Bernie Casey Movies

Chris (George Kennedy) is the lone survivor of the original seven gunmen who is recruited to help in a peasant struggle in Mexico. Colonel Diego (Michael Ansara)is the ruthless military commandant of a Mexican prison holding the leader of the revolt. With knife expert Levi Morgon (James Whitmore) and firearms experts Keno (Monte Markham), P.J. (Scott Thomas) and Slater (Joe Don Baker), they enlist the help of the giant black man Cassie (Bernie Casey) and two others to rescue the leader of the proposed revolt. The evil Diego employs his torturous and inhuman practices on both sides of the prison walls in a effort to stop the heroes from rescuing the prisoner in this action packed western saga. ~ Dan Pavlides, All Movie Guide

When Jimmy Price (Jim Brown) wins an upset victory for sheriff, he becomes the first black man ever to hold the job (or any elective office) in anyone's memory in his rural southern county. He also sets off an ominous rumblings as the entire county seems split apart by his presence -- Mayor Parks (Fredric March) offers him the support of his office, but many whites aren't prepared to accept a black man as sheriff, while most of the whites that can accept him aren't saying so too loudly; a lot of older black residents, remembering decades of Jim Crow laws that only lately disappeared, are more confused than encouraged by Price's victory, while younger, more radical black citizens like George Harvey (Bernie Casey) have little use for Price's straight-arrow personality; they expect him to show them favoritism, and when he doesn't, they suspect him of being an nothing but a white man in black skin. Even Price's own wife (Janet MacLachlan) wonders if the cost of his being sheriff is too high. He finds himself alone, walking a tightrope between all of the forces pulling at him, and then the whole situation threatens to explode when he arrests the good-for-nothing son (Bob Random) of a wealthy man from the next county, who has killed a child while driving drunk. Soon the local klavern of the Ku Klux Klan is planning a meeting, and a lynch mob seems to be gathering across the county line to break the prisoner loose and take care of the sheriff. Price finally gets some unexpected help from his embittered predecessor, John Little (George Kennedy) -- Little would like nothing more than to sulk over losing his longtime job, but with his wife's coaxing he realizes that he can't let Price fail without the risk of destroying everything he worked for years to build. ~ Bruce Eder, All Movie Guide

Featuring an all-African American cast, this crime drama is basically a retread of the movie Get Carter. It is the story of a former football player who has become involved with pornographers and seeks revenge upon the gangster who killed his brother, who in turn was out to avenge the rape of his daughter. ~ Sandra Brennan, All Movie Guide

Several years before achieving stardom in the TV miniseries Rich Man--Poor Man, Peter Strauss is cast in this episode as temporarily paroled convict Bobby Jepson. Ordered to find a job during a 36-hour-pass or return to prison, Jepson runs headlong into a stone wall of prejudice and hostility, with only Detective Stone (Karl Malden) willing to give the man a break. But even Stone's compassion is sorely tested when Jepson is accused of murder--and the evidence seems air-tight and irrefutable. ~ Hal Erickson, All Movie Guide

Produced by Roger Corman and directed by Martin Scorsese, Boxcar Bertha is a Bonnie and Clyde-like yarn set during the Depression. The title character, played by Barbara Hershey, links up with union organizer David Carradine (Hershey's real-life lover at the time) after the death of her father. Running afoul of anti-union forces, Bertha and Carradine are forced into a life of crime. Whereas Bonnie and Clyde robbed banks, Boxcar Bertha's specialty is trains. A story of this nature can only end in tragedy, and wait until you see Carradine's symbolic demise! For the record, there really was a Boxcar Bertha Thompson, and it is her autobiography, Sister of the Road, that serves as the basis for Joyce and John Corrington's screenplay. ~ Hal Erickson, All Movie Guide

Tamara Dobson stars as Cleopatra Jones in Jack Starrett's blaxploitation programmer that, in its own way, deals effectively with the ravages of drugs in inner-city black communities. Cleopatra Jones is a jive female James Bond, a special drug agent for the United States government who wears sleek and hip clothes, drives a fancy car with a submachine-gun compartment in the front door, and travels all over the world to stomp out drugs at their source. Cleopatra has a loving relationship with Ruben (Bernie Casey), the well-meaning head of a drug rehabilitation clinic in Los Angeles. When Cleopatra travels to Turkey to oversee the destruction of poppy fields owned by Mommy (Shelley Winters) -- a lesbian drug dealer -- Mommy becomes upset. She exacts her revenge on Cleopatra by having the police close down Ruben's drug clinic. Nevertheless, Cleopatra continues to wreak havoc upon Mommy's drug business, and Mommy continues to try to do Cleopatra in, until finally there is a major confrontation between Cleopatra and Mommy and her minions. ~ Paul Brenner, All Movie Guide

Cornbread (Keith Wilkes) is an African-American youth who strives to escape his ghetto surroundings. He does so by becoming a high school basketball star--and the idol of the other youngsters in his community. On the verge of starting college on a scholarship, Cornbread is mistakenly killed by a police officer. Keith Wilkes, who plays the title role, was in real life an all-American at UCLA. Cornbread, Earl and Me, which was based upon Ronald Fair's novel Hog Butcher, marked the big screen debut of Laurence Fishburne. ~ Hal Erickson, All Movie Guide

Director William Crain's entertaining follow-up to Blacula stars Bernie Casey (formerly of the L.A. Rams) as Dr. Henry Pride, a prominent black physician who partakes of an experimental formula for the treatment of liver disease -- which turns out to be a close chemical cousin to Dr. Jeykll's notorious concoction. The drug transforms Pride into a homicidal white-skinned predator who goes out on murderous nocturnal rampages, mainly targeting prostitutes on the street corners of the Watts district; dangerously imposing cop Ji-Tu Cumbuka investigates. Known also as The Watts Monster and Dr. Black, Mr. Hyde, this film contains little of Blacula's Hammer-inspired atmosphere, choosing to adopt a standard low-budget urban-action style (with dialogue to match) until the King Kong-derived climax. ~ Cavett Binion, All Movie Guide

Killer ants ruin the summer holidays of vacationers visiting a posh summer resort in this horror movie. ~ Sandra Brennan, All Movie Guide

Based loosely on the real-life relationship between political activist Angela Davis and convict-turned-author George Jackson, Brothers stars Bernie Casey as David Thomas, who begins corresponding with college professor and outspoken black activist Paula Jones (Vonetta McGee) after he's convicted of a crime he didn't commit. David's relationship with Paula gives him strength and insight as he tries to survive in the brutally violent and racist environment of prison. A great deal more serious and politically minded than most of the other "blaxploitation" films of its era, Brothers was directed by Arthur Barron, in a severe departure from his previous film, the sweet teenage love story Jeremy. ~ Mark Deming, All Movie Guide

Ring of Passion is a self-described "docudrama" of the professional rivalry between African-American boxing great Joe Louis and German fistic champ Max Schmeling. On June 19, 1936, Schmeling (Stephen Macht) beats Louis (Bernie Casey) for the European championship. Germany's Nazi government uses this bout to trumpet the superiority of the Aryans over the "inferior" races. But in the return match of 1938, described by such sports scriveners as Damon Runyon (Allen Garfield) and Paul Gallico (Joe Campanella) as the "Fight of the Century," Joe Louis defeats Max Schmeling in one round. This TV movie takes great pains to convince us that, while Schmeling was in effect fighting for political reasons, he himself was not a Nazi (we are told that the public slurs against Louis attributed to Schmeling are the handiwork of Joseph Goebbels' propaganda machine). Given the subject matter at hand, Ring of Passion is surprisingly stingy in its boxing sequences. ~ Hal Erickson, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

A William Diehl novel was the source of the noirish nailbiter Sharky's Machine. Sharky (Burt Reynolds) is an undercover cop who fouls up an assignment and is kicked downstairs to the vice squad -- a rough-shod bunch of hellraisers who make life miserable. Soon, however, Sharky's life does a 180 when he encounters Dominoe (Rachel Ward) a prostitute seemingly in danger from her interaction with a number of very seedy thugs. To protect her, Sharky lines the high-rise apartment across from her residence with security cameras and surveillance equipment -- which only makes matters sticky as Sharky begins to fall in love with her. The film opened to a very warm critical reception (Janet Maslin observed that "Burt Reynolds establishes himself as yet another movie star who is as valuable behind the camera as he is in front of it"). It also features one of the most dangerous stunts on film, wherein the late stuntman Dar Robinson free falls from 16 stories off the ground. The "machine" of the title refers to Sharky's fellow cops, played by heavyweights Brian Keith, Charles Durning, Bernie Casey, and others. ~ Hal Erickson, All Movie Guide