Steve White Movies

Based on Richard Price's grim best-seller, and directed by Spike Lee from a screenplay co-written with Price, Clockers takes the structure of a police procedural to build a chilling portrait of despair, hope, and the unanswered problem of black-on-black crime in an urban housing project. The film's haunting themes are vividly visualized during the opening credits, which run over police photos of dead young black men, shot and sprawled on sidewalks, in streets, and hanging over fences. Strike (Mekhi Phifer) is a 19-year-old African-American "clocker" -- the lowest link on the drug dealing chain -- who hangs around park benches and street corners selling small amounts of druges at all hours of the day. Strike drinks chocolate milk to soothe an ulcer and plays with model trains in his apartment, dreaming of a way out of his dead-end life. Drug kingpin Rodney (Delroy Lindo) asks Strike to kill another clocker, Darryl, for skimming money, saying that this will be Strike's ticket to a higher post in Rodney's organization. Darryl is indeed shot, and suspicion immediately falls on Strike, but a weary cop named Rocco Klein (Harvey Keitel) thinks there's more to the case. ~ Don Kaye, All Movie Guide

HBO's second annual festival of stand-up comedy, Def Comedy Jam 2 features some of the best and brightest comics around. Viewers experience Chris Rock's aggressive political observations, Martin Lawrence's off-the-wall characters, Chris Tucker's high-pitched, quick-witted delivery, and the funny stylings of Steve White, Yvette Wilson, and Rodney Winfield. ~ Betsy Boyd, All Movie Guide

Released one year to the day after the 1995 Million Man March, in which a million African-American men marched peacefully in Washington, D.C. in a bid for greater unity and understanding, Spike Lee's Get On the Bus follows a group of black men who take a charter bus from Los Angeles to the rally in the nation's capital and watches as they interact and air their personal issues and concerns. George (Charles S. Dutton) is the organizer of the trip and de facto leader of the group. Evan Thomas (Thomas Jefferson Byrd) is a truck driver who travels to the march with his son (De'Aundre Bonds) chained to his belt by court order after the boy was arrested for petty theft. Kyle (Isaiah Washington) and Randall (Harry Lennix) are gay lovers who take no small amount of abuse from their fellow passengers. Gary (Roger Guenveur Smith) is the product of a mixed-race marriage who could pass for white but sees himself as black; he's also a cop, which does little to endear him to his peers. Flip (Andre Braugher) is an actor who seems more concerned with getting his next film role than the larger issues of the march. Jamal (Gabriel Casseus) is a good-natured young Muslim trying to lead a righteous life to make up for his violent past as a gang member. A film student (Hill Harper) is capturing the trip on videotape, and Jeremiah (Ossie Davis) sits in the back, reflecting on the struggles of African-Americans in the past and present. Financed by a private group of 15 black American men (among them Will Smith and Wesley Snipes), Get On the Bus speaks less of a single political goal than of the need for black men to set aside their differences to work for their common good. While the film falls short of openly criticizing Million Man March organizer Louis Farrakhan, it does present debate about Farrakhan's ideals and statements, ultimately coming to the conclusion that whoever brought this group together is less important than the fact that they came together in peace and brotherhood. ~ Mark Deming, All Movie Guide

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, All Movie Guide

A wife finds herself highly expendable as her husband and his lover continually bungle their attempts at murder in this black comedy. Mona, the wife, is a woman of substance who is forever trying to coerce her husband Eddie, a selfish, shallow creep, into making love to her. He refuses. She goes to the hospital for liposuction. While she is gone, Eddie saves the life of a woman attempting suicide. She is the beautiful Rachel. They become lovers. When Mona returns, Eddie lies and tells her that Rachel will be her nurse. Realizing that Mona will figure it out soon, the two lovers decide to murder her first. They try burying her in the sand, tossing her into the garbage, towing her out to sea, but nothing works. ~ Sandra Brennan, All Movie Guide

An unthinkable nightmare punctures the facade of a seemingly perfect life in director Sacha Parisot's critically acclaimed thriller Skin Deep, which was an official selection of the 2003 Chicago International Film Festival. Successful Silicon Valley businessman Anthony (Mailon Rivera) seems to have everything as he bides his time between his uninterested wife, Victoria (Kristen Shaw); his increasingly unhinged lover, Alex (Debra Wilson); his resentful best friend, Michael (Steve White); and his demanding job. Tragedy strikes when Michael and his wife, Sarah (A.J. Johnson), arrive for an afternoon of partying and hot tubing and a body appears, leading everyone involved into a paranoia-fueled rage of anger and betrayal. ~ Jason Buchanan, All Movie Guide