Jim Wheat Movies

In this science fiction thriller, a spaceship is transporting a disparate group of people to a far-away galactic outpost called New Mecca. Mechanical failures cause the craft to crash-land on an abandoned planet that has three suns and no night. The only member of the crew to survive is junior pilot Carolyn Fry (Radha Mitchell), while the passengers who climb from the wreckage include a police officer (Cole Hauser) and the prisoner he's transporting, Riddick (Vin Diesel). As Fry and the other survivors survey the abandoned dwellings of the desert world while trying to decide what to do next, one of them is killed by a mutant creature living in an abandoned mining site. The vicious and bloodthirsty mutants, who live underground, have killed all previous inhabitants of the planet; they cannot stand sunlight, but research reveals that the planet has a total eclipse every 22 years, and the latest one is due any moment. Pitch Black was directed by David N. Twohy, who also made the sci-fi cult item, The Arrival. ~ Mark Deming, All Movie Guide

It would seem that the producers of the made-for-cable chiller Rattled had not only used Joseph Gilmore's novel Rattlers as their inspiration, but had also supped full of such horror movies as Poltergeist and Arachnophobia. The scene is Eden Valley, a luxurious housing development carved from a mountainous wilderness by architect Paul Donohue (William Katt). But things are hardly Eden-like in the valley (or, on second thought, perhaps they are!) when the development is suddenly invaded by a swarm of deadly rattlesnakes. Guilt-ridden by the realization that this serpentine invasion has been brought about by the explosives used to excavate the valley, Donohue takes it upon himself to stop the snakes -- and to overcome his mortal terror of the slimy predators. Rattled debuted February 14, 1996, on the USA network. ~ Hal Erickson, All Movie Guide

Produced for cable TV, this feeble follow-up to the classic Hitchcock thriller transfers the avian carnage from Bodega Bay to the New England fishing town of Land's End, where a young couple and their two daughters are besieged by squadrons of malicious gulls and their assorted winged cousins. Despite some opening scenes suggesting an actual motivation for the bird attacks -- something Hitchcock left eerily ambiguous -- there is little variation on the formula, which overstays its welcome long before the lackluster climax (which owes more to The Killer Shrews than to The Birds); the pointless proceedings are further bogged down by a dreary adultery subplot. Even the presence of Tippi Hedren fails to provide even a slightly clever nod to the original, as she is wasted in a minor role as the proprietor of a local diner who has her own theories about the cause of the bird attacks. Direction was credited to standard DGA pseudonym Alan Smithee when Rick Rosenthal withdrew his name from the final cut. ~ Cavett Binion, All Movie Guide

In this horror/suspense anthology picture, a group of co-ed college students meet at their demented psychology professor's house for some extracurricular pointers. The professor gets his kicks in class from scaring his students half to death. Each co-ed has to tell a story which is frightening or upsetting to her. Meanwhile, someone whom the professor really ticked off is out to get him. ~ Clarke Fountain, All Movie Guide

This fourth trip down Freddy Lane was the most successful at the box-office, but although it has some impressive visuals, it is mostly an empty film. Credit must go to the effects team for some fine work, but otherwise, this entry from the director of Cutthroat Island (Renny Harlin) is extremely weak. Roland Kincaid falls asleep and awakens in the Springwood junkyard, where his dog -- named "Jason" in a sad foreshadowing of the film's giggly tone -- pees fire on Freddy's grave. The pyro-urinary baptism causes Krueger (Robert Englund) to reassemble from bones outward in an admittedly impressive sequence. Predictably, Freddy guts Kincaid, then appears in Joey's waterbed as a naked pinup girl (Hope-Marie Carlton) before slicing him to ribbons. And so it goes. The film has a few interesting ideas kicking around, but no real identification points. This is a video game, not a movie, and the characters seem to exist only in order to move the film from one effects sequence to another. There is a lot to be said for special effects, and the ones here are extraordinary and vivid. However, the wonderfully grim mood and subtle performances of Chuck Russell's outstanding third entry in the series are gone, abandoned by Harlin in favor of a splashy, comic book approach which would, unfortunately, dominate the series' later installments. ~ Robert Firsching, All Movie Guide

This expensively wrought TV movie was the sequel to the 1984 offering Ewok Adventure, which in turn was inspired by those furry little extraterrestrials introduced in the 1983 theatrical feature Return of the Jedi. On the forest moon of Endor, a little girl (Aubree Miller) is protected by the Ewoks -- and by human hermit Noa (Wilfred Brimley) -- against such enemies as space-witch Charal (Sian Phillips). Like all previous chapters in the "Ewok" saga, The Battle for Endor was executive-produced by George Lucas. And, like Ewok Adventure, the film copped an Emmy nomination. First telecast November 24, 1985, Ewoks: The Battle for Endor was preceded two months earlier by the animated Saturday-morning series The Ewoks, which later evolved into The Ewoks and Star Wars Droids Adventure Hour. ~ Hal Erickson, All Movie Guide

The bottom-drawer science fiction cheapie was originally released as The Return. In a dusty New Mexico town, two children and an old man witness the arrival (via poor special effects) of an alien spacecraft. The phenomenon has such a profound effect on the lives of the witnesses that they anxiously await the return of the extraterrestrials--whom, it is suggested, have visited here several times before. When the big-name cast (Jan-Michael Vincent, Cybill Shepherd, Martin Landau, Raymond Burr and Neville Brand) failed to sucker customers into seeing The Return, the film was repackaged as The Alien's Return. If we are indeed visited by aliens someday, one hopes they aren't as dull as the creatures in this sorry little film. ~ Hal Erickson, All Movie Guide