John Wardlow Movies

Cinematographer Michael Chapman directed this John Sayles adaptation of Jean M. Auel's best-selling ode to Cro-Magnon women. The story begins at the moment in pre-history when the last of the Neanderthal men were becoming extinct and the superior race of Cro-Magnons were starting to supersede them. Focusing on a tribe of wandering Neanderthals who adopt a young girl named, Ayla (played as an adult by Daryl Hannah). She grows tall, lithe, and smart. The Neanderthals quickly accept her into their tribe, but once a tribal member, Ayla begins to question the tribe's male chauvinistic presumptions. Unable to conceive of why only men are given weapons, she takes it upon herself to learn how to use a slingshot. She then questions the tribe's assumptions concerning sexual politics. She learns to count and becomes the assistant to the local medicine expert. As the seasons wear on, the tribe utilizes Ayla's knowledge for their own good while Ayla's continues to try the patience of the tribe with her unspeakable feminist demands. ~ Paul Brenner, All Movie Guide

This modernization of Edmond Rostand's Cyrano de Bergerac casts Steve Martin as C. D. Bates, the fearless, quick-witted fire chief of a Washington State resort town. Bates' most trusted fireman is the handsome but tongue-tied Chris McDonell (Rick Rossovich). Both men are in love with the beautiful Roxanne Kowalski (Darryl Hannah), but Bates, adorned with a huge nose that makes Bob Hope look like Nanette Fabray, is convinced that he's too homely to win Roxanne's heart. Thus, in the self-sacrificing tradition of Cyrano de Bergerac, Bates courts Roxanne vicariously by feeding his rival Chris the proper romantic words and phrases. The inherent pathos in Roxanne is offset by moments of slapstick, notably the scene wherein C. D. Bates vanquishes a pair of hooligans with a tennis racket. Steve Martin himself is credited with the screenplay for Roxanne, though he generously cites Edmond Rostand as his inspiration. ~ Hal Erickson, All Movie Guide

The worst in a string of increasingly pointless sequels to Sean S. Cunningham's crude slasher hit, this installment provided clear evidence that the "slasher" subgenre, already creatively dead, was no longer financially viable. This time around, unstoppable supernatural thug Jason Voorhees -- imprisoned at the bottom of a lake by his telekinetic foe Tina in the previous film -- is reanimated yet again after being goosed by an underwater electrical cable, freeing him to stow away aboard a shipload of standard-issue obnoxious teenagers en route to Manhattan. The title ultimately proves a bit of a cheat, since the majority of Jason's homicidal hijinks take place aboard the ship until the film's final reel, during which he pursues a handful of survivors through the streets of the Big Apple. Thanks to heavy MPAA cuts, the mayhem is more subdued here than in any other films of the series -- splatter fans primed by the previous chapters' copious bloodletting will be left high and dry. Despite a very amusing "teaser" trailer that suggested that the film might be a semi-parody, writer/director Rob Hedden and company play things tediously straight. ~ Cavett Binion, All Movie Guide

A man fights to bring decency and the rule of law back to his hometown in this action drama. Chris Vaughn (The Rock) left his home in Washington State's timber country to join the Army, where he distinguished himself as a member of the Special Forces. When his hitch is over, Vaughn decides to return home to help run the family business, a sawmill, but he soon makes the unpleasant discovery that things aren't what they once were. Vaughn learns that the town's lumber industry has all but dried up, and an old high school buddy, Jay Hamilton (Neal McDonough), has turned the city into a den of vice, running a large gambling casino and strip club while selling drugs and women on the side. Angry at this turn of events, and frustrated by local law enforcement officials who are willing to ignore Hamilton's crimes in exchange for kickbacks, Vaughn decides to run for sheriff, and with the help of another old friend, Ray Templeton (Johnny Knoxville), he wins the election. But Hamilton doesn't take kindly to Vaughn's attempts to clean up the town, and Vaughn discovers Hamilton's henchmen are willing to target his friends, his family, and the woman he loves (Ashley Scott) in order to have their way. Walking Tall was based on Phil Karlson's 1973 action hit of the same name, which was in turn inspired by the true story of Buford Pusser, who was sheriff of Tennessee's McNairy County between 1964 and 1970 and gained fame for his tough tactics against the local criminal element. ~ Mark Deming, All Movie Guide

A handful of heroes become superheroes under unlikely circumstances in this action drama adapted from the long-running Marvel comic book series. Four astronauts are on a mission aboard a new experimental spacecraft when they are unexpectedly exposed to a massive dose of gamma rays. The accident causes strange and unexpected transformations in all four. Reed Richards (Ioan Gruffudd), top scientist and leader of the mission, can now stretch his body like elastic and is dubbed Mr. Fantastic. His partner and sweetheart, Sue Storm (Jessica Alba), develops the ability to become invisible at will, and becomes known as The Invisible Girl. Her younger brother, Johnny Storm (Chris Evans), is renamed The Human Torch for his new talent of being able to summon up fire from his body when he chooses. And Ben Grimm (Michael Chiklis), pilot for the journey, mutates into a monstrous creature with super-human strength and muscles like stone, known as The Thing. Together, the travelers become known as the Fantastic Four, and they set out to use their unusual skills to fight crime, quickly gaining a nemesis in another altered hero who uses his talents for evil, Doctor Doom (Julian McMahon). A long-gestating project that had been talked about by a number of filmmakers since the early '90s, Fantastic Four was previously the basis for a pair of animated television serials, and was made into a feature film in 1994 by producer Roger Corman, though that film was never officially released. (Fantastic Four creator Stan Lee has said the 1994 film was made only so that the producers could hold on to the rights to the characters, and that it was never intended to be distributed to the public.) ~ Mark Deming, All Movie Guide

Visual effects specialists Greg and Colin Strause both make their feature directorial debut with this no-holds-barred monster mash that attempts to set itself apart from the 2004 Paul W.S. Anderson original by serving as a straight-up sci-fi horror scarefest. The aliens (and a predator) have landed on planet Earth, and small-town America is about to become the scene of an epic interstellar showdown. As these two breeds of cosmic killers clash in the small-town streets Gunnison, CO, the locals are sent running for their lives. From the murky sewers to the rain-soaked streets, Gunnison has become a total bloodbath. Nowhere is safe, especially from the unstoppable new hybrid known as the "predalien." Now, as the once-quiet community of Gunnison is overrun by Aliens, the only hope for humankind is a fierce hunter from the deepest reaches of space. But this predator is far from a benevolent savior of the human race, because he'll kill any man, woman, or child who gets in the way of his mission to destroy every last alien under these stormy Colorado skies. ~ Jason Buchanan, All Movie Guide