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Peter Wang Movies

Actor, producer, director, writer, onscreen from the '80s. ~ Rovi
1989  
 
Yang Jia Luo (Chang Shi) has been immured in a military school for some years, and his boredom both there and at home is about to drive him to distraction, as his growing maturity and raging hormones make is teen life ever more complicated. He begins to perk up when Teacher Liu (Shi Jun) takes an interest in him. Jia Luo has also grown fascinated by the freewheeling behavior of Yo Fu Sheng (Li Xing Wen), whose father is a wealthy government official, and strikes up an acquaintance with him. However, shortly after Yo receives a humiliating scolding for carelessly causing an explosion in the chemistry lab that Teacher Liu supervises, the teacher disappears. Is political influence at work here? Now Jia Luo must decide who his real friends are, and what he can do to help them. ~ Clarke Fountain, Rovi

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Starring:
Chang ShiLi Xing Wen, (more)
 
1986  
R  
Focusing on idiosyncratic characters and culture-clash comedy, rather than on the high-tech action its title might suggest, writer-director Peter Wang's The Laserman dramatizes the personal and professional struggles faced by a young Chinese-American scientist. When a bungled experiment leads to the death of his lab assistant, laser specialist Arthur Weiss (Marc Hayashi) is forced to reevaluate his life. His family provides little solace, as his attempts to deal with his mother (Joan Copeland), a Jewish woman obsessed with Chinese culture, and his brother (Tony Leung), a petty thief, lead only to more stress. Things begin to look up for Arthur when he receives a offer from a mysterious company to resume his research, but he soon discovers that his employers hope to use his developments for questionable ends, placing him in a disturbing moral crisis. Wang crowds the film with oddball personalities, opting for a quirkier sort of comedy than in his earlier A Great Wall, a more realistic look at the Chinese-American experience. Although the sheer number of these supporting characters and subplots often threatens to overwhelm the film, it attracted positive critical response for its offbeat humor. ~ Judd Blaise, Rovi

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Starring:
Marc HayashiMaryann Urbano, (more)
 
1986  
PG  
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The full title of this culture-clash drama was originally The Great Wall is a Great Wall. The first American production to be shot in Red China, the film was produced and directed by Peter Wang. Wang himself stars as Leo Fang, a San Francisco computer engineer who decides to move his family to China in search of his "roots." For the first time in his life, Fang discovers what it is to be Chinese and not merely a hyphenated American, but his wife and children are not so easily assimilated into their new surroundings. Problems arise when Fang and his brood move in with their Mainland relatives, who are curious (and a little apprehensive) about Western culture. It takes a long, long time before a common ground of mutual understanding and respect is reached, and it is the children who take the first steps towards that ground. ~ Hal Erickson, Rovi

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Starring:
Peter WangSharon Iwai, (more)
 
1983  
 
Hui So-Ying plays the title role in the Hong Kong-filmed Ah Ying. A 22-year-old girl living with her seven siblings, Ah Ying is desirous of escaping her middle-class existence (not to mention her family's fish market). Inspired to pursue her dreams by the songs of American balladeer Jim Croce, Ah Ying enrolls at the Film Culture Center of Hong Kong to take acting lessons. Here she falls in love with her instructor, who is likewise seeking a means to break loose from his routine and become famous. Director Allen Fong based the scenario for Ah Ying on the actual experiences of star Hui So-Ying. ~ Hal Erickson, Rovi

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Starring:
Hui So-yingPeter Wang, (more)
 
1982  
R  
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This thriller about a $4000 robbery was successfully lensed by writer/director Wayne Wang on a budget of $22,000. Cabdrivers Wood Moy and Marc Hayashi are robbed by the elusive Chan Hung (whom we never see in the film). As Moy and Hayashi track down the thief, Wang offers indelible images of the seamier portions of San Francisco's Chinatown. Whether the two cabbies ever retrieve their lost loot is immaterial; the film is a mood and character piece, seasoned with unexpected moments of laughter. Chan is Missing became a sleeper on the arthouse circuit, a fact that would open many professional doors for the multi-talented Wayne Wang. ~ Hal Erickson, Rovi

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Starring:
Marc HayashiWood Moy, (more)