Peter Watson-Wood Movies

Director Robin Hardy revisits his 1974 cult classic The Wicker Man with this related horror film concerning a cowboy (Henry Garrett) and a gospel singer (Brittania Nicol) who stop in Ireland on a missionary excursion only to come in contact with an aristocrat (Graham McTavish) whose nefarious plans don't include being reformed by their Christian ways. Christopher Lee returns for a small role in this semi-sequel. ~ Jeremy Wheeler, Rovi

A scandalous murder case that was the talk of England in the 1920s is brought to the screen in this period drama based on fact. In 1913, Edith Graydon (Natasha Little) was a young woman living with her family -- good-natured father (Michael Bertenshaw), emotionally distant mother (Imelda Staunton), and shy younger sister (Rachael Stirling) -- in a fading middle-class neighborhood in London. While not especially bright or ambitious, Edith wanted more out of life than her family's situation would provide, and with this in mind she accepted the marriage proposal of her boyfriend Percy Thompson (Nick Moran). While Percy was a bit better off than Edith's family, he was not an especially interesting or exciting partner, and after several years Edith began to grow restless with their marriage. Long regarded as something of a flirt, in 1921 Edith renewed her friendship with Freddy Bywaters (Ioan Gruffudd), a good-looking and worldly former beau who had just returned to England after serving in the Queen's Navy. Edith and Freddy were not destined to remain just friends for long, and as they began to enter into a passionate affair, Edith began writing a series of letters to her lover in which she confided her ardor for Freddy, her fatigue with Percy -- and her belief that murdering her husband would solve a great many problems. Shot in 1999, Another Life did not receive a theatrical release until 2001, when it arrived in British theaters and earned enthusiastic reviews for Natasha Little's performance as Edith. ~ Mark Deming, Rovi

Not to be confused with the 50-minute television documentary of the same name, the made-for-British-TV biopic Diana: The People's Princess stars Amy Seccombe as the title character. Rather than rehash the tumultuous marriage between Diana and Prince Charles (Robert De Newby), the film focuses on the protagonist's last 14 months on Earth, from her divorce in May of 1996 to her tragic death in August of 1997. Adroitly blending heartbreak with triumph, the script details Diana's loss of her royal title, her troubled relationship with sons Harry (Rory Jennings) and William (Freddie Sayers), her ongoing travails with the press and papparazzi, her extensive humanitarian activities (with Nelson Mandela and Mother Theresa making token appearances), and her romance with Dodi Ay Fayed (George Jackos), who was fated to die with Diana in that infamous car crash. Seemingly dedicated to bestowing sainthood upon Princess Di, the film manages to make her antagonists as unpleasant and unsympathetic as possible, with an inordinate amount of scorn heaped upon Dodi's former fiancée! First telecast in the U.K. on April 12, 1998, Diana: The People's Princess debuted in the U.S. courtesy of the TNT cable network on August 29, 1999, on the eve of the second anniversary of Diana's death. ~ Hal Erickson, Rovi

In this British thriller, an aristocratic, wealthy and snobbish Englishwoman who is addicted to heroin falls for an American student who tries to help her kick her deadly habit. Meanwhile, narcotics-officer Stringer is determined to find the pusher, who has been sexually involved with her daughter, Sandy. ~ Sandra Brennan, Rovi

Olympic gymnastics coach Francine Lake (Lauren Hutton) and her 12 students train on the Island of Crete. The rigors of training preclude most sexual activity with the locals, thus the girls spend their evenings in quiet frustration. Likewise repressed is training-school janitor Ulysses (Svestislav Goncic), a notorious peeping tom. When one of the girls is sexually assaulted, Ulysses is the most likely suspect. It turns out, however, that the film's true antagonist is much closer to the situation than it first appears. ~ Hal Erickson, Rovi