Gerald Case Movies

John Hurt stars as John Merrick, the hideously deformed 19th century Londoner known as "The Elephant Man". Treated as a sideshow freak, Merrick is assumed to be retarded as well as misshapen because of his inability to speak coherently. In fact, he is highly intelligent and sensitive, a fact made public when one Dr. Frederick Treves (Anthony Hopkins) rescues Merrick from a carnival and brings him to a hospital for analysis. Alas, even after being recognized as a man of advanced intellect, Merrick is still treated like a freak; no matter his station in life, he will forever be a prisoner of his own malformed body. Unable to secure rights for the famous stage play The Elephant Man, producer Mel Brooks based his film on the memoirs of Frederick Treves and a much later account of Merrick's life by Ashley Montagu. The film is lensed in black and white by British master cinematographer Freddie Francis. Though nominated for eight Academy Awards, the film was ultimately shut out in every category. ~ Hal Erickson, All Movie Guide

TV commentator Stephen Boyd doesn't believe the official verdict of suicide in the death of a famed London psychiatrist. Boyd tries to get to the truth by studying a list of the shrink's patients. While interviewing three of these worthies (Jack Hawkins, Diane Cilento and Richard Attenborough), Boyd discover that each has a deep dark secret that the psychiatrist was privy to. The best-kept secret concerns the schizophrenia of the dead man's teenaged daughter (Pamela Franklin)--a fact that provides the key to mystery. The Third Secret originally featured Patricia Neal as one of the suspects, but her scenes were cut from the final release print. ~ Hal Erickson, All Movie Guide

It's probably no surprise that Invasion Quartet has four leading actors; what might be surprising, especially to the unwary war-film fan, is that film is a comedy. British funster Spike Milligan joins the sobersided Bill Travers, John LeMesurier and Gregoire Aslan; the foursome are undercover agents, travelling by train behind Nazi lines. It's all part of a plan to disarm a huge German gun that is aimed at the port of Dover. Just so the audience knows it's supposed to be laughing, the creators of Invasion Quartet pile joke upon joke by having the Nazis portrayed as bumbling buffoons. What works for Hogan's Heroes does not necessarily add to the effectiveness of Invasion Quartet. ~ Hal Erickson, All Movie Guide

Ray Milland doubles up as star and director of The Safecracker. Set during WW II, the film casts Milland as professional cracksman Colley Dawson, who is rescued from prison by Army major Adbury (Ernest Clark). Dawson is offered a deal: if he'll agree to embark upon a dangerous mission behind enemy lines, he'll be given his freedom. The mission, of course, is to break into a Nazi safe and steal a list of German spies operating in England. Before one can say "Robert Wagner", Dawson is trained as a commando and parachuted into Belgium for the "caper" of his life. Supposedly based on a true story, The Safecracker was lensed in Europe and released stateside by MGM. ~ Hal Erickson, All Movie Guide

Old-timer Dennis O'Keefe and newcomer Ann Sears star in the British melodrama Lady of Vengeance. O'Keefe plays an American publisher headquartered in London, whose young ward (Eileen Elton) is driven to suicide. The distraught O'Keefe hires a professional criminal (Anton Diffring) to plot the murder of the man responsible for the girl's death, with the proviso that the victim undergo the torments of the damned before he is finally killed. Trouble is, the wrong man is targeted for the publisher's revenge. Nominal leading lady Ann Sears does what she can with the nondescript role of O'Keefe's secretary. ~ Hal Erickson, All Movie Guide

British stage and film star Ralph Richardson stepped behind the cameras for the first and last time to direct Murder on Monday. Richardson also starred in the film, portraying a clerk who suffers a blackout after a blow on the head. Upon recovering, Richardson is led to believe that he has committed murder during the past 24 hours. Originally released in Great Britain as Home at Seven, Murder on Monday was based on a play by R. C. Sheriff. No Orson Welles he, Ralph Richardson invited Sheriff to the set to help him properly interpret the original material; with the input of the author, and with the technical advice of producer Alexander Korda, was able to shoot the film in less than 14 days. ~ Hal Erickson, All Movie Guide

Long before it concentrated on its series of Edgar Wallace mysteries, the British Merton Park studios cut its teeth on taut little home-grown melodramas. Assassin for Hire stars Sydney Tafler as Antonio Riccardi, a professional killer who has long managed to elude the law. Inspector Carson (Ronald Howard) is determined to bring Riccardi to justice, but has no evidence to work with. In a peculiar twist of fate, Riccardi is brought to heel by a crime he didn't commit. Beyond its better-than-usual production values, Assassin for Hire permits us a glimpse at Ronald Howard impersonating a detective several years before starring in the Sherlock Holmes TV series. ~ Hal Erickson, All Movie Guide

A man recently gone AWOL from the Army (Derek Farr) is arrested in a store robbery that occurred while he was shopping. With help from a beautiful lawyer (Joan Hopkins), he must prove his innocence. ~ John Bush, All Movie Guide

The Dancing Years was written by British theatrical favorite Ivor Novello, who also penned the songs. Set in turn-of-the-century Vienna, the film stars Dennis Price as Rudi Kiebler, the role played by Novello in the original stage version. A struggling young composer, Rudi is elevated to prominence when famed operetta star Maria Ziedler (Giselle Preville) agrees to perform one of his works. Falling in love with Rudi, Maria nonetheless enters into a loveless marriage to a prince (Anthony Nicholls) due to a misunderstanding. The source of this misunderstanding is attractively played by Patricia Dainton. Old-fashioned in the extreme, The Dancing Years is given a fresh coat of paint by the engaging performances of the stars and the sprightly direction by Harold French. ~ Hal Erickson, All Movie Guide

A popular British stage play by William Douglas Home was the basis for this out-of-the-ordinary prison picture. Richard Greene heads the cast as Turnfell, a murderer facing a death sentence. Turnfell is but one of several inmates whose joys and sorrows are detailed in anecdotal fashion: others include a cockney forger (William Hartnell), an embezzling bank clerk (Ronald Howard) and a bigamist (Lesley Dwyer). Also on hand is the Governor (or warden), played with a refreshing lack of genre cliches by Sir Cedric Hardwicke and an Irish terrorist, well-played by a very young Richard Burton. Now Barabbas was a Robber was eventually given a general release under the streamlined title Now Barabbas. ~ Hal Erickson, All Movie Guide

I See a Dark Stranger manages to be both an absorbing espionage yarn and a slyly amusing send-up of the entire genre. Deborah Kerr is terrific as Irish colleen Bridie Quilty, raised from childhood to despise the British and everything they stand for. Bridie's anglophobia proves useful to Nazi spy Miller (Raymond Huntley), who hopes to use the girl to help him steal the plans for the D-day invasion. Playing her "Mata Hari" role to the hilt, Bridie wholeheartedly throws herself into a world of clandestine meetings and coded messages, certain that by helping the Germans she is also helping Mother Ireland. Eventually she realizes the error of her ways, enabling her to turn the tables on Miller and his co-conspirators. Trevor Howard co-stars as David Baynes, with whom the impulsive Bridie falls in love despite his English forebears. I See a Dark Stranger was released in the U.S. as The Adventuress. ~ Hal Erickson, All Movie Guide

If nothing else, the British melodrama Night Boat to Dublin had topicality going for it. As Captain David Grant, Robert Newton heads the cast of this spy-hunt caper. The plot concerns the efforts to rescue a Swedish scientist from the clutches of Nazi ringleader Keitel (Herbert Lom) and his minions. The scientist is of course of the "atomic" variety, meaning that it's crucial to smuggle him to safety before the Germans can learn his secrets. The authentic Dublin dialects heard throughout the film add charm and authenticity to the proceedings, though they are a bit hard to understand at times. ~ Hal Erickson, All Movie Guide

Few morale-boosting wartime films have retained their power and entertainment value as emphatically as Noël Coward's In Which We Serve. To witness Coward's sober, no-nonsense direction (in collaboration with his co-director/editor, David Lean) and to watch his straightforward portrayal of navy captain Kinross, one would never suspect that he'd built his theatrical reputation upon sophisticated drawing-room comedies and brittle, witty song lyrics. The real star of In Which We Serve is the British destroyer Torrin. Torpedoed in battle, the Torrin miraculously survives, and is brought back to English shores to be repaired. The paint is barely dry and the nuts and bolts barely in place before the Torrin is pressed into duty during the Dunkirk evacuation. The noble vessel is finally sunk after being dive-bombed in Crete, but many of the crew members survive. As they cling to the wreckage awaiting rescue, Coward and his men flash back to their homes and loved ones, and, in so doing, recall anew just why they're fighting and for whom they're fighting. Next to Coward, the single most important of the film's characters is Shorty Blake, played by John Mills. (Trivia note: Mills' infant daughter Juliet Mills appears as Shorty's baby.) Even so, the emphasis in the film is on teamwork; here as elsewhere, there can be no stars in wartime. For many years, the only prints available to television were from the bowdlerized American version, which crudely cut out all "hells" and "damns." Fortunately, this eviscerated American release has since been shelved in favor of the full, glorious 115-minute version. ~ Hal Erickson, All Movie Guide