Robert Ward Movies

1999  
 
Tony Restrelli (Brian Bloom) left his San Diego mobster family after college to "go straight" on Wall Street. Not only did he flourish, but he met the woman of his dreams in Gloria (Alicia Coppola), a beautiful and smart businesswoman. But when Tony's beloved younger brother Primo (Rocco Vienhage) is gunned down, Tony and Gloria return to San Diego for the funeral -- and Tony is convinced by longtime family friend Willy "the Hammer" (Alan Arkin) to stick around to straighten out affairs. Tony begins to unspool a plot to get his family out of massive debt using money from competing mobs against the other -- and in the meantime exact revenge for the death of his brother. Gloria's financial wizardry comes in handy, as well. But these two yuppies, who are more comfortable reading stock tickers than shooting pistols, have no idea how dangerous a game they are playing. ~ Buzz McClain, All Movie Guide

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Starring:
Alan ArkinBrian Bloom, (more)
1998  
 
Having run out of excuses and exhausted his supply of self-denial, Andy Sipowicz (Dennis Franz) undergoes prostate surgery. Martinez (Nicholas Turturro) returns to the 15th, acknowledging that he is father of Gina's baby, while Abby (Paige Turco) herself gives birth. Back on the job, the cops investigate the death of a one of five army buddies during a reunion -- leading to the disturbing conclusion that a major act of terrorism has been planned for "Y2K" on New Year's Eve of 1999. ~ Hal Erickson, All Movie Guide

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1998  
 
Susan Koch made this film record of a Washington, D.C., theater project (titled City at Peace) in which teens created performance exercises extending their personal experiences, a program planned as an alternative to life on the streets. Koch's film follows a dozen of the 60 participants in the 1994 racially mixed project. Koch spent over a year filming the group, going from auditions through performances, also shooting commentary and interviews, and then adding a follow-up three years later. Music by City of Peace co-founder Rickey Payton Sr. With a vid-to-film transfer, the 95-minute documentary was shown at the 1998 LA Independent Film Festival. ~ Bhob Stewart, All Movie Guide

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Starring:
Rickey Payton, Sr.City At Peace Youth Performers, (more)
1987  
 
Warm Nights on a Slow Moving Train, written and directed by Bob Ellis, belongs to a genre of highbrow 1980s films which pushed the conventions of art house cinema. An unnamed fine arts teacher struggles to support her brother's drug addiction. To raise money, she moonlights as a prostitute on a midnight train. For each encounter, she dons a different identity, ala Cindy Sherman, and seeks out her john for the night. That is, until she meets the Man and falls for him which forces her to choose between her love or her lifestyle. Warm Nights does have the benefit of Ellis' characteristic fine writing, but it is generally regarded as one of the more dismal failures in this genre. ~ Brian Whitener, All Movie Guide

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Starring:
Wendy HughesColin Friels, (more)
1985  
R  
Based on a novel by Morris West, this is a classic American cowboy tale set in Australia's exotic outback, with the Aborigines pitted against a rancher, Lance Dillon (John Stanton) because he is on their land. After a renegade Aborigine, Mundaru (Tommy Lewis), kills one of Lance's Brahma bull's and a ranch hand who gets involved, Mundaru spears the fleeing Lance in the shoulder but does not catch up with him to finish the job. The story of Lance's survival is the focus of the film, along with a parallel story of his wife, Mary (Rebecca Gilling), temporarily falling for Lance's opposite, Sgt. Neil Adams (Ivar Kants). The characters of the two men, and Mundaru, are contrasted against a setting of conflict that escalates out of control. ~ Eleanor Mannikka, All Movie Guide

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Starring:
John StantonRebecca Gilling, (more)
1971  
PG  
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Noted character actor L.Q. Jones (who would later direct the cult classic A Boy and His Dog) produced this low-budget horror item about a small Southwestern town torn asunder by the mysterious disappearances of several of its children. Jones plays the town sheriff, who joins forces with some of the locals to find the perpetrators and uncovers a diabolical plot concocted by a coven of elderly devil-worshippers who plan to use the children's bodies as receptacles for their own souls, enabling them to live again in younger bodies. To this end, they use their supernatural abilities to slay any meddling adults by turning the kids' toys into deadly war machines. Creepy opening and closing sequences and a bravado performance from Strother Martin (as the king-daddy Warlock) are the film's strongest assets. ~ Cavett Binion, All Movie Guide

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Starring:
Strother MartinL.Q. Jones, (more)
1969  
 
Season Thee of Ironside begins as wheelchair-bound detective Robert T. Ironside (Raymond Burr) and his team set their sighs on prolific con artist Raymond Otis Baker (Joseph Campanella), who specializes in bilking little old ladies out of their life savings. Unfortunately for Baker--or, as he is now calling himself, Mr. Braithwaite--his most recent victim was the aunt (Beah Richards) of Ironside's bodyguard Mark (Don Mitchell). In order to trap the elusive "R.O.B.", Ed (Don Galloway) and Eve (Barbara Anderson) pose as a wealthy couple, ripe for plucking. But the plan goes awry when one of the villain's accomplices recognizes Ed from an earlier sting operation! ~ Hal Erickson, All Movie Guide

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1966  
NR  
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Columbia Pictures tried to create a tongue-in-cheek American James Bond with this, the first of five motion pictures based on the character of Matt Helm, a spy created in a series of novels by Donald Hamilton. Dean Martin stars as Helm, a boozing, womanizing cad of a spy coaxed out of retirement by ex-girlfriend Tina Batori (Daliah Lavi). His mission: stop the evil Big O organization, whose leader, Tung-Tze (Victor Buono), schemes to sabotage an atomic missile and thus spark World War III. Producer Irving Allen had once been partners with Albert R. Broccoli in the British film production company Warwick Films, their alliance ironically disintegrating over the merits of creating a Bond series. When Broccoli's instincts proved correct, Allen attempted to create his own spy franchise with the Helm character. The sequels to The Silencers (1966) were Murderers' Row (1966), The Ambushers (1967), and The Wrecking Crew (1968). Allen unsuccessfully tried to resurrect the character as a TV movie, Matt Helm (1975). ~ Karl Williams, All Movie Guide

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Starring:
Dean MartinStella Stevens, (more)
1965  
 
In this drama, a outlaw leads his fugitive band into the desert after they murder a rich woman while robbing her. They are sheltered by an Indian woman who killed her husband after he made advances toward her daughter. The youngest outlaw falls for the daughter. They decide to come clean to the law. The gang leader and the Indian mother are killed by the cops. The daughter patiently awaits the release of her lover, who was sent to prison. ~ Sandra Brennan, All Movie Guide

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1964  
NR  
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In this chilling blood-tale in "Psycho" style, Robert Bloch modernizes the Lizzy Borden story. A wife (Joan Crawford) literally axes her cheating husband and his lover, witnessed by her three-year-old daughter. Mom is packed off to the insane asylum for 20 years before reuniting with the daughter (Diane Baker). From this point, the axe murders continue along a contrived plot intended to lead the audience astray until the mystery is solved. Crawford's strong performance and the excellently constructed suspense are the best elements of the film -- and the chopping saves the show when the plot tends to slow. ~ Lucinda Ramsey, All Movie Guide

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Starring:
Joan CrawfordDiane Baker, (more)

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