Bill Weston Movies

In this adventure-filled sequel to the 2004 blockbuster National Treasure, Nicolas Cage reprises his role as artifact hunter and archaeologist extraordinaire Ben Franklin Gates. In this outing, Gates learns of his own family's implication in the assassination of Abraham Lincoln by John Wilkes Booth. Gates must then locate an elusive diary, not only to clear his family's name, but to unearth and connect several secrets, buried within the book, that point to a massive, global conspiracy. The film co-stars Jon Voight, Harvey Keitel, and Helen Mirren as Ben's mother. Jerry Bruckheimer returns as producer. ~ Nathan Southern, All Movie Guide

Olympic gymnastics coach Francine Lake (Lauren Hutton) and her 12 students train on the Island of Crete. The rigors of training preclude most sexual activity with the locals, thus the girls spend their evenings in quiet frustration. Likewise repressed is training-school janitor Ulysses (Svestislav Goncic), a notorious peeping tom. When one of the girls is sexually assaulted, Ulysses is the most likely suspect. It turns out, however, that the film's true antagonist is much closer to the situation than it first appears. ~ Hal Erickson, All Movie Guide

Gene Wilder directed and wrote (along with Terence Marsh) this mild farce which is a pale reminder of Wilder's glory days in Mel Brooks' Young Frankenstein. Wilder plays ham radio actor Larry Abbot, who takes his fiancee Vickie Pearle (Gilda Radner) out to meet his relations on a gloomy country estate before they are married. The creepy clan is lorded over by the bizarre Aunt Kate (Dom DeLuise), who keeps babbling about a local rampaging werewolf. As Larry and Vickie try to spend a quiet weekend in the mansion, they are assaulted with all manners of spooky goings-on -- the kind of routines that were already growing whiskers when Abbott and Costello first dusted them off over fifty years ago. ~ Paul Brenner, All Movie Guide

Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. The results are thoroughly unprecedented in the cinema.

Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him.

Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, All Movie Guide

Meant to be a whimsical sword-and-sorcery film about a prince out to save his princess from the jaws of the Beast, Krull has enough scenes borrowed from blockbuster predecessors (Raiders of the Lost Ark, E.T., Robin Hood, Star Wars) and is gentle enough to be rather derivative, ordinary fare. Prince Colwyn (Ken Marshall) has inherited a kingdom under siege by the evil Beast, and not only has to rid the land of the monster, but he has to rescue his bride Lyssa (Lysette Anthony) from the Beast's clutches as well. In his magical land, horses can sometimes fly, medieval castles can harbor weapons that light up, and before he can defeat the Beast, the prince has to get his hands on the glaive (French for "double-edged sword"), a razor-sharp, magical weapon capable of killing the monster. One of the more notable aspects of Krull is that a 30-year old Liam Neeson plays the bit part of Kegan, in only his third full-length feature film. ~ Eleanor Mannikka, All Movie Guide

A former policeman investigates a series of murders by centering on an organization which re-creates medieval battles. ~ John Bush, All Movie Guide