Wally Cassell Movies

Forbidden to fight in the US because he has sustained too many serious injuries, boxer Yank Dawson (a pre-Death Wish Charles Bronson) travels to war-torn London in hopes of continuing his carrer. But just before a crucial bout, Yank is visited by an old colleague,who warns him to pack up his gloves and quit the ring. Normally, there would nothing out of the ordinary about such a warning...but this old colleague happens to be long dead. ~ Hal Erickson, Rovi

The 1962 theatrical release of The Scarface Mob was created from the first two episodes of the famously popular 1959 TV series, The Untouchables. It stars Robert Stack as the courageous agent whose job is to corral the powerful mobster Al Capone. Nevill Brand plays Capone and Walter Winchell adds flavor as the Dragnet-style narrator. ~ Rovi

Adapted by Robert Anderson from a story by James A. Michener, the Robert Wise-directed soaper Until They Sail is set in World-War-II New Zealand. Paul Newman plays been-there-done-that U.S. marine captain Jack Harding, assigned to investigate servicemen's requests to marry local girls. An unemotional cipher, Harding begins to warm up when he meets war widow Barbara Leslie Forbes (Jean Simmons), a woman with three sisters (played by Joan Fontaine, Piper Laurie, and Sandra Dee -- what a gene pool!). The Newman-Simmons relationship is played against the romance between uptight spinster Anne Leslie (Fontaine) and good-natured officer Richard Bates (Charles Drake), and the dysfunctional marriage between the emotionally desperate (and nymphomaniacal) Delia Leslie (Laurie) and slimy Shiner Friskett (Wally Cassell), who is off in battle. The fourth sister, Evelyn (Dee), watches her sisters' amorous pursuits longingly, her mind occupied by her own true love, who is off to war. Until They Sail was a copacetic reunion between star Newman and director Robert Wise, who'd previously collaborated in Somebody Up There Likes Me. ~ Hal Erickson, Rovi

Marshal Matt Dillon (James Arness) welcomes his old friend Hack Prine (Leo Gordon) to Dodge City. What Dillon doesn't know is that Hack is now a hired killer--and his latest assignment is to gun down Matt, so that Dolph Trimble (George D. Wallace) can help his outlaw brother Lee (Hal Baylor) bust out of jail. When Matt finally figures out what Hack is planning to do, he is faced with one of the biggest moral dilemmas of his life. This episode is adapted from the Gunsmoke radio broadcast of July 5, 1952. ~ Hal Erickson, Rovi

Per its title, Wetbacks deals with the smuggling into the US of illegal Mexican aliens. The villains are played by John Hoyt and, of all people, Harold "The Great Gildersleeve" Peary. Hoping to smash Hoyt and Peary's smuggling operation is fishing-boat skipper Lloyd Bridges, who, unbeknownst to himself, is being monitored by the US immigration service. Nancy Gates costars as a supposed femme fatale who turns out to be one of the good guys; likewise deceptively cast is veteran screen heavy Barton MacLaine. Wetbacks was directed by Hank McCune, a part-time comedian whose early-1950s TV sitcom was allegedly the first such program to utilize a recorded laughtrack. ~ Hal Erickson, Rovi

Republic's Trucolor process is shown off to good advantage in the outdoors actioner Timberjack. Sterling Hayden and David Brian star as Chipman and Brunner, a pair of rugged lumbermen who vie for the attentions of Lynn Tilton (Vera Ralston). The richer and more powerful of the two, Brunner would seem to have the advantage, but Chipman is handsomer. It also turns out that Chipman is more honest; Brunner has already killed several men in his climb to the top, and has cheated Chipman out of his rightful property. Lynn is won over to Chipman's side when she discovers that Brunner was responsible for the death of her father (Adolphe Menjou). Timberjack was based on a novel by Dan Cushman. ~ Hal Erickson, Rovi

During World War II, a Military Air Transport Command DC-3 piloted by a civilian crew is forced down in northern Labrador. The five men, led by Dooley (John Wayne), have barely any food and almost no way to keep warm, and their power supply is fading fast, but they have to find a way of staying alive until search planes find them. At first, even Dooley is overwhelmed by the responsibility for his crew's safety, and he is too lax in handling them -- but after one man dies, frozen to death just steps from help, he takes over and pushes his men and himself to the limits of their endurance; he even seems ready to crack himself at one moment. Meanwhile, the men who fly with Dooley push themselves and their machines past their endurance limits searching the arctic wastes for the downed plane. Island in the Sky -- based on the book by Ernest K. Gann (perhaps the best aviation novel ever written), which was, in turn, based on a true incident that happened during the war -- is one of the most startling movies in Wayne's output. He doesn't even look like the "star" John Wayne, but like a real pilot, and the cast, made up of familiar faces, all look like the real article; indeed, this movie should have been in the running for Academy Awards for costuming and makeup, just for making these familiar performers, such as Lloyd Nolan (in maybe his best performance) and Andy Devine (ditto), look like real pilots and ordinary men, rather than familiar actors. You end up feeling like you're watching a documentary, and the effect is bracing and unsettling, and dramatically unparalleled in Wayne's entire output. ~ Bruce Eder, Rovi

John Auer directed and Steve Fisher wrote this police procedural film in the vein of the popular Detective Story of two years earlier. The film juggles around four characters through a particularly bad night in a Chicago precinct -- Johnny Kelly (Gig Young), a stressed out cop ready to crack; Sally "Angel Face" Connors (Mala Powers), a cheap strumpet lounge singer; Hayes Stewart (William Talman), a former magician and present thug; Penrod Biddel (Edward Arnold), a smooth and corrupt district attorney; and Sgt. Joe (Chill Wills), an Everyman character, known as "The Voice of Chicago." The skimpy plot concerns Kelly, who is having an affair with Angel Face and is ready to quit his job and leave his wife Kathy (Paula Raymond) at the drop of a hat. In order to get quick money to escape Chicago and start life anew with Angel Face, Kelly accepts an assignment and a payment from Biddel to escort low-life Stewart across the state line. ~ Paul Brenner, Rovi

This Korean War drama is essentially a vehicle for RKO's top male star Robert Mitchum. He plays war-weary "Colonel Steve," obliged to contend with the North Korean forces while keeping troublesome UN official Linda Day (Ann Blyth) at arm's length. Some authentic Korean combat footage is well-integrated into the story. For all its talk about jet planes, Reds and atomic energy, the film is at base a redressed WW II drama. Good supporting performances are provided Charles McGraw as a tough sergeant and William Talman as a jet pilot. Reportedly budgeted at over two million dollars, One Minute to Zero had trouble making back its cost, despite the box-office pull of Robert Mitchum. ~ Hal Erickson, Rovi

Not to be confused with a 1942 20th Century-Fox aviation actioner with the same title, Thunderbirds is a Republic Pictures war flick. John Derek and John Barrymore Jr. play two handsome flyboys with the Oklahoma National Guard who are pressed into service at the outbreak of World War II. They spend most of the war in the Italian campaign, then blast their way into Berlin. By way of a plot complication, Ward Bond shows up as a tough veteran sergeant who turns out to be the long-lost father of hotheaded Barrymore. ~ Hal Erickson, Rovi

Wendell Corey and Forrest Tucker, the Clark Gable and Spencer Tracy of Republic, star as a pair of World War II Army Air Corps officers. In between their battles over the affections of beautiful nurse Vera Hruba Ralston, Corey and Tucker prepare to fly a bombing mission in the South Pacific. Before boarding their B29 Superfortress, Tucker appears to be chickening out, but he's steadfastly at his cockpit post at takeoff time. For a big-budget war picture, Wild Blue Yonder contains a surprising amount of chorus boy-style singing. The best musical vignette is supporting player Phil Harris' rendition of his hit song "The Thing" ("Get outta here with that [thump! thump! thump!] /Before I call a cop" etc.) ~ Hal Erickson, Rovi

Mickey Rooney, with his kid roles and musicals behind him, went for a major change of image in this harrowing film noir. He gives what many consider to be the best performance of his career as Danny Brady, a well-meaning grease monkey whose life is destroyed in less than a week. Danny finds himself short of cash when he's supposed to take out Vera (Jeanne Cagney), a waitress whom he's just met who works at a hash-house. He borrows 20 dollars from the cash register, planning on paying it back with 20 dollars that a buddy owes him the next day, but the friend doesn't turn up. To get the 20 dollars, he buys a 100-dollar watch on a payment plan and then hocks it for the 20 dollars, but a detective picks up on the purchase and threatens to have him jailed if he doesn't pay the full 100 dollars immediately; desperate to raise the money, he robs a drunken bar patron of his bill-fold. His money problems seemingly behind him, Danny takes Vera out with the extra cash, but gets into a fight with her former boss, Nick (Peter Lorre), who picks up a clue that Danny did the robbery. Nick pressures Danny to provide him with a new car (a hard-to-get commodity in 1950) from the garage where he works, in return for keeping quiet. Danny steals the car and turns it over to Nick, but he and Vera decide to get even by robbing Nick's safe that night -- now they've got 3,600 dollars, which they split. But Danny's boss, Mackey, tells him he knows who stole the car, and wants either the car back or the full value, or he'll turn Danny in to the police. Vera has already blown her share on a mink coat, and he goes back to Mackey with what he has, 1,800 dollars. Mackey takes it and proceeds to call the police. Danny attacks him and leaves him for dead. Danny goes on the run, convinced he's wanted for Mackey's murder. Danny runs into Helen (Barbara Bates), a nice girl that he was dating and then dumped, and they end up fleeing together, hijacking a car and holding an innocent man at gunpoint. Impending tragedy seems to loom up even larger when they cross paths with police officers on a manhunt. Realizing that Helen has been good to him, he ends up on the run alone, with a gun in hand, as the law closes in. ~ Bruce Eder, Rovi