Hal B. Wallis Movies

'Til We Meet Again is an inflated remake of 1932's One Way Passage. As in the original, the hero is a convicted murderer en route to the death house by way of a merchant ship; the heroine is suffering from a terminal illness. Once more, hero and heroine fall in love, each keeping the facts of his or her imminent doom from the other. The principal difference this time is that instead of William Powell and Kay Francis, the stars are George Brent and Merle Oberon. This cast change does no damage to the basic storyline, but the decision in 'Til We Meet Again to expand upon the secondary romance between the arresting detective (Pat O'Brien) and an accomplice of the condemned man (Geraldine Fitzgerald) throws the focus of the film completely out of kilter. One decided benefit to both One Way Passage and 'Til We Meet Again is the comic presence of Frank McHugh, who plays the same role--a tipsy pickpocket--in both pictures. ~ Hal Erickson, All Movie Guide

A Child is Born is a remake of 1932's Life Begins, softened to conform to stricter movie censorship and lengthened to qualify as an "A" picture. The film is an episodic account of one particularly busy night in a maternity hospital. A generous portion of screen time is lavished on a gangster's moll (Geraldine Fitzgerald), about to give birth to her illegitimate baby. The young woman dies in childbirth, but other subplots end more happily. Even at 79 minutes, A Child is Born seems more padded and protracted than its 1932 predecessor--notably in a contrived sequence wherein the only surgeon qualified to perform a delicate operation is blinded in an accident. ~ Hal Erickson, All Movie Guide

Certain film historians are perpetually amazed that the doggedly unappetizing Laurence Harvey became a major film star. In Girl Named Tamiko, Harvey is once more the embittered heel, this time playing a Eurasian photographer who pretends to be in love with numerous American ladies. His only true interest is obtaining American citizenship, something most of his erstwhile amours find out all too late. Harvey's latest prospect is Martha Hyer; his true love, however, is innocent Japanese girl France Nuyen, the Tamiko of the title. Stuck with a cold fish for a leading man, producers Hal Wallis and Paul Newman and director John Sturges work overtime to get the audience to "pull" for the luckless Ms. Nuyen. A Girl Named Tamiko was one of several early-1960s Paramount films shot on location in the Orient--though certainly not the best of the group. ~ Hal Erickson, All Movie Guide

Shirley Booth followed up her Oscar-winning performance in Come Back Little Sheba with the high-gloss soap opera About Mrs. Leslie. Based on a novel by Vina Delmar, the film casts Booth as a philosophical boarding house keeper who recalls her life and loves in a long, long flashback. Born on the wrong side of the tracks, Vivien (Booth) escapes her surroundings by becoming a cabaret singer. She meets and falls in love with handsome, secretive George Leslie (Robert Ryan), then becomes his mistress, assuming his last name in the interests of propriety. Upon Leslie's death, Vivien discovers that her lover was actually a fabulously wealthy industrialist. Her experiences are placed in context with the present-day travails of her boarders, notably young sweethearts Nadine (Marjie Millar) and Ian (Alex Nicol). ~ Hal Erickson, All Movie Guide

On December 6, 1941, a squadron of nine B-17 bombers takes off for Hickam Field, HI. The crew of the Mary Ann, including two new men, assistant radio man Private Chester (Ray Montgomery) and gunner Sergeant Joe Winocki (John Garfield), assembles for the flight, and in the first 20 minutes, the movie reveals certain things about the crew: the shadowy past of one, the mother of another, and the wife of a third; two of them are good friends with the sister of McMartin (Arthur Kennedy), the bombardier, who lives in Honolulu; the son of the senior member of the crew, Sgt. White (Harry Carey Sr.), is a pilot stationed at Clark Field in the Philippines. Then more characters make entrances: the aircraft commander Quincannon (John Ridgely); Weinberg (George Tobias), a Jewish mechanic from New York; and a man from a farm in the upper Midwest -- they all represent a broad cross-section of America as it saw itself, and the "regular guys" in the Army Air Force as it existed in 1941. The flight proceeds without incident. Winocki, an embittered, washed-out flight school candidate who accidentally killed another pilot, is about to leave the service when the weather report from Hickam Field is interrupted, and the radio man begins picking up transmissions in Japanese. The Mary Ann and the rest of the squadron fly right into the middle of the Japanese attack on Pearl Harbor unarmed and out of gas, and nearly crack up landing on an emergency field; no sooner do they make repairs than the crew comes under attack, and the plane takes off and makes for Hickam Field, which they find a flaming shambles. They fly on to the Philippines, stopping at Wake Island just long enough to meet a few members of the doomed Marine garrison, taking their company mascot, a dog, with them. At Clark Field, the Mary Ann and her crew finally go into action against the enemy, flying in alone against a Japanese invasion force; Quincannon is mortally wounded in the brief action, which leaves the plane damaged seemingly beyond repair. The remaining crew won't give up the plane, however, even when ordered to abandon and destroy her; they get the bomber off just ahead of the advancing Japanese, and survive to help bring retribution to the invading fleet and the Japanese empire. ~ Bruce Eder, All Movie Guide

Humphrey Bogart plays Gloves Donahue, a rough-hewn but essentially decent New York gambler. The Runyonesque plot gets moving when Gloves tries to find out what's holding up his favorite restaurant's daily shipment of cheesecake. Paying a call on the bakery, Gloves stumbles into a Nazi spy ring, masterminded by Conrad Veidt. Mixed up in all this is nightclub singer Kaaren Verne, whose loyalties are in question in her early scenes but who turns out to be as true-blue as the patriotic Gloves. Combining a quick wit with quicker fists, Gloves and his "mob" thwart the Nazis before they're able to skip the country. The cast is a movie buff's dream, ranging from Jane Darwell as Bogart's mom to Peter Lorre as a cynical Nazi flunkey to William Demarest, Frank McHugh, Phil Silvers and Jackie Gleason as Bogie's favorite cohorts. The film's best scene would have us believe that Bogart could confound a gang of erudite Nazis with a steady stream of Manhattan slang. One shudders to think how leaden All Through the Night would have been had George Raft accepted the role of Gloves Donahue. ~ Hal Erickson, All Movie Guide

Anne of the Thousand Days is the belated film adaptation of Maxwell Anderson's 1948 stage play. The story concentrates on the romance between Britain's King Henry VIII (Richard Burton) and his ill-fated second wife Anne Boleyn (Genevieve Bujold). After holding out for marriage rather than an illegitimate union, Anne marries Henry after he sheds himself of Katherine of Aragon -- causing a rift between the Crown and the Church in the process. Anne's inability to produce a male heir leads Henry to look about for other suitable mates. Henry's sinister right-hand man Cromwell (John Colicos) arranges for Anne to be condemned on a charge of adultery. She is beheaded, while Henry disconsolately sits in Windsor Castle, regretting this callous example of political expediency. Richard Burton is ideally cast in Anne of the Thousand Days, but it is Genevieve Bujold who delivers the best, most complex performance in the film. ~ Hal Erickson, All Movie Guide

Bearing very little relation to the 1937 Paramount musical of the same name, Artists and Models is a lavish, girl-filled vehicle for the popular team of Dean Martin and Jerry Lewis. Martin plays Rick Todd, a comic-book artist who is under fire from his publisher (Eddie Mayehoff), who complains that Rick's work isn't gory enough. Lewis plays Eugene Fullstack, Rick's roommate, who while asleep dreams up elaborate comic-book plots and garishly costumed superheroes. Eugene's nightmares help Rick become a success; meanwhile, our two heroes romance their luscious neighbors, artist Dorothy Malone and rambunctious model Shirley MacLaine (who during one song wrestles Eugene to the floor and sits on his chest!) Eugene's overworked imagination somehow attracts the attention of a group of Russian spies, who attempt to abduct Eugene during the annual Artists and Models Ball. Director Frank Tashlin uses Artists and Models as an excuse for some of the wildest sight-gags seen in a mid-1950s film. At one point, the director contrives to stuff a gag in Shirley MacLaine's mouth. Tashlin also exhibits his ongoing fascination with female breasts and legs by giving ample screen time to the natural attributes of co-stars Anita Ekberg and Eva Gabor. One of the best of the Martin/Lewis efforts, Artists and Models suffers only from being about 20 minutes too long. ~ Hal Erickson, All Movie Guide

Based on the hit Broadway play by Neil Simon, who made his screenwriting debut with this adaptation, Barefoot In The Park follows the lives of newlyweds Paul (Robert Redford) and Corie Bratter (Jane Fonda) as they adjust to married life in a tiny Greenwich Village apartment. Paul is a buttoned-down, straight-arrow lawyer who's wound a little too tight, while Corie is an effervescent free spirit who won't let anything disturb her romantic bliss. Aside from the five-flight climb and the hole in their skylight, the Bratters must also contend with eccentric upstairs neighbor Victor Velasco (Charles Boyer), who must go through their apartment to get to his. Corie hatches a plot to get her mother (Mildred Natwick) together with Mr. Velasco, but the entire evening goes awry and even casts doubt on the viability of the Bratters' new marriage, as Corie tries unsuccessfully to loosen Paul up. All ends well, however, and Fonda and Redford are full of youthful appeal in this light domestic comedy. ~ Don Kaye, All Movie Guide

This gangster film is based upon fact as it tells the tale of a determined reporter who has decided to make sure a certain notorious gangster gets his just desserts. It takes a long time, but eventually the reporter succeeds and the gangster is sent up river. Unfortunately, once there, he becomes the leader of the prisoners and, though incarcerated, is soon up to his old tricks of trying to corrupt local politicians and the warden. The obsessed journalist is infuriated and so gets himself sent to prison to stop the gangster once and for all. ~ Sandra Brennan, All Movie Guide

Marc Camoletti's popular stage farce Boeing Boeing is watered down and realigned into a Tony Curtis/Jerry Lewis vehicle. Curtis plays an American journalist living in Paris; Lewis is his goonish (but surprisingly restrained) buddy. Partial to stewardesses, Curtis manages to juggle the affections of three luscious flight attendants (Dany Saval, Christiane Schmidtmer, and Suzanna Leigh), whose schedules are such that their visits to Curtis' bachelor pad never overlap. Complications ensue when the Boeing company speeds up its air service, and when Lewis tries to muscle in on Curtis' "racket." The best lines go to Thelma Ritter as Curtis' disapproving housekeeper. ~ Hal Erickson, All Movie Guide

Edward G. Robinson plays orchid-loving gangster Little John Sarto, who aspires to "real class." During a power struggle with usurping mobster Jack Buck (Humphrey Bogart), Sarto is taken for a one-way ride, but he escapes his would-be assassins and hides out in a monastery overseen by Brother Superior (Donald Crisp). Sarto insists that he'd like to become a monk himself, but in fact he's using the monastery as a hideout, the better to mount his counterattack against Buck. Eventually Sarto's resolve is weakened by the kindness of the monks, and he decides to turn over a new leaf. He sees to it that Buck is brought to justice, and also fixes up his true-blue "moll," Flo Addams (Ann Sothern), with good-hearted Texas rancher Clarence Fletcher (Ralph Bellamy). (News flash! Bellamy gets the girl for once!) Sarto, now known as "Brother Orchid," returns to the monastery for good, declaring that he's finally found the real class. Though Edward G. Robinson didn't want to play another gangster, he agreed to star in Brother Orchid in exchange for being allowed to essay the lead in Warner Bros.' historical drama A Dispatch From Reuter's (1940). ~ Hal Erickson, All Movie Guide

Call It a Day is a Warner Bros. attempt at British light comedy. Nothing much happens of any consequence in this story of a day in the life of a typical middle-class London family, headed by accountant Ian Hunter. The husband is tempted by a seductress (Marcia Ralston), the wife (Freda Inescourt) tries but fails to have a "fling" herself, the daughter (Olivia De Havilland) throws herself at a married artist (Walter Woolf King), and all is set aright before the sun goes down. The film's funniest moments belong to droll Roland Young and sharp-tongued Alice Brady. Call it a Day was adapted from Dodie Smith's gossamer-thin stage play. ~ Hal Erickson, All Movie Guide