Michael Westmore Movies

The tenth film in Paramount's highly lucrative sci-fi franchise is also positioned as the last for the entire original Next Generation crew. En route to the honeymoon of William Riker (Jonathan Frakes) to Deanna Troi (Marina Sirtis) on her home planet of Betazed, Captain Jean-Luc Picard (Patrick Stewart) and the crew of the U.S.S. Enterprise receive energy readings identical to those uniquely emitted by the positronic brain of android crew member Data (Brent Spiner). Upon investigation, they discover the disassembled parts of an identical android named B4, an early prototype of Data himself, now scattered on the surface of a remote world. As they reassemble B4, the crew receives word from Starfleet that a coup has resulted in the installation of a new Romulan political leader, Shinzon (Tom Hardy), who claims to seek détente with the human-backed United Federation of Planets. As commander of the closest starship to Romulus, Picard is ordered there to negotiate with Shinzon. Once in enemy territory, the captain and his crew make a startling discovery: Shinzon is human, a slave from the Romulan sister planet of Remus (the residents of which are vampire-like creatures that dwell on the perpetually dark side of their home world), and has a secret, shocking relationship to Picard himself. It soon becomes clear that Shinzon has lured the Enterprise to Romulus using B4 as bait and that his sinister ulterior motives include the destruction of Earth. A vicious battle between the Enterprise and Shinzon's powerful warship ensues, resulting in heartbreaking heroics and a devastating casualty. Star Trek: Nemesis was written by long-time Trek fan and Oscar-nominated screenwriter John Logan. Regular cast members Michael Dorn, LeVar Burton, Gates McFadden, and Whoopi Goldberg co-star with Ron Perlman, Dina Meyer, and Steven Culp. ~ Karl Williams, All Movie Guide

Touted upon its release as the finale of the Rocky saga, this fifth entry in the long-running series of sports dramas reunites star Sylvester Stallone with John G. Avildsen, director of the Oscar-winning original. Stallone is Rocky Balboa, suffering from career-ending brain damage as a result of his punishing bout with Ivan Drago at the finale of the previous film. Upon their return to Philadelphia, Rocky and his wife, Adrian (Talia Shire), discover they are broke, their fortune squandered by an incompetent accountant. Forced to move back to their working-class neighborhood, Rocky finds that his only asset is the run-down gym willed to him by Mickey (Burgess Meredith, who appears in new flashback sequences). Resisting big money offered to him by Don King-like boxing promoter George Washington Duke (Richard Gant), Rocky becomes a trainer and finds a talented comer in Tommy Gunn (real-life boxer Tommy Morrison, nephew of John Wayne). Rocky's son (played by Stallone's real-life son Sage Stallone) feels neglected by his father, who lavishes attention on his protégé, but Tommy ultimately turns his back on his mentor to sign a more lucrative deal with Duke, leading to a street-fight showdown. ~ Karl Williams, All Movie Guide

Blood of Heroes features a sport that you're not likely to see on ESPN. It's called "juggers", and Rutger Hauer is the champion jugger in the post-apocalyptic world; he goes from village to village with his entourage, brutishly taking on all comers. The action culminates in the bloody "league championship." Joan Chen costars as Hauer's apprentice in the film, which was released in Australia as Salute of the Jugger. ~ Hal Erickson, All Movie Guide

Dolph Lundgren stars in this live-action film version of the popular television cartoon series (based on a collection of Mattel action figures). Lundgren is He-Man, a well-muscled super-hero, battling the evil Skeletor (Frank Langella) for control of the universe. Skeletor has designs on conquering the planet Eternia, a ravaged utopia ruled over by the Sorceress of Greyskull Castle (Christina Pickles). He-Man is summoned to stop Skeletor's plans. But when the wily dwarf Gwildor (Billy Barty) utilizes his Cosmic Key, He-Man and Skeletor finds themselves transported to California. There, a waitress named Julie (Courteney Cox) and her boyfriend Kevin (Robert Duncan Mitchell) come across the Cosmic Key and become embroiled in the intergalactic battle between He-Man and Skeletor. ~ Paul Brenner, All Movie Guide

Project X is a top-secret government undertaking involving trained chimpanzees. Grounded pilot Matthew Broderick, assigned to teach the chimps how to operate a flight simulator, discovers that his charges are to be subjected to high levels of radiation to test potential human endurance. Risking a court martial, Broderick links up with Helen Hunt, the researcher who has taught the chimps sign language, to save the simians from destruction. The serious subtext of Project X is forgotten during a Disneyesque comic finale, wherein the lovable chimps nearly trigger a nuclear meltdown! Without taking anything away from human stars Matthew Broderick and Helen Hunt, we must note that the most engaging performance in Project X is delivered by Willie the Chimp, who essays the challenging role of Virgil the Chimp. ~ Hal Erickson, All Movie Guide

Cinematographer Michael Chapman directed this John Sayles adaptation of Jean M. Auel's best-selling ode to Cro-Magnon women. The story begins at the moment in pre-history when the last of the Neanderthal men were becoming extinct and the superior race of Cro-Magnons were starting to supersede them. Focusing on a tribe of wandering Neanderthals who adopt a young girl named, Ayla (played as an adult by Daryl Hannah). She grows tall, lithe, and smart. The Neanderthals quickly accept her into their tribe, but once a tribal member, Ayla begins to question the tribe's male chauvinistic presumptions. Unable to conceive of why only men are given weapons, she takes it upon herself to learn how to use a slingshot. She then questions the tribe's assumptions concerning sexual politics. She learns to count and becomes the assistant to the local medicine expert. As the seasons wear on, the tribe utilizes Ayla's knowledge for their own good while Ayla's continues to try the patience of the tribe with her unspeakable feminist demands. ~ Paul Brenner, All Movie Guide

For his third outing as disturbed innkeeper Norman Bates, Anthony Perkins directed as well as starred in the thriller Psycho III. This time out, Norman is still manning the desk at the Bates Motel, where he now has an assistant, Duane (Jeff Fahey), and a new long-term tenant, Maureen Coyle (Diana Scarwid). Maureen has been seeing Duane and has some issues to resolve in her life; she gave up her vows as a nun not long ago, and she isn't sure just how she feels about either spiritual or earthly matters. Norman takes an interest in Maureen, which may not be good for her long-term health -- after all, the last woman with the initials "M.C." who stayed in that room (and used the shower) met with a rather nasty fate. Perkins played Norman Bates one more time, in the made-for-cable Psycho IV: The Beginning; a short-lived TV series followed, Bates Motel, in which Perkins did not participate. ~ Mark Deming, All Movie Guide

This belated sequel to Stanley Kubrick's 2001: A Space Odyssey (1968) is directed by Peter Hyams. Roy Scheider plays the astronaut/skipper of a U.S.-Soviet space mission, sent to find out what happened to the missing Discovery flight that carried Keir Dullea into the beyond in the original 2001. Scheider's polyglot crew includes Americans John Lithgow and Bob Balaban (the latter a computer whiz, responsible for the notorious HAL 9000) and Russians Helen Mirren, Elya Baskin and Natasha Schneider. The reason for this international mixture is that the world is on the brink of nuclear war, and it is hoped that the space mission will assure east-west solidarity (in this respect, 2010 dates far more than 2001, given the collapse of the Iron Curtain). When the astronauts catch up with Dullea, still in orbit around Jupiter, producer/director/writer Hyams attempts to demystify the enigmatic climax of 2001. Arthur C. Clarke, author of the story upon which 2001 was based, appears in 2010 as a man on a park bench. Incidentally, the voice-over credited to Olga Mallsnerd is actually Candice Bergen. (The name Mallsnerd is a play on the name of one of the characters created by her ventriloquist father Edgar.) ~ Hal Erickson, All Movie Guide

First Blood is the Sylvester Stallone film that unleashed "Rambo" onto an unsuspecting world. Wandering into a small, hostile town, ex-Green Beret John Rambo (Stallone) is targeted for persecution and abuse by potbellied Sheriff Will Teasle (Brian Dennehy). When he can stand no more, Rambo goes bonkers, killing a deputy and heading into the surrounding hills, armed to the teeth. Only after Rambo has picked off practically every law enforcement officer within a radius of 50 miles do the local authorities bring in his former commanding officer, Trautman (Richard Crenna), for advice. Trautman's response -- that the locals had better get a lot of body bags ready -- is hardly encouraging. First Blood proved to be one of Stallone's biggest non-Rocky hits. Kirk Douglas had originally been cast as Trautman, but he quit the project when the producers refused to cave in to his demand that Trautman kill Rambo in the finale. ~ Hal Erickson, All Movie Guide

Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s. ~ Lucia Bozzola, All Movie Guide

Astronauts Charles Brubaker, John Walker, and Peter Willis (James Brolin, O.J. Simpson, and Sam Waterston, respectively) are hailed as heroes when they become the first men to be rocketed to Mars. Actually the space travelers are as phony as their mission controller, Dr. James Kelloway (Hal Holbrook); to avert a failure that might cost the space program its funding, the Mars-bound vessel has been sent up without a crew, while the helmeted astronauts sit on a movie soundstage, pretending to be in outer space for the benefit of the TV cameras. Unfortunately the Mars ship crashes on arrival, making the astronaut trio thoroughly expendable. Investigative reporter Robert Caulfield (Elliott Gould), who's smelled a rat all along, races against time to prevent NASA from "terminating" the hapless astronauts in order to cover up the conspiracy. ~ Hal Erickson, All Movie Guide