Bernard Williams Movies

Based on the popular children's book by Lynne Reid Banks, this fantasy concerns a young boy who discovers that his toys are developing lives of their own -- which presents him with unexpected responsibilities. Omri (Hal Scardino), a young boy growing up in Brooklyn, receives an odd variety of presents for his birthday: a wooden cabinet from his older brother, a set of antique keys from his mother Jane (Linsday Crouse), and a tiny plastic model of an Indian from his best friend Patrick (Rishi Bhat). Putting them all together, Omri locks the Indian inside the cabinet, only to be awoken by a strange sound in the middle of the night. Omri opens the cabinet to discover that the tiny Indian has come to life; it seems that he's called Little Bear (Litefoot), and he claims to have learned English from settlers in 1761. Omri hides this remarkable discovery from his mother but shares it with Patrick; as an experiment, Patrick locks a toy cowboy into the cupboard, and soon Little Bear has a companion, Boone (David Keith), though predictably, the cowboy and the Indian don't get along well at first. Omri comes to the realizations that his living and breathing playthings are also people with lives of their own, and he begins to wonder how much control he should really have over their lives. The Indian in the Cupboard was directed by Frank Oz, best known as one of the original puppeteers for The Muppets and the voice of Miss Piggy. ~ Mark Deming, All Movie Guide

Comic actor and former Saturday Night Live stock player Mike Myers attempted to transform himself from the goofy title character in Wayne's World (1992) (and its sequel) into a romantic leading man with this box office disappointment. Myers stars as Charlie Mackenzie, a San Francisco poet who meets the girl of his dreams, Harriet Michaels (Nancy Travis) when he stops to pick up some haggis for his parents at Meats of the World, a butcher shop where Harriet works. Although he's been neurotically commitment-phobic in the past (dumping one girlfriend because she "smelled like soup"), Charlie thinks Harriet could be the one. That is, until his mother May (Brenda Fricker) and cop best friend Tony (Anthony LaPaglia) begin to suspect that Harriet could be an axe-wielding serial killer who has butchered several husbands. Harriet's wacky sister Rose (Amanda Plummer) and her connection to several of the slayings make Charlie nervous, but he nevertheless pops the question, leading to an eventful honeymoon where all is revealed. Although So I Married an Axe Murderer (1993) earned less than $12 million at the U.S. box office, Myers hit upon the Peter Sellers-inspired formula of playing various supporting characters with this film, portraying Charlie's amusingly paranoid father Stuart. The actor repeated the trick with greater success in Austin Powers: International Man of Mystery (1997) and its sequel. ~ Karl Williams, All Movie Guide

In this comedy about a doctor-patient relationship pushed way beyond the office, Bill Murray plays Bob Wiley, a neurotic New Yorker struggling with a whirlwind of paralyzing phobias. When an exasperated colleague pawns the handful off on Dr. Leo Marvin (Richard Dreyfuss), the psychologist has no idea his last appointment will follow him north to New Hampshire on a month's vacation. Bob takes to Dr. Marvin's latest book like no therapy before it, so the well-meaning pest tracks Marvin down at his lakeside summer home to further discuss his problems. But Marvin, preparing for an interview on Good Morning America and a few weeks of R and R, views Bob's stalking as highly inappropriate, and demands he return to New York. But Bob can't take even the strongest hint, and sets up camp with a neighbor to indulge in his own "vacation" -- from his problems. Meanwhile, Marvin's son Sigmund (Charlie Korsmo), daughter Anna (Catherine Erbe), and wife Fay (Julie Hagerty) take to Bob's loopy charm, which Marvin views as an irritating threat. Marvin's temperature rises as Bob insinuates his way into the family, helping Sigmund learn to dive and counseling the previously ignored Anna. As Bob's stock continues to rise, and his to plummet, Marvin becomes increasingly unhinged as the minutes tick down to the interview. ~ Derek Armstrong, All Movie Guide

The town of Binger, Montana decides to re-enact the 1889 battle in which the whites massacred most of the Blackfoot Indians in this depressing and violent drama. The white mayor initiates the plan for the benefit of Labor Day tourists to the area predominantly populated by Native Americans. Things get out of control when a drunken white boy fires a loaded gun and kills a young Indian. Five Indian youths quickly avenge their friend's death and take to the woods. A racist posse shoots one and scalps another, and the Governor calls out the National Guard as the situation escalates out of control. ~ Dan Pavlides, All Movie Guide

A year after appearing in the box-office sleeper Shanghai Surprise, pop superstar Madonna starred in the screwball comedy Who's That Girl? She plays Nikki Finn, who is being released from prison after serving a four-year sentence for a murder she didn't commit. Meanwhile, wealthy lawyer Loudon (Griffin Dunne) is about to get married that afternoon to the snobby Wendy (Haviland Morris), the daughter of Simon Worthington (John McMartin). Worthington does not approve of the wedding and he wants Nikki out of town as soon as possible, so he sends Loudon to collect Nikki and take her to the bus station. Instead, the flamboyant Nikki seeks her revenge while trying to find out what happened to her friend Johnny, which causes Loudon a lot of trouble. Naturally, wild action ensues -- some of it involving an escaped Cougar belonging to Loudon's boss, the millionaire animal collector Montgomery Bell (John Mills) -- and Loudon having to choose between the prim Wendy and the unpredictable Nikki. ~ Andrea LeVasseur, All Movie Guide

Red Dragon, the Thomas Harris novel that introduced serial killer Hannibal Lecter to the world, was adapted for the screen by Michael Mann as Manhunter. Ace criminal profiler Will Graham (William Petersen) is very good at his job because he has the ability to make himself think like the killers he tracks. Will has been in retirement since catching Hannibal "the Cannibal" Lecter (Brian Cox), as being inside that particular deranged mind caused Will to have a breakdown. Will's boss Jack Crawford (Dennis Farina visits Will at his home, showing him pictures from a murder scene and asking for his help in catching a new killer they have dubbed "the Tooth Fairy" (Tom Noonan). In order to test his mental strength, Will visits Hannibal in his prison cell. Adding to the already substantial mental stress Will experiences when he returns to the job are nosy tabloid reporter Freddy Lounds (Stephen Lang), as well as Hannibal's attempts at seeking revenge through the Tooth Fairy. After two additional films that featured Anthony Hopkins as Hannibal Lecter (Silence of the Lambs and Hannibal) became box-office blockbusters, Manhunter was re-made as Red Dragon starring Hopkins and Edward Norton as Will Graham. ~ Perry Seibert, All Movie Guide

This fourth film dramatization of the 1789 mutiny aboard the H.M.S. Bounty is based not on the familiar Nordhoff and Hall book, but on Richard Hough's novel Captain Bligh and Mr. Christian. This time, the infamous Captain Bligh (Anthony Hopkins) is as strict a disciplinarian as ever. He is, however, no monster; faced with his crew's increasing laxity after an idyllic visit to Tahiti (the search for breadfruit takes second place to limitless sex with the island girls), Bligh is forced to resort to flogging and other such means to keep his men in line. Mr. Christian (Mel Gibson), formerly Bligh's friend, is of little use to the captain, having fallen in love with a native girl himself. Christian becomes the leader of the mutiny virtually in spite of himself; and when the mutineers try to seek refuge on Tahiti, they find that the local chief wants no part of them, which is why they settle for the nearly uninhabitable Pitcairn. ~ Hal Erickson, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide

Robert Mitchum reprises his role as Raymond Chandler's Philip Marlowe from Farewell, My Lovely, in this misconceived remake of Howard Hawks's classic 1946 film -- transferring the setting from 1940s California to 1970s London. Marlowe is hired by a rich and dying General Sternwood (James Stewart) to find out who is blackmailing him. Marlowe then meets Sterwood's daughters -- the crazy and degenerate Camilla (Candy Clark) and the more even-tempered Charlotte (Sarah Miles). Opening up a can of worms, Marlowe unveils a collection of unsavory characters -- Eddie Mars (Oliver Reed), an inveterate gambler having an affair with Charlotte; Joe Brody (Edward Fox), Camilla's ex-lover; and Agnes (Joan Collins), a sexy bookstore clerk. The plot becomes even more chaotic when it is found that Camilla has been posing in the nude for pornographer Arthur Geiger (John Justin). When Geiger turns up dead, Camilla becomes implicated in Geiger's murder. ~ Paul Brenner, All Movie Guide

With ornate imagery reminiscent of paintings from the story's 18th century period, Stanley Kubrick's adaptation of William Makepeace Thackeray's novel depicts the rise and fall of a sensitive rogue in the British aristocracy. Young Irishman Redmond Barry (Ryan O'Neal) leaves home to seek his fortune after apparently killing an English officer in a duel. Through a series of mishaps and accidents, Barry winds up fighting with the Prussian army in the Seven Years' War under the command of Capt. Potzdorf (Hardy Kruger); at war's end, Potzdorf enlists Barry to spy on a shady Chevalier (Patrick Magee). Instead, Barry joins up with the Irish Chevalier to flee Prussia and live as gamblers among Europe's elite. Wishing to climb even higher, Barry soon meets the beautiful Lady Lyndon (Marisa Berenson), marrying her for her fortune after her older titled husband dies. Her son Lord Bullingdon (Leon Vitali), however, despises the upstart Barry, and, regardless of how his mother may feel, sees to it that the re-named Barry Lyndon will never be able to stake his claim to the entrenched aristocracy. Coming after Kubrick's esteemed hits 2001 (1968) and A Clockwork Orange (1971), Barry Lyndon opened with high expectations and met with decidedly mixed responses to its restrained tone. Even with Oscar nominations for Best Picture and Best Director (and wins for Cinematography, Art Direction, Costumes, and Adapted Score), Barry Lyndon was a box office failure, as mid-'70s audiences increasingly turned away from such narrative challenges as its epic length and muffled emotions. Since then, Barry Lyndon has gained in stature, taking its place among the formidable artistic achievements of Kubrick's career. ~ Lucia Bozzola, All Movie Guide

Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide