Hans Wilhelm Movies

This Ernie Kovacs cult comedy was the last film directed by Mario Zampi and follows the exploits of Aldo Bondi (Kovacs) who earns his living off wealthy widows. When he consoles the beautiful and impoverished Baroness Sandra (Cyd Charisse), he makes the mistake of falling in love with her. That gets him into a complex con game with three other widows and a huge sum of money, meant to be invested to earn a bundle based on the five-hour time difference between the East coast of the U.S. and Europe. Bondi gets into one tight situation after the next, as his loot is stolen by the Baroness and he needs a way to save his skin. ~ Eleanor Mannikka, Rovi

This French-Italian musical starts out in the eponymous French gambling establishment. Vittorio de Sica plays Gordy, an ageing playwright who decides to transform a music-hall singer named Catherine (Caterina Valente) into a dramatic actress. Just as his protegee achieves stardom, Gordy dies. But when Catherine visits her late benefactor's villa, she is romanced by Gordy's ghost, who turns out to be a much younger man (Gilbert Becaud). Rather stagebound, Casino de Paris only comes to life during the all-stops-out musical production numbers. ~ Hal Erickson, Rovi

Webb Garwood (Van Heflin) is a cynical policeman who believes that success comes from lucky breaks. Responding to a prowler complaint at the home of Susan Gilvray (Evelyn Keyes), he is immediately attracted to her and her wealth. He returns to "check up" on Susan, and they begin an affair, conducted while listening to her husband John (Sherry Hall)'s all-night radio program. Feeling guilty, Susan ends the relationship, but Garwood remains obsessed. He pretends to be a prowler on the Gilvray property so he can respond to another police call. Drawing William outside, he shoots him and makes it appear accidental. When Garwood manipulates Susan's confusion about the shooting, she buys his story, and the lovers marry. However, upon discovering that Susan is pregnant "too soon," they flee to give birth in secret, but eventually Susan learns the devastating truth. ~ Steve Press, Rovi

The title of this MGM musical alone should tip you to the fact that Esther Williams is the star. In this one, she plays a movie star (what an innovation!), Rosalind Reynolds, who is on location in Hawaii to shoot a picture. Peter Lawford plays the film's naval technical advisor, Lt. Lawrence Y. Kingslee, who naturally falls deeply in love with Rosalind. As a means of expressing his ardor, Kingslee genteelly kidnaps Rosalind by "accidentally" marooning her on a desert island. To the dismay of feminists everywhere, Rosalind comes to enjoy being Kingslee's prisoner, and all ends happily. Jimmy Durante breaks up da joint in the role of an assistant director, while music is provided by MGM's all-purpose bandleader Xavier Cugat. The Technicolor process is shown to supreme advantage whenever it concentrates on Esther Williams' form-fitting gold-colored swimsuit. On an Island with You was one of MGM's premiere moneymakers of 1948. ~ Hal Erickson, Rovi

Based on a novel by Gina Kaus, The Affair Lafont is the tragic tale of two sisters. Claire (Corinne Luchaire) is 20 years old, unmarried and incredibly naïve; Catherine (Annie Ducaux), nearing thirty, is terrified that her husband will leave her because she's never borne him a child. When Claire is rendered pregnant by her casual beau, Catherine adopts the baby, intending to pass it off as her own when her archeologist husband returns from a long expedition. Unfortunately, the father of the child sees this set-up as an ideal opportunity for blackmail; once this problem has been dealt with, Claire begins having second thoughts and demands her baby back. Told in flashback, this series of events is offered as explanation for the burst of gunfire that opens the film. ~ Hal Erickson, Rovi

In this lively British WW II comedy, the Nazis kidnap a hapless farmhand after they mistakenly identify him as one of their spies. Mayhem ensues as the farmhand escapes. En route he is nearly shot by a British spy who thinks he is an enemy agent. ~ Sandra Brennan, Rovi

In this European drama, a girl in reform school finds herself falling in love with school physician, but must compete with the liberal thinking superintendent for the doctor's affection. ~ Sandra Brennan, Rovi

In this romantic costume drama, a man in the service of a king finds that falling in love with the queen can carry a high price. Struensee (Clive Brook) is a doctor from Hamburg who is called upon to treat Denmark's King Charles VII (Emlyn Williams) while the potentate visits Germany. The grateful King brings Struensee back to Denmark with him where he will be afforded a life of luxury. However, Struensee's new and idyllic life hits a considerable snag when he falls in love with Queen Caroline (Madeleine Carroll). The Queen is also infatuated with Struensee, but the Queen Mother (Helen Hayes) soon learns of their affair and has both Struensee and Caroline put behind bars. Struensee is able to arrange for the Queen's escape, but she refuses to leave without the man she loves. The film was also shown under the titles The Loves of a Dictator, The Love Affair of the Dictator, and For Love of a Queen. ~ Mark Deming, Rovi

Music, drama and comedy are neatly integrated in this low-key backstage romance. After a lengthy spell of unemployment, leading man Paul Hartwig (Willy Forst) and leading lady Lisa Brandes (Dolly Haas) prepare to open in a big-time stage musical. Is it any surprise that Paul and Lisa also manage to fall in love? Their story is but one of several leading to the inevitable "big opening"; other subplots involve the director, the composer, the supporting players, the chorus and the technical crew. So Ein Maedel Vergisst Man Nicht is one of the few "putting on a show" endeavors in which it appears that a real show is actually being put on. ~ Hal Erickson, Rovi

In this German comedy, an enterprising American uncle comes from Chicago goes to the tiny town of Groditzkirchen to make a fortune on credit even though he only has $10 to his name. To do so, he enlists the aide of a bank clerk and begins posing as a millionaire. The bank clerk is aware that it's all a sham and may fail dismally, but he is an adventurous soul and decides the risk is worth it if he can acquire a fortune for his girlfriend and himself. ~ Sandra Brennan, Rovi

Most modern-day viewers are familiar with German author Alfred Doeblin's naturalistic novel Berlin Alexanderplatz from its epic TV miniseries presentation, directed in 1980 by Rainer Werner Fassbinder. The Doeblin work was previously filmed on the very brink of the Nazi takeover in 1933, with Heinrich George as the ex-convict protagonist. Yearning for respectability, George finds he cannot escape the influence of his old criminal cohorts. When George refuses to pay "hush money" to the mob, his faithful wife Margarete Schlegel is killed. George resignedly returns to a life of crime, ultimately descending into madness. The 1933 adaptation of Berlin Alexanderplatz ran a brisk 90 minutes; Fassbinder's 1980 TV version ran ten times longer. ~ Hal Erickson, Rovi

Die Koenigen einer Nacht was based on a novel by Alfred Machard. The title translates as Queen of a Night, which is the lofty status thrust upon heroine Friedl Haerlin. Despite the fact that she is not in the least bit queenly, Haerlin manages to convince her fans that she is indeed a beautiful regent, forced into a marriage of convenience which unexpectedly blossoms into love. That superlative singer Walter Janssen shows up in a supporting role designed to allow him full scope to display his remarkable vocal skills. The best acting performance in Die Koenigen einer Nacht is rendered by Carl Ludwig Diehl as the queen's adjutant. ~ Hal Erickson, Rovi