John Wayne Movies
Arguably the most popular -- and certainly the busiest -- movie leading man in Hollywood history, John Wayne entered the film business while working as a laborer on the Fox lot during summer vacations from U.S.C., which he attended on a football scholarship. He met and was befriended by John Ford, a young director who was beginning to make a name for himself in action films, comedies, and dramas. Wayne was cast in small roles in Ford's late-'20s films, occasionally under the name Duke Morrison. It was Ford who recommended Wayne to director Raoul Walsh for the male lead in the 1930 epic Western The Big Trail, and, although it was a failure at the box office, the movie showed Wayne's potential as a leading man. During the next nine years, be busied himself in a multitude of B-Westerns and serials -- most notably Shadow of the Eagle and The Three Mesquiteers series -- in between occasional bit parts in larger features such as Warner Bros.' Baby Face, starring Barbara Stanwyck. But it was in action roles that Wayne excelled, exuding a warm and imposing manliness onscreen to which both men and women could respond.In 1939, Ford cast Wayne as the Ringo Kid in the adventure Stagecoach, a brilliant Western of modest scale but tremendous power (and incalculable importance to the genre), and the actor finally showed what he could do. Wayne nearly stole a picture filled with Oscar-caliber performances, and his career was made. He starred in most of Ford's subsequent major films, whether Westerns (Fort Apache [1948], She Wore a Yellow Ribbon [1949], Rio Grande [1950], The Searchers [1956]); war pictures (They Were Expendable [1945]); or serious dramas (The Quiet Man [1952], in which Wayne also directed some of the action sequences). He also starred in numerous movies for other directors, including several extremely popular World War II thrillers (Flying Tigers [1942], Back to Bataan [1945], Fighting Seabees [1944], Sands of Iwo Jima [1949]); costume action films (Reap the Wild Wind [1942], Wake of the Red Witch [1949]); and Westerns (Red River [1948]). His box-office popularity rose steadily through the 1940s, and by the beginning of the 1950s he'd also begun producing movies through his company Wayne-Fellowes, later Batjac, in association with his sons Michael and Patrick (who also became an actor). Most of these films were extremely successful, and included such titles as Angel and the Badman (1947), Island in the Sky (1953), The High and the Mighty (1954), and Hondo (1953). The 1958 Western Rio Bravo, directed by Howard Hawks, proved so popular that it was remade by Hawks and Wayne twice, once as El Dorado and later as Rio Lobo. At the end of the 1950s, Wayne began taking on bigger films, most notably The Alamo (1960), which he produced and directed, as well as starred in. It was well received but had to be cut to sustain any box-office success (the film was restored to full length in 1992).
During the early '60s, concerned over the growing liberal slant in American politics, Wayne emerged as a spokesman for conservative causes, especially support for America's role in Vietnam, which put him at odds with a new generation of journalists and film critics. Coupled with his advancing age, and a seeming tendency to overact, he became a target for liberals and leftists. However, his movies remained popular. McLintock!, which, despite well-articulated statements against racism and the mistreatment of Native Americans, and in support of environmentalism, seemed to confirm the left's worst fears, but also earned more than ten million dollars and made the list of top-grossing films of 1963-1964. Virtually all of his subsequent movies, including the pro-Vietnam War drama The Green Berets (1968), were very popular with audiences, but not with critics. Further controversy erupted with the release of The Cowboys, which outraged liberals with its seeming justification of violence as a solution to lawlessness, but it was successful enough to generate a short-lived television series.
Amid all of the shouting and agonizing over his politics, Wayne won an Oscar for his role as marshal Rooster Cogburn in True Grit, a part that he later reprised in a sequel. Wayne weathered the Vietnam War, but, by then, time had become his enemy. His action films saw him working alongside increasingly younger co-stars, and the decline in popularity of the Western ended up putting him into awkward contemporary action films like McQ (1974). Following his final film, The Shootist (1976) -- possibly his best Western since The Searchers -- the news that Wayne was stricken ill with cancer (which eventually took his life in 1979) wiped the slate clean, and his support for the Panama Canal Treaty at the end of the 1970s belatedly made him a hero for the left.
Wayne finished his life honored by the film community, the U.S. Congress, and the American people as had no actor before or since. He remains among the most popular actors of his generation, as evidenced by the continual rereleases of his films on home video. ~ Bruce Eder, All Movie Guide
Returning to the Ireland of his birth, director John Ford fashions a irresistable valentine to the "Auld Sod" in The Quiet Man. Irish-American boxer John Wayne, recovering from the trauma of having accidentally killed a man in the ring, arrives in the Irish village where he was born. Hoping to bury his past and settle down to a life of tranquility, Wayne has purchased the home of his birth from wealthy local widow Mildred Natwick, a transaction that has incurred the wrath of pugnacious squire Victor McLaglen, who coveted the property for himself. By and by, Wayne falls in love with McLaglen's beautiful, high-spirited sister Maureen O'Hara. Her insistence that Wayne conduct his courtship in a proper Irish manner-with puckish matchmaker Barry Fitzgerald along for the ride as "chaperone"--is but one obstacle to their future happiness: the other is McLaglen, who spitefully refuses to give his consent to his sister's marriage, or to honor the tradition of paying a dowry to Wayne. Wayne could care less about dowries, but the tradition-bound Maureen refuses to consummate her marriage until McLaglen pays up. Under any other circumstances, Wayne would have punched out the bullying McLaglen long ago, but ever since his tragedy in the ring he has been reluctant to fight. Local priest Ward Bond conspires with several locals to trick McLaglen into paying his due. They intimate that widow Natwick, for whom McLaglen carries a torch, will marry the old brute if he'll give his consent to the marriage and fork over the dowry. But McLaglen finds he's been tricked and the situation remains at a standoff, with the frustrated Wayne locked out of his wife's bedroom. When Maureen accuses him of being a coward and walks out on him, our hero can stand no more. He marches Maureen to McLaglen's home, indicating that he plans to whale the tar out of both brother and sister. As a huge and appreciative crowd gathers the cornered McLaglen truculently tosses the money in Wayne's direction. Big John hands the bills to Maureen, just as she knew he would, and she ceremoniously destroys the money, just as he knew je would. Having proven their love for each other, there is nothing left for Wayne and Maureen to do but head home and perform their nuptual duties. But first there's the matter of giving McLaglen the thrashing he deserves....and it is this spectacular donnybrook, which covers several acres of land and at least two "pit stops" so that the combatants can quench their thirst, which convinces Natwick that the defeated McLaglen is truly worthy of her love (her logic is on a par with everyone else's in the film!) Though it tends to perpetuate the myth that all true Irishmen live only to fight, drink and make love, The Quiet Man is grand and glorious fun, enacted with gusto by a largely Hibernian cast and directed with loving care by a master of his craft. Written by Frank Nugent and graced with a lilting musical score by Victor Young, the film won Oscars for Archie Stout's Technicolor photography and for John Ford's direction-a real coup for "poverty row" Republic Pictures. If you haven't already luxuriated in this wonderful film, be sure to catch in on the tube next St. Patrick's Day. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Maureen O'Hara, (more)
Of all the "kill the commies" cold war films of the 1950s, John Wayne's Big Jim McLain may well be the worst. Certainly it's the hardest one to sit through today. The Duke and his partner Jim Arness (Wayne's real-life protege) head to Hawaii to investigate a subversive pro-Red organization. Feigning love for suspect Nancy Olson, Wayne ferrets out the name of the Big Cheese, played by Gayne Whitman. After a long wild-goose chase, peopled by such oddball types as Hans Conried and Alan Napier, Wayne catches up with his quarry, who has--egad!--already murdered Arness. Wayne exacts vengeance, paving the way for a final clinch with Nancy Olson, who turns out to be true-blue and not red after all. To quote Spike Jones: "Peeeeee.....yewwwww." ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Nancy Olson, (more)
If one is a subscriber to cable TV's American Movie Classics, it is virtually impossible to avoid seeing the John Wayne starrer Operation Pacific; judging by the frequency of its showings, the film must be someone's very special favorite down at AMC. Set during WW II, the film casts Wayne as Duke Gifford, two-fisted submarine commander. Patricia Neal co-stars as Mary Stuart, Duke's former wife. Duke's hopes of staging a reconciliation are constantly interrupted by a series of life-threatening circumstances, capped by the rescue of a group of orphans from a Japanese-held island. Featured in the cast are old John Wayne cronies Ward Bond and Jack Pennick, as well as TV's future Jim Bowie, Scott Forbes. Operation Pacific might prove a fascinating companion feature to 1964's In Harm's Way, which reteamed John Wayne and Patricia Neal in another WW II Navy yarn. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Patricia Neal, (more)
The Technicolor adventure epic Flying Leathernecks offers two things that film cultists can never get enough of: star John Wayne and director Nicholas Ray. Filmed at the behest of RKO chieftain Howard R. Hughes, Leathernecks is a paean to the Marine Flying Corps of World War II. Wayne plays Major Dan Kirby, a squadron commander, whose no-nonsense attitude is sharply at odds with the easygoing approach of executive officer Captain Carl Griffin (Robert Ryan). Griffin eventually learns the value of discipline at all costs, while Kirby becomes more humanized as he gets to know his pilots. Jay C. Flippen steals the show as a supply sergeant who "borrows" from other companies to keep his men happy. Though not entirely cliché-free, Flying Leathernecks is one of the more solid war films of the 1950s, and one that has remained readily available in theaters, on TV and in video stores to the present day. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Robert Ryan, (more)
John Wayne stars as Lt. Col. Kirby Yorke, whose devotion to duty has cost him his marriage to his beloved Kathleen (Maureen O'Hara). Yorke gets word that his son, Jeff (Claude Jarman Jr.) -- whom he hasn't seen in 15 years -- has been dropped as a cadet from West Point, and that he lied about his age to enlist in the cavalry, in an effort to redeem himself. By chance, the boy is then assigned to his father's post. Once more, as a function of his duty as a cavalry officer, Yorke must sacrifice his love of family -- he cannot show any preferential treatment to the boy, or exhibit any sign of love and affection. But Jeff is too strong to be injured by his father's actions, and already enough of a man that he is befriended by two older recruits, troopers Tyree (Ben Johnson) and Boone (Harry Carey Jr.), who watch out for him while taking him in as a virtual equal. Yorke's resolve is further tested when his estranged wife, Kathleen, arrives at the post, the better to look after her son -- and possibly to buy back the boy's enlistment, which Yorke, as commanding officer in a remote post with a critical shortage of men, can't and won't permit. After an attack by the Apaches, Yorke orders the post's women and children to be moved to safety, and Jeff is assigned as part of the troop conducting the caravan, despite his wish to participate in the planned action against the Apaches. The caravan is attacked, and the wagon with the children is taken by the Apaches to their encampment in a deserted village across the Rio Grande in Mexico. Yorke has been given permission by General Sheridan (J. Carrol Naish) to take his men into Mexico in pursuit of the Apaches, but the punitive expedition is now a rescue mission, as the Indians' night-time vengeance dance is the prelude to certain slaughter of the children at daybreak. As part of the mission, it's up to Tyree, the slyest man in the troop, to infiltrate the enemy camp, and he chooses Jeff and Boone as the two men he wants with him on this dangerous mission. ~ Bruce Eder, All Movie Guide
- Starring:
- John Wayne, Maureen O'Hara, (more)
- 1950
See the segments which make movies action classics in this compilation ~ All Movie Guide
- 1950
Director Budd Boetticher's love of bullfighting comes to the fore in this film drama, directed and co-written by Boetticher (and produced by John Wayne). Robert Stack plays the cocky American Chuck Regan, who travels to Mexico and falls in love with the sultry Anita de la Vega (Joy Page). In order to impress her with his prowess, he convinces the famed matador Manolo Estrada (Gilbert Roland) to mentor him in the art of bullfighting. But Chuck's carelessness causes the tragic death of Manolo, resulting in Chuck's being shunned by both the villagers and Anita. In order to regain Anita's love and the villagers' respect, Chuck re-enters the arena, taking on a bull in Manolo's honor. ~ Paul Brenner, All Movie Guide
- Starring:
- Robert Stack, Joy Page, (more)
From director Allan Dwan, Sands of Iwo Jima is a drama set during the Second World War and follows John Stryker (John Wayne), a relentlessly tough Marine sergeant as he trains a squad of naïve, rebellious recruits at a New Zealand military station in 1943. Recently left by his wife, Stryker has become exceedingly bitter and tough, leading his contemporaries to question his behavior and his men to dislike him for his harsh training methods. The wisdom of Stryker's ways, however, is demonstrated when they fight in the legendary battle of Iwo Jima. Using footage of real WWII battles, the Sands of Iwo Jima features John Wayne's first Academy Award-nominated performance, though Broderick Crawford ultimately won the 1950 Best Actor prize. ~ Matthew Tobey, All Movie Guide
- Starring:
- John Wayne, John Agar, (more)
This unusual, dreamlike John Wayne vehicle is set in the East Indies. The focus of the film is the deadly rivalry between two men of the sea. Ship's captain Rails (John Wayne) nurses a long-standing grudge against shipping magnate Van Schreeven (Luther Adler). The reason for the animosity: Van Schreeven stole away Rails' love, Angelique (Gail Russell). Revenge has warped Rails to point that sometimes he seems to be the heavy of the picture. Complications involving valuable pearls ensue before the offbeat climax, which finds Rails scuttling his own vessel, the Red Witch, as means of getting even. The film's resolution is one of the strangest ever concocted for a Wayne picture. Wake of the Red Witch represented the second screen teaming of John Wayne and Gail Russell; the film must also have held some special significance for Wayne, since he named his own production company, Batjac, after the shipping firm depicted in the picture. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Gail Russell, (more)
Set shortly after the Battle of New Orleans, the film casts John Wayne as John Breen, a Kentucky trooper making the long journey homeward with his confreres. Breen becomes involved with a plan by robber baron Blake Randolph (John Howard) to deprive hundreds of French army refugees of land granted to them by an Act of Congress. Championing the cause of the refugees, Breen does his best to defeat Randolph and his minions--and to prevent the villain's marriage to Fleurette De Marchand (Vera Ralston), the daughter of a former French general (Hugo Haas). Oliver Hardy makes a rare appearance sans Stan Laurel as Wayne's pugnacious, philosophical sidekick Willie Payne. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Vera Ralston, (more)
The second of John Ford's "Cavalry Trilogy", She Wore a Yellow Ribbon is the only one of the three to be lensed in Technicolor. In an Oscar-calibre performance, 42-year old John Wayne plays sixtyish Cavalry Captain Nathan Brittles. In his last days before his compulsory retirement, Brittles must face the possibility of a full-scale attack from the Arapahos, fomented by the recent defeat of Custer and by double-dealing Indian agents. After a series of minor victories and major frustrations, Brittles decides to ride into the Arapaho camp, there to smoke a pipe of peace with his old friend, Chief Pony That Walks (Chief John Big Tree). Before he leaves, he is presented with his retirement present by his troops: a pocket watch, with the inscription "Lest We Forget"(Wayne's playing of this scene, barely holding back tears as he adjusts his spectacles to read the inscription, is one of his finest moments on film). Brittles is able to forestall an Indian attack, just in time for his official retirement. The film really ends here, but there are two more potential climaxes before the words THE END dissolve into view. The patchiness of the Frank Nugent/Lawrence Stallings screenplay (attributal to the fact that it is adapted from two different short stories) prevents She Wore a Yellow Ribbon from reaching the same lofty heights as the Ford/Wayne collaborations Fort Apache (1947) and Rio Grande (1949). The gratuitous offscreen narration of Irving Pichel is also rather distracting. Even so, Wayne's flawless performance, coupled with the supporting contributions of Ford's stock company (John Agar, Harry Carey Jr., Victor McLaglen et al) and the Academy Award-winning photography by Winston C. Hoch, automatically elevates She Wore a Yellow Ribbon to classic status. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Joanne Dru, (more)
John Wayne -- showing off a darker side to his screen persona than we'd previously seen -- portrays Thomas Dunson, a frontiersman who, with his longtime partner Nadine Groot (Walter Brennan), leaves abandons a westbound wagon train in 1851 to make his future as a rancher in Texas. Doing so forces him to abandon Fen (Colleen Gray), his fiancee -- and when she is killed in an Indian raid a short time later, it taints any good that Dunson might find in the future he carves out for himself, destroying any joy he might derive from life. The sole survivor of the raid is Matthew Garth (Mickey Kuhn), a young orphan who is unusually handy with a gun for one his age -- and already knows how to channel his grief and horror at what he's seen, as much as Dunson does. Dunson informally adopts Matt as his son, and over the next 14 years he builds up one of the largest ranches in the entire state of Texas. And all of it is worth nothing, a result of the economic ruin wrought on the state in the aftermath of the Civil War. Matthew (Montgomery Clift, now back from the war and doing some of his own adventuring, finds a darker, more taciturn Dunson than he's ever known -- as Groot tells it, he afraid, because he just doesn't know how to fight the threats he now faces. With Matthew now returned, Dunson decides to move his herd, nearly 10,000 head of cattle, to Missouri, where there is a market for beef, over 1000 miles away through territory controlled by border gangs hundreds of men strong that have stopped every cattle drive up to now, and Indians who have picked off what the gangs missed. Dunson drives his men as hard as he does himself, relentlessly, till even some of his best hands break under the strain -- and he's not above killing anyone who challenges his authority on the drive. He's able to hold them in line as long as Matthew backs him up, and he does until Dunson, exhausted and worn down by lack of sleep, finally goes too far. Matthew steps in, backed by laconic, smirking gunman Cherry Valance (John Ireland) and most of the rest of the men and takes the herd from Dunson. Leaving his father and mentor behind, he heads the herd toward Kansas, where -- so the men are told -- there's a new railroad. Along the way, he meets Tess Millay (Joanne Dru), a card-dealer who falls in love with the young man. But he has to finish the drive and leaves her behind, much as Dunson left Fen. And they all know that Dunson is coming after Matthew to kill him. ~ Bruce Eder, All Movie Guide
- Starring:
- John Wayne, Montgomery Clift, (more)
The first of John Ford's "Cavalry Trilogy", Fort Apache stars John Wayne as captain Kirby York and Henry Fonda as Custer clone Lt. Col. Owen Thursday. Resentful of his loss in rank and transfer to the West after serving gallantly in the Civil War, the vainglorious Thursday insists upon imposing rigid authority on rough-and-tumble Fort Apache. He is particularly anxious to do battle with the local Indians, despite York's admonitions that the trouble around the fort is being fomented not by the so-called savages but by corrupt white Indian agents. Thursday nonetheless ends up in a climactic set-to with Indian chief Cochise. He and his men are needlessly slaughtered, but the Eastern press builds "Thursday's Charge" into an incident of conspicuous valor--and York, ever loyal to the cavalry, is not about to tell the whole truth. The bare bones of Fort Apache's plotline are fleshed out with several subplots, including the romance between Thursday's daughter Philadelphia (Shirley Temple) and Lt. Mickey O'Rourke (John Agar), the son of Fort Apache veteran Sgt. Michael O'Rourke (Ward Bond). There's also plenty of time for the expected drunken-brawl humor of Victor McLaglen. Not in the least politically correct, Fort Apache is a classic of its kind, and together with Rio Grande (1950) the best of the John Ford/John Wayne Cavalry films. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Henry Fonda, (more)
John Ford had already directed one of the three previous film versions of Peter Kyne's novel under the title Marked Men (1919) with his mentor Harry Carey, a great cowboy star of the silent era who had recently died. It's not difficult to see how the story's sentimentality and Christian symbolism might have appealed to the director's sensibility. John Wayne stars as Bob Hightower, the leader of a trio of thieves who rob a bank in Arizona and take off with the posse of Sheriff Buck Sweet (Ward Bond) in close pursuit. Although they need to stop to water their horses and care for the wounds of Abilene (Harry Carey Jr.), their accurate suspicion that the sheriff is laying an ambush for them at the Mohave water tank leads the gang toward the more distant Terrapin tanks. However, en route, they're waylaid by a terrible sandstorm which scatters their horses. Forced to go on foot, they come upon a lone woman (Mildred Natwick) in a covered wagon who is about to give birth. She dies in childbirth, but not before extracting a promise from the three to take care of her child. Under a blistering sun, they head for New Jerusalem. ~ Michael Costello, All Movie Guide
- Starring:
- John Wayne, Harry Carey, Jr., (more)
One of John Wayne's most mystical films, Angel and the Badman is also the first production that Wayne personally produced. The star plays a wounded outlaw who is sheltered by a Quaker family. Attracted to the family's angelic daughter Gail Russell, the hard-bitten Wayne undergoes a slow and subtle character transformation; still, he is obsessed with killing the man (Bruce Cabot) who murdered his foster father. The storyline traces not only the regeneration of Wayne, but of the single-minded sheriff (Harry Carey) who'd previously been determined to bring Wayne to justice. Not a big hit in 1947, Angel and the Badman has since become the most frequently telecast of John Wayne's Republic films, thanks to its lapse into Public Domain status in 1974. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Joan Barton, (more)
This John Wayne adventure is set in South America's rugged Andes Mountains. The Duke has been assigned by a powerful US mining magnate to build a railroad to his newest mines. The two men lock horns over the route the railroad will take. The cost-conscious, people-insensitive industrialist wants to take the shortest route, right through the mountain. But building the tunnel will be extremely dangerous. Wayne wants to do it more safely and build a bridge. Eventually, the engineer is forced to acquiesce with his boss. Later the engineer meets and falls in love with a pretty young woman who turns out to be his hated boss's daughter and this only makes matters worse. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Wayne, Laraine Day, (more)
Without Reservations has to be the least typical John Wayne picture of the postwar era. Top billing is bestowed upon Claudette Colbert as Kit, a best-selling novelist heading westward to oversee the film version of her latest novel. Taking it upon herself to select the man who should portray the hero of her novel, Kit chooses war hero Rusty (John Wayne), whom she meets during her train trip to Hollywood. Unaware of Kit's true identity, Rusty and his pal Dink (Don DeFore) rail against the factual errors in her book. One thing leads to another, and before long Kit, Rusty and Dink have all been thrown off the train for annoying the other passengers. After a hectic stopover at a New Mexico farm, Kit reveals who she really is to Rusty and Dink, who are understandably put out. All is forgiven in the end, of course, with Kit and Rusty altar-bound at fadeout time. The Hollywood scenes feature such guest celebrities as Cary Grant, Louella Parsons and Jack Benny; and yes, that is an unbilled Raymond Burr as Claudette Colbert's dancing partner. Without Reservations was based on Jane Allen and May Livingston's novel Thanks, God, I'll Take it From Here (too bad they couldn't use that title!) ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, John Wayne, (more)
John Brickley (Robert Montgomery) believes in PT boats, and as a lowly U.S. Navy lieutenant stationed in the Philippines, that makes him a radical thinker. "Your boats maneuver beautifully," an admiral (Charles Trowbridge) tells him, "but if I'm going into combat, I prefer something a little more substantial." The gently delivered but stinging dismissal stirs the resentment of Lt. "Rusty" Ryan (John Wayne), who tartly tells Brickley that he wants to be transferred to destroyers. The Pearl Harbor bombing makes transfer impossible, especially with the Japanese preparing to invade the islands. So Brickley and Ryan go to work, first as message carriers between the Philippines and Corregidor, then, finally, as ship hunters. They record some successes, but it's a doomed effort: The Americans are hopelessly outnumbered by the Japanese, and with almost all of the Pacific Fleet destroyed at Pearl Harbor, they know help won't arrive to save them. As the Japanese push the U.S. forces back, Brickley and Ryan and their crews hop from island to island, scrounging supplies and taking casualties but keeping up the fight. Just as it appears that they will be forced to fight on Corregidor against the Japanese, they get rescued; they're ordered home to promote their PT-boat successes, and they take the last plane out, hoping to return and avenge their defeats. ~ Nick Sambides, Jr., All Movie Guide
- Starring:
- Robert Montgomery, John Wayne, (more)
According to Hollywood lore, both John Wayne and director Frank Borzage refused to work with Vera Hruba Ralston, the Czech-born inamorata (and future wife) of Republic Pictures owner Herbert I. Yates. Yates somehow managed to convince Wayne to change his mind, but Borzage was replaced by contract director Joseph Kane. The result was Dakota, the company's major release of 1945, a potentially sprawling empire-building Western. Wayne and Ralston play newlyweds heading for Fargo, North Dakota, where they plan to buy land in anticipation of the coming of the railroad. They are opposed by saloon owner Jim Bender (Ward Bond), who also knows about the expansion and is coercing the homesteaders into selling their land to him and his chief lieutenant, Collins (Mike Mazurki). The latter has been elected president of the Wheat Growers Association, and soon the farmers find themselves indebted to Bender. But Wayne, with his wife's help, beats Bender and his henchman at their own game, making certain that the farmers are well compensated for selling their land to the railroad company owned by Ralston's father (Hugo Haas). Contrary to popular belief, Vera Hruba Ralston was not Dakota's chief liability. For some reason, Republic Pictures, normally a leader in action-oriented melodrama, chose to employ an inordinate amount of rear projection footage this time around, making for rather dull viewing. The Western only leaves the confines of the studio back lot for the climactic prairie fire scenes, filmed by a second unit under the direction of stunt expert Yakima Canutt. Apparently a better figure skater than an actress, Ralston actually shows a bit of spirit in some of her scenes but is rather obviously upstaged by the veteran Ona Munson as a kind-hearted saloon entertainer. Munson was borrowed from Warner Bros. and her singing of "Coax Me" by Andrew B. Sterling and Harry Von Tilzer remains one of Dakota's main pleasures despite editor Fred Allen's endless cross-cutting to Ralston's reactions. The latter was reportedly a very pleasant person devoid of a prima donna ego and would be cast opposite John Wayne again in The Fighting Kentuckian (1949). Republic serial heroines Linda Stirling and Adrian Booth can be spotted among Munson's dancing girls. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- John Wayne, Vera Ralston, (more)
John Wayne is not the title character of Flame of the Barbary Coast: that honor goes to second-billed Ann Dvorak. Wayne plays a Montana cattleman who is lured into a San Francisco gambling joint by dance-hall girl Dvorak. Though Ann at first brings Wayne luck, he ends up losing his shirt to cardshark Joseph Schildkraut. Chastened by the experience, Wayne leaves Frisco with his tail between his legs, returning only after he himself has become a gambling expert. Thanks to his new-found expertise, Wayne is able to rake in enough bucks to open his own saloon, bringing Dvorak along for the ride as star of the floor show. Numerous intrigues ensue, culminating in a drawn-out trial scene. As the judge is about to reach a decision, the San Francisco Earthquake strikes (mostly off-screen, drat the luck). When Dvorak is injured in the disaster, Wayne is forced to realign his values. The Duke and The Dvorak decide to bid adieu to the City by the Bay, heading off to Montana to start life anew. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Ann Dvorak, (more)
- 1945
In this western, a Montana cattle rancher travels to San Francisco's notorious Barbary Coast and ends up falling in love with a dance hall girl who helps him win big at the gaming tables. Unfortunately, a card sharp takes it all from the innocent rube. The dance hall girl is also involved with the sharper. This western chronicles the way in which the rancher gets his revenge and wins back the love of the woman. The great earthquake of 1906 provides the story's climax. ~ Sandra Brennan, All Movie Guide
Edward Dmytryk's Back to Bataan stars John Wayne as Colonel Joe Madden. After General MacArthur decides to follow his order and leave the Philippines, Madden agrees to stay behind and organize an underground resistance movement. Anthony Quinn plays Andres Bonifacio, a captain who falls in love with a local woman (Fely Franquelli) who helps the army keep their rag-tag forces as organized as possible. Bonifacio must also deal with the pressure of being the grandson of a beloved Filipino leader. ~ Perry Seibert, All Movie Guide
- Starring:
- John Wayne, Anthony Quinn, (more)
The Fighting Seabees is Republic Pictures' rip-roaring tribute to the US Navy's Construction Batallions (C.B.), without whom no plane would ever have gotten off the ground during WW2. John Wayne stars as Wedge Donovan, head of civilian construction company stationed in a pre-Pearl Harbor South Pacific war area. Despite Donovan's pleas to the Navy brass, he is denied permission to train his men for combat, the better to stave off imminent Japanese attack. Only after incurring heavy losses is Donovan given a commission and his men officially enlisted in the Navy. The self-sacrifical climax, as Donovan destroys a Japanese tank batallion at the cost of his own life, is one of the best-staged action highlights of its kind. As Constance Chesley, Susan Hayward finds herself in the unenviable position of being the apex in a romantic triangle involving herself, Wedge Donovan and Lt. Cmdr. Robert Yarrow (Dennis O'Keefe); her climactic speech, explaining how it's possible to love two men equally, is so well delivered that it transcends its essential corniness. Of the supporting cast, William Frawley stands out as Irish seabee Eddie Powers, who virtually signs his own death warrant when he begins singing happily just before an enemy sneak attack. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Susan Hayward, (more)
In Old Oklahoma is better known today by its reissue title, War of the Wildcats. John Wayne heads the cast as oil man Dan Somers, who carries on a bitter feud with his crooked rival Hunk Gardner (Albert Dekker). Furthering the animosity between the two men is schoolteacher-turned-novelist Catherine Allen (Martha Scott), with whom both Dan and Hunk fall in love. The main story and the romantic second story both come to a head when Dan is offered a valuable contract if he can deliver an oil shipment within a specific deadline. Naturally, Hunk does everything he can to keep Dan from fulfilling his contract, resulting in a thrill-packed chase sequence that served as stock footage for many a future Republic western and serial. A pre-Roy Rogers Dale Evans costars as sexy dancehall chanteuse "Cuddles" Walker. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Martha Scott, (more)
