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Maurice Cass Movies

With his shock of snow-white hair and his inevitable pince-nez, Lithuanian-born character actor Maurice Cass was destined to play stage managers, theatrical impresarios, school principals and absent-minded professors. Cass's theatrical voice provided an amusing contrast to his tiny, birdlike frame. Cass's film characters were always well along in years, at least seventy or thereabouts; thus, he was able to keep working until he was really approaching seventy (an age which, alas, he missed by some four months). In his last year on earth, Maurice Cass could be seen on a weekly basis as Professor Newton on the TV serial Rocky Jones, Space Ranger. ~ Hal Erickson, Rovi
1954  
 
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Crash of Moons consists of three half-hour episodes from the mid-1950s science fiction TV show Rocky Jones, Space Ranger. Richard Crane stars as Jones, spaceship commander for the United Worlds. Scotty Beckett costars as obligatory comedy relief Winky, while Maurice Cass is Professor Newton and shapely Sally Mansfield is navigator Veda. The 39 Rocky Jones episodes were constructed cliffhanger style, enabling the producers to reissue them as 13 ersatz "feature films". Per its title, Crash of Moons concerns two inhabited planets which seem inexorably headed for an apocalyptic collision. The film boasts some impressive special effects-impressive, that is, by 1950s TV standards. ~ Hal Erickson, Rovi

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1954  
 
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The syndicated TV sci-fi series Rocky Jones, Space Ranger (1953) was dual-purposed. Though running 39 episodes, the series consisted of thirteen serialized continuities, each running three weeks. These adventures were later assembled into ersatz "feature films" for theatrical release. One such three-part adventure was Manhunt in Space, in which Rocky Jones and his space rangers battled a group of extraterrestrial desperadoes from the planet Prah. Scotty Beckett, Sally Mansfield and Maurice Cass costar in this low-budget but highly imaginative effort. ~ Hal Erickson, Rovi

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1953  
 
Happy King (Peter Mamakos), a one-time crime boss in Metropolis, who fled to Europe because of Superman's crime-busting efforts, has returned to the city, allegedly to make good on his vow to get even with the Man of Steel. He sends a note to Superman in care of Daily Planet asking to meet and settle their differences. Superman shows up at the appointed time and place, a deserted waterfront building, only to find a machine gun rigged to fire on whoever opens the door -- it's harmless enough to him, though one bullet among the dozens that hit him seems to do a little more harm and less harmless bouncing off him. While he tries to figure out what King could possibly have intended with this stunt, the crime kingpin goes ahead with his plan, convinced by the film secretly taken of the attack that he's on the right track. Professor Meldini (Maurice Cass), a scientist from Europe with a criminal orientation, has developed a theory that Superman, a native of the planet Krpyton, can be rendered helpless and perhaps even killed by being brought into contact with a radioactive isotope of material from his native planet -- kyptonite. And while the naturally occurring kryptonite is so scarce, that he could only put a few grams into that one test bullet, Meldini believes that he can manufacture synthetic kryptonite in sufficient quantity to kill Superman. King prepares to destroy his enemy with a trap, and gets unexpected bait when Lois Lane (Noel Neill) and Jimmy Olsen (Jack Larson) fall into his hands. ~ Bruce Eder, Rovi

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1953  
 
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Rocky Jones, Space Ranger was an action/adventure television show of the early '50s that followed the trials and tribulations of Rocky Jones, a pilot who flew the spaceship Orbit Jet for the United Worlds. ~ Stephen Thomas Erlewine, Rovi

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1952  
 
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In the words of its star Leonard Nimoy, Kid Monk Baroni was the sort of film that "made unknowns out of celebrities." The young Nimoy is actually quite good as the title character, a boxer whose misshapen face has earned him the unwelcome nickname "Monk." Formerly an unregenerate street punk, Baroni is set on the proper path by parish priest Father Callahan (Richard Rober). Unfortunately, a run-in with his old gang forces Baroni to skip town. He becomes a professional pugilist under the aegis of manager Hellman (Bruce Cabot), taking out his pent-up frustrations in the ring. Able to afford plastic surgery, Baroni buys himself a handsome new face--and, with it, a dangerously oversized ego. Hoping to protect his new face from harm, Baroni washes out in the boxing ring, but redemption--and a lasting romance with Emily Brooks (Allene Roberts)--await just around the corner. Kid Monk Baroni was well-directed by Harold Schuster, whose previous efforts included My Friend Flicka and So Dear to My Heart. A flop at the box office, the film did nothing for the career of Leonard Nimoy, who was obliged to spend the next 15 years in relative obscurity before attaining a second chance at big-time stardom with TV's Star Trek. ~ Hal Erickson, Rovi

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Starring:
Richard RoberBruce Cabot, (more)
 
1952  
 
Lois Lane (Phyllis Coates) runs across a pair of mysterious men who are going around Metropolis, purchasing cheap plaster statuettes at various gift shops and then smashing them. Intrigued by their bizarre behavior and positive that there's a story behind it somewhere, she enlists the help of Clark Kent (George Reeves) to see what they're up to and even gets ahead of them, purchasing some of the statues herself and smashing them, whereupon she discovers some small, seemingly meaningless objects inside. But before she can figure out what it all means, she's kidnapped out of her own apartment. Kent and Inspector Henderson (Robert Shayne) are positive that notorious international criminal Paul Martin (Tris Coffin) is behind the kidnapping and the plot, but can't get a lead on his whereabouts, or the meaning of it all. Inspector Henderson is slowly sweating the truth out of one of Martin's henchmen, but it looks as though only Superman can help Miss Lane, if he can find out where she's being held. ~ Bruce Eder, Rovi

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1952  
 
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Having supped full of success with the multi-storied O. Henry's Full House, 20th Century-Fox assembled another all-star "omnibus" film, We're Not Married. The unifying factor of this enjoyable seriocomedy is provided by justice-of-the-peace Melvin Bush (Victor Moore), who learns to his horror that his license is invalid. Bush and his wife (Jane Darwell) feverishly track down the five couples whom he has married "illegally" to inform them of the fact and invite them to renew their vows. Couple #1 is Fred Allen and Ginger Rogers, a husband-and-wife radio team whose huggy-kissy behavior on the air conceals the fact that they'd dearly love to cut each other's throats. Couple #2 consists of David Wayne and his contest-happy spouse Marilyn Monroe, who's just won the "Mrs. Mississippi" pageant. Couple #3, Paul Douglas and Eve Arden, ran out of things to say to each other long ago. Couple #4 is millionaire Louis Calhern and his avaricious young bride Eva Gabor, who intends to jilt the old coot and make off with his millions. And Couple #5 is young GI Eddie Bracken and his pregnant wife Mitzi Gaynor. When Bush delivers the news that these unions aren't legal in the eyes of the state, the results range from poignant to hilarious: particularly satisfying is Calhern's puckish revenge on his gold-digging wife. And yes, that is Lee Marvin as Eddie Bracken's army buddy. ~ Hal Erickson, Rovi

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Starring:
Ginger RogersFred Allen, (more)
 
1952  
 
Something to Live For is the last of director George Stevens' "small" films, before he concentrated full-time on such blockbusters as Shane and Giant. Joan Fontaine plays a popular actress who descends into alcoholism. Ray Milland, in an unofficial extension of his Lost Weekend role, plays a reformed drunkard who comes to Fontaine's rescue. He encourages her to join Alcoholics Anonymous--one of the first times that this organization was given any kind of screen treatment. Milland's concern strains his relationship with his wife (Teresa Wright), who doubts that Ray's interest in Fontaine is merely humanitarian. But Milland refuses to endanger his marriage no matter how strong his feelings towards Fontaine--nor how much the audience wants him to. ~ Hal Erickson, Rovi

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Starring:
Joan FontaineRay Milland, (more)
 
1949  
 
After the film-noir melodramatics of Lady in the Lake and Ride the Pink Horse, actor/director Robert Montgomery turned to comedy in Once More, My Darling. Montgomery plays a former movie idol hired by the government to woo a young heiress (Ann Blyth). Someone had previously given the girl some jewelry stolen by the Nazis during the war, and the government wants to find out who that someone was. In the grand tradition, Montgomery pursues Blyth until she finally catches him. Produced by longtime Alfred Hitchcock associate Joan Harrison, Once More, My Darling is more conservatively directed than Montgomery's earlier works, though the director earns at least one laugh by playing a clever editing joke. ~ Hal Erickson, Rovi

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Starring:
Robert MontgomeryAnn Blyth, (more)
 
1949  
 
Lieutenant Harry Grant (William Lundigan) and Sgt. Art Collins (Jeff Corey) have been handed the unenviable assignment of tracking down "The Judge," a mysterious serial murderer responsible for seven deaths over the past few months. The police have plenty of clues and forensic evidence, but no solid leads to who this highly resourceful strangler is. Complicating Grant's work is the presence of Ann Gorman (Dorothy Patrick), an ambitious reporter for a sensationalistic crime magazine, who keeps sticking her nose into this case and into his work. In exasperation over The Judge's latest victim, a newspaper editor named McGill (Frank Ferguson), Grant decides to take a novel approach to catching the killer -- he prepares a life-size blank-faced dummy using all the clues the police have, as to height, weight, physique, preferred way of dressing etc., in order to give his officers a clearer picture of who and what they're looking for. The result is creepy but effective, and soon Grant is getting closer to the killer -- but The Judge is insane, and agitated by all manner of outside stimuli, and he might prove too much even for a police detective to deal with in a direct confrontation. ~ Bruce Eder, Rovi

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Starring:
William LundiganDorothy Patrick, (more)
 
1949  
 
This second of four film adaptations of Damon Runyon's Little Miss Marker is tailored to the talents of Bob Hope. A shifty Broadway bookie, Sorrowful Jones (Hope) becomes a reluctant foster parent when an anxious gambler leaves behind his little girl Martha Jane (Mary Jane Saunders) as a "marker," or IOU. When the father is killed by mobster Big Steve Holloway (Bruce Cabot), Sorrowful decides to hide Martha Jane from the authorities, lest the poor girl get tossed in an orphanage. Lucille Ball co-stars as Sorrowful's erstwhile girlfriend Gladys, who along with Mary Jane is instrumental in "reforming" the cynical Jones. The climactic scenes, wherein Sorrowful tries to smuggle a horse into a hospital in order to bring the little girl out of a coma, deftly combines slapstick with pathos. A remake of 1934's Little Miss Marker, which starred Shirley Temple in the title role, Sorrowful Jones was itself remade in 1962 as the Tony Curtis vehicle Who's Got the Action; it was filmed again in 1980, once more as Little Miss Marker, with Curtis as the villain and Walter Matthau in the Bob Hope role. ~ Hal Erickson, Rovi

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Starring:
Bob HopeLucille Ball, (more)
 
1948  
 
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Frank Capra's only MGM film, State of the Union was adapted by Anthony Veiller and Myles Connolly from the Pulitzer Prize-winning play by Howard Lindsay and Russell Crouse. Spencer Tracy plays an aircraft tycoon who is coerced into seeking the Republican Presidential nomination by predatory newspaper mogul Angela Lansbury. Campaign manager Van Johnson suggests that, for appearance's sake, Tracy be reunited with his estranged wife Katharine Hepburn (replacing Claudette Colbert, who'd ankled the project after a pre-production donnybrook with director Capra). Realizing that Tracy and Lansbury are having an affair, Hepburn nonetheless agrees to grow through the devoted-wife charade because she believes that Tracy just might make a good President. Her faith is shattered when Tracy, corrupted by the Washington power brokers, publicly compromises his values in order to get votes. Only in the film's last moments does Tracy prove himself worthy of Hepburn's love and his own self-respect by admitting his dishonesty during a nationwide radio-TV broadcast. Much of the biting wit in the original Broadway production of State of the Union is sacrificed in favor of the director's patented "Capracorn," but the film is no less entertaining because of this. As usual, the supporting cast is impeccable, from featured players Adolphe Menjou (whose off-camera political arguments with Hepburn threatened to shut down production at times) and Margaret Hamilton, to bit actors like Carl "Alfalfa" Switzer and Tor (Plan 9 From Outer Space) Johnson. Because the television rights to State of the Union belonged to Capra's Liberty Films, the picture was released to TV by MCA rather than MGM's syndication division. ~ Hal Erickson, Rovi

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Starring:
Florence AuerSpencer Tracy, (more)
 
1948  
 
The Girl From Manhattan is a minor but watchable variation on the old "mortgage-on-the-farm" plot device. The girl of the title is Carol Maynard (Dorothy Lamour), who after several years in the Big Apple returns to her home town, where her uncle, boarding-house manager Homer Purdy (Ernest Truex) faces eviction. The villain of the piece at first seems to be brash young minister Tom Walker (Robert Montgomery), who wants to build a church on Truex's property. But after reviewing the sitaution, Carol and Tom figure out that they have a common enemy: dishonest financier Sam Griffin (Howard Freeman), who intends to use the old church property for his own crooked purposes. Saving the film from wallowing in its own bathos is the timely arrival of Charles Laughton as a cherubic Bishop. ~ Hal Erickson, Rovi

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Starring:
Dorothy LamourGeorge Montgomery, (more)
 
1947  
 
High Conquest was a good example of the sort of "prestige" fare that lowly Monogram Pictures hoped to turn out on a regular basis in the postwar years. Adapted from a novel by James Ramsey Ullman, the story centers on Hugo Lannier (Warren Douglas), an American youth who makes it his mission in life to conquer the Matterhorn in Switzerland. Hugo's father had been killed years earlier in a similar attempt, and our hero hopes to honor his father's memory by completing the task. But first, Hugo must overcome his intense dislike of the Alps and his fear of heights-not to mention his fear of fear itself. Top-billed Anna Lee plays Marie, a Swiss girl who believes in Hugo even when he doesn't. Genuine location footage of the Matterhorn is deftly blended with some surprisingly convincing studio mockups. ~ Hal Erickson, Rovi

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Starring:
John BleiferBeulah Bondi, (more)
 
1947  
 
Saddle Pals hits a new low for Gene Autry's postwar Republic westerns, containing literally no action at all. Autry is drawn into the plot when he's given power of attorney in a property settlement involving his old pal (Sterling Holloway) and a gang of land swindlers. The pal then goes on an extended vacation, leaving Autry to sort things out. Though he doesn't display the business acumen that would eventually transform him into a real-life billionaire, Autry does manage to figure out that the swindlers are up to something dishonest. One of the more curious aspects of the film is the casting of traditional comedy-relief actor Sterling Holloway as the plot catalyst; he looks almost as uncomfortable as Autry. Fortunately, Autry's movie career would take an upswing the following year when he switched his base of operations from Republic to Columbia. ~ Hal Erickson, Rovi

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Starring:
Lynne RobertsSterling Holloway, (more)
 
1947  
 
One of the most ambitious productions ever turned out by Monogram studios, Song of My Heart represented the directorial debut of screenwriter Benjamin Glazer. The film unfolds the life story of Peter Ilytich Tschaikovsky, with Swedish actor Frank Sundstrom in the title role. Avoiding the sensualism and sensationalism of Ken Russell's later Tschaikovsky biopic The Music Lovers (wisely, given the censorial limits of 1947), Glazer's film tastefully concentrates on the Russian composer's romantic relationship with his patroness Amalya (Audrey Long). Though he achieves great professional success on the concert stage, Tschaikovsky finds personal happiness and contentment only when he is on the verge of death. The huge cast includes such diverse personalities as Sir Cedric Hardwicke, Mikhail Rasumny, Gale Sherwood, Jimmie Dodd, and even veteran western heavy Lane Chandler. Deemed too good to be released with the Monogram imprimatur, Song of My Heart was handled by the studio's "prestige" division, Allied Artists. ~ Hal Erickson, Rovi

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Starring:
Drew AllenRobert Barron, (more)
 
1947  
 
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The "spoilers" in this Republic programmer are headed by unscrupulous salmon fisherman Matt Garraway (Paul Kelly). Treating women and competitors with equal contempt, Garraway charms and abandons such lovelies as Laura Reed (Evelyn Ankers) and Jane Koster (Adrian Booth). Having persuaded Laura to put up money for his fish cannery, Garraway drops her like a bad habit and begins pursuing Jane, so that she'll recruit her Native American friends to do some off-season salmon fishing. Jane's brother Pete (Francis McDonald) figures out long before anyone else does that Garraway is a no-good, and he sets the wheels in motion for the villain's ultimate downfall. Even if the opening credits had been removed, audiences would have known that Spoilers of the North was a Republic picture when Roy Barcroft showed up as Greenaway's chief henchman. ~ Hal Erickson, Rovi

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Starring:
Paul KellyAdrian Booth, (more)
 
1946  
 
The first of the Bowery Boys' "haunted house" comedies, Spook Busters casts the boys as recent graduates of Exterminators' School. Setting up headquarters in Louie's Sweet Shop, Slip (Leo Gorcey), Sach (Huntz Hall) and their pals are hired by Mr. Brown (Chester Clute) to rid a forbidden old mansion of its various bugs and insects. Once they arrive on the premises, the Boys must deal with "pests" of a human variety-namely mad scientist Dr. Coslow (Douglass Dumbrille) and his assistants (Vera Lewis, Charles Middleton and Richard Alexander). The fun really begins when Coslow prepares to use Sach as a guinea pig for his latest diabolical experiment. The film's highlight is the obligatory fight scene, lensed on this occasion in ultra-slow motion! Gabe Dell makes his return to the Bowery Boys fold as returning GI Gabe Moreno, here equipped with a French war bride (Tanis Chandler) who would never be seen again after this film. One strongly suspects that Spook Busters was seen several times in childhood by Dan Aykroyd, Bill Murray, Harold Ramis and other members of the Ghostbusters cast. ~ Hal Erickson, Rovi

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Starring:
Richard AlexanderBilly Benedict, (more)
 
1946  
 
Horror films were not Republic Pictures' forte, as one can see while watching the stylish but pedestrian Catman of Paris. Carl Esmond stars as Charles Reigner, an amnesia victim who may or may not be fiendish "Catman" who has been cutting a homicial swath throughout Gay Paree. Essentially a Jeckyll-Hyde story, the film borrows a page from Oscar Wilde's anco 7 Argentina's first 1946 release, Christina stars screen favorite Zully Moreno as the title character. It's the old saw about the country lass who finds herself cast adrift in the Big City. She finds brief happiness in the arms of wealthy Esteban Serador, but he turns out to be a cad and a bounder. To no one's surprise, Moreno is rescued by hometown sweetheart Alberto Closas, who has remained faithful through it all. Very standard stuff, Christina coasts by on the appeal of Zully Moreno, who seems much too intelligent to be mouthing the inane dialogue she is given. ~ Hal Erickson, Rovi

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Starring:
Carl EsmondLenore Aubert, (more)