposed homosexuality, and the doctor arrives with the news that Big Daddy is dying after all--and his estate is up for grabs. Kim Hunter, David Dukes and Penny Fuller costar in this uncensored version of Williams' stage classic, which first aired on pay cable, then was telecast on PBS' American Playhouse. ~ Hal Erickson, Rovi

This made-for-TV drama focuses on the plight of a family of migratory farm workers. The film was Emmy-nominated as "Outstanding Drama" of the 1974 season. Nominations also went to director Tom Gries, actress Cloris Leachman, cinematographer Dick Kratina and composer Billy Goldenberg. ~ Brian Gusse, Rovi

Boom is taken from the Tennessee Williams play The Milk Train Doesn't Stop Here Anymore. Flora Goforth (Elizabeth Taylor) is a foul-mouthed, booze-swilling, pill-popping, middle-aged woman near death. She spends her time swearing at the servants and looks forward to the end of it all, until poet Chris Flanders (Richard Burton) comes to her island home. Known in literary circles as the "angel of death," the poet gives the dying woman some measure of comfort in his presence -- while he takes comfort in her liquor cabinet and her jewelry. Often she is visited by the Witch of Capri (Noel Coward), a gossip-minded homosexual who appears to be Flora's only friend. Williams wrote the screenplay, which unfortunately proved ineffectual, as Taylor and Burton were seemingly caught up in their own world of wallowing in self-importance. The feature did little to boost the sagging careers of Burton and Taylor or to alter the public's negative opinions of their personal lives. ~ Dan Pavlides, Rovi

Paul Newman recreates his Broadway role in the 1962 film version of Tennessee Williams' Sweet Bird of Youth. Newman plays handsome hustler Chance Wayne, who romances fading film star Alexandra Del Lago (Geraldine Page) in hopes of winning a movie contract for himself. The mercenary Wayne and the self-destructive Alexandra find themselves in Chance's home town, where corrupt politician Boss Finley (Oscar-winner Ed Begley) rules the roost. Finley's daughter Heavenly (Shirley Knight), impregnated by Chance during his last visit, dreams of a reunion with her old beau, but Finley and his brutish son Tom Jr. (Rip Torn) make certain that no such reunion occurs. Even the well-intentioned interventions of Heavenly's Aunt Nonny (Mildred Dunnock) fail to move the stubborn Finley. Warned to leave town or risk a broken skull, Chance is dumped by Alexandra, whose recent "comeback" film has proven a success and who thus no longer needs a gigolo to feed her ego. From this point on, Richard Brooks' screenplay departs so radically from the Tennessee Williams original that to elucidate the differences would require a book in itself. Suffice to say that the play's Chance Wayne is rendered "less than a man" by the vengeful Finley, whereas the film's Wayne emerges with all his working parts intact. A second version Sweet Bird of Youth (1989), purportedly based on Williams' own rewrite of his earlier material, was filmed for television in 1989, with Elizabeth Taylor and Mark Harmon in the leads, and with Rip Torn, Tom Finley Jr. in the original, stepping into the role of Boss Finley. ~ Hal Erickson, Rovi

Tennessee Williams' Broadway play Summer and Smoke (expanded from his one-act piece Eccentricities of a Nightingale) was brought to the screen by adaptors James Poe and Meade Roberts and director Peter Glenville. Geraldine Page repeats her stage role as minister's daughter Alma Winemiller, who lives a spinsterish existence in her WWI-era Mississippi home town. Though her hateful mother (Una Merkel) has nothing but nasty things to say about men, Alma carries a torch for her handsome next-door neighbor and lifelong friend, Dr. John Buchanan (Laurence Harvey). The doctor prefers the companionship of Rosa (Rita Moreno), a "wrong side of the tracks" girl who is as open and freewheeling as Alma is shy and repressed. Desperate for Buchanan's attention, Alma begins behaving with uncharacteristic affection towards him. He misreads her signals and attempts to seduce her. Already on the edge, Alma goes ballistic, literally running out of Buchanan's life. When the doctor throws an engagement party for himself and Rosa, the neurotic Alma tells Buchanan's father (John McIntire) that a wantonly immoral get-together is taking place in the doctor's home--an act of vengeance that has long-range tragic consequences. By film's end, the previously strait-laced Alma, unhinged by previous events, has become as misguidedly passionate as her spiritual sister, A Streetcar Named Desire's Blanche DuBois. Summer and Smoke earned Academy Award nominations for both Geraldine Page and Una Merkel; while Merkel would never win an Oscar, Ms. Page finally collected her statuette for 1985's A Trip to Bountiful. ~ Hal Erickson, Rovi

Fugitive Kind began life as Battle of Angels, a never-produced 1939 play by a young Tennessee Williams. Nearly 20 years later, Williams refined this rough-hewn theatrical effort into Orpheus Descending, which enjoyed a respectable Broadway run. The renamed film version stars Marlon Brando as Valentine "Snakeskin" Xavier, a trouble-prone drifter who wanders into a deliciously Williamsesque Mississippi town. Here he becomes involved in the problems of alcoholic Carole Cutrere (Joanne Woodward) and unhappily married Lady Torrence (Anna Magnani) and also runs afoul of Torrence's vicious husband (Victor Jory). Sexual symbolism abounds in this tempestuous drama, which offers Brando at his most inscrutable and Magnani at her earthiest. Maureen Stapleton, in real life one of Brando's best friends and severest critics, plays an avant-garde artist. ~ Hal Erickson, Rovi

This dynamic and commanding adaptation of Tennessee Williams' Pulitzer Prize-winning play focuses on a troubled Southern family and the discord over their dying father's millions. Wealthy plantation owner Big Daddy Pollitt (Burl Ives), celebrating his 65th birthday, is visited by his sons, Brick (Paul Newman) and Gooper (Jack Carson). He has cancer, but a doctor has deliberately and falsely declared it in remission. Seemingly perfect son Gooper and his wife, Mae (Madeleine Sherwood), have several children and are anxiously expecting to inherit Daddy's millions. By contrast, Big Daddy's "favorite," Brick, is a has-been football star who's taken to drinking his days away since the suicide of his "best friend" a year earlier. He resents his wife, Maggie (Elizabeth Taylor), because he believes that she had an affair with his deceased friend. As a result, he refuses to sleep with her, although she remains devoted to him. Since Brick and Maggie have failed to produce any grandchildren, Big Daddy is inclined to leave his estate to Gooper, but Maggie attempts to prevent that by telling him that she is pregnant. Big Daddy knows better, yet he recognizes that Maggie loves Brick so much that she would be willing to do anything for him. Although Brick is self-destructive and resentful, unable to come to terms with his losses, it takes Big Daddy's recognition of his own mortality to make Brick change his perspective. Brick's struggle with his sexual identity, and the nature of his relationship with his "friend," had to be toned down for mass consumption, although this intelligently written and acted film covers such topics as infertility, adultery, and alcoholism that were still considered taboo in the 1950s. Newman brings depth and feeling to the role as Brick, while Taylor succeeds brilliantly in portraying Maggie as a passionate and understanding woman despite her own real-life emotional turmoil over the death of her husband at the time, producer Mike Todd. ~ Don Kaye, Rovi

Scripted by famed playwright Tennessee Williams, The Rose Tattoo stars Anna Magnani as Serafina Delle Rose, a Sicilian woman who now lives in the American South. As the film opens, she is still mourning the death of her beloved husband, constantly telling herself stories of their time together. Her fragile emotional existence is shattered when she discovers that her husband had been carrying on with another woman. Luckily, Serafina also meets truck driver Alvaro Mangiacavallo (Burt Lancaster) around this time, and their tentative romance may help her through this troubling time. Williams wrote the script for Magnani, who was awarded an Oscar for her work in the film. ~ Perry Seibert, Rovi