Andy Warhol Movies
American pop artist Andy Warhol became a pop icon himself, symbolizing the wild decadence of the "beautiful people" of the 1970s. Born Andrew Warhola in Pennsylvania, he studied at the Carnegie Institute of Technology before designing advertisements for women's shoes. After gaining notoriety for his pop-art renditions of things such as Campbell's Soup cans and silk screens of Marilyn Monroe, Warhol began making experimental films during the early '60s. Most of his early works were little more than passive chronicles of the ordinary. For example, in the film Sleep, he simple recorded a man sleeping for several hours. Such endeavors were heralded as groundbreaking by other experimental filmmakers, but the public and most critics generally regarded them as wastes of film, and their time. Still, Warhol continued making these plotless films until he eventually began adding crude soundtracks and sketchy scripts. Many of these films are filled with his "players": the beautiful people, "freaks," and wealthy dilettantes that constantly surrounded the artist and his "Factory," an art studio he founded in 1962. His films became a form of cinéma vérité, a voyeur's delight of strange people doing equally strange things. Some of the players Warhol turned into underground celebrities included Candy Darling, Viva, Holly Woodlawn, and Ingrid Superstar. Simply playing versions of themselves, they left the viewer to decide if they were, in fact, real people or simply fantastical figures. Many of Warhol's films were centered on sex and death, and the sex in his films was often explicit and transcended traditional gender boundaries. In 1968, Warhol was wounded by a disgruntled Factory reject, an incident which inspired the 1996 movie I Shot Andy Warhol. While healing, he began to withdraw from filmmaking, closed the Factory, and turned the reins of his operation over to filmmakers such as Paul Morrissey, who helped make subsequent movies more commercially accessible. Morrissey was behind Warhol's best known films Flesh for Frankenstein and Blood for Dracula, both of which were shot while in Rome in 1973. Although Warhol never fully recovered from the attempt on his life and had stopped making films, he did continue his voyeurism of the strange lives of his illustrious friends via the Polaroid camera he carried with him until he died in 1987 from complications following surgery. ~ Sandra Brennan, All Movie Guide
- 2006
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Documentary filmmaker Ric Burns explores the life and legacy of pop art's most beloved icon with this film that seeks to illuminate the public persona and creative complexity of painter, photographer, and filmmaker Andy Warhol. Host Laurie Anderson narrates as an erudite collection of curators, critics, and biographers dispel Warhol's own self-created image as a haute couture heavyweight to offer a more intellectually minded portrait of the man who forever changed the way the world views Campbell's Soup cans. From Warhol's boyhood experiences in a Czechoslovakian community in Pittsburgh to a disheartening stint at art school and initial work as a commercial illustrator in New York, Burns' film explores every aspect of Warhol's life to offer a detailed look at the artist whose short-circuited class-jumping gave him a most unique view on contemporary culture. ~ Jason Buchanan, All Movie Guide
- Starring:
- Andy Warhol
Henry Geldzahler was one of the most important figures in 20th Century American art, even though he was not an artist himself. Geldzahler was a collector and historian who helped establish the role of artists such as Andy Warhol, Claes Oldenburg, George Segal, and Roy Lichtenstein within the canon of contemporary art with "New York Painting and Sculpture: 1940-1970," a groundbreaking show at New York City's Metropolitan Museum of Art which made the case for pop art while the gallery establishment was still favoring the more accepted but less accessible abstract expressionists. A passionate man who was a friend, confidante, and collaborator to many of the painters and sculptors he championed, Geldzahler assembled the "New York Painting and Sculpture" show himself, and while it caused no small amount of controversy at the time (especially among his colleagues at the MoMA), it established a consensus that the pop movement and its leading figures were here to stay, and Geldzahler continued to be a mover and shaker in the world of contemporary art until his death in 1994 at the age of 59. Who Gets to Call it Art? is a documentary which celebrates and chronicles Geldzahler's life and career and features interviews with a number of his friends and associates, including Andy Warhol, Frank Stella, Jasper Johns, Jonas Mekas, Larry Poons, John Chamberlain, and many more. ~ Mark Deming, All Movie Guide
- Starring:
- Frank Stella, Jasper Johns, (more)
- 1995
This German documentary offers a tragic profile of the notorious "death angel," Nico. Long after her death in 1988, the German model and entertainer has remained a darkly mysterious cult figure. She was born Christa Paffgen in Cologne and took her professional name from photographer Nico Papatakis. She began modeling in the early '50s, and this led to a brief appearance in Fellini's classic La Dolce Vita. Though Nico was blessed with the rare combination of beauty and intelligence, she was depressive and utterly lacking in ambition; she spent much of her life simply drifting about through various film and commercial appearances until she met artist Andy Warhol. He introduced her to the band the Velvet Underground, which resulted in the tone-deaf beauty occasionally singing with them -- much to the discomfiture of the band members; she became addicted to heroin and eventually could no longer disguise its effects. Nico went on to become a solo act until her death as the result of a brain hemorrhage. Nico -- Icon includes film clips, commercial clips, archival photos, songs, and interviews with those who knew her, including members of the Velvet Underground, Paul Morrissey, ex-Factory members Viva and Billy Name, songwriter Jackson Browne, and avant-garde filmmaker Jonas Mekas. ~ Sandra Brennan, All Movie Guide
- Starring:
- Christa Paffgen
A documentary featuring the founder of pop art. Andy Warhol is represented through his work and through interviews. ~ John Voorhees, All Movie Guide
- Starring:
- Andy Warhol
- 1985
With top-name models like Carol Alt and Kelly Emberg, as well as the designer clothes they wear, this docudrama about the hardships of jet lag as the women travel from Rome, to Paris, to New York, to London is at least visually, if not mentally or emotionally engaging. The focus, in general, is on the models who work for John Casablancas and his New York agency, and it ostensibly follows the rising career of a young model from New England. The fashion world often holds its own fascination, which may be enough to satisfy most viewers.
~ Eleanor Mannikka, All Movie Guide
~ Eleanor Mannikka, All Movie Guide
- Starring:
- Julie Wolfe, Carol Alt, (more)
- 1984
Consensus opinion is that Paul Morrissey directed L'Amour on his own, despite Andy Warhol's name on the credits. This film has much more of a story than the other Andy Warhol Factory productions, but it takes the same casual approach to nudity and sex. In the story, two female tourists (Donna Jordan and Jane Forth) seek out Michael (Michael Sklar) a wealthy American resident, who has been living with a handsome French boy (Max Delys). Everyone tries, with varying success, to seduce everyone else, though the two men have only an implied relationship. Eventually, Michael decides to marry one of the girls and return to the U.S. ~ Clarke Fountain, All Movie Guide
- 1976
In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. ~ Clarke Fountain, All Movie Guide
- Starring:
- William S. Burroughs
The second of two horror films shot in a single production term and bearing the name of pop-art icon Andy Warhol (whose participation pretty much ended with the use of his name), this film is slightly superior to its higher-profile predecessor, Andy Warhol's Frankenstein. Direction is credited to Warhol factory filmmaker Paul Morrissey, though there still exists a very vocal camp who insist that the real credit should go to Italian director Antonio Margheriti. Euro-horror leading man Udo Kier assays the title role, playing the count as a pale, anemic-looking blood junkie with an overwrought accent. Finding the supply of "weer-gin" blood diminishing rapidly in Romania, Dracula is forced to seek a fix in a predominantly Catholic Italian province, where he is certain a few virgins still exist. He travels with his assistant (Arno Juerging) and his coffin-sealed sister to the decrepit, crumbling mansion of the financially-strapped Marquis DiFore (a tour-de-force performance from Bicycle Thief director Vittorio de Sica) who welcomes the affluent Count with open arms, hoping to marry off any one of his four daughters. Dracula clearly has other intentions for the girls... but his plans are rudely thwarted by beefy, socialist handyman Mario (Joe Dallesandro), who has been dutifully divesting the young maidens of their -- ahem -- virtue, thus tainting their blood and making it unsafe for vampiric consumption. Very unsafe, it turns out -- as we are treated to protracted scenes of the death-pale Count vomiting up gallons of blood. Rated "X" at the time of its release (and subsequently re-rated "R" ten years later), this outrageous catalogue of depravity features wildly campy performances, inane dialogue and an outrageous climax. ~ Cavett Binion, All Movie Guide
- Starring:
- Joe Dallesandro, Udo Kier, (more)
Heat is one of the more mainstream films produced by Andy Warhol's "Factory" and directed by Paul Morrissey. It is something of a send-up of Sunset Boulevard, with male beauty Joe Dallesandro in the William Holden part. In the film, Dallessandro seeks to advance his career by bedding anyone who is able to help him, from corpulent lady motel owners, to the gay boyfriend of a movie star's ex-husband. His career moves land him in bed with a fading but still-influential movie star (Sylvia Miles), and they enjoy a brief relationship. This ends, however, when Dallessandro decides that he wants to handle his career on his own. ~ Clarke Fountain, All Movie Guide
- Starring:
- Sylvia Miles, Joe Dallesandro, (more)
- 1972
The behind-the-scenes activities of the Rolling Stones on their 1972 American tour are the focus of this quasi-documentary film which has had limited showings due to a lawsuit brought by the band, doubtlessly on the advice of their lawyers. Thus, its official release date (if any) is open to question. While some concert footage is included, it mostly focuses on the backstage and offstage behavior (and misbehavior) of the band and its road crew. Despite the film's cinéma vérité tone, some of the events filmed are clearly staged by the groupies, road crew, and band just for the benefit of the cameras. For that reason, it is difficult to tell how accurate a depiction of the Stones' mid '70s on-tour behavior this is. Among the misbehaviors chronicled are hotel room trashings, and the airplane abduction of giggling, screaming and naked groupies for carnal purposes, as well as assorted drug scenes. ~ Clarke Fountain, All Movie Guide
- Starring:
- The Rolling Stones, Marshall Chess, (more)
Andy Warhol produced this mordant satire of the women's movement, directed by Paul Morrissey and staring a trio of female impersonators. Candy (Candy Darling) is an aloof heiress caught in an unhappy relationship with her brother. Jackie (Jackie Curtis) is a virginal intellectual who believes that women are oppressed in contemporary American society. And Holly (Holly Woodlawn) is a nymphomaniac who has come to loathe men, despite her attraction to them. Together, they join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier; Jackie gets mixed up with a male hustler and winds up as an unwed mother, Holly becomes a homeless alcoholic, and Candy tries to make a go of show business via the casting couch. Several other Warhol/Morrissey "superstars" appear in supporting roles, including Jane Forth, Geri Miller, and Maurice Braddell. ~ Mark Deming, All Movie Guide
This Andy Warhol production finds Joe Dallesandro as Joe, a lice-ridden impotent junkie who lives with Holly (Holly Woodlawn) in a Lower East Side slum in New York. Holly is a transvestite who spends time collecting trash, going to the Fillmore East, and cruising for sex. Joe is only interested in his next fix, and graphic displays of needles piercing flesh and degrading human situations deglamorize drug use better than any board of education film or public service messages. Jane (Jane Forth) is the acid casualty housewife who listens to Pink Floyd. Male and female nudity and masturbation are featured. The color process is not credited, but technical aspects are better overall than most previous Warhol productions. Woodlawn was the inspiration for the Lou Reed song "Take a Walk on the Wild Side." ~ Dan Pavlides, All Movie Guide
- Starring:
- Joe Dallesandro, Holly Woodlawn, (more)
Underground filmmaker Jonas Mekas presents a collection of home movies, outtakes and unfinished projects. A picnic in Central Park with friends is shown, as are Allen Ginsberg and Norman Mailer in an anti-war protest march. John Lennon and Yoko Ono are shown in their celebrated honeymoon where they answer questions from the media in a Toronto hotel room to promote peace. Timothy Leary, Andy Warhol and Nico also appear. Color process is not credited. ~ Dan Pavlides, All Movie Guide
- Starring:
- Dr. Timothy Leary
- 1968
This characteristically offbeat, but tedious, Andy Warhol film was finished just before Warhol was seriously wounded by a gunshot wound inflicted by one of his disgruntled followers. It was released soon after Warhol's recovery. Though the film tends to be a muddled, haphazard collection of seemingly unrelated scenes, it begins clearly enough by introducing the main character: the flamboyant, verbose Ondine, an infamous homosexual who makes a passing attempt to live life as a heterosexual. Ondine is also adventuresome enough to try and learn "college wrestling" from a young male prostitute. In the most memorable scene of the film, a nude boy standing over a motorcycle is buried in trash after he and other willing parties participate in a food-and-garbage orgy. The film is re-edited from his earlier 25-hour marathon Four Stars. ~ Dan Pavlides, All Movie Guide
- 1968
Viva and Louis Walden star in this Andy Warhol film. The two discuss social issues and cuddle in bed before copulating. They later shower together and prepare for the day in this boring film highlighted by a sex act that is strangely mechanical and devoid of eroticism. ~ Dan Pavlides, All Movie Guide
- Starring:
- Louis Waldon
Flesh was filmmaker Paul Morrissey's first production for Andy Warhol. The story concerns a bisexual hustler (Joe Dallesandro) who does tricks so that he can pay for his wife's lover's abortion. The film made headlines when it was confiscated by the police during one of its earliest showings in 1970. Though this event is unlikely to repeat itself, Flesh is still explicit enough to elicit gasps from even the most jaded of underground-film enthusiasts. ~ Hal Erickson, All Movie Guide
- Starring:
- Joe Dallesandro, Geraldine Smith, (more)
- 1968
This Big Apple underground art film is based on the classic Greek play Prometheus Bound and presents assorted characters, symbolizing Greek gods and their daily actions that signify the relationship between homosexuality and urban living. Andy Warhol and his Factory members populate the piece. ~ Sandra Brennan, All Movie Guide
- 1968
Queen is a ribald hour-long documentary about a "Miss All-American Beauty" contest held in New York in 1967. So what, you say? Well, it happens that all the contestants are male transvestites -- and some of them are real knockouts. Alternately hilarious and depressing, Queen was considered the cutting edge of obscene outrageousness when originally distributed by Grove Press (the publishers of several above-the-counter "alternative" magazines of the 1960s). Nowadays it's practically kid stuff, thanks to the surfeit of TV tabloids and Fox Network sitcoms. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Doroshow
- 1968
This experimental western from cult icon Andy Warhol concerns nine people in a ghost town looking for love. A truly twisted improvisational comedy should have emerged, but Taylor Mead's shrill screeching and some annoying in-camera editing results in a fairly grating experience. Ramona Alvarez (Viva) and her perpetually stoned nurse (Mead) run into five gay cowboys led by Louis Waldon. They all want to have sex with a handsome drifter (Tom Hompertz), except for the transvestite sheriff (Francis Francine), who can't be bothered about anything but his outfit. Ramona is raped by the cowboys then has sex with Hompertz and wants to form a suicide pact in the afterglow. Hompertz wants no part of such a pact, however, and rides off into the sunset with another man (Eric Emerson). All of this takes nearly two hours, and although there are some cute moments, it never comes together as a whole. Improvisation is difficult to stretch into a coherent feature-length film without at least some attempt at setting up individual scenes. Warhol does none of that here, although he would do better with later films directed by Paul Morrissey, this film's executive producer. His sole interest appears to be in putting attractive young men in front of his camera and having them seduce each other and act silly. Viewers will either be mildly amused, bored, or terribly annoyed, depending on individual tolerance levels. ~ Robert Firsching, All Movie Guide
- Starring:
- Viva, Taylor Mead, (more)
- 1968
Rull (Wolfgang Schneider) is in his last year at a classical German state school. Believing all authority figures are repugnant, he engages in a series of bizarre behaviors. He literally acts like a bull in a china shop, alienates his friends, loses his girlfriend and infuriates his teachers. When he paints a swastika on a wall of the Parliament building, he really gets in trouble. This film is based on the novel The Unadvised by Thomas Valentin. In the novel, the principle character was a hero, but he turns into an alienating buffoon in the celluloid version. Neither authority figures nor the counterculture is spared in this satire. Music is provided by Andy Warhol and the Velvet Underground. ~ Dan Pavlides, All Movie Guide
- Starring:
- Guenther Lueders
- 1967
One of the first "underground" films of the 1960's to achieve a degree of mainstream acceptance (it was an actual hit in New York City, was well-received in Los Angeles and San Francisco, and was banned in Chicago and Boston), Andy Warhol's The Chelsea Girls offered a long, unblinking look into the lives of Warhol's retinue of "superstars" as they showed off for the camera in their various rooms in the notorious Chelsea Hotel, long a favored New York hangout for writers, artists and bohemians. Along with such notables of the moment as Eric Emerson, Brigid Polk, Ondine, and Mario Montez, one of the "girls" was Mary Woronov, years before she gained a cult following for her work in Rock 'n' Roll High School and Eating Raoul. The three-and-a-half hour film consisted of two series of images shown simultaneously, though only one soundtrack was audible; in 1995, Warhol associate Paul Morrissey prepared a video edition for broadcast on British television, though the film has yet to be broadcast in the United States and there is no authorized video release as yet in North America. ~ Mark Deming, All Movie Guide
- Starring:
- Ondine, Mary Might, (more)
- 1967
The medieval writings of Thomas a Kempis supposedly are the inspiration behind this Andy Warhol film. A young son reflects on his place in the world. Brigid Polk is the young boy's mother, with Ondine as his father. Nico plays the maid and Taylor Mead place a homeless man in this lifeless feature. ~ Dan Pavlides, All Movie Guide
- Starring:
- Brigid Polk, Ondine, (more)
