Nate Watt Movies

In this actioner, a drug dealing "baron" functions as a dictator on the Caribbean island from which he runs his narcotics and gun-smuggling ring. All that power and wealth has made the baron lonely so he assigns his chief gun-runner to fetch him a comely white woman for his entertainment. The gun-runner brings him a nightclub singer. As soon as she realizes what the baron does for a living, the singer tries to leave the island with his lieutenant. The two are in love and together try to bring their boss's empire to ruin. ~ Sandra Brennan, All Movie Guide

The three Mesquiteers ride the long trail home following the Spanish-American war in this western. En route, they have many exciting adventures. ~ Sandra Brennan, All Movie Guide

If not the best of the Hopalong Cassidy films, Law of the Pampas is certainly one of the better-known entries. This time around, Hoppy (William Boyd) and his pal Lucky (Russell Hayden) head to South America to look after a herd of cattle sold by Cassidy's boss to an Argentine rancher. Villain Ralph Merritt (Sidney Blackmer) wants to get his mitts on that cattle, and he's not above hiring the scum of the earth to do his bidding. Fortunately, Hoppy, Lucky and their new Latino buddy Fernando (Sidney Toler, in a delightful comic characterization) make short work of the bad guys in an outsized barroom brawl. Hungarian-born Steffi Duna is convincing as an Argentine senorita, while an uncredited Rychard Cramer plays a memorably nasty bit role. Contrary to previously published reports, David Niven does not appear in Law of the Pampas, unbilled or otherwise. ~ Hal Erickson, All Movie Guide

Sometimes mistakenly referred to as Bride of the West, this superior "Hopalong Cassidy" entry packs every conceivable ingredient for surefire entertainment into its 55 minute. Hoppy (William Boyd) plays it cool as he seeks out a stagecoach robber. Once he's determined who the guilty party is, Hoppy and his saddle pals Windy Halliday (George-not yet "Gabby Hayes) and Lucky Jenkins (Russell Hayden) swing into action. The script is by Nate Watt, a former director who knew his onions so far as nonstop action was concerned. Pride of the West was the 17th installment in the Hopalong Cassidy series, and there was more where that came from. ~ Hal Erickson, All Movie Guide

Superior locations, above-average direction, better than usual lighting and competent acting were the ingredients that made producer Harry Sherman's Hopalong Cassidy vehicles perhaps the finest series of B-Westerns of its time. The fifth in the series, North of the Rio Grande introduced former grip Russell Hayden in the continuing role as young Lucky Jenkins and remains one of the best of the early entries. When Hopalong's brother Buddy is murdered during a train holdup, and it is pronounced an accidental death by the town's kangaroo court, Cassidy (William Boyd) and sidekick Windy (George Hayes) hasten back to Cottonwood Gulch. The former arrives disguised as Wild Bill Dynamite McGrew, a "notorious" train robber, while Windy obtains a job tickling the ivories at the local saloon. Hayes' stint as an Irish-accented bar pianist leads to one of the film's many delights, as veteran silent screen villain Walter Long leads the assembly in a sing-along of Wearing of the Green. Hopalong, meanwhile, robs a train to get the attention of the mysterious Lone Wolf, the master criminal responsible for his brother Buddy's death. Lone Wolf is soon revealed to be leading citizen Henry Stoneham (Stephen Morris alias Morris Ankrum), who in desperation kidnaps Windy and the train. With Hopalong, Lucky, and the posse in hot pursuit, the chase ends with Windy making the unwanted acquaintance of a painful-looking cactus. Saloon Belle Bernadene Hayes, the film's otherwise rather superfluous leading lady, is awarded the closing line: "Funny, all my life, men like Cassidy have been saying goodbye to me." Lee J. Cobb (billed simply as "Lee Cobb") made his screen debut as a railroad president, and Bernadene Hayes' sister Lorraine played Hopalong's grieving sister-in-law. With one "Hayden" and two "Hayes" already in the cast, producer Sherman renamed the actress Lorraine Randall for the occasion. North of the Rio Grande was filmed on locations at Sonora, California, with interiors done at the Grand National studios in Hollywood. ~ Hans J. Wollstein, All Movie Guide

An above-average "Hopalong Cassidy" series entry, Borderland has Hoppy (William Boyd) going undercover as a bandit in a tough Mexican border town in order to trap a notorious bandit known only as The Fox. Not even sidekicks Johnny Nelson (James Ellison) and Windy (George "Gabby" Hayes) are in on the scheme, concocted jointly by Mexican Army Colonel Gonzales (Trevor Bardette) and Texas Ranger Major Stafford (Earle Hodgins). Lodging with widowed Grace Rand (Nora Lane) and her small daughter, Molly (Charlene Wyatt), both of whom he abuses in order to protect his cover, Hoppy learns that The Fox (Stephen Morris aka Morris Ankrum) is himself performing a bit of masquerade, in this case as a halfwit known as Loco. Windy, however, innocently spills the beans and is promptly kidnapped along with Molly. Chased by Hoppy, who is himself tailed by the villain's henchmen, Gonzales' troops, and a wounded Johnny Nelson, The Fox (alias Loco) escapes to his secret hideaway, a cabin stocked with dynamite. There, Hoppy catches up with him and in an exciting finale keeps the master villain at bay until help arrives. ~ Hans J. Wollstein, All Movie Guide

Hills of Old Wyoming was the 10th entry in the "Hopalong Cassidy" series, and at 79 minutes one of the longest of the batch (beaten out only by the 82-minute Borderland). William Boyd and George "Gabby" Hayes are back as Hoppy and Windy, but handsome sidekick Johnny Nelson (James Ellison) has been replaced by Lucky Jenkins (Russell Hayden, who remained with the series until 1941). The plot focuses on an Indian reservation where the residents are being victimized by villainous deputy Andrews (Stephen Morris, aka Morris Ankrum). Fomenting a range war between Indians and cattlemen for his own profit, Andrews is foiled by Hoppy and company. Former silent screen star Clara Kimball Young is given a few moments to shine in the minor role of Ma Hutchins. ~ Hal Erickson, All Movie Guide

A naval officer gets more than he bargained for when he adopts a recently orphaned young boy, the son of his late best friends. Despite the resistance of the lad's surviving relatives, who worry that growing in the Navy will be hard on the boy, the officer loves and takes good care of the boy. At least he does until the child is abducted by a gangster who has mistaken him for his long-lost boy. Fortunately for the young fellow, the officer rallies the entire Navy and comes to the rescue. ~ Sandra Brennan, All Movie Guide

The pleasures of the flesh confront the discipline of the Lord's teachings in this screen adaptation of W. Somerset Maugham's story Miss Sadie Thompson. Sadie Thompson (Joan Crawford) is a sassy streetwalker who lands in Pago Pago in the South Pacific after an epidemic grounds the ship on which she's booked passage. Sadie's shapely legs, free spirit, and quick wit soon attract the attention of a group of American soldiers stationed on the island; while most are motivated by simple lust, the naive Sgt. O'Hara (William Gargan) falls head over heels for Sadie, thoroughly unaware of her checkered past and shameful profession. Rev. Alfred Davidson (Walter Huston), a fire-and-brimstone preacher bent on bringing salvation to the soldiers, is fully aware of Sadie's occupation and moral code, and is determined to convince her to change her ways. Sadie slowly but surely is softened by Davidson's conviction, but the preacher soon finds himself affected by her sensual presence; O'Hara also learns the truth about Sadie, but hatches his own plan to reform her -- marriage. While a box office failure in 1932, Rain has gone on to become a cult favorite, thanks to Crawford's vivid performance as Sadie and director Lewis Milestone's adventurous visual style. ~ Mark Deming, All Movie Guide

Director Lewis Milestone presided over The Betrayal, a part-talkie which represented the only screen teaming of Hollywood's Gary Cooper and Germany's Emil Jannings. Second-billed Esther Ralston stars as Swiss peasant girl Vroni, who enjoys a blissful summertime romance with vacationing Viennese artist Andre Frey (Cooper). For diverse reasons, the young lovers decide to keep their affair a secret until Andre can return to Vroni. But when he does come back to Switzerland, Andre learns to his dismay that Vroni has been forced into a marriage with wealthy burgomeister Poldi Moser (Jannings). To justify Andre's presence, Vroni introduces him as a young man who has just lost his sweetheart (which, of course is true) -- whereupon Poldi sympathetically invites Andre to be a guest in his house. The situation is sheer hell for both hero and heroine, but they brave it out for the sake of the likable Poldi. Seven years later, Andre comes back to the village for another visit, prompting Poldi to again extend his hospitality to the increasingly morose artist. Unable to withhold his emotions any further, Andre begs Vroni to run off with him, threatening to kill himself if she doesn't. She refuses but agrees to one last rendezvous in the village. While speeding down a toboggan slide, an accident occurs, killing Vroni and seriously injuring Andre. At the funeral, Poldi discovers the truth about the relationship between Andre and Vroni. He swears revenge, only to discover that Andre has already died from his injuries. Left alone in his grief, Poldi philosophically vows to forgive and forget, preferring to harbor only good thoughts towards his late wife and their mutual "friend." Boasting a plotline dangerously close to Ethan Frome, Betrayal was co-produced by David O. Selznick. In later years, director Lewis Milestone tended to dismiss this film, recalling only that Emil Jannings was an extremely difficult man to work with. ~ Hal Erickson, All Movie Guide

This minor silent Western was one in a series of oaters produced independently by the founder of the pioneering Selig Company, Colonel William N. Selig, and starring veteran screen cowboy Franklyn Farnum. Based on Bertha "Muzzy" Sinclair's The Happy Family, the film featured Farnum as a ranch hand battling an evil sheep man (Bud Osborne). Osborne doesn't take the interference lying down, however, but kidnaps the interloper and takes him to a deserted cabin in the mountains. Although tied to a powder keg, Farnum manages to escape and bring the entire gang to justice. As a reward, he marries his pretty boss, Genevieve Bert. Comedy is provided by five-year-old Joseph Chatterton as the son of a ranch hand (Vester Pegg). ~ Hans J. Wollstein, All Movie Guide