Don Weis Movies
Leaving his Milwaukee home in 1942 in hopes of attending the University of Southern California, Don Weis secured work as a messenger at Warner Bros. After war service as a technician in Warners' army training film unit, Weis became a dialogue director at Enterprise Productions, working on such films as Body and Soul (1947) and Arch of Triumph (1948). Hired as a director for Ida Lupino and Collier Young's Filmakers Company, Weis was wooed to MGM by that studio's head man, Dore Schary. His first effort for MGM was a brief sequence in It's a Big Country (1951), followed by his first full-fledged feature, Bannerline (1951). Weis' helming of such lightweight MGM musicals as I Love Melvin (1953) and The Affairs of Dobie Gillis (1953) earned him a brief cult reputation with foreign film critics, though he was hardly confined to the song-and-dance genre. He entered television in 1956, eventually winning several Director's Guild Awards. During his TV years, Weis was busiest with comedy programs like The Jack Benny Show and The Andy Griffith Show, and slick adventure series like Burke's Law and It Takes a Thief; one of his more notable TV assignments was the 1959 pilot film Head of the Family, Carl Reiner's precursor to the popular Dick Van Dyke Show. In the mid-'60s, Weis directed several of the American-International teen-oriented musicals, among them Pajama Party, Ghost in the Invisible Bikini, and Looking for Love (which has earned latter-day notoriety as being the first and last film to star Johnny Carson). After completing the never-released Darren McGavin feature film Zero to Sixty (1977), Don Weis closed out his career with such episodic TV efforts as Charlie's Angels and MASH. ~ Hal Erickson, All Movie Guide- 1969
Mark (Don Mitchell) comes face to face with the Blue Berets, a group of Chicano dropouts turned freedom fighters. The leader of the group is Manolo Rodriguez (played by former UCLA drama student A Martinez in his first important TV role), who is determined to fight for the rights of his people--even if it means using a cache of stolen weapons to back up his rhetoric. Should Ironside (Raymond Burr) arrest the Blue Berets on a charge of conspiracy to commit treason, or should he wait the group out until wiser heads prevail? (Intriguingly, the word "machismo" was so little known in 1969 that the original TV Guide synopsis for this episode had to provide a definition!) ~ Hal Erickson, All Movie Guide
- 1969
Season Thee of Ironside begins as wheelchair-bound detective Robert T. Ironside (Raymond Burr) and his team set their sighs on prolific con artist Raymond Otis Baker (Joseph Campanella), who specializes in bilking little old ladies out of their life savings. Unfortunately for Baker--or, as he is now calling himself, Mr. Braithwaite--his most recent victim was the aunt (Beah Richards) of Ironside's bodyguard Mark (Don Mitchell). In order to trap the elusive "R.O.B.", Ed (Don Galloway) and Eve (Barbara Anderson) pose as a wealthy couple, ripe for plucking. But the plan goes awry when one of the villain's accomplices recognizes Ed from an earlier sting operation! ~ Hal Erickson, All Movie Guide
- 1969
Eve (Barbara Anderson) is upset that her niece Kimberly (Susan O'Connell) has been arrested on a marijuana possession charge--especially since it is the girl's second offense. Though she knows she will be institutionalized unless she reveals her supplier, Kimberly refuses to talk. In order to save the girl, Ironside conducts an investigation which leads him to Kimberly's high school--and a near-impenetrable wall of silence. In typical late-1960s fashion, the adult "enablers" are proven to be just as culpable as the pot-smoking kids. ~ Hal Erickson, All Movie Guide
- 1969
A private delegation of Chinese and American diplomats has convened in a secret Scandanavian location to negotiate the release of several American POWS. Providing security at the meeting is Chief Ironside (Raymond Burr), who finds himself matching wits--and witticisms--with his cagey Chinese counterpart Hsai Hsu Mak (Khigh Dhiegh) as the two men try to find a potential murderer in their midst. Meanwhile, Ironside's aide Mark (Don Mitchell) falls in love with female Chinese delegate Mei Noyen (Cecile Ozorio) (one of the few instances of an interracial romance on 1960s television). ~ Hal Erickson, All Movie Guide
- 1969
This episode takes place almost entirely in the cabin of a night plane travelling from Hawaii to San Francisco. Among the passengers are Chief Ironside (Raymond Burr), his assistants, and a federal witness whom they are escorting to testify against a racketeer. Unfortunately, also on board is a professional hit man, determined to bump off the witness before the plane lands--and worse,there may be more than one killer on the plane. Featured in the cast is Michael Sevareid,the son of celebrated TV journalist Eric Sevareid. ~ Hal Erickson, All Movie Guide
- 1969
Martha Scott guest stars in this offbeat episode as self-styled clairvoyant Francine Miller. All of Francine's recent prophecies have come disturbingly true, including her dire predictions concerning the members of Ironside's team. Now Ironside himself is faced with the dilemma of recovering a valuable DaVinci recently stolen from a San Francisco museum, all the while avoiding the "certain death" (replete with foreboding portents) predicted for him by the redoubtable Ms. Miller. ~ Hal Erickson, All Movie Guide
- 1968
After registering well in supporting roles in such Bob Hope farces as Boy, Did I Get a Wrong Number and Eight on the Lam, raucous comedienne Phyllis Diller attempted to carry a picture all by herself. Alas, Did You Hear the One About the Travelling Saleslady? proved to be as bad as its title. Borrowing elements previously utilized in Joan Davis' Travelling Saleswoman (1950) and the Ginger Rogers-Carol Channing vehicle The First Travelling Saleslady (1956), the film casts Diller as a player-piano saleslady, dispatched to the Wild West. TV-sitcom perennials Bob Denver and Joe Flynn offer their usual overplayed support; at times they're funnier than Diller, though that's not saying much. The film's highlight is a cattle stampede, which should give you some idea. Did You Hear the One... was scripted by John Fenton Murray, soon to be a mainstay of such Sid & Marty Krofft kiddie fare as The Bugaloos and Lidsville; compared to the Diller film, the Krofft stuff was a step upward. ~ Hal Erickson, All Movie Guide
- Starring:
- Phyllis Diller, Joe Flynn, (more)
- 1967
In his only starring made-for-TV movie, comedian Jonathan Winters plays an art expert engaged by an insurance company. Winters is assigned to protect a valuable Rembrandt, on loan from the Louvre to a major New York gallery. The Rembrandt disappears and passes through several hands (including the pudgy paws of an Arabian shiek) before Winters can save the day. Now You See It, Now You Don't is overloaded with guest stars (Steve Allen, Jayne Meadows, Jack Weston), as though the producers didn't think Winters could carry a film by himself. The best moment is a restaurant scene in which Jonathan Winters is permitted a few precious moments of improvisational fancy. ~ Hal Erickson, All Movie Guide
- 1967
This very economical remake of the 1952 Errol Flynn vehicle Against All Flags stars Doug McClure in the Flynn role. Cashiered from the royal navy in disgrace, McClure becomes a buccaneer, guiding his loyal crew to an island completely populated by cutthroats. Here he links up with pirate-captain Guy Stockwell and lady-swashbuckler Jill St. John. The plot comes to a head when the pirates conspire to hold lovely Middle-Eastern princess Mary Ann Mobley for ransom. McClure comes to her rescue and routs the rascals, revealing along the way that he's been working under cover on behalf of the king (a fact rather given away by the title). The most fascinating moments of The King's Pirate concern a pair of well-proportioned belly dancers, who keep the other pirates occupied while McClure goes about his business. The camera lovingly and longingly records each bump, grind, and wiggle, allowing the audience to get its mind off the creaky plot contrivances. ~ Hal Erickson, All Movie Guide
- Starring:
- Doug McClure, Jill St. John, (more)
- 1967
The Longest Hundred Miles was among the first feature films produced specifically for television. Doug McClure stars as an American GI, stationed in the Philippines during World War II. Reluctantly, McClure is persuaded by army nurse Katharine Ross and local priest Ricardo Montalban to transport a bus load of native children across enemy lines. Filmed inexpensively on the Universal back lot, the film is distinguished by the musical score of Oscar-winning composer Franz Waxman. The Longest Hundred Miles debuted January 21, 1967. ~ Hal Erickson, All Movie Guide
- 1967
A baffling robbery at the Comus Towers art museum becomes a personal matter for Chief Ironside (Raymond Burr) when his close friend, the museum owner, is murdered. Inasmuch as the crime took place in a high-rise building, it would seem that a "human fly" was the culprit. At least, that's what the police believe--but Ironside is becoming more and more certain that the robbery was an inside job, and that the criminal is still on the premises. ~ Hal Erickson, All Movie Guide
- 1967
Ironside (Raymond Burr) is counting upon African American pro-football hero Charles "Bat" Masterson (Ivan Dixon) to help keep a group of inner-city kids on the straight and narrow. But Masterson is preoccupied with keeping his parolee brother Joe (Don Marshall) out of trouble--and is even willing to take a manslaughter rap for Joe's sake. It falls to Ironside to figure a way to save Masterson from his own tragically misguided sense of family loyalty. ~ Hal Erickson, All Movie Guide
- 1967
Circumstantial evidence suggests that a murdered cop was supplementing his income as a blackmailer. Chief Ironside (Raymond Burr), an old friend of the dead man, is determined to prove otherwise. In the course of his investigation, Ironside reopens an unsolved homicide case in which the deceased officer's girlfriend Adrienne May (Jan Shepard) was a key player. Featured in the cast is Robert Alda, the father of future M*A*S*H star Alan Alda. ~ Hal Erickson, All Movie Guide
- 1967
An international incident quickly develops when a celebrated Soviet track star disappears during an American athletic event. It's possible that the man was kidnapped, and equally possible that he has defected for love of a woman. Investigating the case, Ironside (Raymond Burr) must work hand and glove with the Soviet officials--all the while keeping secret the fact that the missing man was actually a counterintelligence agent for the U.S. TV's future "Lou Grant", Ed Asner, is seen as Marlon Davis, while Lee Miller, Raymond Burr's longtime stand-in, appears as a bartender. ~ Hal Erickson, All Movie Guide
- 1967
Once again, Ironside (Raymond Burr) comes to the aid of an old friend, in this case an outwardly solid citizen who faces extradition to New York on a murder charge. Although Wally Stowe (Victor Jory) is a fugitive from justice who has been living under an assumed identity for nearly two decades, Ironside is convinced that Stowe was wrongly convicted of the killing--and he intends to scour the length and breadth of Manhattan Island to prove his point. Featured in the cast as Stowe's son Tom is a young Harrison Ford. ~ Hal Erickson, All Movie Guide
- 1967
Ironside (Raymond Burr) stage-manages an elaborate ruse to bring mob kingpin John Trask (a pre-Hawaii 5-0 Jack Lord) to justice. Hiding the fact that a gangster who'd planned to turn state's evidence has been murdered, Ironside leads Trask to believe that the dead witness is still alive and really to spill everything. The rest of the episode is a tense waiting game, with Ironside hoping that Trask's nervousness will lead who to take the proverbial "one false step". ~ Hal Erickson, All Movie Guide
- 1966
American-International's Beach Party series came to an abrupt end with Ghost in the Invisible Bikini. Because of such tangible reasons as contractual commitments, coupled with such intangibles as illness and death, most of the series "regulars" are absent. Deborah Walley and Aron Kinkaid fill the roles usually played by Annette Funicello and Frankie Avalon, while Benny Rubin plays a comic-Indian role obviously intended for Buster Keaton. Only Harvey Lembeck, as the inimitable Eric von Zipper, is on hand from the good old days. The plot is set in motion by the ghostly Boris Karloff, a corpse who must perform one good deed before gaining entrance into the Hereafter. Together with a sexy spirit (Susan Hart) (the titular lass in the invisible bikini), the corpse attempts to save the heiress (Walley) from the murderous machinations of a greedy attorney (Basil Rathbone) and his cohorts (Rubin and Jesse White). Music is provided by such second-generation celebs as Nancy Sinatra and Claudia Martin, and with The Bobby Fuller Four lip-synching a pair of songs. The climax is a less-funny reworking of the final sequence in Beach Blanket Bingo, with the heroine (Walley) strapped to the longest buzzsaw plank in film history. ~ Hal Erickson, All Movie Guide
- Starring:
- Deborah Walley, Tommy Kirk, (more)
Billie is a screen version of Ronald Alexander's perennial stage favorite Time Out For Ginger. Patty Duke plays a tomboyish high schooler who excels in athletics but who continues to strike out socially. Jim Backus and Jane Greer perform yeoman service as Duke's parents, who wonder how long it's going to be before their daughter stops trying to be their son. Backus is particularly concerned because he's running for mayor on a platform of "male supremacy" (this is 1965, remember?). From time to time, Duke expresses her frustration in song: her big number finds her holding her gym shoes in one hand, a bottle of perfume in the other. Warren Berlinger also stars as Duke's long-suffering boyfriend. ~ Hal Erickson, All Movie Guide
- Starring:
- Patty Duke, Jim Backus, (more)
- 1964
Popular singer Connie Francis stars in this romantic musical-comedy as Libby Caruso, an aspiring young entertainer who yearns for the attention of handsom Paul Davis (Jim Hutton). Though at first Paul is not interested in her, Libby soon wins him over. Upon catching him, however, Libby changes her mind and decides a young grocer (Joby Baker) is a better prospect. Libby's roomate and pal, Jan (Susan Oliver), doesn't seem to mind leftovers when Paul takes an interest in her. Along with much of the supporting cast from Francis' first screen role, Where the Boys Are (1960), a few celebrities also appear onscreen. Included are cameos from Johnny Carson, Danny Thomas, Paula Prentiss, George Hamilton and Yvette Mimeiux. ~ Kristie Hassen, All Movie Guide
- Starring:
- Connie Francis, Jim Hutton, (more)
Out of the beaches and into the boudoirs go Frankie Avalon, Annette Funicello and the rest of the gang in Pajama Party. Actually, the whole megillah is as innocent as a newborn babe, but there's plenty of smirking and snickering during a wild 'n' wacky girl's slumber party. Frankie Avalon has only a cameo, relinquishing center stage to Tommy Kirk, playing a teenaged Martian (!) studying the lovemaking rituals of Earthlings. Old-timers Buster Keaton, Dorothy Lamour and Elsa Lanchester also weave in and out of the proceedings, with Keaton the only one who doesn't look as though he wishes he were somewhere else. And of course there's good old Harvey Lembeck as good old Eric "Why Me?" Von Zipper. Director Don Weis took over for Beach Party's William Asher in Pajama Party, remaining in charge for the ill-fated sequel Ghost in the Invisible Bikini (1966). ~ Hal Erickson, All Movie Guide
- Starring:
- Tommy Kirk, Annette Funicello, (more)
- 1963
By the year 1974, robots have replaced humans in the boxing ring. Travelling from one tank-town to another, fight manager Steel Kelly (Lee Marvin) hopes to squeeze one last bout out of his robot client Battling Maxo. Unable to pay for repairs when Maxo malfunctions, Steel grimly determines to win the prize money by taking the robot's place in the ring. Scripted by Richard Matheson from his own short story, "Steel" made its Twilight Zone network bow on October 4, 1963. ~ Hal Erickson, All Movie Guide
- Starring:
- Lee Marvin, Joe Mantell, (more)
- 1963
Juli Eng (Irene Tsu) travels from San Francisco to Hong Kong to claim the cache of precious diamonds left to her by her grandfather. Alas, the gems are missing, so Juli returns to America and asks Perry Mason (Raymond Burr) to help her track them down. Eventually, the identity of the thief, Ralph Iverson (Jerry Oddo), is revealed--but by this time Iverson has been murdered, and poor Juli has been charged with the crime. ~ Hal Erickson, All Movie Guide
- 1962
Saddled with paying huge alimony checks to his high-maintenance former wife, Edward Gibson (Robert Webber) seeks a legal method to rid himself of this burden. Enter Edward's pal Carl Seabrook (Jeremy Slate), who magnanimously offers to marry the ex-Mrs. Gibson himself -- for a 5,000-dollar fee. Little does Edward realize that he has been a "free man" for several hours...but, of course, Carl has known all along. ~ Hal Erickson, All Movie Guide
Ira Levin wrote the stage comedy Critic's Choice as a good-natured retort to a comment made by critic Walter Kerr. In his essay How Not to Write a Play, Kerr noted that the worst possible scenario would involve a drama critic forced to review a play written by his wife (we should mention that Kerr's own wife was noted playwright Jean Kerr). Levin utilized this very scenario, and the result was a Broadway hit. Less successful artistically was the 1962 film version, though with Bob Hope and Lucille Ball as stars, the film couldn't help but clean up at the box office. Hope portrays theatrical critic Parker Ballantine, while Lucille Ball plays his wife Angela. Feeling "useless," Angela writes a play as a lark, then is amazed when it is optioned by a major producer. Parker does his best to get out of the responsibility of reviewing the play (which very well may be as bad as he thinks it is), but cannot escape the responsibility. Much of the verbal wit of the Levin original is sacrificed in favor of one-line quips; there is also an overabundance of gratuitous slapstick during a little-league game and the climactic "opening night" sequence. Still, Hope and Ball work together well as always. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Lucille Ball, (more)
- 1961
James Howgill (Ronald Howard) hopes to divorce his wife, Margery (Patricia Donahue), whom he dismisses as drab and dull. On the advice of his attorney, James hires a private eye to dig up evidence of adultery that he can use against Margery. What the detective finds proves to be quite an eye-opener -- not only for Howgill, but also for the viewers at home. Watch for future Rowan & Martin's Laugh-In regular Arte Johnson in a key supporting role. ~ Hal Erickson, All Movie Guide
