Seymour Cassel Movies

Shadows was John Cassavetes' first directorial effort. Like his later critically acclaimed films Faces and Husbands, Cassavetes fills the screen with probing, unflattering closeups. Unlike his other films, however, Shadows zips along at 87 minutes, avoiding the pitfall of putting the director's nonfans to sleep. The film is a straightforward account of a biracial romance (a far less common film subject in 1960 than today). Light-skinned African-American Lelia Goldoni falls in love with a white man Anthony Ray, who spurns her when he meets the rest of her family. Far from subtle, Shadows benefits from the undisciplined energy of its direction and the excellence of its individual performances. Costing a scant $40,000 (less than the average half hour TV episode of the era), Shadows won the Critic's Award at the Cannes Film Festival and led to more expensive studio assignments for John Cassavetes. ~ Hal Erickson, All Movie Guide

In this youthful adventure, the teenage clientele of an older man's establishment resist the Mob's attempts to force him to use one of their juke boxes. Songs include: "Free Passes to the Movies", "Picnic Day", "Drip, Drip", "Lost", and "Suzie Rock". ~ Sandra Brennan, All Movie Guide

The Webster Boy is a case of a weak script and strong actors combining for a mediocre tale about a love triangle. John Cassavetes is Vance Miller, an American with a serious gambling addiction who is just through with serving time and ready to finally go back to England. His objective is to find his long-lost love Margaret (Elizabeth Sellars) and try to start life over with her. When he does find Elizabeth, she is happily married to Paul (David Farrar) and is the mother of fourteen-year-old Jimmy (Richard Sullivan). As Vance upsets the apple cart trying to win Elizabeth away, young Jimmy faces taunts at school and a sadistic school master -- and doubts as to who his real father might be. ~ Eleanor Mannikka, All Movie Guide

Don Siegel directed this intensely pessimistic re-make of Robert Siodmak's 1946 film noir masterpiece The Killers, based upon a story by Ernest Hemingway. As the story opens two professional looking men in business suits -- Charlie (Lee Marvin) and Lee (Clu Gulager) -- push their way into a school for the blind and terrorize a secretary until she reveals the whereabouts of Johnny North (John Cassavetes). When Charlie and Lee trace Johnny to an automobile repair class, Johnny just stands there as the two men gun him down. Afterwards, Charlie wonders why Johnny just stood there, accepting his death. He also starts to wonder about his hefty paycheck for the murder and rumors that Johnny was involved in a million-dollar heist. He decides to pay Johnny's old friend Earl Sylvester (Claude Akins) a visit at his auto shop in Florida. Earl recalls the summer day long ago when former race car driver Johnny caught the eye of the rich and beautiful Sheila Farr (Angie Dickinson). Johnny has been preparing for a race, but Sheila's attentions sidetrack him. The day of the big race, Earl notices that Sheila is visited by a group of rich gangsters, headed by Browning (Ronald Reagan, in a very surprising performance). During the race, Johnny is involved in a terrible crash, effectively ending his racing career. However, it seems Browning is arranging a mail heist and hires Johnny to drive the getaway car. ~ Paul Brenner, All Movie Guide

Two machine-gun specialists, Sgt. O'Neill (Paul Burke) and Lt. Collins (H.M. Wynant), demand that Sgt. Saunders (Vic Morrow) be court-martialed for gross incompetence. The men hold Saunders personally responsible for the deaths of two members of their gun squad. But a entirely different story emeges when others deliver their own eyewitness testimony. Seymour Cassel, later a fixture in the films of director John Cassavetes, appears as a doctor. ~ Hal Erickson, All Movie Guide

Acting on a tip from an ex-convict (who is promptly shot down!), the FBI heads to a motel in order to capture Scott Martin, a dangerous criminal known as "The Iceman." Unfortunately, Martin is currently stage-managing a major bank heist, and to make certain that he is left alone he has taken a 10-year-old boy (Peter Robbins) hostage. This places the FBI in a standoff situation with Martin, who has used this hostage-taking technique before--and has never left anyone alive. ~ Hal Erickson, All Movie Guide

On California's Malibu Beach in the late 1960s, young people are enjoying a life with few responsibilities and plenty of romantic opportunities. Denny McGuire (Michael Sarrazin) is a beach bum without ambition. His roommate Collie Ransom (Tony Franciosa) is a professional tennis player who soaks up the admiration of other beach dwellers. Denny is attracted to Vickie Cartwright (Jacqueline Bisset), a mostly-out-of-work actress, and would like to settle down with her, but she is more enamored with a series of meaningless sexual encounters with men she meets on the beach or during acting jobs. The film turns more serious with the brutal beating death of Vickie. Denny pulls himself together and decides to become a more responsible adult by taking a job at a hardware store. Also working there is Choo-Choo Burns (Bob Denver), an off-the-wall jazz pianist. Choo-Choo joins Denny and Collie as another roommate. Pop music is provided by the San Francisco psychedelic band Moby Grape and the British balladeer Dusty Springfield. The script by Tom Mankiewicz was based on a novel by William Murray. ~ Michael Betzold, All Movie Guide

Clint Eastwood stars as Walt Coogan, an Arizona deputy sheriff who has been sent to New York City to extradite escaped killer James Ringerman (Don Stroud). On arrival, he's forced to wait by NYPD detective Lieutenant McElroy (Lee J. Cobb), who informs him that Ringerman is recovering from a bad acid trip at Bellevue Hospital. After briefly flirting with attractive probation officer Julie Roth (Susan Clark), Coogan heads for Bellevue, where he's able to con the hospital's staff into releasing the criminal. The cop and the fugitive are on the way to catch a flight back to Arizona, when Ringerman's hippie girlfriend Linny (Tisha Sterling) and a large accomplice spirit the killer away, leaving Coogan unconscious. Luckily, Julie is the girl's probation officer, and Coogan manages to get her address from the woman's files while getting to know her better. He tracks the girl to a popular psychedelic club, whereupon, deciding she likes the deputy, she takes him back to her apartment for further interrogation. The first in a series of films on which Eastwood would collaborate with director Don Siegel, it features a memorable scene in which a battle fought with billiard balls and cue sticks suggests the birth of a new martial art. Although its seemingly innocuous scenes of sex and violence drew criticism at the time, it served as the source for television's considerably more benign McCloud, starring Dennis Weaver as the laconic fish out of water. ~ Michael Costello, All Movie Guide

Can a straight-laced woman find happiness with a scruffy hippie who has a bad habit of getting beaten up? Minnie Moore (Gena Rowlands) was a prom queen in high school but has become disillusioned with life now that she is a divorcée who has just turned 40. Her marriage ended badly, and her current relationship with her boyfriend Jim (John Cassavetes), who is inconveniently married to another woman, is hardly going any better. Jim treats Minnie with little respect, but she tries to calmly soldier on with her work as a curator at a museum. When Jim's wife threatens to commit suicide if he doesn't break off his affair with Minnie, he agrees to stop seeing her. He goes to museum where Minnie works, bringing along his two children to serve as witnesses, and he tells her that they're through. Emotionally shattered by this experience, Minnie blankly and uncomprehendingly accepts a blind date with a loud-mouthed boor named Zelmo Swift (Val Avery), who proposes marriage only an hour after they've met. Angered by her lack of enthusiasm for this proposal, Zelmo angrily follows Minnie to a nearby parking lot, where the attendant, Seymour Moskowitz (Seymour Cassel), comes to her rescue, though he hardly emerges victorious in battle. Shaggy-haired and steadfastly bohemian Seymour has just arrived in Los Angeles from New York City looking to make some changes, and after a few minutes with Minnie, he's convinced that he's met the love of his life. Minnie isn't buying it, but she eventually agrees to go out on a date with him, and before long, these two polar opposites find that they're attracted to each other after all. A typically low-budget labor of love from writer/director/actor John Cassavetes, Minnie and Moskowitz features John's wife Gena Rowlands as Minnie, his mother Katherine Cassavetes as Seymour's mom, his brother-in-law David Rowlands as a minister, and several of his children in a party sequence; John's friend and frequent collaborator Timothy Carey also appears in a small role. ~ Mark Deming, All Movie Guide

Elia Kazan directed this curiously constipated film adaptation of F. Scott Fitzgerald's unfinished final novel, about Monroe Starr, a brilliant and efficient studio executive (based upon Fitzgerald's experiences with MGM wunderkind Irving Thalberg). Robert De Niro plays Monroe Starr in a cool and detached manner, and as Kazan pans around the Hollywood Dream Factory of the 1930s, Starr juggles several productions, deals with nervous actors and recalcitrant directors, stays afloat in the Hollywood corporate battlefields, and secretly carries on a love affair with an even cooler and more detached English girl, Kathleen Moore (Ingrid Boulting). ~ Paul Brenner, All Movie Guide

Billy Dee Williams stars as legendary ragtime pianist/composer Scott Joplin in this 1977 biopic. Despite his brilliance, Joplin (1868-1917) was confined by the color of his skin to the dregs of show business in the late 19th century. While competing in a musical contest, Joplin introduces his most famous composition, "The Maple Leaf Rag", thereby commanding the attention of a white music publisher. Offered a ridiculously low price for the song, Joplin nevertheless agrees to sell his composition, figuring that he has a better chance at fame and fortune once he's published. Before long, Ragtime music has become a national craze, and Joplin is rich beyond his wildest dreams. But the composer realizes that his brand of music is not considered respectable, and yearns to write something of more lasting value--a concerto, perhaps, or even an opera. Alas, Joplin's talents begin failing him, and by age 49 he is on the brink of death, a victim of syphilis. Originally made for television by Motown Films, Scott Joplin was released theatrically by Universal Pictures. ~ Hal Erickson, All Movie Guide

In this Roger Corman production, co-producer Jesse Vint stars as Jingo Johnson, a stuntman who goes to work for a backwater mining company. Jingo unearths a hotbed of corruption, partially orchestrated by redneck sheriff, Grimes (Albert Salmi). The hero and heroine (Karen Carlson) are forced into any number of serial-like perils while eluding the villains. Black Oak Conspiracy is enlivened by the presence of several veteran character players, including Douglas Fowley, Peggy Stewart and Vic Perrin. ~ Hal Erickson, All Movie Guide

The CB (citizen's band) radio fad had nearly run its course when this feel-good action film was made by director Sam Peckinpah. In the story, based on C.W. McCall's song "Convoy", a group of struggling truckers (who stay in touch by CB) run into a situation which ignites their indignation. They arrange to form a truck convoy under the leadership of the man whose CB nickname is "Rubber Duck" (Kris Kristofferson). He is the most aggrieved of the bunch, having been harassed beyond the point of endurance by Lyle Wallace (Ernest Borgnine) a blackmailing traffic cop who pursues him ever more frantically through several states after he fails to submit to the phony speed trap he had set up. As news of the truck convoy spreads, unexpected allies join the line, and the now-gigantic illegal protest becomes the subject of national news reports. ~ Clarke Fountain, All Movie Guide