Robert Warwick Movies
As a boy growing up in Sacramento, Robert Warwick sang in his church choir. Encouraged to pursue music as a vocation, Warwick studied in Paris for an operatic career. He abandoned singing for straight acting when, in 1903, he was hired by Clyde Fitch as an understudy in the Broadway play Glad of It. Within a few year, Warwick was a major stage star in New York. He managed to retain his matinee-idol status when he switched from stage to screen, starring in such films as A Modern Othello and Alias Jimmy Valentine and at one point heading his own production company. He returned to the stage in 1920, then resumed his Hollywood career in authoritative supporting roles. His pear-shaped tones ideally suited for talkies, Warwick played such characters as Neptune in Night Life of the Gods (1933), Sir Francis Knolly in Mary of Scotland (1936) and Lord Montague in Romeo and Juliet (1936). He appeared in many of the Errol Flynn "historicals" at Warner Bros. (Prince and the Pauper, Adventures of Robin Hood, The Private Lives of Elizabeth and Essex); in more contemporary fare, he could usually be found in a military uniform or wing-collared tuxedo. From The Great McGinty (1940) onward, Warwick was a particular favorite of producer/director Preston Sturges, who was fond of providing plum acting opportunities to veteran character actors. Warwick's best performance under Sturges' guidance was as the brusque Hollywood executive who insists upon injecting "a little sex" in all of his studio's product in Sullivan's Travels (1942). During the 1950s, Warwick played several variations on "Charles Waterman," the broken-down Shakespearean ham that he'd portrayed in In a Lonely Place (1950). He remained in harness until his eighties, playing key roles on such TV series as The Twilight Zone and The Law and Mr. Jones. Robert Warwick was married twice, to actresses Josephine Whittell and Stella Lattimore. ~ Hal Erickson, All Movie Guide- 1940
As part of his new contract with Warner Bros., Edward G. Robinson agreed to appear in the gangster comedy Brother Orchid on the condition that the studio permit him to play the leading role in the lavish biopic A Dispatch from Reuters. Robinson is cast as Baron Paul Julius Reiter, who in 1833 inaugurates a "pigeon post" messenger service which is soon rendered obsolete by the invention of the telegraph. Eventually adapting to the new communications process, Reuters is able to extends his links to the major capitals of Europe, achieving success by scooping his competition with a transcription of a speech by Louis Napoleon. By 1858, Reuters has expanded his operation to the English-speaking countries, seriously over-extending himself financially. Ultimately, Reuters is rescued from bankruptcy in 1865 when he broadcasts on a worldwide basis the news of President Lincoln's assassination-even before the American ambassador in England has been informed of the tragedy. Throughout the highs and lows of his career, Reuters is encouraged by his loyal and loving wife Ida (Edna Best), who continually reminds him that he is a communicator and not a grandstander. Though not as entertaining and satisfying as Robinson's previous biographical film Dr. Ehrlich's Magic Bullet, A Dispatch from Reuters' benefits immeasurably from the almost terrifying expertise of the Warners production staff and its stellar supporting cast (Eddie Albert, Gene Lockhart, Nigel Bruce, Otto Kruger et. al.) ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Edna Best, (more)
- 1917
Director Maurice Tourneur transformed Frances Marion's perfunctory scenario Girl's Folly into a visual delight that resulted in not a few oohs and ahhs from 1917 audiences. June Elvidge plays an impressionable country lass who is thrilled when a movie company sets up camp near her home. She falls in love with the troupe's handsome leading man Robert Warwick, who responds by offering to surround her in luxury if she will live with him--not marry him, mind you, but live with him. Only the arrival of the girl's kindly mother dissuades Warwick from deflowering the lovely June. He Does the Right Thing by bidding her a chaste farewell when his film-making responsibilities are completed. ~ Hal Erickson, All Movie Guide
- 1931
In this western, a wealthy eastern returns from a polo match to find that his father has been murdered. Later, he is riffling through his father's papers when he discovers that his family may have had a different name. He then finds evidence that causes him to suspect that a certain western rancher may be implicated in the killing. He hops in a plane and heads West, but he doesn't make it as he plane ends up crashing into the bathroom of a pretty woman. She falls in love with him, but this causes great friction with her lover, a ranch foreman. Meanwhile the bad rancher orders the foreman to bring the son to him--unarmed. Fortunately, the young man escapes and goes to meet the rancher for a final showdown. He then learns that he is his real father. The rancher then tells him that the other man's death was accidental, that he had only gone back East to confront him as he had stolen his wife and son. ~ Sandra Brennan, All Movie Guide
- Starring:
- George O'Brien, Sally Eilers, (more)
A popular title, a mystery death and college hi-jinks are the ingredients in this pleasant little whodunit from lower-rung company Chesterfield. Charles Starrett stars as Ken Harris, a college football hero whose roommate, Byron Coates (James Bush), is found dead outside their dormitory, a murder camouflaged as a suicide. Suspicion briefly centers on Byron's look-alike half-brother (also Bush) but he, too, is found slain by the mystery killer. Assisted by Byron's sister Jean (Marian Shilling), an at times confounded Ken manages to get to the bottom of the alarming goings-on and unmask the murderer, whose identity will come as little surprise to fans of low-budget 1930s crime thrillers. A Shot in the Dark was filmed on rental stages at the former Pathé studios. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Charles Starrett, Robert Warwick, (more)
- 1933
In this murder mystery a suspicious clergyman begins looking into the apparent suicide of a local miser who was generally despised. After much investigating, the minister's dark hunch is confirmed. Unfortunately, several people emerge and confess the crime. The trouble is, though each confessor had sufficient motive, only one of them actually committed the crime. ~ Sandra Brennan, All Movie Guide
It is a tale known well, filmed many times over the years, but never better than this early black and white version from the MGM Studios, David O. Selznick producing. "It was the best of times, it was the worst of times"-- Charles Dickens juxtaposes England and France, George and Louis, tradition and revolution. One of the most beloved of Dickens' stories, finding not only countries and conditions compared, but also two individuals thrown up in stark contrast to one another: -- the dissolute barrister Sydney Carton (Ronald Colman) and the young, somewhat callow aristocrat Charles Darnay (Donald Woods), both in love with Lucie (Elizabeth Allan), daughter of a victim of the French Regime. Their lives intertwine until the violent revolution that overtook an entire nation engulfs them all as well.
Dickens' story has stood the test of time; remade frequently since the release of this1935 version. It is this version by director Jack Conway's that is best remembered and to which all others are compared. The settings, cinematography, and direction are all right on the mark, recreating the streets of London and of Paris with great skill and realism. The supporting cast, filled with faces we have grown to cherish-- Reginald Owen, Edna May Oliver, Claude Gillingwater, Walter Catlett, H. B. Warner, Basil Rathbone, and E. E. Clive-comes through with crystalline performances which add substance to the inexorable stream of events. Blanche Yurka's bravura turn as Therese de Farge delights us even as we shudder at her intensity. Second unit directors Jacques Tourneur and Val Lewton, who would both go on to memorable careers as leading directors in their own right, staged the storming of the Bastille and other "revolutionary" scenes brilliantly, managing to combine fervor with panache. It is, however, Colman's portrayal of the lonely man redeemed by love and sacrifice which stands at the center of the story.
Sydney Carton first saves Charles Darnay from a charge of treason, thereby meeting those who care for him: the beautiful Lucie Manette, her father, Doctor Manette (Henry B. Walthall), released from the Bastille after many years of unjust incarceration; Lucie's servant Miss Pross, (Oliver) and Mister Lorry (Claude Gillingwater), an functionary of Tellson's Bank. His relationship with this circle of kind friends grows rocky when Darnay marries Lucie, whom Carton has loved from afar, but even this turn of events cannot change his feelings for them all and he grows to love them even more when daughter Lucie comes along. He reforms, leaving old ways behind and enjoying a familial warmth he has never known. This happy life is shattered when Darnay returns to France during the first revolutionary struggles, intent on saving his old tutor from the guillotine. He soon finds himself behind bars and facing the blade instead. The Revolution does not forget an aristocrat, even one who has recanted and lived life abroad as a commoner. The whole family makes the channel crossing to come to the young man's aid and Carton seeks a way to save him, discovering only one path to free Darnay and return everyone to safety. It is a sacrifice easily promised and quickly made.
Ronald Colman had long wanted to make a film of this story and, when he finally got his chance, he happily shaved off his signature mustache in an appropriate gesture to historical realism. Reviews of his work indicate his portrayal of Sydney Carton surpassed all his previous endeavors; he had been accused of walking through light parts, once he started making "talkies," and not putting his many talents to good use. "A Tale of Two Cities" put rest to those complaints. He dominates completely the scenes he which he does appear, and his skill gives substance to a literary achievement, a melancholy man of intelligence and wit, given to drink and despair, whose life seems to attain meaning only when it is given up for someone else. It is one of the portrayals for which Ronald Colman has come to be remembered.
There are various remake versions of A Tale of Two Cities. Dirk Bogarde played Carton in 1958 and Chris Sarandon starred in a television remake in 1980. While these and other versions have all been good films, none has achieved the stature of the 1935 version and its excellent combination of star power, technical brilliance and great storytelling. ~ All Movie Guide
Dickens' story has stood the test of time; remade frequently since the release of this1935 version. It is this version by director Jack Conway's that is best remembered and to which all others are compared. The settings, cinematography, and direction are all right on the mark, recreating the streets of London and of Paris with great skill and realism. The supporting cast, filled with faces we have grown to cherish-- Reginald Owen, Edna May Oliver, Claude Gillingwater, Walter Catlett, H. B. Warner, Basil Rathbone, and E. E. Clive-comes through with crystalline performances which add substance to the inexorable stream of events. Blanche Yurka's bravura turn as Therese de Farge delights us even as we shudder at her intensity. Second unit directors Jacques Tourneur and Val Lewton, who would both go on to memorable careers as leading directors in their own right, staged the storming of the Bastille and other "revolutionary" scenes brilliantly, managing to combine fervor with panache. It is, however, Colman's portrayal of the lonely man redeemed by love and sacrifice which stands at the center of the story.
Sydney Carton first saves Charles Darnay from a charge of treason, thereby meeting those who care for him: the beautiful Lucie Manette, her father, Doctor Manette (Henry B. Walthall), released from the Bastille after many years of unjust incarceration; Lucie's servant Miss Pross, (Oliver) and Mister Lorry (Claude Gillingwater), an functionary of Tellson's Bank. His relationship with this circle of kind friends grows rocky when Darnay marries Lucie, whom Carton has loved from afar, but even this turn of events cannot change his feelings for them all and he grows to love them even more when daughter Lucie comes along. He reforms, leaving old ways behind and enjoying a familial warmth he has never known. This happy life is shattered when Darnay returns to France during the first revolutionary struggles, intent on saving his old tutor from the guillotine. He soon finds himself behind bars and facing the blade instead. The Revolution does not forget an aristocrat, even one who has recanted and lived life abroad as a commoner. The whole family makes the channel crossing to come to the young man's aid and Carton seeks a way to save him, discovering only one path to free Darnay and return everyone to safety. It is a sacrifice easily promised and quickly made.
Ronald Colman had long wanted to make a film of this story and, when he finally got his chance, he happily shaved off his signature mustache in an appropriate gesture to historical realism. Reviews of his work indicate his portrayal of Sydney Carton surpassed all his previous endeavors; he had been accused of walking through light parts, once he started making "talkies," and not putting his many talents to good use. "A Tale of Two Cities" put rest to those complaints. He dominates completely the scenes he which he does appear, and his skill gives substance to a literary achievement, a melancholy man of intelligence and wit, given to drink and despair, whose life seems to attain meaning only when it is given up for someone else. It is one of the portrayals for which Ronald Colman has come to be remembered.
There are various remake versions of A Tale of Two Cities. Dirk Bogarde played Carton in 1958 and Chris Sarandon starred in a television remake in 1980. While these and other versions have all been good films, none has achieved the stature of the 1935 version and its excellent combination of star power, technical brilliance and great storytelling. ~ All Movie Guide
- Starring:
- Ronald Colman, Elizabeth Allan, (more)
A remake of the Swedish film of the same name (see entry 55092), MGM's A Woman's Face was reshaped into one of Joan Crawford's best vehicles. Told in flashback from the vantage point of a murder trial, the story concerns a female criminal whose face is disfigured by a hideous scar. The plastic-surgery removal of this disfigurement has profound repercussions, both positive and tragically negative. The film's multitude of subplots converge when Conrad Veidt, Joan's lover and onetime partner in crime, is murdered. Melvyn Douglas costars as the beneficent cosmetic surgeon who becomes Joan's lover, while Osa Massen appears as Douglas' vituperative wife. Making his American screen debut in the role of Veidt's father is Albert Basserman, who spoke no English and had to learn his lines phonetically. Both A Woman's Face and its Swedish predecessor were based on Il Etait Une Fois, a play by Francis de Croiset. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Melvyn Douglas, (more)
- 1949
- NR
Screenwriter Herman J. Mankiewicz adopts the same prismatic-flashback technique he'd used so well in Citizen Kane for the 1949 filmic soap opera A Woman's Secret. Based on a novel by Vicki (Grand Hotel) Baum, the film begins with the shooting of nightclub singer Susan Caldwell (Gloria Grahame). Marian Washburn (Maureen O'Hara), who'd coached Susan into the Big Time, confesses to the shooting. Neither Marian's piano-player friend Luke Jordan (Melvyn Douglas) nor police inspector Fowler (Jay C. Flippen) completely buy her story, and it is their probing investigation of the facts that sparks the flashback parade. The film details in sometimes clever, sometimes maudlin fashion the perils of living one's life vicariously through the accomplishments of others. Though filmed before director Nicholas Ray's "official" debut feature They Live by Night, A Woman's Secret was released afterward. ~ Hal Erickson, All Movie Guide
- Starring:
- Maureen O'Hara, Melvyn Douglas, (more)
Ostensibly based on the life of World War I flying ace Eddie Rickenbacker, whose smiling visage opened each of the 13 chapters, this fanciful serial depicted the travails of a globe trotting airline company. It seems that a villain known only as The Dragon (Arthur Loft) is determined to sabotage the company, who in desperation hires daredevil pilot Ace Drummond (John King) to investigate. By the time of the serial's 13th and final chapter -- "The World Akin" -- Drummond has not only managed to destroy The Dragon but also reunited lovely Peggy Trainor (Jean Rogers) with her long lost father (Montagu Shaw) and discovered a hidden mountain containing a fortune in jade. A former band singer with Ben Bernie, the rather bland John King later became "Dusty" King and enjoyed a minor career in B-Westerns. A legendary serial queen, blonde Jean Rogers gained her lasting reputation that same year when Universal cast her as Dale Arden in Flash Gordon. An edited feature version of Ace Drummond was released later in 1936 as Squadron of Doom. ~ Hans J. Wollstein, All Movie Guide
- 1936
Crime reporter George Melville (Joel McCrea) arrogantly repeated accurate predictions about jewel robberies. He befriends Claire (Jean Arthur), who involves him in a mysterious adventure. Later, George meets producer Blackton Gregory (Reginald Owen), who reveals Claire is an actress hired by other reporters who wanted to show George up. She's starring in a play Gregory is producing, but only as a cover for a tunnel he's having henchmen dig to an art gallery. Gregory is really Belaire, a master thief who everyone but George thinks is dead, so when Claire, now falling in love with George, innocently gives Belaire key information, he uses it against George. To Claire's dismay, this leads to George being fired and, apparently, going nuts. ~ Bill Warren, All Movie Guide
- Starring:
- Jean Arthur, Joel McCrea, (more)
- 1932
Eric Linden is a bellhop who has the extreme misfortune of being in the wrong place at the wrong time in gangster era of Chicago. After witnessing an assassination staged by gangsters, Linden becomes a pawn, being pushed back and forth by corrupt authorities and the mob. Tension mounts as the possibility that the blame for the crime may eventually rest on Linden. ~ All Movie Guide
- Starring:
- Eric Linden, Sidney Fox, (more)
- 1952
After James Stewart's financial windfall attending his "percentage of profits" deal on Winchester 73, Errol Flynn decided to cash in by making his own deal with Universal Pictures, accepting a moderate fee up front and a huge chunk of the gross for Against All Flags. Set in the 16th century, the film casts Flynn as a British naval officer unjustly condemned for desertion. He escapes punishment and joins Anthony Quinn's pirate band, wherein he and Quinn vie for the attentions of glamorous female buccaneer Maureen O'Hara. Flynn incurs O'Hara's wrath when he rescues a lovely middle-eastern princess (Alice Kelley) from slave traders, but O'Hara still comes to Flynn's aid when he is left to die by Quinn. Flynn and O'Hara team up to thwart Quinn's evil schemes, whereupon it is revealed that Flynn's "disgrace" was a ruse, concocted by the British government to stem pirate activities in Madagascar. Though suffering several injuries during shooting, Errol Flynn was back in his old fighting form in Against All Flags, requiring a double only in a few scattered longshots. The film was poorly remade in 1967 as The King's Pirate, with Doug McClure inadequately filling Errol Flynn's seven-league boots. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Maureen O'Hara, (more)
- 1955
Forced to leave New York in a hurry, impoverished gambler Charlie Raymond (Peter Lawford) answers a newspaper ad from a fellow Londoner named Walter Hendricks (John Williams), who wants someone to drive with him to San Francisco and share expenses. En route to the West Coast, Raymond discovers that Hendricks is on his way to collect a huge inheritance. Seizing the opportunity, Raymond murders Hendricks and assumes his identity, certain that the Frisco authorities will fall for the ruse and that he will fall heir to 200,000 dollars. Want to bet that things don't quite work out as planned for our "hero"? ~ Hal Erickson, All Movie Guide
- 1915
Lee Randall (Robert Warwick) is a man who leads a double life. By day he is a respectable person; by night he robs banks. His gang stages an elaborate break-in at a bank, but they are discovered while fleeing the scene of the crime, and the gang is captured. (During their stay in jail, real shots of prisoners in Sing Sing are shown -- though some of the prisoners didn't want their faces in the movie!). When Randall is released from prison after serving his time, the film becomes a traditional melodrama, telling the story of a man who tries to go straight and the difficulties that he encounters after he and his cronies get out of prison. When Randall has established a new life (keeping the books at a bank), a detective comes calling. The detective wants to pin an old bank heist on Randall. At the same time, a small girl is accidentally locked in the bank vault. Randall must use his safe-cracking skills to free her, even though it may send him back to prison. This film is one of several important gangster films released in the mid-teens. Director Maurice Tourneur's most imaginative camera work of the film is in the first 15 minutes when the gang executes a bank heist. There are several deep-staged set-ups that have characters in real locations (like a train) instead of just on studio sets. The heist features an over-the-head shot of the cubicles in the bank to show the night watchman just missing the crooks. ~ Bruce Calvert, All Movie Guide
- 1916
Not to be confused with the 1918 Harry T. Morey vehicle of the same name, the 1916 western All Man was adapted by Frances Marion from a story by Willard Mack. The title refers to hero Jim Blake, played by Robert Warwick. To prove his worth to his highly judgemental father, socialite Blake heads to Montana, Where Men are Men (and women, presumably, are very happy). In his efforts to make good, Blake befriends sisters Ethel and Alice Maynard (Gerda Holmes, Mollie King), adding a dash of romantic intrigue to the stew. Though set in the Wide Open Spaces, All Man was all too obviously filmed in New Jersey, headquarters of the World Film Corporation. ~ Hal Erickson, All Movie Guide
- 1938
Ace the Wonder Dog, RKO's Rin Tin Tin-wannabe, plays Picardy Max, a mongrel dog adopted by Dan Preston (James Ellison) when both are thrown in jail for vagrancy. Dan's legal problems are quickly done away with but his pretty boarder, Shirley Haddon (Helen Wood), is increasingly troubled by Dan's obsessive competitiveness with fellow dog owner Robert Mabrey (Robert Kent). In fact, the young man's grudge against the entire Mabrey family threatens to ruin his burgeoning relationship with Shirley but everything works out fine when Picardy helps locate a kidnapped Marian Mabrey (June Clayworth). Almost a Gentleman was the second of three programmers starring Ace the Wonder Dog and produced by RKO 1938-1940. Ace also worked for Republic Pictures and was featured in the 1943 serial The Phantom. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- James Ellison, Helen Wood, (more)
- 1919
This light comedy was based on Anthony Hope's novel Captain Dieppe. Robert Warwick plays the captain, an international agent and diplomatic freelancer who is having differences with his latest employers, a small Italian principality. They refuse to pay him until he gives them a crucial report and he refuses to hand over the report until they pay him. Ultimately he leaves, and the minister sends secret service man Guillamo Sevier (Walter Long) after him. But Dieppe eludes Sevier and stays in Fieramondi, as the guest of the Count (Juan de la Cruz, otherwise known as James Cruze, who directed the picture). The Count and his wife (Winifred Greenwood) have been arguing over a certain Paul Sharp (Howard Gaye), and are currently estranged. Dieppe sees Lucia Bonavia D'Orano (Helene Chadwick), a cousin of the Count's by marriage, and believes her to be the Countess. He falls in love with her on sight, and when he finds out that the Countess owes a gambling debt to Sharp, he steals the I.O.U. He figures that this will bring the Count and Countess back together again, and that he is making a big romantic sacrifice. When he discovers the woman he loves isn't the Countess at all, he is overjoyed. He finally gets the money owed him, along with winning the girl. ~ Janiss Garza, All Movie Guide
- 1938
Zany actress Annabel goes on a promotional tour in this lively comedy, the second in the Annabel series. During her tour, she allows her promoter to "leak" a story that she is having a romantic fling with a famous romance novelist. The ploy is successful, until she really does fall in love with the writer and decides to abandon her acting career to be with him. Unfortunately, he is already married. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lucille Ball, Jack Oakie, (more)
- 1938
The trials faced by the US Army when it first attempted to trade horses for tanks provides the basis of this actioner. The tale centers upon the love affair between an Army post commander's daughter and a young tank specialist who is trying to prove that the new technology is better than horses. The old soldiers disagree and a race upon a special course is arranged. ~ Sandra Brennan, All Movie Guide
- Starring:
- Madge Evans, Preston S. Foster, (more)
- 1938
Bar 20 Justice is the 16th entry in the durable "Hopalong Cassidy" western series. As ever, William Boyd stars as Hoppy, this time teamed with Windy Halliday (Gabby Hayes) and Lucky Jenkins (Russell Hayden). On this occasion, our heroes take on a bunch of crooks who've taken over a mining concern. In order to capture the criminal responsible for murdering the husband of heroine Ann Dennis (Gwen Gaze), Hoppy is obliged to head deep, deep, deep into a forbidding mineshaft. The excitement level of the closing scenes is enhanced by an intricate musical score. The bad-guy lineup on this occasion includes the swarthy Walter Long and the outwardly respectable Pat O'Brien. Bar 20 Justice was directed by Lesley Selander, who would eventually helm 27 of the 66 "Cassidy" films. ~ Hal Erickson, All Movie Guide
- Starring:
- William "Hopalong" Boyd, George "Gabby" Hayes, (more)
In this bargain-basement actioner, a determined young woman tries to prove that her incarcerated brother is innocent. She must hurry, for he has a fatal date with the electric chair. Desperate, she enlists the aide of a shady character and a kindly district attorney. Most of the action scenes were cut from minor serials. ~ Sandra Brennan, All Movie Guide
- Starring:
- Regis Toomey, Sheila Terry, (more)
Since the United States was officially neutral in the Spanish Civil War, the struggle of the Loyalists against Franco's forces didn't find much favor in Hollywood; this drama, produced by Walter Wanger, was one of the few films to deal with the conflict, albeit in watered-down terms. Marco (Henry Fonda) is a simple farmer driven from his land by troops of invading soldiers; in an act of defiance, he makes a speech declaring the need for freedom from tyranny, and soon Marco's fellow peasants are following him as their leader. Marco becomes a member of the Loyalist forces, and his strong words and fierce beliefs allow him to rise through the ranks and become a key member of the struggle. While stationed in a city under blockade, Marco becomes acquainted with Norma (Madeleine Carroll), who serves as a spy for armies allied with Franco; her sympathies are less with his policies than for the safety of her family, who live in an occupied territory. Despite their differences, the two become close when they're trapped in a building during a bombing raid; eventually Norma finds herself swayed by Marco's impassioned call to stop the murder of the innocent people of Spain. While producer Wanger was one of the few people in Hollywood who felt strongly enough about the situation in Spain to put it on film, the resulting picture doesn't say much about the specific political issues involved in the fight against Franco, and the troops Marco and his men encounter wear uniforms designed not to resemble those of any actual countries, for fear of offending nations that sided with Franco. Despite this, Blockade was deemed a strong enough leftist tract to be used against screenwriter John Howard Lawson when he was blacklisted in the 1950s. ~ Mark Deming, All Movie Guide
- Starring:
- Madeleine Carroll, Henry Fonda, (more)
- 1937
An above-average "Hopalong Cassidy" series entry, Borderland has Hoppy (William Boyd) going undercover as a bandit in a tough Mexican border town in order to trap a notorious bandit known only as The Fox. Not even sidekicks Johnny Nelson (James Ellison) and Windy (George "Gabby" Hayes) are in on the scheme, concocted jointly by Mexican Army Colonel Gonzales (Trevor Bardette) and Texas Ranger Major Stafford (Earle Hodgins). Lodging with widowed Grace Rand (Nora Lane) and her small daughter, Molly (Charlene Wyatt), both of whom he abuses in order to protect his cover, Hoppy learns that The Fox (Stephen Morris aka Morris Ankrum) is himself performing a bit of masquerade, in this case as a halfwit known as Loco. Windy, however, innocently spills the beans and is promptly kidnapped along with Molly. Chased by Hoppy, who is himself tailed by the villain's henchmen, Gonzales' troops, and a wounded Johnny Nelson, The Fox (alias Loco) escapes to his secret hideaway, a cabin stocked with dynamite. There, Hoppy catches up with him and in an exciting finale keeps the master villain at bay until help arrives. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- William "Hopalong" Boyd, James Ellison, (more)
- 1944
Two Bowery vaudevillians compete to be the first to produce shows on Broadway. They might be friends were they not so convinced that each has stolen ideas from the others. This bouncy musical chronicles their rivalry and the success they find after they finally team up. Unfortunately the success is short-lived when one of them suddenly departs to work for a beautiful woman. This time the feud erupts with a vengeance. Fortunately, their paths again cross and a happy ending follows. Songs include: "Just Because You Made Dem Goo Goo Eyes at Me", "There'll Always Be a Moon", "Coney Island Waltz", "Yippie-I-Addy-I-Ay", and "Wait Till the Sun Shines Nellie". ~ Sandra Brennan, All Movie Guide
- Starring:
- Maria Montez, Jack Oakie, (more)
