Merrill White Movies

Handsome, twenty-year-old George Hamilton had his first starring role in this so-so drama by Denis Sanders inspired by Feodor Dostoyevsky's novel Crime and Punishment. Robert Cole (Hamilton) is a law student whose certainty that he is a cut above anyone else leads him to murder a pawnbroker with the belief he is too good to get caught. But Inspector Porter (Frank Silvera) begins to suspect that Cole has blood on his hands, even before there is any real proof that he is guilty. As the two play the same cat-and-mouse game that drove Dostoyevsky's hero over the edge, the modern Roskolnikov finds himself in a steadily deteriorating situation. ~ Eleanor Mannikka, Rovi

Wealthy Helene Delambre (Patricia Owens) is discovered late at night in the factory owned by her husband Andre (David Hedison). Helene stands beside a huge metal press, which has crushed the head and arm of her husband. Held for murder, the near-catatonic Helene refuses to tell anyone--not even Andre's brother Francois (Vincent Price)--why she did it. Francois cannot help but notice that Helene reacts in mortal terror when a tiny flies zips through the room. Nor can he disregard the statement made by Helene's son Philippe (Charles Herbert) that the fly has a curious white head and leg. When Francois pretends that he's captured the fly, Helene relaxes enough to tell her story. It seems that Andre, a scientist, had been working on a matter transmitter, which he claimed could disintegrate matter, then reintegrate it elsewhere. After a few experiments, Andre tried the transmitter himself. Just as he stepped into the disintegration chamber, a fly also flew into the chamber. We aren't immediately shown the results of this, save for the fact that Andre afterward insists upon keeping his head and arm covered. Alone with her husband, Helene abruptly removes the covering, revealing that Andre now bears the head of a fly! His atoms have become mixed up with the fly, and now he is unable to reverse the procedure. Deciding that his transmitter will be a bogy rather than a blessing to mankind, Andre smashes the apparatus and burns his notes. He then instructs Helene, via body language, to crush his fly-like head and arm in the press. Neither Francois nor inspector Charas (Herbert Marshall) believe the story...until, while staring intently at a spider's web in the garden, they see a tiny entrapped fly with Andre's head and arm, tinnily screaming "Help me! Help me!" as the slavering spider approaches (If you're wondering why Vincent Price and Herbert Marshall do not look one another in the eye during this scene, it is because they couldn't deliver their dialogue without dissolving into laughter). Infinitely subtler than the admittedly excellent 1986 remake, the 1958 The Fly is one of the definitive big-budget horror films of its decade. Best bit: the prismatic "fly's eye view" of the screaming Patricia Owens. The Fly was adapted from George Langelaan's short story by James (Shogun) Clavell. ~ Hal Erickson, Rovi

Roger Bristol (James Craig) is the star of a popular TV adventure series. To further boost his ratings, Bristol promises his viewers that he will locate a sunken treasure off the coasts of South America. True to his word, Bristol, his secretary Anne Stevens (Audrey Totter) and his skindiver son Bob (Lowell Brown) embark on his dangerous quest, using the cryptic messages carved on an ancient idol as his guide to the treasure. Their mission is threatened by a covetous local diver (Nico Minardos), who will stop at nothing to get his hands on the treasure. Not everything goes as planned, but Roger does discover that true love is worth all the gold in the sea. ~ Hal Erickson, Rovi

In this western, a young man tries to walk the straight and narrow, but he is impeded by his past. The trouble begins when the young fellow flees his family's Texas dirt farm and becomes an outlaw. He is advised by one of the desperadoes to return home. The boy does, and with hard work, makes the farm successful. Harvest time rolls around. He is just about to celebrate when the outlaws ride up and force him to help them pull a local bank job. He refuses and kills the gang leader and his brother. Meanwhile, the boy's past is revealed to the town banker. Seeing that he truly has gone straight, the banker forgives him. The boy marries and lives with his lovely bride upon his land. ~ Sandra Brennan, Rovi

Tanga-Tika was color-photographed on location in Tahiti by producer-director-cinematographer Dwight Long. Essentially a documentary, the film is given a continuity of sorts by concentrating on the romance between Nenu (Adeline Tetahalmuai) and Timi (Paul Meoe). The film's "money scene" is the climactic dance by a bare-breasted native girl, but equally fascinating are a native athletic competition and an island-wide celebration of Bastille Day. George Fenneman, Groucho Marx's announcer-straightman on You Bet Your Life, supplies the narration. The music score includes a Hit-Parade wannabe by Victor Young, "Tahiti, My Island." ~ Hal Erickson, Rovi

Producer-director-star Hugo Haas attempts a costume melodrama in Thy Neighbor's Wife. Plotwise, it's the usual Haas formula: a middle-aged man, his voluptuous young wife and a handsome interloper. In the 19th century, a Moravian magistrate (Haas) swears vengeance when his gorgeous bride (Cleo Moore) renews her romance with her ex-flame (Ken Carlton). When the young man's uncle is murdered, the judge prosecutes his wife's lover for the crime, despite the fact that he's already heard a confession from the village-idiot (Tom Fadden). To make sure that the young man is hanged, the judge kills the real killer; this is witnessed by the judge's wife, who is likewise promptly murdered by her over-zealous husband. Eventually, justice -- or rather, conscience -- emerges triumphant. The ad campaign for Thy Neighbor's Wife included an alluring 8 X 10 of the bare-backed Cleo Moore being flogged, though this is hardly an important moment in the film's course of events. ~ Hal Erickson, Rovi

As indicated by the title, Lady in the Iron Mask is a distaff version of the famous Alexandre Dumas yarn. D'Artagnan (Louis Hayward) and his fellow musketeers vow to defend France's Princess Anne (Patricia Medina) to the death. It seems that Anne has been thrown into a dungeon with her face enveloped in an iron mask, while her long-lost sister Louise (also Patricia Medina) is placed on the throne by scheming Duke De Valdac (John Sutton). D'Artagnan and his pals must rescue the princess before the impostor goes through with an arranged marriage to King Phillip of Spain (Hal Gerrard). Porthos, Aramis and Athos are played respectively by Alan Hale Jr., Judd Holdren (TV's Commando Cody) and Steve Brodie. ~ Hal Erickson, Rovi

The third of actor Hugo Haas' endeavors as producer-director, Strange Fascination is at least superficially better and more original than the first two. While it's true that Haas once more deploys the theme of a middle-aged man falling hopelessly in love with a much-younger woman, he eschew his usual fondness for melodrama in favor of sentiment. Haas plays Paul Marvan, an international renowned concert pianist. Marvan's career goes into eclipse almost immediately after his marriage to the beautiful Margo (Cleo Moore, in the first of her many Hugo Haas films). It isn't anyone's fault, really: it is simply that Cruel Fate is dead set against Mr. and Mrs. Marvan ever enjoying true happiness. The grimly ironic finale of Strange Fascination is proof positive that there is, indeed, a long long time from May to December. ~ Hal Erickson, Rovi

Lon McCallister is the Boy From Indiana in this pleasant horse-racing yarn. Lon Decker (McCallister) comes to the rescue of Texas Dandy, a champion quarter-mile racehorse who is being abused by his avaricious owner (George Cleveland). After various and sundry adventures--including a hair-raising episode with a wild bull--Decker rides Texas Dandy in a crucial, plot-solving Big Race. Lois Butler co-stars as the girl in Lon's life, while Billie Burke goes through her dithery repertoire as a high-society horse fancier. As can be expected, Boy From Indiana is at its best during the racetrack scenes. ~ Hal Erickson, Rovi

The "mermaids" are really tribal pearl divers in this diverting Tarzan adventure. Their livelihood is threatened by an evil white trader (Fernando Wagner), who sets himself up as a "god." With the help of lovely diver Linda Christian (later Mrs. Tyrone Power), Tarzan defeats the wicked despot, but not before several underwater battles, not the least of which involves an octopus. If the jungle settings of Tarzan and the Mermaids don't look particularly African, that's because the film was shot at the Churubusco Studios in Mexico. Mermaids represents the final appearance of Johnny Weissmuller as Tarzan. ~ Hal Erickson, Rovi

Delmer Daves directs the noirish thriller The Red House, based on the novel by George Agnew Chamberlain. Edward G. Robinson plays Pete Morgan, a farmer who harbors dark secrets and refuses to let anyone near the red house in the woods behind the house. In order to fend off trespassers, he hires Teller (Rory Calhoun) to stand guard. He lives with his sister, Ellen (Judith Anderson), and his adopted daughter, Meg (Allene Roberts). When they hire Meg's friend, Nath Storm (Lon McCallister), to help out on the farm, the two kids start to wonder about the mysterious red house. The film features an eerie original score by Miklós Rózsa. ~ Andrea LeVasseur, Rovi

In this drama, a deliciously nasty villain endeavors to steal a successful shipping firm from an honest man. To get the company and gather information, the villain employs a talented mimic who begins dating the daughter of the company president. He succeeds and causes the president to take his own life to save his company. Later the villain tries to kill the mimic, but fortunately, the mimic survives, goes to the police, gets the crook arrested, and proves himself worthy of his lady's love. ~ Sandra Brennan, Rovi

Amazing Quest was the original British release title of the 1937 comedy Romance and Riches (aka Riches and Romance). Making a rare return trip to England, Cary Grant plays the heir to a huge fortune. Alas, Grant is miserable, because he's never worked for his money. Determined to prove his worth, Grant makes a wager than he can earn his keep for a full year without ever touching the family millions. He loses his bet when he must draw upon his money to wed poverty-stricken Mary Brian, the better to save her from an unhappy marriage of convenience. Still, his experiences among the working classes have left an indelible impression; turning his back on his "equals," Grant invites all of his newly acquired lowborn friends to his wedding reception. Like His Girl Friday, Penny Serenade, and Charade, Amazing Quest is one on the ever-growing list of Cary Grant films that have lapsed into public domain, and thus are more readily available than when first released. Amazing Quest was based on a novel by E. Phillips Oppenheim. ~ Hal Erickson, Rovi