Mark Warren Movies

It is has been 25 years since Xena (Lucy Lawless), her daughter, Eve, and her companion, Gabrielle (Renee O'Connor), disappeared from the face of the earth. Since that time, the ladies' friend Joxer (Ted Raimi) has regaled his children and grandchildren with stories of Xena's adventures -- and of his own courage in the thick of battle. Now, an aged Joxer has come across the last scroll left behind by Gabrielle, detailing the final confrontation between Xena and the Olympian Gods, who were forsworn to kill Eve lest she fulfill the prophecy of their destruction. As Joxer reads the document, he realizes with startling suddenness that Xena and Gabrielle may not be dead -- as everyone (including himself) has assumed all these many years. ~ Hal Erickson, All Movie Guide

The true story of a gifted Australian piano prodigy, this biographical drama was nominated for seven Oscars, with actor Geoffrey Rush winning for Best Actor. Rush stars as David Helfgott, a pianist with a history of mental problems. As a fragile boy genius at math, chess, and piano, David is driven hard by his overbearing father (Armin Mueller-Stahl), a tyrant who forbids him to accept a scholarship offered by the great violinist Isaac Stern. Although he studies briefly in London under tutor Cecil Parks (John Gielgud), David has a nervous breakdown after performing Rachmaninoff's daunting "Piano Concerto No. 3" (known as the "Rach 3"). Years later, the adult David keeps up a steady patter of nervous stammering at all times and has been reduced to playing in a bar. Through a friend, he meets astrologer Gillian (Lynn Redgrave), and falls in love with her. With Gillian's help, David embarks down the road to regained fame and mastery of the "Rach 3." The international popularity of Shine caused a sensation leading to a musical tour for Helfgott, whose performances were less adroit than many audiences expected, sparking criticism that writer-director Scott Hicks had exaggerated his subject's talent for dramatic purposes. ~ Karl Williams, All Movie Guide

The husband and wife team of Nadia Tass and David Parker concocted this charming teen comedy concerning a disappointing birthday present. Ben Mendelsohn plays Danny Clark, a shy 18-year old who only wants two things out of life: to go out with Joanna (Claudia Karvan) and to own a sleek new Jaguar. When Danny's father Desmond (Marshall Napier) comes through with a birthday gift for Danny, it's a car but it's not what Danny had hoped for --it is the family's old 1963 Nissan Cedric. Disappointed, Danny decides to trade the car in for a 1973 Jaguar before he goes out on his first date. Danny makes a deal with sleazy car dealer Gordon Farkes (Steve Bisley) for the 1973 Jaguar -- but Farkes switches engines on poor Danny. While Farkes is having a good time at a sex club, Danny decides to retaliate by gathering together a few of his friends to help him steal the engine from Farkes' Jaguar. ~ Paul Brenner, All Movie Guide

Big City Comedy originated in 1980 as a syndicated TV series, hosed by John Candy. The chucklesome Candy was aided and abetted by such guest pals as Billy Crystal, Tim Kazurinsky and Martin Mull. Unfortunately, the sketches and routines weren't quite worthy of the talent involved, so assembling a "best of" video must have been a tricky proposition. Candy himself relied too much on funny costumes and makeup to get laughs, a common failing of many Second City veterans who find themselves saddled with mediocre material. Still, Big City Comedy affords a few hearty chuckles within its 58-minute lifespan. ~ Hal Erickson, All Movie Guide

Once again, Boss Hogg (Sorrell Booke) frames the Duke cousins for one of his own crimes. As Sheriff Little (Don Pedro Colley) locks Coy (Byron Cherry) and Duke (Christopher Mayer) in the calaboose, Boss puts the second phase of his master scheme in motion. With the Dukes out of the way, Boss is convinced that he'll encounter no problems in following a map supplied by an ex-con, leading to a half-million dollars in stolen bonds--somewhere at the bottom of Soggy Marsh. ~ Hal Erickson, All Movie Guide

Beginning its fifth successful season on Friday, September 12, 1975, Sanford and Son was essentially the mixture as before with most of the familiar regulars firmly in place. His well-publicized contract disputes more or less receding into memory, Redd Foxx was back as cantankerous Watts junk dealer Fred Sanford, with Demond Wilson as his long-suffering son and reluctant business partner Lamont. Also returning were LaWanda Page as Fred's explosively prudish sister-in-law Aunt Esther, Lynn Hamilton as Fred's sometimes fiancée Donna Harris, Don Bexley and Nathaniel Taylor as family friends Bubba and Rollo, and Hal Williams and Howard Platt as police officers Smitty and Hoppy. Conspicuously absent from the fifth-season roster were three actors who had departed for other sitcoms: Gregory Sierra (Julio Fuentes), who had moved to Barney Miller; Pat Morita (Ah Chew), who had transferred to Happy Days; and, most notably, Whitman Mayo (Grady Wilson), now starring in his own spin-off series, Grady. However, despite his new leading-man workload, Mayo would continue to make token Sanford appearances as Grady, returning to the series on a more or less regular basis after Grady (the series) folded in the spring of 1976. Additions and emendations to the Sanford format included the arrival of Marlene Clark as Janet Lawson, a widowed mother with whom Lamont would fall in love, and Edward Crawford as Janet's young son Roger. Also, Fred and Lamont Sanford would try to amplify their income by managing a boarding house, the Sanford Arms, which introduced as steady stream of recurring characters -- and also set the stage for the ultimate conclusion of Sanford and Son at the end of 1977. That denouement was still part of the distant future by the conclusion of the series' sixth season, during which Sanford ranked as America's seventh most popular weekly series. Fans were particularly gratified that NBC chose to rerun selected episodes on Wednesday evenings from April to August 1976, under the title The Best of Sanford and Son. ~ Hal Erickson, All Movie Guide

This sequel to Cotton Comes to Harlem (1970) brings back Coffin Ed Johnson (Raymond St. Jacques) and Gravedigger Jones (Godfrey Cambridge), two freewheeling African-American police detectives working the beat in Harlem. Joe (Peter DeAnda) is a famous photographer who has mounted a crusade to drive drug dealers out of Harlem, but his intentions are hardly civic-minded; he hopes that by cutting out as much competition as possible, he can take over the business and corner the neighborhood's dope market. Caspar (Maxwell Glanville), one of Harlem's biggest dealers, is the only one who has figured out Joe's angle, and he carefully guards his territory. When a few local dealers begin turning up dead, Joe announces that the ghost of a powerful Harlem gangster, Charleston Blue, has returned to clean up the neighborhood; the small-time dope men are a suspicious lot, and many of them flee the city. But Coffin Ed and Gravedigger know that something fishy is going on, and they struggle to get the goods on Joe and Caspar, as well as solving the mystery of Charleston Blue. Like its predecessor, Come Back Charleston Blue was based on a novel by crime writer Chester Himes. ~ Mark Deming, All Movie Guide

A locked-in-the-fifties science fiction film, The 27th Day begins with five different people from five different countries suddenly disappearing from view. They have been gently abducted by the agent (Arnold Moss) of a faraway dying planet, who gives each of the five earthlings a "killing capsule" that will destroy everything on Earth and allow the residents of the alien planet to re-colonize the planet--but which will be ineffective if not used after 27 days. In typical Cold War fashion, the representatives of the "good" countries (including Gene Barry) refuse to utilize the capsules, while the Soviets, (personified by Azemat Janti and Stefan Schnabel) intend to deploy the capsules for their own nefarious purposes. Their perfidy only results in the utter decimation of the USSR. ~ Hal Erickson, All Movie Guide