Andrew Lloyd Webber Movies

Richard Rodgers was one of the finest and most influential composers the American musical theater ever produced; with such distinguished collaborators as Lorenz Hart and Oscar Hammerstein II, Rodgers crafted such classics as Oklahoma, The Sound of Music, Pal Joey, Carousel, South Pacific, Babes in Arms, The Boys From Syracuse, and Cinderella. Richard Rogers: Sweetest Sounds is a documentary produced for the PBS series American Masters which examines Rodgers' remarkable career, which spanned six decades, as well as his often troubled personal life, which was clouded by spells of alcoholism and depression. Richard Rogers: Sweetest Sounds includes interviews with composers Andrew Lloyd Webber and Richard Rodney Bennett, vocalists Julie Andrews and Maureen McGovern, jazz artist Billy Taylor, actress Celeste Holm, and critic John Lahr. ~ Mark Deming, All Movie Guide

A British-Canadian coproduction (seen on ITV in Britain), Watership Down was a serialized TV cartoon version of Richard Adams' classic allegorical novel (previously filmed as an animated feature in 1978). The story concerned a group of rabbits who, after experiencing a vision of their warren's destruction, set out in search of a new home. Led by Hazel and Fever, the not-so-timid woodland creatures ended up in Watership Down, where a Hitler-like rabbit dictator named Gen. Woundwort held the populace in thrall. John Hurt, who provided the voice of Hazel in the 1978 feature, is heard as the villain in this TV version. Watership Down first aired in 1999. ~ Hal Erickson, All Movie Guide

Columbia/Tristar presents Sarah Brightman: In Concert, featuring the singer performing songs from some of the world's most beloved musicals. The program features appearances by Andrea Bocelli and Andrew Lloyd Webber, and includes the songs "Overture," "Bailero," "Chanson Espagnole," "O Mio Babbino Caro," "Solveig's Song," "Summertime," "Pie Jesu," "Medley: Somewhere/I Feel Pretty/Tonight," "Tu Quieres Volver," "Who Wants to Live Forever," "Whistle Down the Wind," "Overture/Wishing You Were Somehow Here Again," "The Music of the Night," "Time to Say Goodbye," and "Don't Cry for Me Argentina." ~ Matthew Tobey, All Movie Guide

This live recording of Cameron Mackintosh's extravagant and ambitious revue features all the brightest stars of the musical stage. Hailed by critics and fans during its 1998 run at the Lyceum Theatre of London, the show includes old classics and new favorites by Sondheim, Rodgers and Hammerstein, Andrew Lloyd Webber, Julian Slade, Lerner and Loewe, Cole Porter, Claude-Michel Schonberg and Alain Boublil, Stephen Swartz, and Louis Jordan. Performers include Jonathan Pryce, Julie Andrews, Michael Ball, Bernadette Peters, Elaine Paige, Judi Dench, Colm Wilkinson, Hal Fowler, Brian Blessed, David Campbell, Lea Salonga, and Hugh Jackman. ~ Sarah Welsh, All Movie Guide

Evita is based on the musical by Andrew Lloyd Webber and Tim Rice. Actually, the film is more of an opera, with only short moments devoted to dialogue. "Evita" is the friendly, family version of the proper name "Eva," and this film tells the story of Eva Peron (1921-52), a woman whose name evokes powerful feelings in her native Argentina. Throughout this film, as in the musical, the story is explained and commented on by a character known as "Che," played here by Antonio Banderas. The film begins with the news of Evita's death, and then turns to a much earlier scene at her father's funeral. Eva (Madonna) was an illegitimate child (one of many) of a rural landowner and her seamstress mother. Hers is not a wealthy childhood by any means, and she is constantly discriminated against because of her lowly birth. She is refused admission to her father's funeral for this reason. This scene is contrasted with her own funeral, a spectacular affair, not different from the funeral of a beloved head of state. Eva Peron leaves her village at age 15, in the arms her lover Agustin Magaldi (Jimmy Nail), a traveling singer. With his help, she goes to Buenos Aires and begins her campaign to become a performer, actress, and public figure. Many men help her during these years, and she is reported to have given her favors freely. That changes when she becomes involved with Juan Peron (Jonathan Pryce). In 1944, when they meet, Peron is an ambitious young army officer, serving in the right-wing government of the time. When he falls afoul of the government and is imprisoned, Eva uses her position as a celebrity and radio performer to get him released. Peron marries his feisty mistress when he is freed from prison. Eva is a formidable supporter, and her help is crucial to his later becoming head of state. Once Juan Peron becomes the President of Argentina, Eva expects better treatment from Argentina's high society, but they snub her brutally. She, in response, diverts government money from society-led charities, and starts the Eva Peron Foundation. As its president, she works tirelessly to directly better the lot of Argentina's poor. For this work, and for having risen from poor origins to glory, she is beloved by huge masses of her fellow citizens, if not by those in high society. She also arranges for the enfranchisement of women in Argentina. Thus, her death of uterine cancer at age 33, while she was at the height of her power and influence, strikes the whole world as tragic. ~ Clarke Fountain, All Movie Guide

The second Biblical epic to be turned into a musical by composer Andrew Lloyd Webber and lyricist Tim Rice, this box-office disappointment recounts the last week in the life of Jesus Christ in rock-opera format and from the surprising point of view of Christ's betrayer, Judas Iscariot. Carl Anderson stars as Judas, who has begun to believe that Jesus (Ted Neeley) has sold out and started buying into the mythology that's quickly springing up around him. Particularly disturbing to Judas is the relationship between Jesus and his friend Mary Magdalene (Yvonne Elliman), a prostitute. When Jesus throws a temper tantrum at the moneylenders in a temple, Judas determines to work with the Pharisees who want to put Jesus on trial as a false prophet. Following his success with the adaptation of Fiddler on the Roof (1971), director Norman Jewison experimented with a hippie-influenced sensibility on Jesus Christ Superstar (1973). Among such touches are depictions of the cast arriving via bus to mount the show, modern high-tech weaponry in the hands of the ancient Romans, and on-location filming in Israel. ~ Karl Williams, All Movie Guide